Youtube News: Youtube daily report w Sep 20 2018

Hi my name is youhei ozaki. Thanks for watch this video. This time talk about self care that improve the cheek extra moisture and back head weightness.

This time,aiming point is stiff muscle that adhere to cheek bone. That place is the part under the eyes. In this place is many stiff muscle accumulate.

But almost people doing not massage firmly. Even if you watch muscle illustration,there is not many muscle in that place. But reality is there is many stiff point.

At past also i thought never many muscle into that place. But i was mistake. This is not to mistake of textbox.

Maybe that is stiff myofascial or aggregation of some little muscle. If you leave it as stiff things into that place,your cheek keep continue extra moisture. Or the back head myofascial was pull,become stiff. That situation is born.

This self care is so easy. this self care can to do at between work. Let's do with me.

At first please prepare the desk. Please put self elbow on this desk. Please check now self condition. Please check cheek stiffness with to pinch cheek.

Please check right and left together. And back head also check it. At especially back side of ear is stiff.

Almost people don't know stiffness standard. I was heard about this from many customers. As easy standard,there is ear stiffness.

I recommend to pinch it vertically instead of sideways. Please check painful of that time. Strangely,There is something completely different with right and left.

Maybe you feel painful. Your ear as well become soft by this self care. Please remember the ear stiffness. This method is easy.

It make fist with both hands. Please put self elbow on the desk etc. And please push and touch the finger second joint.

So,only do nod a lot. And please slide little by little. Case of used the small face roller,in that stimulation don't effective. Because bone adhering muscle can't become soft by that stimulation.

About to soften muscle is face roller stimulation don't effective. Of course to arrange skin condition is important. If you want to seek the effect like that,that method as well effective.

You will feel strong pain by this self care. Please check now condition again after about 2 minute. It is cheek thickness,muscle painful etc.

Case of me,I felt decrease extra sagging. Maybe face wrinkle was as well decrease. And please do pinch the ear.

Maybe you can to pinch ear easily. Case of your ear became soft,muscle around ear as well become soft. Many people body sense is low.

The reason that i recommend the ear pinching is that. Please check into between of self care.

Please try it. Thanks for watch this video. See you!

For more infomation >> Self care that improve the cheek extra moisture and back head weightness. - Duration: 6:51.

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Halloween Minute To Win It 2018 - Duration: 9:05.

What it do whats good whats poppin its ya girl Alondra and ya girl Paola

And today we're gonna be doing a minute to win it Halloween edition

And before we get started make sure you like comment subscribe and turn on your post notifications.Let's get started

So we're going to be doing the spider ring toss first and the objective is for the person holding

The spiders is gonna be throwing them in here and whoever gets the most in a minute is gonna be the winner for that round

I'm gonna put a minute on the clock and I'm gonna go first

And your not even that far

That's bad,balls not life

It's really not

there is one stuck at the end of the cup

Bro, what the heck? Okay times up I

Got six rings. Let's see if she can do better. Okay

So now my turn I put a minute on the clock and I'ma seeing how many I can get

This is hard, okay

So she got finally she's good at something

Round two okay. So this one is basically like Bob for the third and basically smoothie with vampire teeth and

Plate and they have to land there if it doesn't it doesn't

They'll see I'm gonna put the timer and she's gonna run back here and grab my shoulder then to the monthly rate

It shotgun - okay

Because one there's one

You can't use your hands through respirator

For a while

Alright so that's gonna be my turn. Let's see if I can get so I have our

Choice you can put

That's hella

Good

They would

Don't bother you

but my way

But it's a good

One

Two to one

That was actually hard now we're drooling everywhere. Let's look right the next round. It's gonna be using these cookies

You're gonna have to place on your forehead and you're gonna have to move it down to your mouth without using your hands

And I'm gonna go first

Wait leg placed on my forehead. I don't think this is gonna work out. Okay, go go. Yeah

Okay, yeah sprinkles coming down

I'll do it can't do it again in a minute

Sorry, oh

My god your your wasteful they're

Already lost no keep going the minutes not up

Wait, we're tired then know sort of what a mess. I won. This Oh a London

Boy

Thanks for watching if you enjoyed this video

Make sure to give it a thumbs up comment down below what youd like to see next. Subscribe to our channel and we'll see you next bye!

For more infomation >> Halloween Minute To Win It 2018 - Duration: 9:05.

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BOLSONARISMO EM CRISE: MOURÃO CONTESTA PAULO GUEDES E VOLTA DA CPMF - Duration: 8:57.

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ÚLTIMA PASSAGEM EM CASA. LITORAL CATARINENSE E PARANAENSE | T02EP03 | - Duration: 10:33.

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Últimas notícia de hoje : O PSDB, o leite derramado e o germe do fascismo - Duration: 8:34.

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Isenção para PcD abrange diversas enfermidades - Duration: 1:01.

