Youtube News: Youtube daily report w Aug 30 2018

We present one of the most famous books of post-war Polish literature.

This is the first edition issued in 1956. "The first step in the clouds" by Marek Hłasko,

a collection of short stories that laid the foundations of the literary legend of this artist.

Legends of a seventeen-year-old who left school, became a chauffeur and began to write... remarkably.

The works that made up this volume began to appear in the literary press from 1951,

and they aroused great interest in critics before they were printed.

After the show, the book caused a lot of noise in Poland, and during the first three years it was translated into

Czech, Hungarian, Serbian and Croatian, Slovenian, French, English, Hebrew and Danish.

Soon, the famous films included in "The First Step in the Clouds" were also shot,

such as Wojciech Has's "Loop" or "The People of the Dead" by Ewa and Czesław Petelski.

And all this happened during the political fever and thaw of the turn of October 1956.

A small volume book therefore has a great and fascinating history.

The presented edition also has an extremely interesting, attractive cover and title page,

and also interesting illustrations by Jerzy Ćwiertnia.

The collector's item is in very good condition.

Please visit www.atticus.pl

to the section: editions of well-known illustrators, first editions and Polish literature.

For more infomation >> Pierwodruk wydanego w 1956 r. „Pierwszego dnia w chmurach" Marka Hłaski (w dobrym stanie) - Duration: 1:46.

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Verbal Aspect & Navajo Madness - Duration: 9:41.

Last time we looked at tense - the grammatical feature that locates in events in time.

This time let's look at aspect - the grammatical feature that tells us how an event relates

to the flow of time or, in fancy linguist speak, it tells us something about the internal

temporal consistency of an event.

At the highest level, we have the opposition between the perfective aspect and imperfective

aspect.

The perfective aspect presents an event as an instance in time - a simple unanalyzed

whole.[1] Whereas the imperfective aspect treats an event as a process with beginning,

duration and end.[2] Oftentimes, though not always, the perfective emphasises completion

and the imperfect emphasises incompletion.

Russian features such an opposition.

For every english verb[3] there are two Russian verbs which differ only in aspect.

One is perfective[4] the other imperfective[5].

The perfective form, in keeping with our definition, is used for completed events, events that

occur once, and when the result of an event is relevant.

The imperfective form is used for events that are repeated, have duration, are incomplete

or are in progress.

Both aspects can be applied across the past[6], present[7], and future[8] tenses.

Albeit Russian forbids the present perfective which kinda makes sense; the present is an

ongoing process centred on the now and the perfective is synonymous with completion – the

two don't really mix.

Now given that, by definition, there is more to say about the imperfective, some languages

split it up into the habitual aspect and continuous aspect.

The habitual aspect, think 'used to', tells us that event occurs habitually 'I

used to walk to work' or that it is characteristic of the time period being talked about 'this

building used to be a shop'.

The continuous aspect, on the other hand, tells that an event is ongoing but not habitual.

'He sees it' in Quechua[9] translates literally as he is in the process of seeing

it.

We can go down another level on the aspect tree and sub-divide the continuous aspect

into the progressive and non-progressive aspect.

The progressive aspect tells us an event is an ongoing dynamic process 'I was walking,

I am eating, I will be learning' whereas the non-progressive tells us the event is

an ongoing static state.

Analogs in English are 'I love, I know, I understand'.

Then there's the perfect which doesn't neatly fit into the aspect tree.

It tells us that an event has present relevance or put another way it highlights the consequences

of an action.

'Want some dinner?

No thanks, I have eaten?'

The event: the eating.

The consequence: I'm too full have dinner right now.

Now, I'm not pointing any fingers here, linguists, but next time maybe don't give almost identical

labels to utterly different concepts.[10] Just a thought...

Anyways, English deploys the majestically named perfect aspect in a number of cool ways.

There's the Perfect of Result 'Steven has arrived' which implies an event still holds.

Steven arrived and is still here.

The Experiential Perfect 'Steven has been to Beach City' tells us the event has occurred

at least once.

The Perfect of Persistence 'Pearl has lived here for many years' emphasises continuity

from past to present.

And the Perfect of Recency 'I've just seen Opal' highlights recency as the important

point in a statement.

With all that in the bag, let's talk about how to apply aspects to our conlangs.

First decide if you even want aspect.

Yoruba lacks tense and instead relies on a ton of aspects to convey temporal information.[11]

[12] German on the other hand doesn't really bother with aspect.

Context[13] and adverbs[14] suffice in German.

Assuming you do want aspects, pick from this set.[15] Be minimal and for the most part

think in oppositions: perfective vs imperfective, perfective vs habitual and continuous on so

on, and then decide how your aspects will be marked - with inflectional morphology like

in Russian, or through auxiliary verbs and periphrasis like in English, or maybe you

could just make up different verbs for each aspect.[16]

FYI periphrasis is the use of separate words to convey a grammatical relationship that

otherwise would be conveyed by inflection.

Couple of extra pointers though.

In English, we can say 'I used to work here' but not 'I will used to work here'.

That is, the habitual aspect can't be applied to the future, only the past.

This is common.

Past tenses tend to have more aspectual distinctions than other tenses so think about mimicking

this in your conlang.

Also, try to combine tense and aspect markers.

Like how the Italian Imperfetto[17], conveys the past tense, habitual aspect and progressive

aspect all at once in a single affix[18].

Combining tense and aspect is naturalistic[19], marking them seperately is not.[20]

Now, these are beginner level guidelines but the more advanced amongst may wish to go a

little deeper.

