Youtube News: Youtube daily report w Jan 23 2018

Laserdisc.

A product with an unknown purpose that was both a few years too late and way too far

ahead of its time.

That'll make more sense later on, but I want to begin this exploration of the format

with my personal astonishment when learning of it.

Being a child of the nineties, I fondly remember our first DVD player.

It was amazing, you could freeze frame in perfect clarity, search by chapter, change

the soundtrack, and enjoy vastly superior picture quality over VHS.

Oh, and you didn't have to rewind.

It really was the coolest thing, and I remember the entirety of my fourth grade class considering

our teacher a hero for buying a DVD player so we could watch Schoolhouse Rock.

Fourth grade was also when I learned what a Laserdisc was.

Our class took a trip to the school library to watch a laserdisc teaching us about being

safe around electricity.

I fully expected "Laserdisc" to be a weird non-specific way to refer to a DVD, and was

really surprised when the librarian grabbed this absolutely giant disc from a box and

put it in this weird machine to play it.

Somehow that memory stuck with me, and in seventh grade I researched what Laserdisc

actually was.

And boy was I surprised.

Laserdisc was THE first optical disc format, providing high resolution analog video, with

nearly all the features of my beloved DVD.

You had chapter search, you had multiple audio tracks, you had the better picture, you had

trick play features on some discs, and more.

And you had this starting from 1978!

Why hadn't I heard about Laserdisc before?

Why weren't they more popular?

To find out, we need to go back in time to when it was released.

Laserdisc was the culmination of the work of many people and companies, with the earliest

work being credited to David Paul Gregg in 1958.

Maybe.

I'm gonna go on a slight tangent here and address some apparent patent and date confusion

on Wikipedia's part that seems to have migrated elsewhere.

Although 1958 is referenced as the year Gregg invented it pretty much on any site talking

about Laserdisc, there are weird inconsistencies in many places.

For example, The Wikipedia entry for Optical Recording

again tells us Gregg invented a transparent video disc in 1958, and that it was patented

in 1961 and 1990, bizarrely.

Now when you scroll down to the actual patent citations, the years right there are 1969

and 1970.

Hmm.

And the filing date of the videodisc patent was 1967, but that's good six years off

from 1961.

The rather sparse article on Gregg himself references a completely different patent.

This article says Gregg was "inspired to" create the disc in 1958, so that's different,

and the referenced patent is the earliest one we've yet seen, being filed in 1962

(though it's referenced in the article as 1961).

But further muddying the waters, that patent wasn't too specific on what he intended

his technology to be for.

Though Wikipedia references US patent 3350503 as being for a "videodisk", there's

nothing in that patent that exclusively defines it either as being for video or indeed a disc.

That patent mainly describes his work using an electron beam and a medium which can modulate

a signal by inhibiting secondary emission from that beam as a new means of media storage,

different from the then conventional use of ferrous particles in magnetic tape.

While video reproduction does seem to be the main goal of this system, the patent drawing

and explanation of operation applies this encoding technique to a tape.

However, the patent does discuss the possibility of a disc using this new recording technique,

and perhaps that's why it's referenced.

In any case, although this patent doesn't really relate to Laserdisc that closely, the

patent's main point was that using an electron beam as a scanning method could store information

more densely than magnetic tape.

It seems likely this revelation led Gregg to his next patent, which is the one we really

want to see.

US Patent 3430966, filed just over 5 years later in April of 1967, is the one we really

need to talk about.

This patent describes a transparent disc which reproduces video or other signals by modulating

the strength of a light beam shining through it.

That's more like it.

Gregg's concept from this patent is nearly exactly what Laserdisc does.

I know patent dates can be confusing, particularly with the differences between priority date,

filing date, and actual publication, but there seems to be some very questionable info floating

around being regarded as fact.

It seems the 1958 date comes from Gregg's own words, and I did find a source courtesy

of the source material from the Today I Found Out article accompanying their recent video

on this subject that suggests as much--links are in description for a lot of this.

In short, Gregg's video disc used a light source shining through it to recreate a signal.

To quote the patent,

Now a funny little fact that I'd like to throw in here is that a somewhat similar system

had been in place for audio signals on motion picture film for decades.

Lee De Forest, that's right, the radio guy, had developed a sound-on-film system that

first came to commercial use in 1923.

In this system the sound signal is photographically etched on the film, and a light source through

it with a sensor on the other side, can reproduce honest-to-goodness sound.

This very much is the sound waveform with a tiny sliver of light projected through it,

and the light sensor on the other side will produce an output which can drive a loudspeaker.

And in the ultimate gesture of backward compatibility, later digital sound formats would squeeze

their soundtracks between the sprocket holes in the case of Dolby Digital sound and in

the tiny space to the left of the sprocket holes for DTS Digital Audio, still leaving

room for a stereo analog optical track where it always had been.

Now this isn't to say that Gregg's work was a rip-off of sound-on-film technologies.

Not even slightly.

Sound-on-film generally used the width of the track to determine amplitude, and its

information density was pretty poor.

By confining a light beam to a single spot, a very fine spiral groove could be made, which

is much more space efficient.

Gregg's patent image is similar to the pits and lands system that would be incorporated

into Laserdisc.

The light was either completely blocked or completely unobscured.

There were no grey areas, so a half-strength signal would be recorded with a section repeatedly

going high-low-high-low, almost like an analog application of pulse-width modulation.

In fact, his patent states "optical recordings representative of video signals formed on

at least one side of said record member in the form of an intermittent opaque deposit...said

opaque deposit selectively interrupting the transparency of said transparent material

along said track".

