Wednesday, November 1, 2017

Youtube daily report Nov 1 2017

Like those saturday mornings when you are super hangover

after a friday night and you start to recognize your neighborhood,

the lady that sells tortillas, the taco vendor

and you say "Ah, I'm glad to know that my home...

....will always be there"

¡¡¡Well that's not true!!!

Unfortunately, climate change is making a lot of places

inhabitable, and the families that had lived there for decades

will have to leave their homes to never come back.

¿But why on earth would someone lose their home due to climate change?

Because the oceans are rising, due to lack of resources in whole regions

and because of current conflicts getting worse.

The planet is warming and that causes the ice covers to melt.

When the ice in the ocean melts,

it doesn't cause any sea level rise.

But when continental ice melts, like the one from Antarctica or Greenland,

it does deliver more water into the ocean, and thus,

it makes the sea level rise.

Moreover, in places where the climatic conditions are already 22 00:01:11,900 --> 00:01:15,900 very extreme, a small disruption in the climate

¡can have catastrophic effects!

There are cases in which the amount of rain

expected for one year, falls in just one day.

This ruins crops that feed whole villages

and overflows water systems, polluting clean water.

It's not a coincidence that the hottest places on Earth

are also the ones with armed conflicts.

We aren't saying that climate change is responsible of those conflicts

but we can count it as an influencing factor.

Remember that is very important to reduce our carbon footprint,

but is also important, to promote empathy and solidarity

with people from other parts of the world that are becoming our neighbors.

For example: look at this really cool sign that we found

in lots of houses from our neighborhood.

It's also very important to promote consciousness about this issue

like the Olympic weightlifter from Kiribati, in Río 2016

Who, with a funny dance, caught the world's attention

about his country sinking due to climate change.

¡Share this video my dear Planetario!

And remember that as long as there is a Planetario standing, the fight will go on.

I am Berny Bastien, your Captain Planet....

And Raiza Pila, reporting from the neighborhood...

¡See you on the next...Planeteando!

For more infomation >> Climate change and migration - Duration: 2:34.

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Las contradicciones del moderado Santi Vila en 1 minuto y 12 segundos - Duration: 1:13.

For more infomation >> Las contradicciones del moderado Santi Vila en 1 minuto y 12 segundos - Duration: 1:13.

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Adornos Navideños. Bellotas para la Puerta. DIY, - Duration: 9:24.

For more infomation >> Adornos Navideños. Bellotas para la Puerta. DIY, - Duration: 9:24.

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Hero Finger Family Song | Nursery Rhymes and Kids Songs | YouTube Nursery Rhymes - Duration: 2:03.

Daddy finger, daddy finger, where are you?

Here I am, here I am. How do you do?

Mommy finger, Mommy finger, where are you?

Here I am, here I am. How do you do?

Brother finger, Brother finger, where are you?

Here I am, here I am. How do you do?

Sister finger, Sister finger, where are you?

Here I am, here I am. How do you do?

Baby finger, Baby finger, where are you?

Here I am, here I am. How do you do?

For more infomation >> Hero Finger Family Song | Nursery Rhymes and Kids Songs | YouTube Nursery Rhymes - Duration: 2:03.

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ASSASINS CREED ORIGINS MI SEGUNDA GAMEPLAY

For more infomation >> ASSASINS CREED ORIGINS MI SEGUNDA GAMEPLAY

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5 series que no te puedes perder en noviembre de 2017 - Duration: 5:32.

For more infomation >> 5 series que no te puedes perder en noviembre de 2017 - Duration: 5:32.

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Falcon BMS - ICP Tutorial #5 - Button 4 STPT W(West) - English Subtitles - Duration: 10:48.

Hi and welcome to Revientor Reborn, this is Falcon BMS and the section ICP tutorials

the button nº4 of the ICP have the text STPT (W), Steerpoint (West)

the nº2 have the north, the 4 the west, and today we are going to use those

the menu STPT you can see in the DED, I have the wp1 selected, and the scratchpad can be used, also the prev/next

with dobber (use the DCS switch) it´s the way the manual say it and real pilots speak

with the prev/next I can manage the waypoint, with the scratchpad in the waypoint option you can enter directly the desired waypoint

for example the wp 22 is not stored,you get this default coordinates

in this mission the nw8 is the last one

in this DED you will see the info of the active waypoint, in other tutorial you will see other page that can manage other waypoints

the first line, there is MAN is we use dobber SEQ, switch it to Auto

because I was in wp1 it jumps automatically to wp2

in auto will change to the nest waypoint,but in some version you will notice that is 2nm before you arrive to the waypoint, in this version is when you are over the waypoint

the manual say that is change ones you fly over the waypoint and you are 2nm out in crescendo distance

on the autopilot tutorials you can see how to use this function to follow the route

continuing with that small remark

here there is the Latitude and the longitude, here you can edit them, but you have to indicate if the coordinate is North, east....

to start editing that value you can not type a number you have first to select the cardinal point, north

in Lat you have to select north or south and then

one I get the n inside all the lines is available to type in it

look the way to type it, all date in left to right but you have to respect the 0 on the left of a number

with the enter the data if valid with change the scratchpad to the next field

sometimes the coordinate is changed you enter one value but get small change, in order to keep it in the Falcon grid

those grid is not small enough to fit all the units of the coordinates, and some changed are required, see the next example as you will see is a minimal change

here we start with east and then the coordinate

there you can see the change, is minimal

In this version I don´t know if let´me set west... no ... xD

this is half implemented

the same with the south

the elevation, is the altitude you are going to fly over that waypoint, but in the real life is not that, is the altitude of the ground in that point

this is for the sensors like the TGP, they need that altitude to know where to look to find the ground

in BMS that is already working, we do not need that value in here, could be good have it implemented as real life but is not needed

this was coded in that way in the 1998 and there is no benefit changin that, just spend some time in a feature that people will not like

because you can now with out a kneeboard what altitude you have to fly, this is even better than the real F16

the TOS, is Time Over Steerpoint, is the time in which you have to be there, for example wp1

the time is 12:53:35 that is my takeoff time, because WP1, the WP2,

is 12:56:46 that is the time to overfly that waypoint, and same with the others

there you can change it

you can put in the wp2 the time 12:59:00

now the waypoint 3 the time is 12:57 as before.... this feature only change the waypoint selected not the route, be careful

if you set for example 12:66:00 because there only can be 59 minutes that value will be no accepted

I hope you like it the tutorial, if you are not a subscriber think about it, thumbs up and comment below, thanks for watching bye bye and be happy

For more infomation >> Falcon BMS - ICP Tutorial #5 - Button 4 STPT W(West) - English Subtitles - Duration: 10:48.