Buckle in folks...it's about to get dense.

Thus far we've only talked about grammatical aspect but there's also lexical aspect - the

phenomenon whereby verbs themselves are inherently temporal.

Such verbs come, at least in English, in five flavours.

An Activity, like 'to walk', is defined as being a dynamic, atelic, durative event.

Dynamic meaning the event is an ongoing process which requires continuous input.

Atelic means the event has no clear endpoint; stop walking at any time and the statement

'I walked' holds true.

And durative means the event is conceived of as lasting in time.

An Accomplishment, like 'to build a bridge', is defined as being a dynamic, telic, durative

event.

It's a process, it has a clearly defined end point; the bridge is either built or not,

you can't cut off construction at a point and say the bridge is built.

And it has duration.

A Semelfactive, like 'to hiccup', is a dynamic, atelic, instantaneous event.

It's a process, it has no clear end-point, and it occurs instantaneously - or at least

we conceive of it as being an instantaneous event.

An Achievement, like 'to reach to a summit', is defined as being a dynamic, telic, instantaneous

event.

It's a process, it has a clear end point and it occurs instantaneously - one moment the

summit has not been reached and the next it has.

And a Stative, like 'to know', is defined as being durative and static.

It has duration but is a changeless state - once you know something it holds over time

with no further input.

I bring all this up to say that a conlanger should be aware that the lexical aspect of

a verb can affect which grammatical aspect the verb can take.

In English, 'I am walking' is grammatically correct but 'I am knowing' is incorrect.

Meaning English allows the progressive aspect to couple with activities but not with states.

Think about this with your lang.

Finally, no talk of aspect would be complete without mentioning Navajo.

In blatant disregard for my guidelines, Navajos aspect system features … wait for it … seven

modes, twelve primary aspects and ten sub-aspects.

All of which combine with each other in various complex ways.

The modes are: imperfective, perfective, progressive, future, usitative, iterative, optative.

They're called modes but apart for the future (a tense) and the optative (a mood) they're

actually aspects.

The usitative aspect tells us that an event takes place customarily whereas the iterative

aspect tells us that an event takes place repeatedly.

Which, I know, sounds like tomato-tomato but take a sentence like this:

Hastiin ná'ádlį́į́hgo, ch'ínáshdááh[21]

The first part is iterative; the implication is that the husband has been known to drink

on several occasions.

And the second part is usitative; leaving is the customary response to the husbands

drinking.

Then we got the primary aspects: momentaneous, continuative, durative, repetitive, conclusive,

semelfactive, distributive, diversative, reversative, conative, transitional, and cursive.

Here's what they all do[22], links in the description.

Some of my favourites are the semelfactive aspect, which kinda like before tells us that

an event is a single act in a repeated series of acts[23]; the conative aspect, which tells

is that an event was attempted[24]; and the cursive aspect, which tells us an event progresses

in a line through time and/or space.

Think 'along'[25]

On to the subaspect: completive, terminative, stative, inceptive, prolongative, seriative,

inchoative, reversionary, semeliterative.

Again here's what they do[26].

The seriative aspect is cool.

It tells us that an event occurs in sequence[27].

And so is the semeliterative aspect, which tells us that an event occurs one more time[28].

But the prize for best aspect has got to go to Hopi and it's segmentative aspect.

Brace yourself for this one … the segmentative aspect takes the thing conveyed by a verb,

repeats it, and stretches it out into a series of interconnected segments in a single dimension,

regardless of time or space or both.

It forms an acute angle[29] turns into it is zigzagging[30].

Trippy, right?!

And I could go on and on[31] but this video is getting long.

Links in the description … Laters.

For more infomation >> Verbal Aspect & Navajo Madness - Duration: 9:41.

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Charlie Puth - The Way I Am (Lyrics) Taska Black Remix - Duration: 3:16.

but that's just the way I am

that's just the way I am

but that's just the way I am

Oh, this is what you wanted all along

Yeah, this is what you wanted

I am, am, am

Oh, this is what you wanted

Yeah, this is what you wanted

Am, am

that's just the way I am, but that's just the way I am

But that's just the way I am, that's just the way I am

But that's just the way I am

that you could either hate me or love me

I'ma tell 'em all, I'ma tell 'em all

But that's just the way I am

that you could either hate me or love me

I'ma tell 'em all, I'ma tell 'em all

I promise myself one day

And that's okay

Baby, I'm a little insecure

If you go and look under the surface

But no one ever wants to get to know somebody

'Cause all I wanna do is just hold somebody

Life ain't nothing like it was before

Feelin' like I really don't deserve this

Maybe I don't go out anymore

Maybe I'ma get a little nervous

But that's just the way I

But that's just the way I am

that you could either hate me or love me

I'ma tell 'em all, I'ma tell 'em all

I promise myself one day

And that's okay

I don't even think I'm gonna try

I don't even know how to explain this

But no one ever wants to get to know somebody

All I wanna do is just hold somebody

And I'm just trying to find a place to hide

'Cause everybody's trying to be famous

Maybe I'ma get a little shy

Yeah, maybe I'ma get a little anxious

For more infomation >> Charlie Puth - The Way I Am (Lyrics) Taska Black Remix - Duration: 3:16.

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Kids Vs. Adults At The Theme Park | Partners | Scary Mommy - Duration: 0:55.

(upbeat music)

- Let's go on The Battle for Eire.

- It's air conditioned.

- I need to deal with this under boob sweat battle

I have going on over here.

(upbeat music)

- That was awesome.

- Yeah, I think I peed a little.