Patent language is fun.

MCA, the Music Corporation of America, bought Gregg's patents in 1968.

MCA owned the largest collection of motion pictures at the time, and saw this system

as a way to potentially sell movies for home use.

The electronics company Philips was simultaneously developing their own system which used a reflective

disc.

Philips and MCA would team up to produce the first commercially produced system, which

was called…

Discovision.

We'll need a moment to process that.

I..I mean it's clever, Disc-o-vision, but they went all out on the Disco thing.

The original disc jackets featured the movie poster behind a V-neck Disco suit.

Ugh.

Discovision was released in one test market, the metro area of Atlanta, Georgia, at the

tail end of 1978.

It would slowly creep out to the rest of the country, but it had a troubled history from

the very beginning.

The MCA-Philips partnership didn't last, in part due to production issues that we'll

look at later, and Pioneer of Japan bought the rights to the format, mercifully renaming

it Laservision.

Not Laserdisc?

You ask?

Well, Laservision referred to the format's standard, with all discs and players bearing

this mark (similar to the Compact Disc logo).

LaserDisc was technically Pioneer's brand name, with any discs or players featuring

the LaserDisc logo being manufactured exclusively by Pioneer.

However, the LaserDisc name quickly became a catch-all term for the format, and so it

was nearly universally referred to as Laserdisc.

But you wouldn't find Pioneer's classic beam-split logo anywhere but on their machines.

Laserdisc improved upon Gregg's work in two ways.

First was the reflective nature of the discs.

The most impactful thing this allowed was a double sided disc, although Greg's patent

did suggest a double sided transparent disc would be possible via changing the the focal

point of the projected light beam, sorta like Dual-Layer DVDs.

But Gregg hadn't yet come upon the laser concept, probably because lasers were brand

new experimental technology at the time he filed his patent, and this new approach dramatically

increased the density of the recording because a laser can be focused down to a tiny tiny

spot.

Also a minor change that would remain in place for all optical formats going forward was

the decision to read the disc from the inside out, unlike conventional records of the time.

A Laserdisc is read just like CDs, DVDs, and Blu-Ray discs.

A laser focuses a beam of light on a tiny spot, and this beam gets reflected back to

an optical pickup, basically a light sensor.

The surface of the disc is covered in pits that move the beam's reflected path away

from the light sensor.

And these pits create a signal in the optical pickup by continually varying the amount of

light it receives.

The odd thing about Laserdisc, though, is that the pits produce an analog signal mixed

with a whole bunch of other stuff.

Digital formats use the pits and lands, lands being flat spots, to encode either zeros or

ones.

That means there's only two different results--either the beam is reflected into the sensor, or

it isn't.

But the pits of a Laserdisc aren't encoding zeroes and ones.

This is one of those things that's really mysterious about Laserdisc, particularly when

you keep in mind that this stream of pits and lands somehow encoded analog video, two

discrete stereo audio tracks with 4 tracks total, indexing information to tell the player

where it is along the disc, and later digital sound and even 5.1 channel surround sound.

All in a single stream of pits and lands.

To roughly equate to analog terms, bright portions of the image will reflect the beam

back to the sensor more often, and dark areas won't reflect much of it at all.

Don't worry too much about what all is tucked into that signal besides the video, because

your brain will start to hurt.

But one of the coolest side-effects of this analog encoding scheme

is that CAV discs, which are the standard play

length of 30 minutes per side, allow you to see the structure of an analog video signal.

Each of these blocks is an individual scan line, with the gap between them being the

horizontal blanking interval.

Twice along the disc you see this chunky portion, and this is part of the vertical blanking interval.

The scan lines in the vertical blanking interval are all at the blacker than black pulse intensity,

and that's why it stands out so clearly from the rest of the disc.

CAV laserdiscs complete one revolution per frame of video, which is why this pattern

appears so nicely.

You can learn more about analog video through my playlist on Television.

Now that you know the basics and early history of the format, it's time to take a look

at one of the earliest Laserdisc players.

Ever since I found out about the format, I've been transfixed by this particular machine.

The Wikipedia article shows a Magnavox player which just looks so radically different than

any piece of A/V equipment out there, and I'll link to a very strangely thought out

promo video featuring Leonard Nimoy promoting this new product.

Someday I would have to own one of these players. And now,

I do!

And, uh, it doesn't work.

Which really sucks.

But these Magnavox players are notorious for being incredibly unreliable, and I never expected it to.

It shows some signs of life, it will spin a disc and its laser works, and it can produce

an very unstable black and white image, but that's it.

It's trying so hard!

That's OK, though, because what I really wanted it for was a display piece, and to

make this series of videos.

Perhaps I'm the only one with this opinion, but I think this machine is the one of the

most beautiful pieces of A/V equipment ever produced.

I love how they styled the lid to make it obvious that this plays a disc.

It's simultaneously simple, elegant, industrial, and Starship-Enterprisey.

And in a time period filled with simulated wood grain cabinets, its silver and black

color scheme set it apart and also in my opinion makes it easier to appreciate today.

I'm going to cheat and pretend that this works so you can see how to use it.

This machine is a top-loader, another plus in my book, and discs are placed inside like this.

The discs, by the way, are 12 inches, or 30 centimeters, across.

And MCA likely had a large part in that decision, as it meant the same packaging could be used

for Laserdiscs that was already in circulation for 12 inch vinyl records.

When the lid is closed this machine automatically beings, trying anyway, to play the disc, and

being an early player, it takes a little while for the nearly half pound disc to get up to

the almost unsettlingly fast 1,800 RPM, or 30 revolutions per second.

