Hi everyone
A few days ago I shot a so called unboxing video
for my new Moleskine watercolor sketchbook
and I had said, the true "unboxing" for something like this
would have to be an actual painting test
so this is my first try with the Moleskine watercolor pad
I made this very loose sketch
because my main goal was to test
how the paper would react
to all the different kinds of stress I could think of
So I used masking tape
and masking fluid
which is always kind of a shot in the dark
because it can easily ruin the paper
Alright, so let's start by wetting it.
I think of myself as a lightweight watercolorist
as in, I don't do spectacular things with watercolors
I use them in a pretty graphic way
so I don't do much wet-on-wet
or things like that.
Here we have dampened the paper
These are the watercolors I'm using
A Japanese brand, Kuretake
They are the ones I'm using the most lately
They are really good value-
Well, I got them as a gift
So that's the absolute best value you can get!
But even if you had to buy them
you still get a good product without shelling out a fortune.
they are maybe a bit different
compared to "western" watercolors
for instance colors like these are kind of matte
almost like gouache
but I don't mind it actually
others are transparent, like the cold blues typically are.
they are never opaque
They are very pigmented
Therefore, besides having big pans
Or whatstheirname...
the "godets"
You get a lot of mileage
from very little color
In the background, I don't know if you can hear it
and whether it's annoying to you
there's the soundtrack from "The Knick" playing
by Cliff Martinez
Which I think is a great background music for painting
and for studying and focusing in general.
It helps you get "in the zone".
The Neon Demon OST, too.
Which is also by Cliff Martinez
and can serve the same purpose very well.
See, I believe I haven't used masking fluid in years.
I'm using this one by Winsor and Newton
I used to simply paint around the white areas
or paint over with white acrylic or gouache
What made me go back to masking fluid
were some videos by this young, very talented German illustrator
She is Iraville on various social media
and she uses masking fluid really well.
Actually I should have planned which colors to use
because I'm making up my palette as I go along.
No, actually I knew beforehand she was a redhead.
So I made a little tea break
finished the first layer of paint and turned on the light
because the problem with doing things on winter afternoons
is that it gets dark very fast and very soon
I hope you can see it anyway.
The masking fluid is a bit shiny but it's okay.
The real test will be to rub it off
Now it's time for the second layer of paint.
At the halfway point I can say that
the paper is doing what I need
although as I said, I don't ask for too much.
Of course it got a bit bumpy when I wet it
but it looks like it straightened out while drying
By the way, I lied
this isn't my very first painting on this pad
there's a tiny doodle on the other side
I've taken a visual note of a puppy I saw in Venice
and which I couldn't take a picture of
so cute.
Though really it isn't worth being shown here.
Anyway it means this page already got wet on the other side
and it doesn't seem like it's suffering for it.
I want her dress to be like, old rose
One thing you may or may not like
about this paper
is that it's a bit glossy, so to speak
the watercolor stays on the surface for a while
before it gets soaked in
Which is okay as far as I'm concerned
but I'm aware others might not like this
So keep that in mind if you're considering buying this
I've computed an average per page price of watercolor Moleskines
regardless of their size
with minimal difference among retailers
for instance I compared the official Moleskine store
at the Venice railway station
and Amazon
If you get this on Amazon you save about 2 euros
But still, the price per page is 18-20 cents.
Pages this big
That is...
14x9 cm (5.5.x3.5 in)
Which you can use on both sides
Consider your budget and see if it's worth it.
One thing this paper tends to do
are these edges
around the brushstroke
which you might like
or perhaps you think it sucks
in that case you might want a more absorbent paper
I don't mind it so I'm sticking with this
By the way I thought I had zoomed in earlier
so I'm sorry if the picture has looked small so far
I have to say, this eye-catching mass of red hair I gave her
makes her head look kind huge at the moment
I hope that as I go on painting
it will look balanced again
The sketch didn't look so off to me.
A sketch I should probably have done better
but I haven't found the time to paint for a long while
and I was dying to do it
so yeah it's kind of sloppy.