(upbeat music)

- Mom, mom, can we have ice cream?

Mom!

- Yeah, sure, and make sure you get her

some caffeine, too.

(upbeat music)

- I can't believe she did that.

- My bathing suit is inside me.

(upbeat music)

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Relaxation Positive Instrumental Music

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What if Someone Refuses Help? - Schizophrenia - Duration: 6:43.

Hey what's up I'm Rachel Star schizophrenic so what do you do if

somebody refuses help first off if they're a danger to themselves or others

police okay especially if they're a danger to you alright so if there is an

act of danger that this person might kill themselves

might kill other people might kill you you need to get the police involved okay

like you need to just putting that out there pretty strong moving on

and this doesn't even have to have mental disorders if you have someone in

your life but maybe not diagnosed you like all they're fine or normally but

they're planning on shooting a bunch of people police yeah now who is this

person so let's talk if it's your child all right um if they're under 18 and

they have a problem and you're the parent you do need to like step in like

go to the doctor go to a therapist now if they're like middle school the high

school that's where it starts getting a little trickier I remember my parents

once taking me to a therapist and I I hated it I did not want to go and I

hated the woman she was super weird and I was just like I don't want to go do

this so it gets a lot harder we're talking about an older teen all right to

you know 17 trying to control them like that again especially for like a bigger

teenager you need to call the police if they're a danger okay and I can't even

imagine how hard that would be to do do for your child but I think we've all

seen the news yeah so if possible sit him down talk to them

all right kind of find some middle ground is there

some way like maybe there's a certain type of doctor you want to try first

like maybe let's just go talk to a school counselor first all right and see

where that goes or they could be the opposite and like not what you know it's

even touch so school be like I want to go to a real doctor so talk to them

alright give a few different options don't just come and sit you have to go

to the doctor all right give a few different options like hey

we can go the doctor all right we can go talk to a therapist all right we can go

talk to you know throw out some different options there okay don't make

it don't like kind of corner the person and make them feel like you're just kind

of coming at them and gonna force this help on them you know and if they are

your kid you know maybe you can even kind of bribe somehow like look you go

to therapy we go to McDonald's after BAM now over 18 let's actually talk about

spouses because this um comes up a lot in questions to me where one spouse

really wants the other one to go and get help and that person doesn't want to

period that kind of gets into the marriage territory of you needing to sit

down and like say look something has to change like something has to and if that

person is violent towards children in any way you need to get the children out

of the house okay and like you need to if at any point this person might become

violent to the towards children in any way you need to just take them out go

stay with someone else take them out I know that's like super or like well

Rachel it's a little no no at any point any harm take them out okay um if it's

not that kind of situation you're really just going to sit down if it really is that situaiton

something has to change be supportive um be like hey I'll go

with you we can even try it like couples therapy first or if you don't want me

anywhere near the doctor if you don't want me to know anything going on that's

fine too because people are different some want someone right there beside

them some don't now a friend or an adult child there's only so much you can do

but being supportive offering to kind of help them stepping in and being like hey

you're acting different you know I feel like you have a problem you're on a

really self-destructive path what you don't want to do is enable alright if

you know this person is engaging in very self-destructive activities and for

instance you're giving the money to continue on with those self-destructive

activities you're enabling them and they're not gonna change

it really sucks and I've had to tell people this before but a lot of people

have to hit rock bottom

I've had to thankfully oh and that's what made me have to come home and like

actually I was 20 like that's what made me have to come home was I hit rock

bottom hard over Eastern Europe and that's was

like I have to go home because I'm gonna die here I don't people have to hit rock

bottom sometimes and that can be scary because some people don't come back from

that but if they were already on that self-destructive path at least you

stepping in and speaking up there was a chance no one wants to cut somebody off

and I've had to do it actually quite a few times with um you know friends and

people who come into my life with mental disorders and stuff because where you

know they're they became so toxic that it was affecting me and I had to just

like be like I had you'd like draw it ultimately like look I'm gonna step away

from you I'm sorry um because you are so freaking toxic and you're not getting

your ish together and I can't I can't be around you anymore because I can't

sacrifice myself for you I can't I'm sorry you're not my child

and you're not my spouse so I'm sorry it's not worth it at the end of the day

there's only so much you can do for other people just be a good friend you

know be supportive and again yeah sometimes being a good friend is cutting

someone off I'm Rachel star thank you for watching like subscribe share I

don't know whatever else you can do with videos post in places print out

screenshots and tape them on your wall I don't know you know kitty litter you

know

*outro music

For more infomation >> What if Someone Refuses Help? - Schizophrenia - Duration: 6:43.

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LÁGRIMAS BAJO LA CAMA - Cuentos infantiles - CUENTACUENTOS Beatriz Montero - Duration: 5:00.

Storytelling

When Simon was little

everyone said he was a weepy child.

He cried because he dropped a toy.

He cried because his foot itched,

He cried because he was hungry,

he cried because his pacifier had fallen,

he cried because he wanted to sleep.

Simon, you are a crybaby!

His mother already told him:

Simon, you are a crybaby!

When dad changed his diaper he said:

Simon, you are a crybaby!

And in the grandparents' house, the grandmother said:

Simon, you are a crybaby!

When Simon turned five years old

He cried because he did not want to go to school.

Or he cried because he did not want to go home.

He was crying for chocolate ice cream

or cried because Dad was leaving.

Everyone kept saying that Simon was a weepy.

The godmother, the teacher and her best friend they said:

Simon, you are a crybaby!

One day, tired of being told by everyone the same

he decided that he would not cry again in front of from the people.