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Puesta en Marcha Robot Epistolio MRK 6.1 - Duration: 0:31.

For more infomation >> Puesta en Marcha Robot Epistolio MRK 6.1 - Duration: 0:31.

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NO VLOG TODAY :) I AU PAIR IN LONG ISLAND I RuthRules - Duration: 3:07.

For more infomation >> NO VLOG TODAY :) I AU PAIR IN LONG ISLAND I RuthRules - Duration: 3:07.

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Juegos para niños. Salón para perritos. Puppy salon. El mejor juego para las niñas y los niños - Duration: 5:34.

For more infomation >> Juegos para niños. Salón para perritos. Puppy salon. El mejor juego para las niñas y los niños - Duration: 5:34.

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[ENG SUB] [Self-PR] The Unit (더 유닛): SONAMOO Euijin - Duration: 1:44.

What crime are you in for?

Say it in Korean, please.

My crime is

Seducing with my dance while eye-smiling

Show us exactly what happened

I'm Euijin!

For more infomation >> [ENG SUB] [Self-PR] The Unit (더 유닛): SONAMOO Euijin - Duration: 1:44.

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Mix Pop Latino 2017 - Daddy Yankee, French Montana, Dinah Jane, Maluma, J Balvin, Nicky Jam, Shakira - Duration: 1:02:05.

Hello friends ! If you like this mix please Like & share, sub channel. Thanks you very much !!

For more infomation >> Mix Pop Latino 2017 - Daddy Yankee, French Montana, Dinah Jane, Maluma, J Balvin, Nicky Jam, Shakira - Duration: 1:02:05.

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Halloween Cosplay ♡ Shibuya est fou! incroyable...|渋谷ハロウィンやばかった -JULIE(japonaise) - Duration: 7:16.

For more infomation >> Halloween Cosplay ♡ Shibuya est fou! incroyable...|渋谷ハロウィンやばかった -JULIE(japonaise) - Duration: 7:16.

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CƠM THỪA trên đường tới âm gian, xem video này không dám bỏ CƠM THỪA nữa luôn - Lời Phật Dạy - Duration: 52:59.

For more infomation >> CƠM THỪA trên đường tới âm gian, xem video này không dám bỏ CƠM THỪA nữa luôn - Lời Phật Dạy - Duration: 52:59.

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Desafío COCA-COLA vs MANAOS | ¡Ají Picante Al Perdedor! - Duration: 9:37.

For more infomation >> Desafío COCA-COLA vs MANAOS | ¡Ají Picante Al Perdedor! - Duration: 9:37.

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熱情森巴咔啦雞腿堡 - Duration: 4:22.

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Tài xế được NGÔI MỘ hút vào và thoát chết nhiều lần, nghe đi hay lắm - Truyện Nhân Quả Phật Giáo - Duration: 1:02:44.

For more infomation >> Tài xế được NGÔI MỘ hút vào và thoát chết nhiều lần, nghe đi hay lắm - Truyện Nhân Quả Phật Giáo - Duration: 1:02:44.

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"Sorry Not Sorry" Live in the S...

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BLACK WOMEN U ARE AT RISK,GET IT DONE NOW,"STOP PLAYIN'"!!! - Duration: 6:05.

For more infomation >> BLACK WOMEN U ARE AT RISK,GET IT DONE NOW,"STOP PLAYIN'"!!! - Duration: 6:05.

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বাংলাদেশকে নিয়ে এ কেমন মন্তব্য মিয়ানমারের, জবাবের অপেক্ষায় জাতি | Latest Bangla News - Duration: 1:30.

For more infomation >> বাংলাদেশকে নিয়ে এ কেমন মন্তব্য মিয়ানমারের, জবাবের অপেক্ষায় জাতি | Latest Bangla News - Duration: 1:30.

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For more infomation >> my video - Duration: 0:10.

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Forgotten Realms Lore - Acererak, the Demi Lich | Tomb of Horrors - Duration: 5:35.

Hello everybody Jorphdan here the PH is silent.

I had a great comment on one of my YouTube videos, make a video on Acererak!

He is more than mentioned in the latest campaign "Tomb of Annihilation."

I mean he's on the cover so it's not that big of a spoiler.

I wanted to make a video on the origins and history of the Demi Lich Acererak!

Now I know what you're thinking.

Jorphdan you're mainly a forgotten realms channel, and Acererak is from Oerth right?

Isn't that a greyhawk thing.

Well viewer I'll tell you something, you're not wrong!

But he is an iconic D&D character regardless.

So let's bend the rules I've set for myself and talk about Acererak.

Acererak is actually half demon.

He was the son of a Balor named Tarnhem from the 489th layer of the Abyss.

Tarnhem is roughly 12 feet tall with dark red skin, leathery wings with clawed hands

and feet.

He was summoned by a conjurer who didn't know exactly what he was doing and thus lost

his life when Tarnhem attacked him.

The Demon then took a servant girl of the conjurer and Acererak was the baby.

Acererak's mother survived the birth of her half demon son but was sadly killed 10

years later by a torch-wielding mob.

Acererak never forgave his father for mistreating his mother and eventually learned the demon's

true name which gave him power over his father.

With a demon in tow Acererak began construction of his lair the Tomb of Horrors.

But I'm getting ahead of myself.

After the death of his mother Acererak the boy was rescued by an arch lich by the name

of Vecna.