(Slow building whirring sound with increasing intensity)

The controls on the front all do what they say they do, and this machine enjoyed most

of the high-end features Laserdisc had to offer, like video split into chapters,

Freeze frame on CAV discs, which also allowed smooth slow motion and fast forward capability,

and instant random access to any part on the disc.

When you put this machine next to a VCR of similar vintage,

the VCR seems almost laughably primitive.

And yet, very few people ever purchased a Laserdisc player, well at least few people

outside of Japan where the format did achieve modest success.

But why?

What would make a format with most of the features of DVD, which in case you forgot

quickly killed VHS sales once players reached a competitive price-point, fail to capture

the imagination of consumers of the time?

The most often cited problem was cost.

This was very true later on, but initially a laserdisc player was actually much cheaper

to own than a VCR, either Beta or VHS.

Stay tuned for the next video where I'll do a deep dive into these two machines, and

you'll soon discover that they never really were competing with each other at all.

Thanks for watching, I hope you enjoyed the video.

If this is your first time watching Technology Connections, please subscribe so you won't

miss the next ones.

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shout-out to these patrons who get their names in lights.

Patrons of the channel have allowed me to spend more time bringing these videos to you.

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page through the link on your screen or down below in the description.

Thanks for your consideration, and I'll see you next time!

For more infomation >> Laserdisc: An Introduction - Duration: 14:56.

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Opel Zafira 1.6 TEMPTATION NED.AUTO, 7-PERSOONS, AIRCO, CRUISE CONTROL, ELEKTR. R+S, TREKHAAK, LM-VE - Duration: 0:59.

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Democrat Adam Schiff Doesn't Want You To See FISA Memo, You'll Be Furious To Find Out Why - Duration: 4:02.

For more infomation >> Democrat Adam Schiff Doesn't Want You To See FISA Memo, You'll Be Furious To Find Out Why - Duration: 4:02.

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Robyn Hitchcock - Trolleybus 215 - Duration: 7:02.

For more infomation >> Robyn Hitchcock - Trolleybus 215 - Duration: 7:02.

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Fortnite Hightlights #7 - One ... Two. - Duration: 0:11.

Here !

Yep

He's down. There's another one on the other side.

Ok good.

Wow !

This is what I call "skill" !

For more infomation >> Fortnite Hightlights #7 - One ... Two. - Duration: 0:11.

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Why I left Australia for POLAND [Kult America] - Duration: 13:01.

Do you spend a lot of time in the car?

You have to travel a lot?

It's my mobile office.

How do people react when they see you arrive with that flag?

Brand Australia I think is quite strong in Poland, so people react positively and it's

wonderful to have a privilege to flying with flag.

People respond positively often wave you know children come out, they want to ask you about

about Australia which is wonderful feeling.

Have you had any notable people in this vehicle?

Well we've Ministers obviously I can't disclose everyone who's been in this but

yes, that's the whole point of having this vehicle.

Mr. Australian Ambassador, my first questions is, it even technically possible for you to

leave one country and enter another given your diplomatic status?

Well thanks Ryan, well certainly don't leave forever.

You come here of the define hosting for a couple of years so I guess you are here as

a guest and I think it's a wonderful privilege.

I understand that you are an australian citizen, that you are an australian diplomat, but that

your origins are not actually from Australia proper.

That's right.

What's makes me I guess unique in the diplomatic core here in Warsaw is that

I'm the only Ambassador who was actually born in Poland.

My parents left in early 80s during you could say the height of Solidarity movements.

We ended up in Australia. I became as a young boy an Australian.

I didn't think of diplomatic career at the time when I was going for school and University,

but as it turned out I did end up being the Department of Foreign Affairs and Trade and

I became an Australian diplomat.

Couple years ago I was offered the position of heading our mission in Warsaw being Ambassador

of Poland as well Czech the Republic and Lithuania.

I'm curious what it's like for you emotionally having this Polish heritage having connection

with your birth country your parents are from this country taking on a new country's flag

to the extent that you are the diplomatic face.

It is something that in Australia we are completely comfortable with.

It's just such a common thing that you might be, you are an Australian, we are all Australians

but of course might be Polish Australian, an American Australian.

In fact that multicultural fabric of our society is one of the biggest strengths in Australia.

I understand that the population of your country is kind of rapidly growing

by immigration as well. Is that correct?

Indeed. We have a fairly high growth rate.

From 1972 to last year the population of Australia has doubled.

From 12 and a half million to now nearly 25 million.

Tell me a little bit about what amazes you in Poland in daily life.

Living in Poland in contemporary Poland in Warsaw has been huge surprise for me.

I've served in a number places in Asia I'v served in Brussels.

I've traveled to Poland a few times, but I amazed by pace of pace of development.

You've got a very strong sense of the country moving forward and of course there is a lot

of opportunities in terms of trending investment between Australia and Poland and an economic

diplomacy that was a very important part of my job here in Warsaw.

Tell me what's the typical Australian person's perception of Poland?

Well it's perception what we actually trying to change it.

I think like everyone most Australians need to update perception of Poland.

I think even people who might have ten years ago or five years ago and they come back now,

they find the place completely changed.

I mean it's a place where not only some of the most advanced and global manufacturing

is taking place, but also design, science, services.

I certainly would like Australia to have a piece of the action.

What is the Australian approach to multiculturalism?

The whole policy of multiculturalism the concept was developed by a Polish sociologist

a Polish-australian sociologist and advisor to our Prime Minister at the time Prime Minister Fraser.

A gentleman called professorJerzy Zubrzycki

so in fact you know model was designed by Pole.