Every time a tear came out of his eyes,

he immediately took it.

he put it in a pot so no one would see it.

he put the lid on it so it would not escape.

Where is Simon going?

Ah, he's going to hide the pot under his bed.

Nobody told him anymore that Simon was a crybaby.

Now the answer was:

Very good, Simon,

You are a man made and right!

That phrase made him decide to pick up

the tears of everyone who cried.

When a child cried

because he did not want to share a toy,

He approached him,

He wiped his tears with his handkerchief

and he kept it in his pocket.

When a girl fell off her bike,

he approached her,

he wiped her tears with his handkerchief

and he kept it in his pocket.

When he got home he ran to his room

Drained the handkerchief full of tears in the pot,

he put the lid on them so they would not escape

and hid it again under his bed.

Over time he realized that moms,

uncles and aunts, grandparents and grandmothers too they cried

Even Dad had sometimes

a different brightness in his eyes.

So he started to pick up too

All those tears for his pot.

Nobody had to be a crybaby.

Little by little he was filling boats.

Simon picked up so many tears that no one could cry

all the tears were hidden underneath of his bed,

locked in pots so they would not escape.

He thought that this way the world would be better.

But with the passing of days he discovered

that without them people did not understand each other

Without tears nobody knew when to a baby itched a foot

or when he did not want to sleep.

When a child had a nightmare

or when someone was sad.

So Simon ran to his room

and he took the boats hidden under his bed.

He opened the lid and let out all the tears,

so that each one returned to its owner,

that each one would tell how he felt.

The father or the mother, the grandfather or the grandmother.

With tears of sorrow.

Or even with tears of laughter.

Because sometimes you can also cry laughing.

Tears under the bed, by Ana Meilan,

illustrations by Marta Mayo.

From Entre nubes y cuentos.com

If you liked this video click on like,

thumbs up, subscribe,

Share it and leave me a comment.

See you in other videos of my channel.

Every Thursday new stories.

Do not miss them.

Bye.

For more infomation >> LÁGRIMAS BAJO LA CAMA - Cuentos infantiles - CUENTACUENTOS Beatriz Montero - Duration: 5:00.

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How to Find a Good Dropshipping Supplier - Duration: 6:49.

Today we're lifting the lid on one of the most elusive parts of dropshipping.

The supplier.

If you're a dropshipper, stick around, because this video is for you.

Hey everyone, it's Jessica from Oberlo.

If you're a dropshipper, then I'm going to assume you've never seen your supplier.

Am I right?

That's about to change.

Kind of.

I'm not going to send you on a blind date with one, but by the end of this video, you'll

be armed with all the supplier knowledge you need to choose the right one for your business.

You'll know exactly what to look for when it comes to choosing between suppliers on

the Oberlo platform.

After all, if you've got the world's best ecommerce store, with a winning product that

will sell, none of it will matter if your supplier sucks.

We are going to look at how different suppliers on Oberlo behave when it comes to six of the

most important aspects of dropshipping for you, the merchant.

Let's get down to it.

Knowledge of dropshipping

Do you have to inform suppliers that you are dropshipping?

Oberlo offers three kinds of suppliers: AliExpress suppliers, Oberlo Suppliers, and Oberlo Verified

Suppliers.

AliExpress suppliers are not aware that you are dropshipping.

Sometimes these guys like to leave their promo material in packages.

It's not the end of the world if it happens, but it's not ideal for you, or your customers.

If you use Oberlo to dropship, you can leave an automated note for your AliExpress supplier

telling them not to include any promo stuff for all of your orders.

The Oberlo guys know that you're dropshipping.

They know because Oberlo has told them so, and they complete their orders and leave no

trace that it has anything to do with dropshipping at all.

That means peace of mind for you: Your customers will receive their orders, and nothing but

their orders.

No promos, no invoices, no nasty surprises.

Custom labeling

Custom labelling, or white labelling, is when you, the merchant, personalize a product provided

by the supplier.

All three kinds of suppliers do not usually provide custom labelling for dropshippers.

I say "usually" because there are some who do.

If you require custom labelling, then we recommend simply getting in touch with a supplier you

are interested in to ask them about it personally.

Like my mama said: if you don't ask, you don't get.

Oberlo is exploring white labelling and customization opportunities for its marketplace of products.

This is in the pipeline, and as of August 2018, Oberlo has a team in China working on

it.

Stay tuned.

Shipping times

This one's a biggy.

Shipping times are something that your customers will expect to have a clear understanding

of.

Here's what you need to know:

AliExpress suppliers generally ship orders within two to seven business days.

On the other hand, most Oberlo suppliers and Oberlo Verified Suppliers ship their orders

within two to four business days.

Oberlo Verified Suppliers was launched in mid 2018.

These are the top performing suppliers on the Oberlo marketplace.

There's a link in the description below if you would like to find out more about Oberlo

Verified Suppliers.

Keep in mind that there are two time periods required for dropshipping: The first is the

time it takes between receiving an order and shipping it from the warehouse.

The second period is the time it takes for the order to go from the warehouse to the

customer.

The second period depends on shipping methods.

Oberlo makes it easy for merchants to see their shipping options, so if you want a supplier

with fast turnaround times, keep an eye out for suppliers like this one who offers US

fast shipping via USPS.

Order fulfilment

Orders are automatically fulfilled with Oberlo suppliers.

Once an Oberlo Verified Supplier or an Oberlo supplier ships an order, the tracking code

is added to the Oberlo platform.

And that's it.

You don't really have to lift a finger to fulfil an order.