You might remember Vecna from the 5th Edition Dungeons Masters Guide as the Hand and the

Eye of Vecna are magic items in that book.

Vecna was born a human and eventually became a wizard.

Later on becoming a lich and surviving for thousands of years.

Vecna is also a Greyhawk character but these characters have become so popular they bleed

over into Forgotten Realms and other settings.

Acererak wanted to become a lich whilst hanging out with Vecna.

He then plotted his ascension to lichdom.

Now a lich, in general terms, is an undead spellcaster that has achieved immortality

thanks to their phylactery.

They place their soul in the phylactery and if their physical body is ever destroyed they

aren't truly killed because their soul lives on.

In a few weeks the Lich can return to the physical plane.

Think Harry Potter Horcrux but JK Rowling definitely took the idea from older fantasy

like D&D and Lord of the Rings.

After creating a phylactery the process of becoming a lich that I discovered involves

killing someone double your age and half your age.

Creating some kind of potion using their blood.

Drinking that potion under the light of a full moon which then kills you but your soul

will find it's way into the phylactery.

A few days later you come back as a Lich!

It's a very evil act so in most campaign settings become a lich and liches in general

are evil.

Acererak went through this process later in his life and became a Lich.

He then started created the Tomb of Horrors to gather souls.

Because part of being a lich is that you must feed souls to your phylactery to sustain the

magic that preserves your body and your consciousness.

Without souls you'll fall into disrepair and insanity.

So the Tomb of Horrors is created as a way for adventurers to die and power Acererak's

phylactery.

That's the story behind the Tomb of Horrors, really it was created as a test for veteran

players.

It's an unforgiving module with plenty of unforeseeable traps and puzzles with difficult

solutions and character ending consequences.

I haven't run Tomb of Horrors, but I hope to.

I have a small group of friends that want to try it out, just gotta find the time and

I'm sure I'll make some campaign diaries about my experience.

Acererak, in his long life has since transformed into a demi-lich; which is just a more powerful

lich really.

Oftentimes having only their bones left they can appear as a floating skull for example.

There is more information about Acererak if you play Tomb of Annihilation.

Since the module is so new I really don't want to spoil anything in this video.

I'm sure a ton of you guys are playing it right now so that wouldn't be fair.

But if you're a DM and you're curious pick up Tomb of Annihilation and give it a

flip through.

A small city was built near the Tomb of Horrors called Skull City.

This naturally occurred thanks to the hundreds of necromancers that arrived at the Tomb of

Horrors looking for Acererak's renowned knowledge of necromancy.

Idolization of Acererak has inspired the construction of a massive academy over his tomb, called

the Bleak Academy.

It harbors cultists who perform ceremonies to garner the attention and favor of Acererak.

Acererak's current form in the physical world is a jeweled skull which you'll find

in the Tomb of Horrors but really this is a construct created by the demilich.

The real Acererak resides in the Fortress of Conclusion, a stronghold hidden in the

Shadowfell.

Or so 4th edition lore tells us, from the book "Open Grave Secrets of the Undead."

This might be outdated and Acererak may still have a base of operations on the negative

energy plane instead.

That's really the lore behind Acererak.

His phylactery is hid somewhere in another planar dimension.

I suspect Wizards of the coast does that so he can't really die.

Being such an iconic character they want to bring him back.

He makes a special appearance in the novel Ready Player One as an arcade Joust playing

demilich.

I highly recommend that book for anyone interested in geek culture.

I find it interesting how popular Acererak is yet there isn't a Greyhawk or Forgotten

Realms novel about him directly.

You'd think the adventurers of young Acererak would catch the eye of some DnD author.

Most everything I've found was from Tomb of Horrors reprints and a few Dragon Magazine

articles.

And that's where we'll end today.

I hope you enjoyed this look at Acererak.

If you have a favorite DnD villain let me know in the comments below!

Please give a like and share this video with a friend, or any video to a friend who enjoys

DnD Lore!

I'll see you all next Wednesday!

For more infomation >> Forgotten Realms Lore - Acererak, the Demi Lich | Tomb of Horrors - Duration: 5:35.

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Gabbar is Back Movie 2015 Hindi 1080p - Duration: 2:08:19.

Please subscribe my channel for Upcoming movies

For more infomation >> Gabbar is Back Movie 2015 Hindi 1080p - Duration: 2:08:19.

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The Grand Tour Staffel 2 Trailer | Amazon Prime Video - Duration: 2:18.

For more infomation >> The Grand Tour Staffel 2 Trailer | Amazon Prime Video - Duration: 2:18.

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Adornos Navideños. Bellotas para la Puerta. DIY, - Duration: 9:24.

For more infomation >> Adornos Navideños. Bellotas para la Puerta. DIY, - Duration: 9:24.

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Monster School : Minecraft medical care challenge || Minecraft Animatio - Duration: 3:30.

Minecraft medical care challenge

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5 OF THE CUTEST MALE AUSSIE PARLIAMENTARIANS 2017 - Duration: 3:34.

Do you think that Australian politics is boring?

Well not after watching my video

because I'm going to show you

five of the cutest male politicians

currently in parliament.

Look at me it's Lukmi

and welcome to The Lukmi Show.

I was looking through the official website

of the Parliament of Australia

and I just clicked through to see

which ones were cute.

I thought I wanted to do something entertaining

in regards to politics without the politics

To the five who have been chosen

this is a really prestigious list.

This is all just my taste okay?

and I'm just judging by photos.

I have no idea what they're like

in real life or what they stand for.

Politics aside

it's just based on their look.

Okay?

Please check out my song "Aussie Guys"

which kind of fits in with the theme

of this video.

♪ Aussie guy I just wanna be with you ♪

Number five on the list for the

most cutest parliamentarian

is Tim Hammond.

He's the member for Perth, Western Australia.

In Australia there are two houses of parliament:

The Senate and House of Representatives.

Unfortunately not one from the Senate

made my list.

Sorry Senators

but you ain't just that hot for me!