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DIMINUI A GLICOSE ALTA, REGULA O INTESTINO E CURA OSSOS E MUITO MAIS ! - Duration: 4:19.

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Nork 71 - OURO | Prod. GRA$$I (Clipe Oficial) - Duration: 2:58.

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Mercedes-Benz C-Klasse Estate C 350 e Estate PLUG-IN HYBRID Automaat - Duration: 0:48.

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Mercedes-Benz E-Klasse 250 CGI BUSINESS CLASS AVANTGARDE Comand Trekhaak Intelligent Light systeem - Duration: 1:06.

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Crochet Tractor Tutorial - Duration: 46:50.

Hello everyone, thank you for joining me,

I'm Kerri. Today I'll be showing you how

to crochet this tractor for the barnyard

series. You could always use buttons for

the wheels if you'd prefer.

Now I'll be using 8 ply wool today, which

is light worsted in the US and double

knit in the UK. I've got green for my

main color, yellow for the contrast and

black for the wheels.

I've got sewing thread and a needle to

stitch it together.

A 2.5 millimeter crochet hook, a darning

needle to weave it together and scissors.

Now we'll start on the body, so using my

main color

I work twenty-four chain.

Now I miss the first two chain and I work

one half double crochet into each of the

remaining chain. A half double crochet is

called a half treble in the UK. For a

half double crochet we put our yarn around

the hook and then we put our hook into

the third stitch from our hook, in that

stitch there and then we bring up a loop,

just pull a loop through with our hook.

Put our yarn around the hook and then

we're going to take our hook with this

yarn through the three loops on the hook,

and that's a half double crochet. So yarn

around the hook, hook into the next

stitch and bring up a loop, yarn around

the hook and take the hook with the yarn

through all the loops. So we continue

like that into each of our chain to the

end.

And that's the first row done. For row two

we start with two chain and we turn our

work over and we work one half double

crochet into each stitch. Our first

stitch is this, this one in here, just

work into each stitch.

Now our last stitch is just in here at the

end,

and that's our second row done. Now rows

three to five are worked the same as row two.

So two chain and turn our work over and

then work one half double crochet into

each stitch across.

So I'll continue on and I'll work to the

end of row five and I'll be back. Now

that's my five rows done. Now we're going

to do a neatening row all the way around

the body. So we start with one chain and

we're going to work single crochet into

each stitch. A single crochet is a double

crochet in the UK. For a single crochet

we put our hook into the next stitch and

bring up a loop. Put our yarn around and

take our hook with our yarn through the

two loops. Now we just find a suitable

place to put our hook into for the next

stitch and bring up a loop, yarn around

our hook and through the two. Sometimes

it can be a bit hard to find a good spot

to put your hook in for your next stitch.

So we just work down the side,

when we get to the corner stitch we work

one single crochet, one chain and one

single crochet. That just makes a bit

better corner and then work along the

bottom. I'm crocheting in my tail, so I'm

holding it to the back and then just crocheting

over it

and I work a single crochet into each

stitch along the bottom.

I'll just snip that tail off now and

then just continue one single crochet

into each stitch along to the corner.

And into the corner stitch I work one

single crochet, one chain and one single

crochet and then I work up the side, one

single crochet into each stitch and then

into the corner stitch I'll work one

single crochet, one chain and one single

crochet and one single crochet along the

top. So I'll work along to the finish and

I'll meet you at the end. At the end of

the row I work a single crochet into the

same stitch as the first stitch. Work one

chain and slip stitch into the first

stitch. For a slip stitch I put my hook

into the stitch and bring up a loop and

then take it straight through the loop

on my hook and then I fasten off, and

that's the body done. Now I'll start on

this front cab piece. So I join my wool

thirteen stitches from the front, in this

stitch here. So I just pull a loop

through that stitch and I've got a tail

at the back. So I hold the tail and I

work nine chain.

Now I miss the first chain and I'm going

to work one single crochet into each

remaining chain. So a single crochet you

put your hook into the stitch and bring

up a loop, yarn around and take your hook

with the yarn through the two loops. So

we work one single crochet into each of

our chain.

This wool's splitting a little bit.

And then we slip stitch into the next

stitch along the body. So we put our hook

in and bring up a loop and take it

straight through the loop on our hook,

and fasten off.

And that's the first cab piece done. For this

back cab piece we join our wool, the

second last stitch and we work nine

chain.

We miss the first chain and we work

one single crochet into each of the

remaining chain.

And then we slip stitch into the last

stitch on the body and fasten off.

Now for the middle section we join in

the fourth stitch from our front section,

so this stitch here and we work eight chain

and we miss the first chain and work

one single crochet into each remaining

chain.

And then slip stitch into the next

stitch on the body and fasten off. I might

just weave in my ends because it will

make it easier and we'll be back and

we'll put the roof on.

Now I finished off my ends. Now for the

roof, using my main color I start with

two chain and then I work two single

crochet into the top of the front cab

section, just up in there. It can be a bit

difficult to find a spot to do your

single crochet.