AliExpress suppliers work a little differently.

Once the supplier ships an order, you have to click on the Oberlo fulfilment buttons

to sync and fulfill your order.

How to fulfil orders with AliExpress suppliers is a common question for dropshippers, so

I've included a link in the description below that offers a very quick run-down of

how to handle order fulfillment with AliExpress suppliers.

Returns and refunds

If a customer requests a return or a refund and you're working with Oberlo suppliers

or Oberlo Verified suppliers, here's what to do.

Simply report the issue to your supplier by using the support inbox.

You can find it in the left sidebar of the Oberlo app.

Or ask the supplier directly for the refund.

Refunds are issued for the following situations:

In this case, your customer received the wrong item.

Maybe the product arrived in a different color, size, or model.

Suppliers require evidence of this.

It's good to know this now so you can tell your customers as soon as possible and not

delay their inquiry.

This is when the package arrived in a damaged condition.

Just like the supplier needing evidence of the wrong item being delivered, the supplier

is going to need evidence that the package was damaged too before they can issue a refunds.

In this case the product arrived in an extremely poor condition.

Again: evidence is necessary.

This is when an order goes missing during the shipping process.

This is when the estimated delivery time for your product has passed.

Returns and refunds are not the norm.

Oberlo suppliers, and especially Oberlo Verified Suppliers, have very low error rates.

But starting your own online business is sure to be full of surprises, so better to be prepared,

right?

Disputes

Alright, we know a dispute is something every merchant wants to avoid, but sometimes they

happen whether you like it or not.

That's life, and here's what you need to know if you encounter a dispute.

Oberlo suppliers and Oberlo Verified suppliers are obliged to respond to you within two to

five days of you opening a dispute or asking a question.

If they do not react within that time, one of our dedicated supply managers will step

in and mediate for you.

With AliExpress and disputes, we recommend you tread carefully when it comes to choosing

a supplier.

AliExpress suppliers have been known to take a long time to reply to disputes, and in the

worst cases, they do not even reply at all.

That's a whole new level of ghosting.

And it leaves you entirely responsible for dealing with customer complaints and other

business problems.

A few bad apples shouldn't spoil the tree.

Not all AliExpress suppliers behave the same way.

Here are a few signs to look out for to help you spot the good eggs.

Feedback

There are two kinds of feedback ratings to check when you are looking for AliExpress

suppliers.

The first is the Feedback Score

It represents the supplier's sales volume.

The second is called the Positive Feedback Rate, this shows the

feedback rate which the supplier has received.

Look for suppliers with a Positive Feedback Rate of 95% and above and a Feedback Score

of at least 2,000.

If your supplier meets these two criteria, then your supply line should be fine.

So keep this in mind when you go hunting for suppliers on AliExpress.

This doesn't mean that AliExpress suppliers with lower scores are not reliable.

It is just a general rule to work by that can help you when you start out.

Now you are all set to go and pick a supplier.

What do you look out for when you choose a supplier?

Do you do anything I haven't mentioned?

I want to hear about it in the comments.

Thanks for watching.

In the meantime, turn on that notification bell and remember: learn often, market better,

and sell more.

For more infomation >> How to Find a Good Dropshipping Supplier - Duration: 6:49.

-------------------------------------------

A Boys' Eye View - Duration: 1:46.

- [Narrator] He's no ordinary kid.

At nine years old, and just over four feet tall,

Carson Rolerson is the Ivy Division's newest soldier.

- [Carson] My name's Carson.

- [Narrator] His mission, to see the world.

- [Carson] And this is Fort Carson.

- [Narrator] Partnered with big brother, Garrett...

- [Carson] The one helicopter that we're allowed to go in

is actually my favorite helicopter in the world,

which is the Blackhawk.

- [Narrator] He does most of the talking.

- [Friend] We had a whole book that was aircrafts, Carson.

I know like 50.

- [Carson] I knew the name before!

- [Narrator] He may be the little brother

but he's faced with something big.

- [Tara] Carson may be losing his sight permanently.

- [Narrator] His mother, Tara,

wants him to take in the world while he can.

- [Tara] Even if you lose your vision,

you're allowed to keep your memories.

- Whoa, Carson, hey. Hey, calm down over there. (laughs)

- [Narrator] Carson is one of 50 people in the world

who has Knobloch Syndrome.

- [Carson] You hear him too, right?

- [Garrett] Yeah, I can hear everybody

- [Narrator] He's likely to go blind by the age of 20.

But like all Ivy soldiers, he's fit for any test.

- [Carson] Knowing that there's a ten percent chance

that I won't go blind, if it was a chance that in the end

they told me it's a 99 percent chance I will go blind

even that one percent chance is still kind of, I guess...

- [Interviewer] A little bit reassuring?

- [Carson] Yeah.

- [Narrator] He'll never lose sight of what matters

because he's no ordinary kid.

- [Garrett] It's tough, right?

- [Carson] Uh-huh.

- [Garrett] So you gotta use all your strength.

- [Narrator] Sergeant Ashley Torres, Fort Carson, Colorado.

- [Garrett] So, on the count of three,

I'm gonna pull and you push, alright?

One, three. (loud click) Teamwork.

For more infomation >> A Boys' Eye View - Duration: 1:46.

-------------------------------------------

OPEN THROAT Singing Method - How It Really Works - Ken Tamplin Vocal Academy - Duration: 27:48.