Paul tell me a little bit about your favourite places in Warsaw.

We are sitting in one of my favourite places right now.

I mean one of the surviving, grand buildings.

Hotel Bristol I think it's a wonderful postcard from the kind of Warsaw.

We could have expected to be the norm of every street in Warsaw.

The fact that Warsaw you know it could be the Paris or Vienna of Europe, as much as

any other capital in Europe, but because of destruction it wasn't, possible but this

building has survived and it is one of my favourite places to both do business

but also to socialize and the enjoy.

I love combination of architecture.

For a long time we didn't appreciate know communist style architecture

but I think it has now found it's all niche.

People are looking at it and they know that this is a genuine part of Poland's history,

it's something that can now be cherished and it's very much part of a streetscape

of Warsaw.

So tell me how has Poland specifically impacted Australia what mark did they make your society?

Well it's quite remarkable that's Poland's made a huge impact on Australia.

I mean if you look at one of the earliest explorers Paweł Strzelecki.

Helped us discover the big parts of Australia that were previously unexplored.

He named the highest mountain of the Polish hero Tadeusz Kościuszko, beyond that successive

waves of migration have brought a lot of different perspectives into Australian society.

I would of course be remiss not to mention the contribution made by Jewish Polish community,

a very vibrant and large community in Australia particularly in Melbourne

but also in other cities.

In fact we have one of the highest populations of Holocaust survivors

and their descendants still living in Australia.

I'm really curious how your daily life looks.

What do you do here?

Well, I've got a variety of tasks as the Ambassador.

Most important is to literally flying the flag for Australia.

It's starts with getting in a car that has flag on it, but when we say flying the flag

we really mean talking about Australia, making sure that australian policies are understood

by members of the Polish Government.

Making sure that We build support for some of the key projects, we undertaking with Poland,

but also being available to answer questions publicly about australian policies, building

the media, talking to students at Universities, but beyond that we compare notes on a major

international issues security issues ranging from security developments on the eastern

flank of NATO and Schengen which is where Poland is, but all some developments in our

neighborhood seem in the Asia-pacific or in the Pacific we call it now.

We have a very strong track record of cooperation with Poland.

Particularly in the multilateral forums such as the UN and others.

Come this way Ryan.

If you come here this is our seminar room, as you can see

right now we are preparing for a little seminar.

We will run for Polish and Australian businesses on Australia EU FTA.

This is one of our largest economic projects with the European Union

and Poland voice is very important and this is how we do the work at the Embassy.

It's fantastic, it seems like you guys really provide a lot of opportunity.

Where do the most critical meetings typically take place?

Most of critical meetings take place inside the Polish institutions.

I visit the Polish Ministry of Foreign Affairs on regular basis.

It's a grand, old building in the center of Warsaw

where we discuss policy approaches in a confidential manner.

Of course I do use the residence quite bit a to host special guests, sometimes Ministers even

to discuss in very safe, private setting some of more sensitive issues in our relationship.

We also host meetings at the Embassy.

Welcome to the Australian Embassy, as you can see the coat of arms

you got the taste them I think last time, come here.

That's right I ate a coat of arms.

It's great to have you, right through here.

It's really an honor.

As you can see there the flags are flying.

This is where we do our work.

What did the other two flags represent?

Very important, so this is the Australian flag of course, Australian Aboriginal flag

and the Torres Strait Islander flag.

This one always off puts me a little bit, because it reminds me of a German flag, but

when it's extended I see something here.

That's right it's of Aboriginal flag with the beautiful sun and the black and the red.

This is a leadership team, as you can see here the Governor-general

who was the Queen's representative.

General Peter Cosgrove, Prime Minister Malcolm Turnbull, a very dynamic Foreign Minister

Miss Julie Bishop and equally dynamic Trading Investment Minister Mr. Steven Chabot, fantastic.

Now if his Excellency were strolling down the street of Sydney would everyone recognized them?

I think so. The four of these among our most prominent Australians.

The rumor has it that you have your own "500+" program here in Poland.

Tell me about that.

One of my big objective is to increase to people likages more Poles

in particular to travel to Australia.

We have a fantastic program which is a working holiday, a program for young Poles.

We've managed increase the number to 500 service 500 visas

which allow people work to for up to 12 months.

They can work and travel in Australia, but otherwise of course everyone's welcome.

It's very easy to travel to Australia, but in terms of logistic lots of flights for different

destinations and in terms of visas it's an online process 3 months tourist visa is

available to all Polish citizens, so welcome.

You're telling me that if a Pole has an ambition to go to the other side of the world

the other hemisphere even is a few computer clicks away potentially thanks to your program.

Absolutely and you know fresh emu steak is waiting for anyone who's interested.

Tell me what are your favourite Polish foods?

Well, I've got a lot of Polish food.

Some of them foods that I associated with my childhood, things like bigos for example.

I do prefer Polish food in winter though when sort of a hot Polish meal is absolutely fantastic

One of my absolute favorites is actually Żurek soup

a very unique soup made on sourdough starter.

I would say so far not particularly well known in Australia.

In America everyone would know what kiełbasa is, everyone would know what Polish vodka is

and everyone would know what pierogi are.

What about in Australia?

Do people known any Polish staple dishes?

Well, definitely pierogi are well know in Poland but I think polskie ogórki

the gherkins in brine, a classic of all Australian supermarket shelves.

Indeed you guys have some absolutely exotic food, as best I could describe it.

Our viewers might not realize that last summer we enjoyed a meal together and this guy fed

me crocodile and kangaroo and animals that I didn't even know existed before the meal,

was a very strange experience.