Then I work three chain and work two

single crochet into the top of the

middle cab section.

And then work three chain and work two

single crochet into the top of the back

cab section.

Then I work three chain. For row two I miss

the first chain and I work a single

crochet into the other two chain. I turn

my work and I work a single crochet

into the top of the two single crochet

from the previous row.

And then a single crochet into each of

the chain.

A single crochet into each of the

single crochet at the top of the middle

cab and then a single crochet into each

of the chain.

A single crochet into each of the two

single crochet and the top of the front

of the cab. And then a single crochet

into each of the last two chain

and then we fasten off.

And that's the first part of the roof.

We'll put a row of contrast now. For the

last row of the roof we join our

contrast color in our first stitch and

work two chain and we work a half double

crochet into the same place as our chain.

For a half double crochet we put our

yarn around our hook, our hook into the

same stitch as our chain and bring up a

loop. Yarn around and through all the

loops. So we work a half double crochet

into each stitch across

and we fasten off.

Now I'll start on the back wheel now. If

you find it too hard you could always

use a button. Now we make a magic loop.

For a magic loop I put my hook on my

yarn, I bring the short end over the top

and then take my long end over the short

end and I've got a circle. And then I put

the long end of my yarn around

the hook and bring it through and that's

my magic loop. Now I make one chain and

I'm going to work six single crochet

into the circle.

Then I take hold of the end and I just

pull it in and ease the circle tight and

then I work a slip stitch into the top

of my first single crochet, so just in

there and I fasten off.

And that's just the little centre part.

I'll weave in those ends because it will

make it easier to do this next section.

Now for this next section I join my

yarn into any stitch on the first

section and I work one chain and then I

work two half double crochet into each

stitch around. So I'll work one half

double crochet into the same stitch as

the chain and then two half double

crochet into each of the other stitches.

And then I work a half double crochet

into the first stitch and slip stitch

into the top of the first stitch and

fasten off.

And that's the second part done. I'll

weave in that end and I'll be back and

we'll do this last section. For the last

section we join our black anywhere on

the wheel

and work two chain. Then we work a double

crochet into the same stitch as the chain.

The double crochet is called a treble in

the UK. For a double crochet we put our

yarn around the hook, we put our hook into

the stitch and bring up a loop. Yarn

around the hook, take our hook with the

yarn through two loops. Yarn around the

hook and take a hook with the yarn

through the other two loops and that's a

double crochet. Now we're going to work

two double crochet into each stitch

around the wheel.

At the end of the row I work a double

crochet in the same stitch as the first

chain and double crochet and slip stitch

into the first stitch and fasten off. And

that's the big wheel done. For the small

wheel we make a magic loop and work one

chain and four single crochet into our

circle.

We pull the circle tight and we join

with a slip stitch in the top of the

first stitch

and fasten off.

Now I'll just weave in these ends so

they don't get in the way. For this second

row we join our yarn in any stitch on

our circle and work one chain. Work a

half double crochet into the same stitch

as the chain and then work two half

double crochet into each stitch around.

Then we work a half double crochet into

the same stitch as our first chain and

half double crochet and slip stitch into

the top of the first stitch and fasten

off.

Now I'll just weave in that end and I'll

be back and we'll do the last row. For

the last row using my black, I join on

any stitch and start with two chain and

work one double crochet into the same

stitch as the chain. And then work two

double crochet into each stitch around.

So I'll just continue around this wheel

and I'll be back when I'm almost at the

end. At the end of the row we work a

double crochet in the same stitch as our

first chain and double crochet and slip

stitch into the first stitch and fasten

off,

and that's the small wheel. For this trim,

using the contrast color we start with

thirteen chain.

We miss the first chain and we work one

single crochet into each of the

remaining chain

and fasten off.

And that's the trim done. Now for the stack

I go back seven stitches from the front,

this stitch here and I join my black

wool and work seven chain. I miss the

first chain and I work one single

crochet into each of the remaining chain.

I slip stitch into the next stitch on

the body and fasten off

and that's the stack done. Now for the

steering wheel, it's a little bit tricky,

I join my wool into the corner at the

bottom of the first cab piece and I work

two chain. Now I pull my loop a little

bit loose and I fasten off. I leave a bit

of a tail and that's the first little

bit of the steering wheel, this little

piece here. Now for the second piece I

join in the third stitch from the cab, so

the second from the steering wheel piece

and I work two chain and now I'm going to

work a chain through my loop from the

first steering wheel piece. So I put my

hook into the loop and bring it through

the loop and through the loop on my hook

and then I pull the loop tight and then

I work two more chain.

And I slip stitch into the side of the

cab, just I've left about two or three

stitches there and I slip stitch into

there and fasten off. And that's the

steering wheel done. Now for the light I

join my yellow cotton three stitches

down from the top here, so it will be

this stitch here and I work one chain

and three single crochet into that same

stitch

and fasten off.