Hey, Guys! Welcome back again to Ken

Tamplin Vocal Academy where the proof

continues to be in the singing. I want to

talk about open throat technique and at

least my experience of what that is

compared to some of the videos that I've

seen on the internet and I've seen some

interesting stuff and some decent

information here and there but a lot of

it is really textbook stuff and it's not

really seen a practical application of

how open throat technique works. So the

very first thing I want to talk about is

laryngeal position, which means your

larynx. Okay, now your larynx for guys

your Adam's apple so you have this you

know voice box it kind of goes up and

down and you know that's the larynx it's

in there and one recent vocal coach you

know talks about a lowered laryngeal

position and neutral laryngeal position

a raised laryngeal position, and then

kind of compartmentalizes all of this

stuff and I want to say that it's not

quite that simple. And let me explain why

to have someone's, I don't want to use the

word bash, but to say, you know, you don't

want to have you know here's a lower

laryngeal position: AAAHHH here's a

neutral laryngeal position AAAHH! Here's a raised laryngeal

position AAAHH! Right. So we have these sort

of you know ways of looking at this

that's not really a good healthy way to

approach this and let me explain what my

experience has been in it this could be

help to you then hopefully this will

you'll benefit from this the first thing

is is that in Bel Canto the canto means

opera in a Porsche it's the old-school

style of singing for Barbara that's sort

of the gold standard to really

understand how these alluring tail

positions work to make fun of you know

tenors that have been doing this a long

time a couple hundred years and make

that you know mock them in that kind of

way for a laurel ranger position oh that

would be so good I don't know that I

would do that for lots of reasons and

explain why I been doing the grandpa's

been doing this a long time 35 years so

I've done that look me up on IMDB I've

got close to a thousand songs where you

get more maybe than a thousand songs

placed in film and TV Internet Movie

Database just check it out go to my wiki

you can check out I've got over 40

records out and I've written songs with

kiss and I've done this that than that

so you have these vocal coaches that

come out and they say this stuff that's

textbook stuff okay this is really

important and they may even at the end

of their video give you some theatrical

thing or whatever but listen to their

actual voice and ask yourself if you

really like it and see if they display

any students that do this and you really

like the way their students soundin

here's why that's important it took me a

long time to figure this stuff out this

wasn't something this has been in

processed and by the way as we age we

also have to learn how to control this

over time it's not like once you learn

it you learn it your diet

no you have to continue the process so

I've taken some very prestigious vocal

coaches and I'd love to tell you who

they all are any with some to

braggadocious so I'm not going to talk

about it but what I am gonna say is this

what I've learned and if this helps you

is that if we first trained with a lower

laryngeal position it really helps you

understand what open throat technique is

now is that the end all no but here's

something I want to put it put out there

to you guys is in the world of appoggio

Bel Canto Opera is that but we're in the

early stages of let's say a tenor and

I'm going to talk about guys and we

could talk about you know female vocal

Sopranos Altos contraltos up etc in a

minute is that a lower laryngeal

position helps us identify how to keep

the throat open first it doesn't mean

we're always going to reside in a Laura

laryngeal position in fact that's silly

in fact the I've heard so many vocal

coaches especially SLS vocal coaches say

you should always be in a neutral

position how stupid is that the larynx

moves up and down all the time it

doesn't

what you're doing and if you're at one

position in a scale in a lower register

and you start to go up to a Midway's

higher if you allow the laryngeal

position you go up like this you inhibit

range

anylock down on the lyrics to where

you're not able to go up really really

high and again guys and gals are

different their vocal cords are about

half the size of men so we have to I

can't go in all the details of this now

but I'm just talking about how open

throw it works now what I've learned and

I hope the feel benefit from this so

really listen closely guys this is

Bolden information if you're talking to

a guy that's toured for 30-some odd

years not some guy that sits behind a

piano in a climate-controlled

studio that's parroting something from a

textbook look me up look at the stuff

that I've done they'll explain this to

you when you train a lower laryngeal

position you're able to open up your

throat and you know what is it throat

and all this stuff and blah blah blah

your throat is your throat guys go in a

mirror doctor wants to see your tonsils

ah-ah-ah just look at the back here

throat we want the tongue drop to the

base of the jaw first okay we want the

back of this road and this other vocal

coach was kind of mocking the uvula

approach and soft palate approach but

that matters it matters a lot actually

and it matters even more the higher up

you go so that you Gila rises even

higher as you go and the soft palate

rises higher to go to create maximum

space if we don't do that we actually

pinch off and choke off the back of the

throat and then we're straining

ourselves to get to having a lot of good

open throat as we go out this is really

important so what is what I learned

again this is just me talking doing this

whatever you want this information in

the vowel and I'm gonna go through the

vowels all the vowels in a second the a

vowel is the biggest vowel that we have

and it's the most difficult to train

that's why all vowel sounds stem from

its lala i open up that vowel there's

something called vocal tract shaping and

hopefully I'll remember

get to this in a second is that in

within that about if we can train that

off I'll open first to keep all this

open mechanism in the back now what

you're gonna do is you're gonna go to a

mirror I want you to grab a handheld

mirror and I want you to just simply go

and I want you to watch the position of

your tongue and you're gonna see that

your tongue swells up and you start to

gag on your tongue right

what just trust me on this go to a

mirror or get a handheld mirror and

watch yourself do this if you drop the

larynx your voice box down

you're gonna find that you can maintain

and build muscle memory to hold the