[Gasp!]

I'm sorry!

Please don't deport me!

Please!

I wasn't too sure how to pronounce his surname

but number 4 on the cutest

parliamentarians of Australia is

Mr Chris Crewther.

Member for Dunkley, Victoria.

This is so funny.

This is awkward!

Why did I make this video?

We now fly over to New South Wales

known as "The State of Abundance".

No not really.

Third place goes to the

Honourable Jason Clare.

Member for Blaxland, New South Wales.

It seems like most of them were born

in the seventies except for one

so they're all like in their forties.

I do like men in their forties

if they've looked after themselves.

First runner-up is

Mr Ed Husic.

Member for Chifley, New South Wales.

So the Labor party has

three people on the list so far.

and the Liberal Party only one.

The winner of the most cutest parliamentarian

currently in Australian government

as voted by me Lukmi

is

Adam Bandt!

Is that how you pronounce it?

He's the member for Melbourne, Victoria.

Adam Bandt!

Adam Bandt!

You're the man!

You're the man.

I just want to say again

that this was all for fun

and I really hoped you had a few laughs

with me.

I'm currently wearing an official

The Lukmi Show t-shirt.

You can buy one if you want one.

Link is in the description

and above.

Thank you so much for watching!

Mmm mwah!

Love you all!

For more infomation >> 5 OF THE CUTEST MALE AUSSIE PARLIAMENTARIANS 2017 - Duration: 3:34.

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How To Earn Money From Internet | In Pakistan | Earn 10000 Per Month | Without-Investment - Duration: 6:37.

WELCOME TO NOMAN GUJJAR

PLEASE LIKE MY VIDEO AND SUBSCRIBE MY CHANNEL

For more infomation >> How To Earn Money From Internet | In Pakistan | Earn 10000 Per Month | Without-Investment - Duration: 6:37.

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Sri Parvathi Ramalingeswara Swamy Temple || पुप्पलगुडा शिवालयम मंदिर || Manikonda || DARSHANAM LIVE - Duration: 3:35.

#DARSHANAMLIVE – Everything about INDIAN temples grandeur and visual feast

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Xiaomi Mi A1 Vs Mi Max 2 Vs Redmi Note 4 SPEED TEST Comparison n RAM Management (SD 625 Battle) - Duration: 2:25.

Whtizup guyz!

In this video lets have a look at who wins in the Snapdragon 625 Battle between the Xiaomi

Mi A1, Mi Max 2 and the Redmi Note 4! --inTro--

In the Reboot Round surprisingly the Xiaomi Mi A1 came in last with the Mi Max 2 winning

first place & the Redmi Note 4 coming a close second!

So, continuing with the Speedtest round, all three devices sports the excellent Power efficient

Snapdragon 625 processor with

the Adreno 506 GPU!

The Xiaomi Mi A1 with pure stock Android was the clear

winner in both the SpeedTest & RAM Management rounds reloading only the AnTuTu app same

as the Mi Max 2 which came in second.

The Redmi Note 4 though ended up last in both rounds reloading most apps!

Stay tuned for more interesting tech stuff, Speedtests & the long-term Review of the Mi

A1!

Make sure to press LIKE, the free Subscribe button & the Bell icon!

ThanX 4 watchin', Keep The Peace & catch U neXt time!

For more infomation >> Xiaomi Mi A1 Vs Mi Max 2 Vs Redmi Note 4 SPEED TEST Comparison n RAM Management (SD 625 Battle) - Duration: 2:25.

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One time in a Life Time || Special activity in Shivalayam Karthika Deepam || DARSHANAM LIVE - Duration: 0:46.

DARSHANAMLIVE – Everything about INDIAN temples grandeur and visual feast

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best way to make money online with proof By BK Tech & Tips? - Duration: 7:00.

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ASSASINS CREED ORIGINS MI SEGUNDA GAMEPLAY

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Sri Kala Bhairava Swamy Temple INDIA || శ్రీ కాలభైరవస్వామి ఆలయం || DARSHANAM LIVE || INDIAN Temples - Duration: 4:43.

DARSHANAMLIVE – Everything about INDIAN temples grandeur and visual feast

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list of top 10 national parks in india | list of 10 famous national parks in india - Duration: 0:46.

list of top 10 national parks in india

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Tierra Whack - Mumbo Jumbo

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NYC Terror Attack Eyewitness Describe Seeing Two Fatalities: 'I Thought It Was An Accident' | TODAY - Duration: 4:28.

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Chi Pu | CHO TA GẦN HƠN (I'm In Love) Dance Practice (치푸) - Duration: 3:50.

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WHY I BELIEVE A UNIVERSITY COLLEGE EDUCATION & CORPORATE MEDIA ARE RESPONSIBLE FOR BRAINWASHING THE - Duration: 12:14.

WHY I BELIEVE A UNIVERSITY COLLEGE EDUCATION & CORPORATE MEDIA ARE RESPONSIBLE FOR BRAINWASHING

THE MASSES

BY ARJUN WALIA

A declassified document from the CIA archives in the form of a letter from a CIA task force

addressed to the Director of the Central Intelligence Agency details the close relationship that

exists between the CIA and mainstream media and academia.

The document states that the CIA task force �now has relationships with reporters from

every major wire service, newspaper, news weekly, and television network in the nation,�

and that �this has helped us turn some �intelligence failure� stories into �intelligence success�

stories,� and has contributed to the accuracy of countless others.� Furthermore, it explains

how the agency has �persuaded reporters to postpone, change, hold, or even scrap stories

that could have adversely affected national security interests or jeopardized sources

and methods.�

Although it is a document outlining their desire to become more open and transparent,

the deception outlined by various whistleblowers (example) requires us to read between the

lines and recognize that the relationships shared between intelligence agencies and our

sources of information are not always warranted and pose inherent conflicts of interest.

Herein lies the problem: What is �national security,� and who determines that definition?