Absolutely assuming you can't get a plane ticket to Australia check out this video and

see with your own eyes what the people in Australia eat.

It's pretty much outrageous and interesting, but it was also a pathway to my heart and

helped me fall a little bit in love with Australian culture.

Paul thank you so much for being on the program once again.

Thank you so much Ryan.

For more infomation >> Why I left Australia for POLAND [Kult America] - Duration: 13:01.

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JIM FERGUSSON - TODAY - JEFF GLOR!!!-CBS EVENING NEWS - FERGUSSON/TRAX - RS 1227 - Duration: 28:55.

For more infomation >> JIM FERGUSSON - TODAY - JEFF GLOR!!!-CBS EVENING NEWS - FERGUSSON/TRAX - RS 1227 - Duration: 28:55.

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Quality Assurance Manager - Craig DeBoos - Duration: 1:29.

Hi I'm Craig DeBoos, I'm the Quality Assurance Engineering Manager at Plattco

Corporation. I have a bachelor's in technology, Aerospace Technology, I also

have a bachelor's in Mechanical Engineering, specializing in aerospace

engineering. I have a master's in Aircraft Vehicle Design, all of that came

from 20 years with the Australian Navy, working primarily on helicopters and

aviation ships. My final role in that was the lead aviation engineer on the

purchase of an aircraft carrier for the Australian Navy. So I had 20 years of

background as an officer in the military, prior to immigrating to the US with my

wife and joining Plattco. The design review process incorporated at Plattco is

actually a hybrid system that was developed based on US military

solutions. I'd worked with that before, so that was how we came up with the

baseline for development. But the intent is to institute a number of different

gates in the process, so that at each stage we can ensure that how designs

will meet the customer needs as best as possible. So that starts with the

customer needs analysis and the design requirements development process, but we

very then quickly move into a multi-stage process that includes

preliminary design, detailed design, test and evaluation, and at each stage we go

through a gate, a "readiness review" that ensures that we're ready to move on to

the next stage and we've done everything possible at each stage to ensure that

the customer requirements are met.

For more infomation >> Quality Assurance Manager - Craig DeBoos - Duration: 1:29.

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Endométriose c'est dans ta tête !! - Duration: 3:39.

For more infomation >> Endométriose c'est dans ta tête !! - Duration: 3:39.

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klischee-frei.de – kurz erklärt - Duration: 3:47.

For more infomation >> klischee-frei.de – kurz erklärt - Duration: 3:47.

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Was sich hinter Verdauungsstörungen verstecken kann 2 - Duration: 4:55.

For more infomation >> Was sich hinter Verdauungsstörungen verstecken kann 2 - Duration: 4:55.

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FOODS THAT CAN KILL YOU - Duration: 2:46.

Geeky Gaming Hey Geeks, it's Andrea.

Eating food can be one of the world's greatest pleasures, but there are some seemingly innocent

foods out there that can lead to sickness and even death.

Here are a few things you may have eaten that can be incredibly dangerous.

Alright Geeks, let's go.

Fugu Fugu, or blowfish, is notorious as one of

the most dangerous foods you can eat.

Blowfish have a poison called tetrodotoxin in their liver, intestines, and ovaries.

Tetrodotoxin is over a thousand times more deadly than cyanide.

It doesn't even take a drop to kill a person.

You aren't going to find fugu just anywhere.

Because of the danger, a chef has to go through several years of training before they can

get a license.

So if you want to try it, it is going to cost a pretty penny.

Rhubarb You may love a good rhubarb pie, but the leaves

are full of dangerous levels of oxalic acid.

Oxalic acid poisoning can cause kidney damage.

That being said, although it doesn't take much to make you sick, it would take a large

amount of rhubarb to kill an average-sized adult.

Live Octopus You can't get live octopus everywhere, but

if you are brave enough to eat it make sure you chew it properly.

If you don't, the suction cups can stick to your throat.

We can all see where this is going.

You can get fresh octopus that is sliced just before you eat it, but even then you need

to be very careful.

The suction cups are still working and tentacles are still wriggling.

I reiterate, be sure to chew thoroughly.

Cherries If you are about to make a cherry milkshake,

be sure to remove the pits before turning your blender on.

Obviously it would taste horrible, but beyond that, the pit contains cyanogenic compounds.

Only a couple ground cherry pits can contain enough cyanide to kill an average-sized adult.

Hot Dogs You may think a hot dog is pretty innocent,

but it is the leading cause of choking fatalities in children.

If you are feeding a child in your care, be sure to watch them very closely.

Preferably cut them up before giving them to them to lower the risk.

Alright Geeks, that's going to do it for this video.

Thank you so much for hanging out with me today.

If you're new here, do me a favor and subscribe.

Also join the Geek army.

All you have to do is share Geeky Gaming videos with friends and on social media.

Be sure to like and comment before leaving.

Alright Geeks, I will see you next time.

For more infomation >> FOODS THAT CAN KILL YOU - Duration: 2:46.

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Where Do We Go

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Fairy Garden In a Teacup Polymer Clay Sculpting Miniature Tutorial-Pt. 2 of 2 - Duration: 25:26.