And that's all the crocheting done. I'll

just weave in my ends and I'll be back

and we'll attach the wheels and the trim.

Now there's all my pieces. The first thing I do

is attach the large wheel, it goes about

there. It goes further back than the back

of the tractor and I'll also stitch on

the small wheel. I leave a bit of a gap

and I try to get them even but I'm not

so good at getting things even. So it

will go about there. I'll stitch those on

and I'll be back. The wheels are on, next

I just attach the trim, the flat part

goes at the front and just along there.

So I'll attach that and I'll be back and

show you the finished tractor. And

there's the finished tractor. If you

liked my video please like, subscribe and

share. I'm also on Facebook, Instagram,

Pinterest and Twitter. The details are in

the description below along with the

details on my website where I have my

patterns and the details on my facebook

group. Thank you for watching, see you

next time. Bye.

For more infomation >> Crochet Tractor Tutorial - Duration: 46:50.

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A Fazenda 10: Evandro Santos detona Gabi Prado e Ana Paula Renault - Duration: 5:06.

For more infomation >> A Fazenda 10: Evandro Santos detona Gabi Prado e Ana Paula Renault - Duration: 5:06.

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Como calcular a margem de contribuição fácil e rápido - Duration: 4:01.

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A TURMINHA DO SULCA 2 VISITA: Manoel Rodrigues - Duration: 2:13.

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Meghan Markle estrena su libro de recetas de cocina | Al Rojo Vivo | Telemundo - Duration: 0:44.

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Arrestan a sospechoso de meter agujas dentro de fresas | Al Rojo Vivo | Telemundo - Duration: 0:50.

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Investigarán a sacerdotes acusados de pederastia | Al Rojo Vivo | Telemundo - Duration: 0:43.

For more infomation >> Investigarán a sacerdotes acusados de pederastia | Al Rojo Vivo | Telemundo - Duration: 0:43.

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Kalamazoo Lively Arts - S04E05 - Duration: 26:47.

- [Narrator] Support for Kalamazoo Lively Arts

is provided by the Irving S. Gilmore Foundation,

helping to build and enrich the cultural life

of greater Kalamazoo.

- Welcome to Kalamazoo Lively Arts, the show that takes you

inside Kalamazoo's vibrant, creative community

and explores the people who breathe life into the arts.

(energetic rock music)

I'm John Koch, here at Miller Auditorium.

On today's show, we stop by For the Good Open Mic,

an event bringing art, passion, and advocacy

to the open mic scene.

We'll visit Park Place Living Center and see how Bob Rowe

and Renaissance Enterprises bring joy to residents.

And we'll explore artists' routines

and how that creates the art we love.

- Well I know artists kind of have different techniques.

Some of them paint at a designated time each day.

Some of them have a particular kind of music

playing in the background.

What's yours?

- I like to get into my studio as soon as I can.

Like, that was Ken's advice, go to your studio,

even if you just straighten up today.

- I think you have to be in the room,

I don't know how else to put it,

if you aren't there, you really aren't going to do anything.

- How do you write your poetry?

- They just come whenever.

So I have my phone or whatever device and I may speak it

into the phone.

Or I always carry a notebook, a pen or a pencil,

and I like to write it down,

but it may come from anywhere.

It may come from your dress, like wow.

Or just me talking to you, I may write a story,

I may have this story in my head about what life is

being an independent woman in TV or you know,

just to say, and it may be the empowered woman.

So you might be my muse for a poem

about being an empowered woman.

- Send me a copy.

(laughter)

- A lot of the time, the things that inspire me

is watching other art, like going to a play,

going to certain films, or watching clips.

- There's a certain level of pride

in this particular project where I was not willing

to walk away and say that time in my life is over

and it's done and I don't care.

This project was self-funded by me, so I had to have

a certain degree of passion or commitment

to want to put my own funds toward the restoration.

- [Shelley] Give me a day in your life.

- Oh boy (laughing) it's probably why I've stayed

in show business so long because they're never the same,

everything is different.

But our programs tend to be late morning, early afternoon,

so you know, I'll get up and I'll do a little bit

if we have a morning program and then kind of save my energy

for that and then for the afternoon.

Mondays and Tuesdays during the week, I tend to do

office work and I tend to take care of you know,

the actual running of Renaissance Enterprises.

- Yup, because you've got a businessman hat.

- We do, even though my bigger one is the artist hat.

And I spend time calling different facilities,

or trying to help schedule the artists

or talking to nice people like yourself.

So Mondays and Tuesdays are kind of my office days,

and we're really pretty much out in the field

the rest of the week doing programs.

- Sometimes if you're a writer,

and you're trying to create something,

you have to get into the right emotional mindset

but getting in that right emotional mindset,

especially about something that's a really intense thing

that you're creating, isn't the healthiest for you

as a human being because you still have to live in the world

and it really causes heightened emotions.

I'm a very emotional writer.