JFK bravely told the world that the �dangers of excessive and unwarranted concealment of

pertinent facts far outweigh[] the dangers which are cited to justify it.� He also

said that �there is very grave danger that an announced need for increased security will

be seized upon by those anxious to expand its meaning to the very limits of official

censorship and concealment.�

�National security� is now an umbrella term used to justify concealing information,

but who makes these decisions? You can read more about our world of secrecy and the Black

Budget here.

Not only are countless documents classified every single year in North America, but false

information and �fake news� are routinely dispersed, mainly by mainstream media outlets

� a reality that is clearly conveyed in this document and has been expressed by multiple

mainstream media journalists themselves. And as with the NSA surveillance program that

was exposed by Edward Snowden, it�s a global problem.

Dr. Udo Ulfkotte, a prominent German journalist and editor for more than two decades, is one

example. He blew the whistle on public television, stating that he was forced to publish the

works of intelligence agencies under his own name and that noncompliance with these orders

would result in him losing his job.

Sharyl Attkisson and Amber Lyon, both well-known mainstream media reporters and journalists,

have also exposed funded movements by political, corporate, and other special interests, and

have revealed that they are routinely paid by the U.S. government as well as foreign

governments to selectively report and distort information on certain events.

Let�s not forget about Operation Mockingbird, a CIA-based initiative to control mainstream

media.

The document not only outlines the CIA�s role in media, but also the entire entertainment

industry in general, lending further weight to revelations offered by celebrities like

Jim Carrey. He appeared as a guest on Jimmy Kimmel Live, saying that, �For years now,

talk show hosts, people on television, people in sitcoms have been, hired by the government

to throw you off the tracks, to distract you, to make you laugh and stuff like that, make

you happy and docile so you don�t know what�s really going on.�

While some question whether he was merely joking, the facts still remain. Another celebrity,

who was clearly serious, is Roseanne Barr, who referenced the CIA�s MK Ultra mind control

program � a previously classified research program through the CIA�s scientific intelligence

division that tested behavioural modification and perception manipulation on human beings.

What we seem to have here is an attempt to manipulate public perception of global events

through mainstream media and news publications. But what�s perhaps most interesting is the

fact that a lot of people are now waking up and seeing through many of these lies and

manipulation tactics. Instead of just blindly believing what we hear on television, more

people are starting to think critically, do independent research, and examine a wide array

of sources and information.

So many opportunities have emerged within the past few years allowing others to see

this more clearly. One was the recent �fake news� epidemic, where evidence surfaced

exposing information that threatened the global elite. Wikileaks is perhaps one of the greatest

examples. For mainstream media to basically label everything else as �fake news� was

quite ironic, given that it seems the majority of people consider mainstream media themselves

to be the real �fake news,� and this is now even more evident given the information

presented above in this article.

The documents also touch upon the fact that they are constantly in touch with the entertainment

industry, giving advice on scenes and direction, as well as how things happened in certain

situations. Personally, I feel the industry is largely used to push propaganda, like patriotism.

Patriotism is pumped into the population to support a large military in the name of �national

security.� We are being fooled, wars are not waged for defence, but for offence and

to push forth political agendas.

So you see, there are multiple reasons for these CIA connections to various industries.

Academia

From a young age we�re taught that getting an education is the key to living a good life.

Getting a decent job, making good money, even finding the right partner � all depend on

following a certain path. Yet many concepts and topics are, as previously illustrated,

kept from public viewing, and this includes plenty of important science.

The U.S. intelligence community investigated parapsychology (ESP, remote viewing, telepathy,

etc.) for more than two decades, for instance. Russell Targ, a physicist who has spent several

decades working in a U.S. government program exploring these concepts, recently shared

his experience doing so in a TED talk that is now approaching 1 million views.

Another great example of Black Budget science comes from Ben Rich, the second director of

Lockheed Skunkworks, who worked there from 1975-1991. He�s been called the Father of

Stealth, having overseen the development of the first stealth fighter, the F-117 Nighthawk.

Before his death, Rich made several shocking open statements about the reality of UFOs

and extraterrestrials.

�We already have the means to travel among the stars, but these technologies are locked

up in black projects, and it would take an act of God to ever get them out to benefit

humanity. Anything you can imagine, we already know how to do it.�

�We now have technology to take ET home. No it won�t take someone�s lifetime to

do it. There is an error in the equations. We know what it is. We now have the capability

to travel to the stars.�

�There are two types of UFOs � the ones we build and the ones �they� build.�

To read more about those comments and examine the sources, you can refer to this article

that goes into more detail about it.

Information like this, including testimony from hundreds of others, suggests that the

�classified world� is much more advanced than our mainstream one.

This particular document states that the agency exposes administrators of academic institutions

to the agency on a regular basis.

Obviously, as with any other job, the CIA would be looking for what they consider to

be qualified individuals. But the document does outline its close relationship with academia

in general.

This is because certain developments and information that stem from academia could threaten national

security and therefore must be kept out of the curriculum, and the public domain.

Take, for example, documents obtained via the Freedom of Information Act (FOIA) that

reveal how the U.S. government has been using a secret system to withhold the approval of

some applications.

This 50-page document was obtained by Kilpatrick Towsend & Stockton, LLP, who commonly represent

major tech companies that include Apple, Google, and Twitter (to name a few). You can view

that entire document here. (source)

The program delaying patent applications is called the Sensitive Application Warning System

(SWAS). Usually when an application is submitted for a patent approval, it requires a couple

of examiners who work with the Patent Office to go through their process of approval. This

process usually takes one to two years, but applications that are filed in SAWS must be

approved from several people, and can be delayed for a number of years.

One great example (out of many) of delayed patent applications comes from Dr. Gerald

F. Ross, who filed a patent application for a new invention he had devised to defeat the

jamming of electromagnetic transmissions at specified frequencies. It was not until June

17, 2014 (almost 37 years later) that this patent was granted.

It�s important to note (as reported by the Federation of American Scientists � see

annotated bibliography) that there were over 5,000 inventions that were under secrecy orders

at the end of fiscal year 2014, which marked the highest number of secrecy orders in effect

since 1994.