larynx down this is really important

it's an anchor let me say this again

it's an anchor for your ability to

control the larynx okay so it's a pillar

that you build your voice on when we

talk about laryngeal positions just

because we talk about a lowered

laryngeal position doesn't mean we

always reside in a lower laryngeal

position okay let me say this again

we're going over Zeus in fact how many

insert something really funny for you

guys I have an assistant named Bob so

Bob when you can if you can insert I did

a couple of lower the original position

songs one of them is low rider okay and

we're going to show this clip in a

minute and another one is Johnny Cash

brings a fire and I use a lowered

laryngeal position through the whole

song okay but I can sing with any

position I want but I'm gonna get back

to why this is important in a second but

we're gonna play the clip Bob if you

play the clip now let's do it

right don't try to dance now

little trip to take a little

take a little trip take a little trip

take a little trip see

and low rider don't drive too fast now

so if you can tell this isn't just a

lower lense position this is a drop

learns position kinda like a gospel

quartet in country sort of combined I'm

gonna drop it even farther on this

course here readyit's keep going neck

here we go

I fell into a burning Ring of Fire

the flames of getting high and if

the ring of

okay so like I said you can see I

there's a difference between a lowered

larynx position a la la

very big difference one is just a

lowering of taking the farik's keeping

them flat horizontally straight and

taking your whole Eric and lowering it

so it's a la la is lowered and drop is

law completely taking the entire

Alaric's itself and dropping it all the

way to the floor

okay we chose a couple little pieces out

of that clip to show you a lowered

laryngeal position and why that's

important is it shows that I can

maintain a lower laryngeal position but

then how is it possible if I can sing in

this position but then sing

and connect the sound and go up really

high and release to a neutral position I

never go to a race position a raised

position would be this and you're caught

okay now I know there's a lot of pop

artists or you know Rihanna and like all

these people do you know Britney and all

these people do all these raise

positions and there are people that can

do it and do it well in fact Paul Rogers

does this i'ma baby when I think about

you I think about enough or Paul Carrack

you know tempted by the fruit of another

he's gonna use it so a brace position

but if you notice when they go up they

open up the sound and they drop the

lyrics so to say that you're gonna sing

only in one position and only in this

position and only in that position is

kind of ludicrous to me again

it's just can't tell they're talking I'm

just trying to give you a good quality

information let's get back to a lord

limit oh wait I was gonna sorry I was

gonna talk about a neutral position Bob

if you don't mind playing the clip you

know let's grab Steelheart for example

where I shit between a neutral position

I have dropped the lyrics as I go

through passaggio and then I have to

come back to a neutral position is that

go up high check out this clip

okay now there's other times you can do

it and use the John Fogerty clip here

Bob use fortunate side where you sing in

it in a just a slightly lowered position

like me a Wilson Pickett which we just

did a whole thing here recently on open

throat technique um you know right use a

lowered position and then I move it to a

neutral position

check out this fortunate side clip

okay why this is important is because

when we learn and we train the voice in

a lowered position we can hold down the

soundboard of the voice when we can hold

this down then we can relax it and move

it into a neutral position when we're in

a neutral position or we try to learn

only from neutral position the default

or what most people do is as they ascend

a scale or passage they go to a raised

position and then all of a sudden they

get caught in the throat right now there

are great artists that do this like I

said I talked about you know Paul Rogers

Glenn Hughes this ago you know sort of

the thrill II think Sam and Dave you

just talked about this in another video

well this becomes more of a stylistic

thing because I've heard Glenn do this

without having to raise the position but

what we do is again first we train first

the lower laryngeal position once we've

mastered that and we did the feeling of

it what I'm gonna back up sorry a lot of

information in bel canto when kids are

being raised to understand how to sing

with these different laryngeal positions

they cannot touch an aria which is the

musical piece of Italian for four years

we think by this for four years they

train bowels in different laryngeal

positions think about that okay what I

did was develop something that showed

that if you train a lowered position

first and you maintain that lowered

position to where you understand when

you relaxed the position to a neutral

position and if you want to raise it to

an upper you know to a raised learned

your position then all of a sudden

you're you have total command total

control of this and you can get there a

lot quicker you don't have to do it in

four years you can do it six months okay

straight up if you do it every day about

an hour hour and a half a day five days

a week and start sorry for those who

didn't want to take the quick pill and

get it you know doing faster than that

happen that way because we're at the gym

and we're working out and this is what

we have to do now we want to use these

different positions all throughout the

spectrum of the voice but there's two

elements that are missing big ones the

first one is is remember I just said

that all vowel sounds stem from its the

LA ah and it was a real open sound well

gets wet when I go ah ah eh and I spread

the pharynx which is just the mouth

right when I spread the pharynx all of a

sudden the sound closes down so I

haven't trained a lord laryngeal

position first I have no way of really

identifying how that really feels in the

throat when the fruit itself closes down

as the pharynx is spread this is really

important why because we don't sing only

one vowel Wow and we sing many different

vowels through the spectrum of the voice

and as we go through raising the going

up and range up and down in range we

find that we have to change this

laryngeal position and also there's

another huge element to this which our

glottal stops are things that close down

the back of the throat now what am I

need by that it means that we want to

reside in something called contiguous

phrase singing continuous phrase singing