I sort of feel what I'm writing as I create it.

So accessing a lot of those thoughts isn't necessarily

the most healthy thing for you emotionally,

but yeah I think it's something that the writer has to do

because you have to challenge yourself

when you're trying to write to make it real.

- Do you ever learn something when you're painting

and maybe say ah, I'm going to take that into my next work?

- Mmhmm, yeah that's one of the reasons why people

do art.

It's kind of a way of seeking the truth.

When you look at, well let's say a chambered nautilus

or you know, a sunflower, and you start to draw it

or paint it, you see, oh, that's how it is,

that's how it looks.

And you learn, that you learn about the world that way

but you also learn about yourself.

I've done a lot of portraits for people, pencil portraits,

and by the time I'm done, I feel like this is my family,

I know these people.

You know, you see a little wrinkle or a blemish,

and you're working to get it right in all that,

so to me, it's painting and drawing,

it's all a learning experience.

- Bob Rowe, a man of many talents.

(laughter)

Oh my gosh, where do we begin?

We sing, we maybe dance.

- Oh I don't know Shelley (laughing).

- Business owner.

- With an introduction like that, I don't know how

I can follow that, that's pretty cool.

- Well let's start with Bob Rowe

and I guess when did you knew you were talented

in the singer songwriter musician world?

- Well I kind of fell in love with singing, and writing,

and music back in high school.

I would listen to the wonderful folk singers

like Peter, Paul, and Mary, Joan Baez and Kat Stevens,

and people that kind of married wonderful lyrics

and meaningful words, stories, to great songs,

and that's what first attracted me into music,

is that it could be entertaining but also say something

significant about the world.

And so that's how it all got started,

and from the time I was in high school,

one of the sisters of St. Joseph took me around

to visit the shut-ins and the people she was giving

communion to and I automatically felt a chemistry

with that group of people.

It took so little on my part to bring a smile to their face.

I could sing off-key or I could sing the wrong words,

or whatever, and just the fact that I was there

and I was paying attention to them and I was giving them

my heart and soul made all the difference in their existence

and I thought man, this is a powerful thing.

This is big.

- Alright put your hands together.

(audience clapping)

♪ There's a dark and a troubled side of life ♪

♪ There's a bright and a sunny side too ♪

♪ Though the darkness be ever around ♪

♪ The sunny side we also may view ♪

Here we go.

♪ Oh keep on the sunny side ♪

♪ Always on the sunny side ♪

♪ On the sunny side of life ♪

♪ Feel the bright and lovely day ♪

♪ It'll help you walk away ♪

♪ If you keep on the sunny side of life ♪

♪ Oh the storms and the trials ♪

- [Shelley] What are you sharing with your audiences?

- I'm sharing their dignity.

I'm trying to let them know they matter

and that they're important and that they don't have to be

young again, they don't have to be making a big splash

out there in the community, that everybody matters,

and everybody has worth and everybody has dignity

simply because they exist.

And if you think about it, if you've ever visited

a care facility, so many of the elderly have absolutely

nothing to look forward to.

Their friends have passed on, and their relatives,

if they're still alive, maybe live off in California

or somewhere far away, and so they just sit there

day in and day out, and the fact that we're able to

go in there and sing them a happy song

and you know, spend time visiting with them

makes all the difference in their wellbeing.

They're doing a lot of studies now showing the correlation

between mental, spiritual stimulation and emotional health

with our physical health.

I hope there's people that might see this

and maybe decide to visit the elderly,

and you know, I tell everybody, even if you can't sing

and you can't perform, then you can go in

and visit with the elderly.

You can read a book to somebody that's lonely.

You can just sit down and let them talk to you,

let them tell you their life story because they will.

Everybody's interested in talking about their journey

if you open them up.

There's so much we can give and it's not that hard.

♪ Oh remember me when the candlelight's gleaming ♪

- So we've got Willie Nelson, remember.

♪ At the close of a long long day ♪

♪ It would be so sweet when all alone I'm dreaming ♪

♪ Just to know that you remember me ♪

♪ The sweetest song of all the lovers ♪

♪ In the golden ♪

♪ The sweetest words belong to you and me ♪

♪ The saddest words ♪

- [Shelley] Let's talk about those accolades.

Mother Teresa's entered your life somehow.

- (laughing) Back when I started the organization,

Mother Teresa's documentary had just come out,

called The Gift of Love, and I was so moved by it

and by what she was doing for the poorest of the poor

and people that are really marginalized by society,

and I could see the parallel between that

and what we were doing for the elderly.

Because the elderly in care facilities are pretty much

kind of off in the distance and forgotten,

and not really in the mainstream of society.

So I wrote down one day, sat down and wrote down

a whole letter to Mother Teresa and I put it in the mail

and I totally forgot about it,

and I thought well I'll never hear back,

she had already won the Nobel Peace Prize

and was a worldwide celebrity at that point.