Steven Aftergood from the Federation of American Scientists reports:

The 1971 list indicates that patents for solar photovoltaic generators were subject to review

and possible restriction if the photovoltaics were more than 20% efficient. Energy conversion

systems were likewise subject to review and possible restriction if they offered conversion

efficiencies �in excess of 70-80%.�

This is all thanks to an act many people are unaware of. It�s called the �Invention

Secrecy Act,� and it was written in 1951. Under this act, patent applications on new

inventions can be subject to secrecy orders, which can restrict their publication if government

agencies believe that their disclosure would be harmful to national security.

Final Thoughts

So, as you see, science and academia in the mainstream world can only go so far. We continue

to rely on government institutions to define truth and reality for us, to outline the limits

of what is possible. In many instances, these places to which we go to �learn� are actually

diminishing, not supporting, our creativity and critical thinking skills. That�s not

to say that there aren�t good aspects of the experience, but overall, we are not accessing

our full potential.

When information is hidden from us as well as manipulated at the same time, it�s only

going to spark more curiosity among the people. And that�s one aspect of the current shift

in consciousness that�s happening on our planet. We�re beginning to see the human

experience in a different light, and starting to recognize that the time for change

is really here. What are we going to do about it?

For more infomation >> WHY I BELIEVE A UNIVERSITY COLLEGE EDUCATION & CORPORATE MEDIA ARE RESPONSIBLE FOR BRAINWASHING THE - Duration: 12:14.

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Scotch Yoke Castings and Machining for Gingery Metal Shaper - Duration: 22:03.

hi I'm Cressel Anderson this is Makercise. in this episode I'll be casting

aluminum and bronze parts for the shaper yoke

one of the things I'm trying is--for the sprue and feeder sections--I've

hot-wired out little grooves or little channels in them so that way when I cap

them off glue them together the metal kind of has a place to go as well as a

more clear vent out I'm going to try to put a vent on the other side and arrange

these things so that the byproducts from vaporizing this polystyrene hopefully

make it up and out and make a little better casting to machine I'm going to

put a cup kind of angled this way I've got a vent going this way and should

have a little spot for a poor cup

in preparation to move I packed my tire that I was using for the vibration table

in the storage and so I kind of had to improvise with a spare wheel and my hand

truck it worked okay

this is how the casting turned out I love lost foam! it's great. I mean

look at the dimensional tolerances on these parts they seem very faithful to

what I originally assembled here prior to applying the plaster of Paris it does

a great job keeping sand inclusions the top runner I think was sized about

appropriately as well as the vent being placed well I don't see any kind of gas

inclusions or other debris in the actual parts that looks real good I also like

using the wax as a coating take a look at this picture this is from the engine

of my car I replace this water pump just before I went on my road trip to

Oklahoma and you can see the same kind of details in the engine block casting

as you can in this lost foam that I'm doing so I think it's ok to have that

texture but it is cool to know that the wax application over the top is a really

good way to kind of modify that surface finish you probably even sand it down

the only drawback is the plaster doesn't seem to adhere particularly well

initially over the wax you can tell this one was done without the wax coating and

this one had the wax coating so you've not got any of this expanded polystyrene

texture on the one that I coated with wax anyway let's get these cut up and

start making some shaper parts

it's fortunate that I have two holes here it's hitting on the back on the hub

portion of the faceplate so I need to move the screws a little bit to the

outside hole here so that I can get the faceplate clamps close enough together I

flip the part end for end and then I used these two squares I pretty much

stuck them back up in there on the faceplate so that way I could get the

machined flat side on the other end of this block parallel to the faceplate so

that should make these two ends parallel I'm facing off all the sides of these

blocks that I cast for use in the yoke of the shaper crank mechanism this will

be the part that goes in the center of the column and oscillates back and

forward based on the rotation of the bull wheel what's this part around this

will be the first one that I have completed all four phases are all six

phases this is my last one

a little carried away on the one dimension there so it's about 15 thou over

that direction and about 20 under in that direction I really need a graduated

disc for the lead screw I'm gonna get that a little closer ah there we go it's

only about 10 thou off from square on this end. 1" diameter so I need a

3.14" dial. I think this is a 3/8 16 rod.

I already faced off this end and now I'm gonna face off this in to make the

overall length as called for in the plan so this is the last one that I have to

machine and then I'm gonna start boring holes I think I'll do them all on the

lathe because it's what the book suggests

I'm advancing the lead screw 10 thousandths between each of these cuts this is about

six inches of stick out from kind of where the setscrew is on the face plate

so no I'm I'm happy that it's not giving me more problems than that these are the

support bosses for the little hinge rod that goes across at the bottom of the

column this will be the slide block that goes up and down and causes the the yoke

to oscillate back and forward driving the ram this will be the block up at the

top I've machined these two to the dimensions they need to be prior to

boring them both these will have holes with bearings installed in them as well

as the top the top I still have to thin up just a little bit once that's done

I'll mount these parts in the faceplate clamp and I will bore them using the

lathe and probably probably have to bore them out so that they'll accept these

bushings I don't currently have a bushing that is wide enough for this

part so I think I'm probably going to have to turn that I do have some raw

bronze stock so I'll probably use that I might end up having to take a little bit