Fairy houses are adorable and when you put them in a teacup they just get even

cuter. Hi there, Sandy here, welcome to part 2 of our series on making this

darling fairy garden in a teacup. So last week I showed you how to make little

houses, how to make succulents, mushrooms and flowers, and I just wanted to add a

few things to what I mentioned last week. I wanted to show you last week but I

couldn't find it that you can also use a thick piece of wire to make windows for

your houses. So just like that you can pop that in there. After you bake your

little houses you want to just antique them with some dark brown or black

acrylic paint, you can see here's one that wasn't antiqued and here one is one

that is and it just makes the doors and windows and details you added show up

better. These succulents that we made, I just wanted to mention that some of them

got pan pastels which really is a nice look for succulents, it makes them look

more real, these ones are more fantasy they have mica powders but usually

succulents don't sparkle like this but they're more like this one or this, that

got chalk pastels. And one other thing, I had to laugh at myself when I was

watching the video and I was showing you how to use this strip of baked clay to

emboss the doors and windows and I watched myself going like this, doop doop

doop to make a door and I just laughed because I said, gee all you got to do is

turn it this way and press, silly. I just said, "Duh, Sandy!" Just an addendum to those

items that we made last week. Oh, and here's a little mushroom all painted and

all I did was dipped this little ball tool in white paint and then dipped it

on here, dabbed it on here and painted the bottom inch of the toothpick white

as well. So as promised I have a few more ideas for things that you can add to

your fairy garden. How about if we make some a darling little

ladybugs? So I have some black and red clay as you might guess and I just

rolled a little ball less than a quarter of an inch, flattened it a bit, pressed it

onto the tile and then I rolled out some red clay on my pasta machine. There's two

problems with this scale: first of all my set of mini Kemper cutters are all too

big for cutting circles to make the ladybugs red parts and this one is too

small. This sheet of clay which is rolled out

on the thinnest setting of my pasta machine and is pretty thin is actually

too thick. So that actually made the problem easier

to solve. I'm going to use this small cutter, this is the 3/16 inch cutter, and

you can see that's too small for the wings of this ladybug, but since it's too

thick all we need to do is flatten it out and that makes it bigger and thinner

and problems solved. So that's about right, this is really thin and very

delicate so I'm going to cut that in half and then use my blade just scoop it

up and if you can... this is tricky,

sometimes a needle tool helps.

And it might take you a couple tries to get the proportions right so that you

like the look and just kind of roll that between your fingers a little to wrap

those around the body and then roll some itty-bitty pieces for the the dots.

Here's a way to do it, just pick that up, cut off a little tiny bit, pick it up on

your blade and use that to actually smush the dot right on. That didn't,

that's not particularly round.

And you can add just one dot or just a couple whatever you want. I'm adding

three because that just seems to look good,

and then if it's too small just press it a little bit more and it'll spread out.

Then go on and add as many dots as you want and then roll a little ball, and yes

I'm using sparkly black clay because the ladybugs in my fairy garden have sparkly

black parts. What I love is to roll this into a ball and then as I press it onto

the ladybug's body you kind of flatten it out into an oval which looks more like a

correct shape. And, yes, maybe I'm going insane with the details but I wanted to

add little antennae, and what I have here is I think that's probably 30 gauge wire.

I'm going to cut about an inch and this is so thin it can be tough to to push

into the ladybug's head so use a pair of flat nose pliers and hold it like within

1/8 of an inch quarter of an inch at the end of the wire

and then you can just stuff it in there, push it right in there,

and you use wire cutters to cut it off at the length you want. I have to do

a better job than that, Here are a few I did earlier with the aid of my

magnifying light. Don't you think they will look adorable crawling around our

fairy garden? Now I've been using red clay and black clay so I'm going to wipe

my fingers because we're moving onto bunny rabbits which maybe I would have

been smarter to have done the bunnies before I did the ladybugs. It all really

depends on the particular project that you're doing and the sizes and

proportions that you want but what I have here for mine is about an eight or

ten millimeter ball of white clay and try to keep your hands clean but don't

stress about it too much... just roll it into a ball... because we have a trick that

will help clean it up, and then roll it into a bit of an oval and kind of

flatten it down to your tile. For the bunny's head I have a six millimeter

ball and I'm just going to pinch it between my thumb and forefinger a little

to make it a little bit more triangular like the shape of a bunny's head, kind of

tap that down and also flatten the back and that's, that's more the shape of a

bunny's head. To make his little nose just use a needle tool you're going to

make a v-shape pointing down

and then a line below that there, and then you can also use your needle tool

the poke a spot for the eye. Go ahead and place that on the bunny's body but don't

put it too far forward. I think he looks cuter, he looks like he's kind of sitting

and squatting if you put it further back. I left his head a little round and

now we can just press it down just like that.

For his ears I have a couple of about three millimeter balls you can make them

bigger or smaller. I actually looked up pictures of bunnies online, not that mine

are going to look exactly like a bunny, but I think I got the general shape. So roll

those out into tapered like carroty shapes and don't press them flat, just

use your needle tool to do that job. Press in there to make that little

crease, then take a little bit of pink chalk pastel, you don't need much, just

scrape a little off, and a really tiny paintbrush and you can put that pastel

right in that spot.

Oh cute!

If you want you can also put a tiny dab of the pastel on his nose. Now I tried

mixing up a little pink clay for his nose but I wasn't really happy with it.

It was very hard at this scale to get the nose the right size and shape so I

thought just a dab of the pastel worked well and then pop on his ears. Oh he's so cute already.