And about two months later, lo and behold,

this little yellowed envelope came from Calcutta, India,

and I thought could it be?

And I opened it up and I thought oh my goodness,

it was a letter from Mother Teresa.

And it was extraordinarily personal, just telling me

that what I was doing really mattered to God

and was really important and that I didn't need

to change a thing, that what we were doing,

giving love to the less fortunate,

and those that were largely forgotten in society, was big.

And I wrote probably 15 or 20 letters to her after that

and she wrote very personal messages back,

and I would send pictures of myself and our other artists

performing for the elderly, and she'd write little notes

on it and then mail it back to me.

So it was really cool that in 2006 the organization

that worked with Mother Teresa's order awarded us

with the Mother Teresa Laureate.

And it was such a thrill that year because we were awarded

in the same group with former president Jimmy Carter,

whom I admire very much for his work

with Habitat for Humanity, and Archbishop Desmond Tutu

and Billy Graham who has recently passed away,

so it was a cool thing.

- Bob Rowe, what will you do for us here?

- Well we have a little song that we love to sing

for just about every program because we have a rule

if there's sunshine outside, we celebrate it.

If there isn't any, we create some right in our heart.

- That's right.

- So that's what we're going to sing about right now,

and you ladies have got to help me out.

Ready?

♪ You are my sunshine, my only sunshine ♪

♪ You make me happy when skies are gray ♪

♪ You never know dear how much I love you ♪

♪ Please don't take my sunshine away ♪

♪ The other night, dear, as I lay sleeping ♪

♪ I dreamed I held you in my arms ♪

♪ When I awoke dear, I was mistaken ♪

♪ For I hung my head down and I cried ♪

- All together.

♪ You are my sunshine, my only sunshine ♪

♪ You make me happy when skies are gray ♪

♪ You never know dear, how much I love you ♪

♪ Please don't take my sunshine away ♪

♪ Oh please don't take my sunshine away ♪

- Yeah

(applauding)

Alright, we made some sunshine today.

- She's a poet, a spoken word artist, and a host,

Dana Great Dane Hudson is hosting an event

here in Kalamazoo.

It's called For the Good Open Mic Night,

and it has a mission.

- Cross over her ankle so you know that she's a Christian.

Unaware that she's challenging gods,

oppressed by a system that can turn a car ride

to the beach into Christmas.

I'm talking flashing lights, caroling sirens,

said the music was too loud.

The black was too proud.

(audience calls out in agreement)

Because you know black joy is illegal.

(audience yells out in agreement)

The exception to the American dream.

Black joy is America's sleepless nights when we exist

adjacent to meeting our own needs.

It's like Harriet reincarnated into the belief

that freedom is on the side.

Black joy is a revolution we will protect with our lives.

Thank you.

(audience murmuring in agreement and yelling out)

(audience applauds)

- So last time we were together, we did affirmations,

we kind of said things that we wanted to become,

things that we wanted to see.

So I was kind of curious, did any of those affirmations

actually materialize for you?

- That's a great question, that's a really great question.

The Open Mic that I began March of this year,

For the Good Open Mic, is definitely a start

of kind of realizing a vision.

It's a part of it.

And so at the end of last year, I really was just

feeling like I needed to do something,

create some type of space

that encouraged and supported other people,

and so here we are with For the Good Open Mic.

I reached out to Cameron Mitchell at Rudit,

and she was all for it.

- Well that's what I wanted to ask you.

How did, how is this different really from some of the other

open mics?

- Okay so most open mics, your feature is going to be a poet

for the most part, or some type of artist,

a singer or something like that.

Now while you may come to this open mic and see a feature

that has some art to share, but for the most part,

they're an individual or groups of individuals

doing something really good in the community.

So for instance, we had a feature of Cosecha Kalamazoo,

which, they are really pushing forward

for the rights of immigrants, and for human rights,

for every brown and black person to be treated like a human.

And they also have deep stories themselves,

and they were able to come and share those stories

and be heard and be vulnerable, shed some tears even,

and have some laughs.

It's almost like healing.

Because it's hard work, it's hard work being out there

and doing this grassroots work,

and so it can be really taxing on you in your capacity,

and so this open mic was started so that they can have

that moment to feel the support of the community,

and so the community can also find out what they're doing.

- I'm p-ed off.

- [Audience] Why DC?

- These pictures plastered purposely on my page

of your peculiar portraits perturbing me every day,

these selfies, these selfies,

pivotally planted your presence,

your constant presence, pauses my social network experience.

Hashtag Monday's outfit, hashtag Tuesday's swag,

hashtag Wednesday's vintage, hashtag Thursday's rags,

hashtags Friday's dress, hashtag Saturday's look,

hashtag Sunday's best boo.

This is not a scrapbook, like why am I being punished

by your plethora of pics, predictable postures,

same face just a different outfit.

Boldly portraying your passion for popularity

you primadonna theme posting plenty for some likes.

Just to boost your self esteem.