off of my clamps it's a little too far down in there I could make taller

parallels but I think it will probably be faster and it'll give me you know to

kind of clean up the tops of these clamps a little bit so I'll probably

just go all the way down to the line even if I get into the angle iron clamps

there

you definitely tell that I'm getting into these clamps now you can even kind

of hear the difference in the sound that it makes so that's the clamp second

clamp

and call this good enough I mean this this works this holds parts but when you

clamp stuff at the end these bolts tend to kind of squeeze the base together and

lift it off and then it's not completely parallel and coupled with the fact that

these screws are so far out on the face plate the inside corners of these angle

iron clamps comes out just a little bit and and I'm not so sure about my

parallels there they may be off too so anyway this is this is a nice square

piece of stock that's pretty much the dimensions called for in the book so I'm

gonna proceed with it even though it's not it doesn't have exactly parallel

sides the yoke will pivot around this 12 millimeter rod held between the two

bosses very well aligned does it

well that is apparently not a very good way to get those holes centered up in a

previous video you saw me alloy up the C932 bronze. Today I am going to be

melting that down and pouring a cylinder that I can then machine a little bit

more readily than this ingot and I will be making bearings for the shaper yoke

I think this is what happens when you leave your foundry out and they get to

rained on probably all that ceramic fiber has some moisture in it I've tried

to let it dry out but I guess it's gonna dry out pretty quick at this point

that's what we ended up with this will become the bearing for the lower caste

Singh this will become the bearing for the upper casting and this will become

the bearing for the slide bloc and then I have a nice one-inch diameter piece of

bronze that I might end up machining as a lathe bearing I try to keep the

turnings from the bronze so that way I can remelt them and have more bronze for

bearings in the future I don't really have a tool that seems to be

particularly well-suited towards getting up in here I've not got much of a part

sticking out from this set of clamps on the faceplate but I used a that parting

tool that I ground a while back and just kind of using that side corner of it to

try to clean up this bearing that's not any good

I broke off my cutoff tool so I switched over I do have a left-hand turning tool

but I don't know it's it's really not set up for this kind of a cut but seems

to be doing okay so that's what I'm running with

it's gonna be the slide block bearing so I think this bit is pretty big I'm not

exactly sure what I think will happen I think it may spin in the Morse taper

socket bingo that's exactly what happened I was able to drill up to 12

millimeters. I just had to go in smaller increments. I went 6mm, 8, 10, 11,

12 and so this shoulder bolt is a number 12. this is for the crank pin it's

just a little tight so I think I'll have to get out the boring bar and open up

this just a hair I think the old boring bar did the trick

that's a pretty good fit I'll make a mandrel and then turn down the outside

of this face off the other end I've turned down this shaft to where it's

pretty well about a thousandth under 12 millimeters these bushings as well as

the ones that I cast are 12 millimeters so we'll see how well

pretty good fit now I can superglue these bushings on to this Arbor and turn

them down leave a little bit sticking over at the end so that way I can face

it off

I took the shims out from under the front of the tool and it makes the rake

angle a little more shallow and it seems to cut much better you can still really

tell the flex in the carriage I think the majority of it is coming from the

interface between the cross slide and the compound base this is really putting

art and on this lay thing it's hot to let it cool down

not to mention the fact that the heat has caused the superglue to let loose

and this bearing as written back down the harbor oh that's hot I faced off the

end and now I'm going to give it a little chamfer there was some pitting in

my castings but I think he'll do all right this is the bearing that will go

in the slide block and for turning that bearing I just used an aluminum Arbor to

turn it however for the case of the upper end casting bearing which is I

think the book calls for a quarter inch by like three eighths inch bearing I

couldn't even find one of those in stock for such a small diameter Arbor I went

ahead and made it out of steel so I've gotten a little braver on how much to

take off I do a full 25 thou cut on this trying to trying to reduce the diameter

of this rough casting down to what I need

and that gets pretty hot

I got that whole little bit bigger than I wanted but this I can tell pretty

close

I used my calipers to mark a centerline along this top casting and then I marked

up the required distance along the side and then I used just a small hammer to

kind of tap this thing around while the bolts were a little bit tight until I

got the center of those two marks pretty well aligned with this center drill held

in the tailstock Chuck this is the way that the book

recommends it because the book was written under the presumption that the

reader doesn't already have a drill press drill presses are so cheap

nowadays that you know a little drill press like the one I use all the time

just doesn't make sense not to have one I'm just showing this technique to give

you an idea of how it would be done based on the books recommendations

this bushing had a little bit of untied enos around the inside of it and when I

pressed it in with the vise buggered up this in so I'm going to get rid of that

using a countersink bit held in the brace

if you enjoyed this project give me a big favor and go ahead and click that

like button in the next project video I'll be assembling the yoke and

connecting it to the ram I hope this project builds your confidence

to exercise your inner maker thanks for watching

For more infomation >> Scotch Yoke Castings and Machining for Gingery Metal Shaper - Duration: 22:03.

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Knitting Tutorial - Dopplet Hat and Mitts - Duration: 31:02.

In this video I'm gonna walk you through the techniques used in this hate.

It's called a dopplet hat and it comes with a bonus knit pattern.

And it's called a dopplet hat for a reason.

You see we have a little fairisle stripe thing going on.

But, wait, there's more.

It's actually two hats in one.

It's double warm and it's a double hat.

This side is a slip stitch cable pattern that I hope you can see and the mitts match that.

And then the other side is the fairisle pattern.

And this tutorial is brought to you by KPC Yarn.

I use their [inaudible 00:00:33] DK yarn in this and this yarn is 70% merino, 30% cotton,

and it's the 30% cotton that really gives great definition to the cables in this pattern

and it's really nice to work with.

And I believe KPC is running a promo right now so if you click the little eye in the

upper right hand corner at the time of shooting this video, releasing this video, they are

running a promo on this yarn for this new tutorial.

Go to my website, I'll have the details about the promotion and you can download your free

pattern and see all the yarn amounts and everything that you need.

And a couple things I wanna say about KPC is they are located in Hong Kong so your yarn

is shipping from Hong Kong, but that's nothing to worry about.

In my experience and the experience of others when you order from them the yarn often shows

up more quickly than it would if you ordered domestically.

I have no idea why that is or how that works, but they're really good about getting your

yarn to you quickly.

The other thing is their website, the default currency on their website is Hong Kong Dollars.

So if you're looking at yarn and it is ridiculously high priced it's because you have it in Hong

Kong Dollars.

Just click the little HKD at the top of the page and pull down the menu to select the

currency in your home country.

Because this is actually a great value on yarn.

So we've got a free pattern.

All the info is on my website.

I would put this pattern at an intermediate level.

Not because it's really all that hard, just because there's kind of a lot going on, a

lot of different techniques.