is that we want to keep that vowel open

as long as we can without closing it

down with consonants well it turns out

to be this is extremely important

because every time you close a consonant

down it closes off the back of the

throat it wants to shoot air up into the

velar nasal port by the way fancy terms

for all the stupid stuff not stupid but

I try to keep things so simple I don't

love complicating stuffing you find

yourself using technical terms you hope

people will understand cooling into the

nose and so as it goes into the nose

then the throat is swing hey hey man

what's wrong with you do you want this

to come out of the mouth or do you want

this to come out of the nose could you

make up your mind here or both right so

what we want to do contiguous racing's

we want to have the the sound over the

fact Steve Perry and Sam Cooke I just

did a vocal demonstration on this and

sure when I'm gonna air all this stuff

but if you listen to what change is

gonna come from by Sam Cooke and using

house bow because every time I close

down a consonant sound I have to read

open the throat and then get back to

that placement that I had depending on

where I am in the range well men if you

think that's tough and you think that

you're gonna only reside in a neutral

position or raise laryngeal position or

lower position you've got another thing

coming

now again I'm gonna say this again check

out whomever you get your information

from do they sing great not just sin do

they sing great what do you want to

sound like them and do they displace

students that sing great this is so

important because I could sit there and

then I could be some guy that gets on

the internet reads all kinds of

technical stuff and and regurgitate this

stuff to you or I could put my heart on

a sleeve and put my heart on the line

and actually demonstrate and show you

this is very very important so as we go

up and down a scale if we only train a

neutral position a neutral learned your

position as we ascend there's a 95 doing

this for 35 years 95% of the people I've

trained default to erase positions so

they'll get caught and erase the

position if you train a lower position

first this is old-school bel canto guys

you train in a lower position first and

then you relax to a neutral position and

you understand the soundboard how to

move that soundboard first by anchoring

it to a lowered position it doesn't mean

you're sentencing yourself to see in a

lower position all the time

it just means you understand it I wanna

wrap you

till I'm dying

the way feel like me

- spend my time waiting on your call how

can I tell you babe my backs against the

wall I need you by my side to tell me

it's alright cuz I don't think I can

cheat game

love

and century

three days

hold on

it's got a hold on me

cutting passes on cello but the

backstage tour

I know that I must do what's right

sure is Kilimanjaro rises like Olympus

above the sea

I seek to kill once deep inside trying

to know this thing that I've become

I miss the rain salad

ricca-san

please with

yeah yeah

Jamie tell me

I can always kill you

I believe

you won't ever have to

everybody you see

come and take me Shira yeah

come and take me when I hold my own

no she bets my solo

she's alright

that's the way is me

I met you baby

dream

Drimmer

as you've seen some of these different

positions you see that this can be done

in all kinds of different ways now

here's where this gets equally

interesting we talked about the vowels

themselves with a vowel if you go to an

e e is the most parentally spread vowel

but we have all of a sudden learns goes

up right but if you've trained a lowered

laryngeal position

I can actually maintain the a vowel or a

different vowel modification to hold it

at bay so then I don't get caught in the

throat anyway guys I could go on and on

and on about this I have a singing

course called how to sing better than

anyone else I covered all of us in the

poor's if you guys want to check it out

cool hopefully this information that's

beneficial to you and I'm sure we'll

talk a lot more about this in future

sessions so thank you for joining me

ken Tamplin vocal Academy where the

proof is in the singing peace out hey

guys if you like what you heard please

like and subscribe to my channel and if

you want to get notified when I have a

new cool video come out you need to go

to my channel and click on this little

Bell icon and it will actually notify

you every time I have a video come out

thanks guys

For more infomation >> OPEN THROAT Singing Method - How It Really Works - Ken Tamplin Vocal Academy - Duration: 27:48.

-------------------------------------------

Nightcore「Lyrics」→ Cherry Gum - Duration: 2:55.

Nightcore「Lyrics」→ Cherry Gum

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Integrante do Art Popular cai de sacada e passa por três cirurgias - Duration: 1:26.

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BK Opinion: CNBC News Today 💥Free Bitcoin Price Analysis | Live BTC USD Update - Duration: 16:48.

CNBC BK Today 💥Live Crypto News 2018 | Free Bitcoin Price Analysis BTC USD Is BK or CNBC reliable for Live Crypto Market Updates, Bitcoin News cryptocurrency technical analysis, finance & bitcoin price predictions? Should you buy bitcoin or a $44M Ferrari in 2018? My opinion on all of this and more in the video today! #bitcoin #cnbc #blockchain Win FREE Bitcoin 💰Simply like, subscribe & tune in for every livestream! 💰

For more infomation >> BK Opinion: CNBC News Today 💥Free Bitcoin Price Analysis | Live BTC USD Update - Duration: 16:48.

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Sessão 20: Todo mulher nasce chovendo | Histórias de ter.a.pia - Duration: 6:43.

For more infomation >> Sessão 20: Todo mulher nasce chovendo | Histórias de ter.a.pia - Duration: 6:43.

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Mercedes-Benz E-Klasse 350 CDI AMG Pakket - Duration: 1:09.

For more infomation >> Mercedes-Benz E-Klasse 350 CDI AMG Pakket - Duration: 1:09.

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Volvo V60 2.4 D5 Twin Engine R-Design AWD VERKOCHT - Duration: 1:11.

For more infomation >> Volvo V60 2.4 D5 Twin Engine R-Design AWD VERKOCHT - Duration: 1:11.

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30/08/2018 10:55 (R. do Pará, 92 - Centro, Feira de Santana - BA, 44001-752,) - Duration: 0:10.

For more infomation >> 30/08/2018 10:55 (R. do Pará, 92 - Centro, Feira de Santana - BA, 44001-752,) - Duration: 0:10.

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30/08/2018 10:55 (R. do Pará, 124 - Centro, Feira de Santana - BA, 44001-752,) - Duration: 0:35.

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Pierwodruk wydanego w 1956 r. „Pierwszego dnia w chmurach" Marka Hłaski (w dobrym stanie) - Duration: 1:46.