Have his ears going whatever direction you want, again, just look at pictures of

bunnies online. You'll see all different ways their ears go. Oh my goodness he's

cute. Okay, almost done, actually. Pinch off a little tiny bit for his tail,

of course. Now this is white clay, oh goodness, and see, I'm just terrible, I'm

so bad at keeping white clay clean. I just... it's it's very frustrating. So I

found a workaround that not only keeps the clay clean but also makes him look a

little fuzzy. I would suggest before you do this that you just let him sit awhile,

don't do it right away, let the clay firm up and cool off a little bit, and get

yourself some white chalk pastel and scrape a fair amount, maybe a teaspoon or

so into a small dish. And here's a little bunny I made earlier and you can

probably see that the white clay is absolutely not

pristine, it's kind of covered with lint and such but we're gonna take care of

that, we're gonna drop him right into that pastel. I imagine you could just use

chalk like school chalk. I I know I bought some and I have no idea where it

went. Now you may have a hard time getting him

entirely coated so I have a little tiny scoop here and I'm just going to use

to cover the whole thing now not only... whoops his ear fell off. I'll

probably bake it as is and glue it on after because he's covered with pastel. It

makes him look fuzzy. So then you can take him out and don't worry about

brushing off the excess now, just bake him like that. And then here's one I did

earlier you can just take a soft brush when he comes out of the oven and kind

of brush off the excess. Isn't he adorable? To do his eyes just get some

black paint and a toothpick, you don't even have to squirt any out you can just

dip the toothpick in whatever you can find on the cap and then you can see

what I did here, just get the toothpick right into that hole and we'll darken up

his eyes and give him those little black eyes. And now you have cute little bunny

rabbits running around your garden. The bottom is going to be covered with

pastel so you might want to just run a little sandpaper over that before you

try gluing it in place in your garden. The next thing we're going to make is a

little arbor for our flowers to climb up. I just grabbed a couple of colors of

green and loosely mixed them together and then roll out very, very thin snakes.

And again, for the proportions you just have to look at what you have in the sizes

you're doing, mine is probably a couple millimeters thick.

What you're going to do with this is form your two sides of the archway so

kind of stick a little bit down to your tile and then just pull it in the other

direction until you have a u-shape that's about the size of your arbor. Make

two of those.

I'm not flattening it I'm just sticking it so that I can bring that curve around.

Make them a little bit longer than you want them to because some of that's

going to have to stick into the ground. And also make just a small section,

probably that is more, I know that is far more than we're going to need, of just

the green straight because those will be the side pieces that will hold the arbor

together, and bake those. When they come out of the oven you'll have something

like this. Now you need some sacrificial scrap clay and you'll also need some

Repel Gel. This is the way I figured out to do it that just seemed easiest and

what you're going to do with your scrap clay is roll a round shape that will fit

inside here or that your arbor will fit over neatly. So a little bit smaller.

Arbor or trellis I guess you could call this,

and the idea here is that we're going to put the two pieces of the arbor on here

and use this as a form to help us in placing our other pieces. Here's one

that's done so you can see what I mean and this is the sacrificial piece that I

baked it on and that way we have the shape and the form rather than having

the these little tiny bits and pieces flopping about. So what you'll need to do

once you are happy with the shape is just coat that with some repel gel. Make

sure you get the whole thing. This is great stuff if you don't have any it's

one of those things I don't use every day but when I need it I'm really glad I

have it. So there, just like that. Place two sides of your trellis on there

at whatever width just looks good and proportional to you, that looks about

right to me, try to keep them parallel. Next I have some translucent liquid

sculpey and I have here a teeny tiny dotting tool. I actually found this at a

Job Lot in with the with a little pack of nail art tools and this is great. So

right on the inside wherever you want your first rung you're just going to put

a little dot of TLS you could use a toothpick for this as well,

and then sort of look at your pieces and get an idea of the measurement and cut

it and err on cutting it big because you can always cut it down. I found it's

easiest to grab a pair of tweezers and put that in there and now I see how much

more I have to cut off. I think it's easier to do it this way than try to

get it perfect the first try. And then you end up cutting it too small. Still a

little big,

but you have plenty if you cut it too small just toss that piece and try

another one.

Just like that. Then once you have that in place go ahead and get a little bit more

TLS and put it on the joints. Try not to get too much on the form but you will

get some and that's okay. There, okay, and repeat that for all of the rungs that

you want. I put five on mine and now you can add your little flowers so wherever

you want one you want to put just a tiny dab of TLS especially along the sides

because you've got gravity working against you there. What you don't want is to put

so much liquid clay that the flowers just slip and slide, and there. I think I

just put five flowers on here and just let it set for a while before you put it

in the oven so that the the liquid clay gets tacky

and grips onto the flowers. And that was how this was baked was right on this

form and when it came out of the oven it was a little stuck because of all the

liquid clay that was in there and I had to just gently peel it off but it's fine

as you can see. So here are all of the elements that I've made for my little

garden I also collected these which are just undrilled

chips that I've bought for other various projects, and also a bag of moss. You can

get these at your craft store they'll sell just bags with a variety of

different mosses for just filling in spacers. Like these ones kind of look

like a bit of a forest in the background which might be cool. I did already kind

of get started in putting my... in choosing the placement of some of the different

elements in the teacup. I built up a little mound here for the biggest house

and added some moss and some of the mushrooms. Now if the mushrooms don't want to go in

and you feel like you're going to break your toothpick just take an awl, shove it

down exactly where you want your mushroom to go and then you can put that

in. These I've just put here as placeholders. I kind of want this big

clump behind the house and then a few over here for contrast and it's really

fun to just start putting these pieces in. Oh, I like that right there, and maybe

some of this bright green moss I'll put it towards the front.