It looks like this second, dryer layer of paint
is giving a good enough result
While we are waiting for the paint to dry
I'm showing you this other sketchbook
which isn't intended for watercolors
the paper is very thin
96 g (43.5 lbs)
however, it's not bad for the way I use wet media
especially sketches and quick paintings
for instance I used it for most of Inktober
where I used fountain pen ink
here are copic markers
of course they always bleed through a little
so you just put some other piece of cardboard behind
Here's india ink, more fountain pen ink
India ink, india ink and copics
and these are the Kuretakes again.
Here too.
As you can see the paper gets a bit bumpy
because it's light
but it actually resists really well those 2-3 layers I do
so it's good for personal sketches and painting practice
rather than for finished illustrations
it's called Lana Esquisse
I really like it, I found one many years ago in Florence
at Salvini's
unrelated, I hope, to Matteo Salvini (Italian politician)
Salvini is an art supply store near the art academy
I really enjoyed this Lana book
but it's always been hard to find another
I think I ended up buying this in Berlin
even though I had other blank sketchbooks piling up
I got this at once because it's extremely good value
and unexpectedly good for wet media
Now it's time to work on detail
like shading
After adding shades in the same hue as the base
Pink on the skin, red on the hair, et cetera
I like to detail the shading with a single color
this strange mix of purple and brown
which helps tie the picture together, so to speak
See, since the paper isn't very absorbent
when you go over the paint
small details like these stripes can be washed away
so yeah maybe paint these details at the very end.
or you'll end up doing the work twice
Let's see if my use of masking fluid was functional
or if it's just there to be an annoyance
confusing me about where the paint actually is
Besides I was kinda itching to try the pigmented fluid
some are light blue
so you can see where you laid it down
This one is light yellow
but in the end it's very much like the paper color
But I discovered through Iraville's videos
that she has several pigmented fluids
but she gave bad reviews to most of them
because they often end up staining the paper.
Besides stinking like hell
but I guess it's par for the course with masking fluid.
If you want to see some similarly themed watercolor
except a lot better than mine
I recommend Manuele Fior's graphic novel Fraulein Else
I'd say brush work is finished
and now it's time for the trial by fire
We're pretty much at the end
I want to say that without having to shoot the video
this would have probably taken 1/4 of the time.
Now this is a very satisfying part of the job.
<i>So good.</i>
An artist who does a great job with these white areas
and is way better than me at this
is John J. Muth (I don't know how to pronounce it!)
who did an adaptation/rewriting of Dracula for Marvel several years ago
Here we are for the final comments
at a certain point I stopped commenting while working
I must say the Moleskine passes the test
this is as deformed as it gets
which looks acceptable to me
As you've seen in the video I went over it a few times
even more than my usual standard
It performed very well with masking fluid
perhaps because the surface is pretty glossy
which also means the paint can easily be lifted
if you go over it with a lot of water
for instance you can see this area was originally hair
and I painted it the same blue as the window
of course it's not exactly the same because the paper didn't revert to white
but I was able to do it without resorting to scratching with a razor blade
we could test the razor blade technique,
but honestly it's not something I ever really used
I was taught the technique but it never went beyond that.
Another thing I tested offscreen
were these watercolor pencils
your typical Caran d'Aches
maybe it wasn't the right time to try them
because I nearly lost the drawing
they are very, very bright
I then retraced it a bit with my sketching pencil
Bottom line, my Moleskine review is positive
it isn't some life changing paper
but it's nice to have a portable sketchbook
although not the cheapest
where you can sketch with paint
It would be nice to also try Ecolines
(no idea what the right pronunciation is, they're Dutch btw)
These ones.
A bit dusty because I haven't used them for a while.
In case you are not familiar with them -
I believe they are not news to Italian watercolorists -
but I found out they are not very well known abroad
They are halfway in between watercolor and inks
they fall under the "watercolor" category
because ink is waterproof
and once it's dry you can't work with it anymore
while with Ecolines you can
however they are also more volatile than normal watercolors
they are a lot brighter
so you need to be careful and avoid ending with a neon palette
therefore they need to be treated a little differently
But this is maybe better explored in another video.
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