I said I'm p-ed of.

- [Audience] Why DC?

- At the (clears throat) pity placed on possessive

baby mamas to prevent the painted possession

of the poor because they are scarred.

So now your polemic poison precedes the pawn

to the prototype that papas participation

is precisely what makes you complacent

when really it's your pitiful pedestal

they can't hold the concept of platonic relations so,

he can't see his kids because he doesn't want you

borderline arguing,

understand what has one got to do with two.

(audience yelling)

Said I'm p-ed off.

- [Audience] Why DC?

- At these paternal poses perpetrating as fathers

preventing his prince or princess from his or her potential.

A pattern portraying programs that we promote.

Perpetuating the problem previously produced by presidents

of past periods.

Do you not know the power of your purpose, presence,

or position are paralleled to the progress of my people,

I'm telling this to my black male students.

Do you not know the power of your purpose, presence,

and position are parallel to the progress of our people?

No they're more concerned with popping molly,

puffing bally, pistols packing, got the nerve

to wear it proudly.

I said I'm p-ed off.

- [Audience] Why DC?

- At these political pirates posing as politicians

promising promises broken like homes plagued by the system,

these penny pinching peddlers promoting passive peace

and protection on paper all the while evidence proves

planned propaganda for that paper.

(audience hums in agreement)

These pesky pieces of porcelain deposits

hide behind a management of wars on drugs and sitcom pilots.

Superbowl performances, illuminatis, and kamikazes,

fabled they planted pirates empower in our population

and rode out like Kawasaki.

Question, if the percentage from the pepper pigmented

persuasion is piled so high in prisons,

surpassing the elevation, how do we predict the probability?

Poets and peace promoters are pronounced most wanted,

too much preaching to the popular survivors,

prejudiced, pre-possessed, plantation-producing,

policy-violating, 9/11 premeditating, stand your ground

and promoting, I said I'm p-ed off.

- [Audience] Why DC?

- Not because I have to or because I haven't tried.

I'm p-ed off because y'all keep asking me why.

(Audience yelling, cheering, and clapping)

- So when you look at For the Good, what do you think

it's benefit is for the community?

How does this affect the community here in Kalamazoo?

- Well I think, you know, activism is a tough, tough thing

because while you're fighting to change something,

you're also being impacted by whatever it is

you're trying to change.

So you're experiencing some form of oppression,

while you're trying to fight that same form of oppression.

It can be very exhausting.

- Yeah.

- And so for me, my hope is that it allows people

to get a little boost so that they can continue

to do that work because if they stop doing the work,

then who does it?

So the community needs these people.

The community needs to get behind these people

and these organizations and so that's how the community

can be benefited.

- My name is Nora Buckingham Getz.

My pronouns are she or hers.

If you look at that piece of paper from that fateful morning

March 27, 1995, Springfield, Illinois,

shows an R missing from her name,

one letter that should be an X,

and another that should be an F.

Much like the lines of code that won't compile,

it's amazing what one letter can hinder.

But I don't need the government or society to fit me

into a box.

I know exactly who I am.

This is a broad whose shoulders are broad,

whose hands are big as are her feet,

whose breasts and hips could be bigger,

but at least her hair flows long and free.

If her arms and legs are hairy, it's more about being

lazy for a feminist statement.

Her throat has a lump that most girls don't,

and another that makes other lucky bisexuals swoon.

These parts do not give such dismay to her,

as a deep voice and scratchy face,

like a clock from day to day and leave her pillow wet

for once a week.

These things won't just go away, not with three years

since her awakening,

or a year and a half of pills and patches,

meant to sew up the holes in my chemistry,

but do give me a new fulfillment in the joy

of growing up once again.

If she looks pretty now, that's because she worked

real hard for it.

Pretty hard's enough for most girls.

You can't just buy the cheap makeup, they say,

but the clothing sizes lie to them already.

Lipstick, mascara, and a lot of foundation

go a long way for me.

It's often a scary life that I live,

but I know exactly who I am, and I wouldn't want to be

anybody else.

Thank you.

(audience cheers and applauds)

- For the Good Open Mic, who is it for?

Who do you hope to reach with that?

- Anyone who is looking for an outlet to speak their mind,

to express themselves, anyone who is looking for community

to connect with to improve their community.

I know there are people out there who think,

well people don't care about this,

or they don't care about that,

they don't care about the north side,

or they don't care about the east side,

but there people that are working and doing work

and creating programs and organizations to do that good work

in those areas, so I'm hoping that the people from the

north side and the east side, the west side, the south side,

I hope they all come, check it out, and figure out

what they can do for the good for the community.

- Thank you for joining us on this week's episode of

Kalamazoo Lively Arts.

Check out today's show and other content at www.wgbu.org.

We leave you tonight with a summer of 2018 performance

at Kalamazoo's For the Good Open Mic.

I'm John Koch.

Have a great night.

- [Performers] In Grand Rapids, we go to church on Mondays.