Now this moss you can see is pretty springy and just as it is it comes up

like halfway up the side of the house so what I found to do and notice I have not

baked my base yet, so I've baked all the individual components but I have not

baked this part, that of the ground that's in the teacup, because I might

want to shift things around. What I've got here is just some Poly Bonder which

does a really good job it's like a super glue but the great thing about it is

that once you put it in the oven it sets it cures it so it's perfect for polymer

clay. So I just applied some of that there and then I've got some of this

moss and I'm just going to kind of press this in

and you just give that Poly Bonder a few seconds and it grabs. I've also taken

some of these chips and made a little foundation around this house which is

awfully cute and I think I'm going to glue that succulent in there. So a bit of

poly bonder on the bottom of that, tuck that right in. Again, just hold it down

for a moment and it will grab, there. Now I should probably place some of my other

little houses, that one looks cute, and if you find that they're a little sunk down

you can grab some more of your ground clay and just build them up a little higher,

but I kind of like that. To make a stone foundation you want to choose oh the

tiniest of stones, I mean just just some teeny tiny stones.

So these biggest ones although they look very small, yeah, they're probably too big.

And you can try to manage these with tweezers I found there they're kind of

slippery. You just do this in small sections. So let's see, we'll start out

with one that's going to go on the side here. Put some of the Poly Bonder on and

what I found works best is kinda drop it in the vicinity of where you want it.

Hey that worked out pretty well, and I found this tool, this is part of a wax

carving set, and I love this little paddle because I could kind of get a

hold of those stones and press them in around the house. Let's let's choose one

to go by the front door.

Again, I'm just kind of dropping it and wow, it is working out well, and then using

this flat part of the tool, just kind of press it in place. Some will need more

pressing than others. Then you just build up around your

houses to make a little foundation if you want to. You don't have to, it just

it looks more finished to me to do that. And then you go ahead and glue in all

your little pieces. Maybe I'll put a bunny over here towering over the house,

put some bunnies, put some ladybugs, I'll probably mark the holes with an awl to

get my arbor in the right place. I may glue one of the ladybugs on the

handle or on the rim, that would be cute. So you just tuck in bits of moss... I may

put this, let me cut this down a little and put this here it's like a little

forest behind that red house. Tuck in and all your bits and pieces, your additional

flowers can maybe be little flower beds around the house. And by the way, if

you're interested in the supplies I used click on the tag in the upper right

or the link in the description box to go to my blog post. I have, for every video I

have a blog post with a supply list and links to products for you. That's the

question you guys ask me the most so make sure you go ahead and check that

out. So have fun creating your little fairy

village, making it personalized and exactly the way you want it. Happy

creating, bye bye.

For more infomation >> Fairy Garden In a Teacup Polymer Clay Sculpting Miniature Tutorial-Pt. 2 of 2 - Duration: 25:26.

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Maldives Vlogs 17/18 - Day 1 - arriving in paradise! - Duration: 7:21.

>> Goodmorning giugizers

I'm starting this vlog in the airport parking

isn't it the perfect place to start a vlog?

we'are leaving on a trip

I don't know to say where we're heading or not

should we tell them?

Tell them

I'm not going to tell you!

Mainly because you'll find it out in a second, because what is going to be for us

15 hours will be a few minutes for you

I don't know if you can tell, but I'm still a bit sick

I'm off to a great start

but now let's get going

On a second thought I should probably tell you where we're heading

mainly because the title of the video already gave it away

so there's no room for mistery here

in the meantime Daniele is eating a banana

and I haven't told you where we're going yet...

we're going ...bananas?

no, we're going to the Maldives!

Transfer flight from Malè to the nearest airport to our island

We're here and it's super hot!

we're on the last leg, by boat

and we're the only ones on the boat, except for our luggages

We arrived, yay!

I'll do a quick room tour

What?

what? I thought there were monkeys outside, but they are actually huge bats

What do you mean?

don't make fun of me

it's true, they are bats!

there they are, OMG!

while we're here I'll start the tour from the bathroom which is in the open, with a view on the bats

in the open air

and there's a weird bird taking a walk on the wall

anyway we have a jacuzzi,

a little friend walking around, the bats over there, great

here is the shower

and then ...

this is the bedroom

the TV, the mini bar, a lounge area

and here is our patio and the ocean is right there

Goodevening and welcome back

it's definitely later, it's actually 6.30 p.m.

and it's already dark outside, so our first discovery is that it gets dark early here

I'm still looking a it rough

because I haven't slept much on the plane

we relaxed a few hours and now we're heading out

and this is my look for tonight, I only defined my brows and put some lipstick on

and this is what I'm wearing as I don't know yet how I should dress

it's weird to jump from -5° to 30°

anyway I don't know if I already mentioned it but it's raining and the huge bats are still there wide awake now

which scares me a bit, but now to face my fears, I'll adventure out

let's do this

we're at dinner

and we're starting light

weird choices, I know.

we're back in the room, I haven't filmed much...I'm covered in hair...

I haven't filmed much because I'm a bit tired, well we both are, and a bit jetlegged

the travel paid a toll on us and look at the dark circles, they are a classic in my vlogs, maybe I should say they are a classic in my life

anyway we had dinner, we walked around the island,

as island is so small, the atoll...is that what it's called? I don't know..gosh I'm shiny!

anyway is so small that in 10 minutes you walk around it

and now we're back in our room

and I think we can call it a day

even if I think it's only 8.30 p.m.

maybe 9 p.m. , but I would bet on it

so I'm signing off for today and I'll see you tomorrow, but I tell you straight away that

the leitmotiv of this holiday will be relax, so don't expect crazy adventures

ok, that's it for today, see you tomorrow, ciao!

For more infomation >> Maldives Vlogs 17/18 - Day 1 - arriving in paradise! - Duration: 7:21.

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Use a simple screwdriver

Use a socket №10

Use a phillips screwdriver

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Laserdisc: An Introduction - Duration: 14:56.