- We meet as a congregation, pour libations,

pass the hat is always participation.

- [Performers] Always resemble deities

so we give them praises.

- I guess you can call poetry that new religion.

See, these spaces are sacred, because here we get to be us,

- [Performers] We free, we black, we white,

we gay.

- We straight.

- [Performers] We not binary, and we not apologizing.

- You will stay our names while we are still standing

and we will continue to stand.

- Especially since they are still on the hunt

- [Performers] For black and brown bodies,

torches in hand,

ready to deliver us our death sentences,

as if we ain't already used to dying

then being reborn, like we ain't got the Bible in our DNA.

- You see these spaces be our sanctuaries.

- [Performers] Where we sometimes stand in circles,

ciphering sentences, curating culture, saying things like

- Don't be nice.

- Remember why you wrote it.

- [Performers] Go in for it.

- And you think these are just phrases that we pass

to the poet on the stage for encouragement.

You do realize whose speaking in tongues,

let me decipher it for you.

Like when we say

- [Performers] Don't be nice.

- Don't be nice, because they ain't never been nice to us.

They want poetry to be pretty and soft and sweet

but I write about my experiences,

and some of them have been ugly and grimy

and too rough around the edges to ever be soft.

---- being sweet.

(audience hoots)

I'd much rather be bitter.

See that taste is much more familiar on my taste buds.

When we say

- [Performers] Remember why you wrote it.

- Remember when you didn't have anything else but poetry.

- [Performers] Remember the ink circles from your tears

that still stain your pages.

- [Main Performer] Remember when you penned your first poem

or performed your first piece.

- [Performers] Remember that even though

there's a thousand other poets out there,

you still felt your voice necessary.

- See these faces, being an even exchange amongst creators

with souls left on mics.

- [Performers] Us slam poets typically get three minutes

maybe an extra ten seconds to leave our souls on the mic,

hoping you see the world the way we see.

- And I know this is supposed to be a slam.

Sometimes I just want to walk up to the judges and yell

- [Performers] How dare you judge our worship,

like you ain't no prophecy projected from these rights,

(audience yelling)

like your ears ain't been baptized and made new,

(audience yelling)

like there's no resemble scripture for these sages

say holy land, you can't tell me that prophet

and poet don't sound like synonyms.

(audience applauding and cheering)

- This is our temple.

Recognize the divinity that surrounds you.

Appreciate the fact that every time we step to the mic,

you are witnessing

- [Performers] Living, breathing miracles.

- Now let the church say amen.

- [Audience] Amen.

(audience screams and applauds)

- [Narrator] Support for Kalamazoo Lively Arts

is provided by the Irving S. Gilmore Foundation,

helping to build and enrich the cultural life

of Greater Kalamazoo.

(upbeat rock music)

For more infomation >> Kalamazoo Lively Arts - S04E05 - Duration: 26:47.

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Niña fan de Drake vuelve a clases tras su transplante | Al Rojo Vivo | Telemundo - Duration: 0:40.

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Squares, essential tools - Duration: 6:04.

Hello everyone, I'm Paulo Costa, Welcome to my channel on my bench

today I received another order

Let's see what comes here.

these products were sent to me by Bangood

I want to thank Bangood for sending this material

Let's start with this one.

they sent me 3 squares

is the classic square in L

are of steel,

ideal for carpentry and locksmithing

looks very good

It was something I needed, precision squares

are ideal for precise jobs

Let's open this too.

here comes a combined square

his can give marking at 90 degrees and also at 45 degrees

and also serves as a pencil

they also sent me a speed square

is more robust

this will be very useful on my bench

also serves to make parallel markings

also serves to mark angles

and is ideal to serve as a guide for the circular saw or other

these are the most basic functions of this square

are the most used

if you want to see the operation of this tool, follow the next videos

subscribe now the channel

activate the bell and notifications to be the first to receive the next projects

let's continue

one more

I received a disk for my bench saw

is a 185 mm disc with 80 teeth

is ideal for making cleaner and more accurate cuts

and brings these 3 washers to adapt to various types of saw

and to finish, one more

is a set of 3 drill bits

are specific for drilling hinges

I'll show you how they work.

the advantage of these drills is to make the hole centered in the hinge

allows you to place a hinge without leaving its position

were some more products that I received

if you want to check the price or want to buy, I'll leave the link in the description

can also see my list of hardware and tools for the channel, the link is in the description also

If you liked these tools, leave a comment, leave your like

A big hug until the next project.

For more infomation >> Squares, essential tools - Duration: 6:04.

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ADVISOR TO THE PRESIDENT IVANKA TRUMP SPEAKS WITH SPACE STATION CREW MEMBERS - Duration: 18:47.

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This Fine Tiny Cabin is Ready for Febuary | Lovely Tiny House - Duration: 2:17.

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Self care that improve the cheek extra moisture and back head weightness. - Duration: 6:51.