And I designed this hat pattern for it to be double warm because I live in Texas, I

don't have a lot of need for a double warm hat but my whole family's in Alaska and it's

good for them to have warm ears.

And it's both double warm and interesting for the knitter because we have the two hats

going on.

Let me show you.

I have not really thought of what this shape is called other than a football shape.

That's kind of what it is.

Anyway, go ahead and go to my website to order your yarn and get your free pattern.

And next up we're going to start with the most difficult part of the hat which is the

very beginning in the first few rows.

We are ready to get started on this hat and, like I said, the very hardest part of this

whole thing is right up front, the first few rows.

Because, normally, when you're knitting a hat you start at the cuff and work your way

up.

But, because we have two hats here, we have to start at the crown of one and knit through

to binding off at the end.

And so I've given us the easiest part to start with which is the single color, no cables

part.

So it's easier...I could have made a heart let me just say it that way.

But we'll get through this, it's the first few rounds, and I'm going to demonstrate on

DP ends but if you prefer magic loop you can do it.

I think it's really cumbersome to work so few stitches on magic loop but if you're good

at it you go for it, it will absolutely work.

First off let's go ahead and get a close up.

Okay.

So the first hat we have a stripe pattern and it's not...it's not a clean stripe pattern.

We have a little bit of fairisle going on.

So it is a jagged stripe pattern through to the rib of that hat which leads right into

the rib of the next hat.

And then we have this cable pattern and the cable pattern's really simple.

It's only one stitch carried over in the cables but it looks cool and the thing that really

makes it...well, the yarn really makes it stand out like this but each...every other

round is slipped so these stitches are twice as long as the reverse stockinette in the

background which gives it that unique look.

And then we decrease on the crown here and I'd work the decreases so they look good when

they're finished.

And when the whole thing's done whichever side you're not wearing because the lining

for the other side.

And here is a close up of the mitt.

It's a pretty simple mitt pattern.

If you've worked mitts before there's not a lot new here.

There is a thumb gusset and so it's a nice fitting mitt.

And I was also thinking, I did this in the same color as the cabled hat.

If you wanted to make it better match both you could do it in, like, the main color of

the striped hat.

I don't know, there are people who are better with colors than I am, for sure, that will

think of some cool things to do.

Okay.

So right off the bat we're going to start with our double-pointed needles and our yarn

to start with the crown of the hat.

And I'm going to suggest that when you do this, like, let's say the first 10 rounds

or so, go ahead and leave yourself enough time to finish the first 10 rounds or so without

a lot of interruption just because it's hard to...it's going to be hard to pick it up and

figure out where you are the first few rounds because we can't place a marker.

So, we start by casting on six stitches over three needles.

So I cast on one, two on each needle.

And if you are curious about the way I'm doing the long-tail cast on here I'll give you a

link to my video.

Okay.

I have my six stitches and they're basically wind chimes right now with no order to them.

Okay.

So if you have a table in front of you, which I suggest, you can set it out like this.

I'm gonna shorten my tail just because I don't need this much tail and it kind of gets in

the way.

I have my working yarn coming from this stitch and my next stitch is going to be right here.

Find your working yarn, your next stitch is always to the left of your working yarn when

you're working on something like this.

So I am going to use this yarn to knit this stitch and it's going to join everything in

the round.

I'm gonna put this needle under the back one, it's just the way I prefer to do things.

Turn things a little bit.

I'm still using the surface of the table to support things so they don't get tangled.

Scoot this stitch close to the tip, get my needle in there, and knit it.

And we're joined in the round and I knit the next stitch.

Okay.

Now, again, there's my working yarn.

My next stitch is to the left of my working yarn.

[00:08:00]

[silence]

[00:08:14]

Okay.

Again.

You can see that if you stopped in the middle here you can't really tell where the beginning

of your round is.

So you wanna go ahead and knit all six so you can say, "Round one finished."

All right.

That was round one.

Round two is KFB a round.

KFB is the knit front back increase.

There is my working yarn, there's my next stitch.

So I'm gonna knit that stitch and then swing the tip of my needle around to the back loop

of that stitch.

Knit it, pull it through so I just made two stitches out of one.

And I'm gonna do that to every stitch.

[00:09:02]

[silence]

[00:09:39]

Okay.

When you're finished with this round you'll have 12 stitches and it's already getting

a lot easier to work just because there's just enough in there that it's a little easier

to work.

And this round which is round three is just knit every stitch.

And it's not a bad idea to count as you go along because you just wanna knit 12.

We don't have enough fabric to place a marker yet so we just have to keep count.

That was eight.

Okay.

Round four is, again, KFB, knit front back every stitch around.

And it's getting a lot easier to tell.

You see if I put this down.

My working yarn is here, my next stitch is here.

It's getting a lot easier to see.

If you can make it through, like, the first three rounds it gets so much easier.

And I told you this is the hardest part of the hat so if you made it through the first

three rounds the rest of it should be a breeze.

Oops, I split a stitch there.

It's a breeze if you're paying attention to what you're doing.

Oops.

There we go.

Okay.

I wanna get you at least up to round five.

[00:11:40]

[silence]

[00:12:26]

Okay.

That was round four and round five is just knitting every stitch.

And, again, pay attention to how many stitches you're knitting.

You have 24 stitches in round five.

And make sure you're knitting 24.

No more, no less, because we can't mark the beginning of the round yet.

[00:12:51]

[silence]

[00:13:27]

Okay.

Here we are with round five finished and I want to show you the right side of the work

here.

We have enough so that you can take a marker and wherever your working yarn is when you

finish that round, between those two needles is the beginning of your round.

So go ahead and put a marker there so that you know, between those two needles, that's

the beginning of your round and you don't have to be so careful with keeping track of

exactly you've knit on each one.

And so that's like round five.

I have it marked in the pattern that round five you can go ahead and place a market for

the beginning of the round.

And then keep following the patter.

Like in the next round, round six, is knit one, KFB, knit one, KFB around all the stitches,

and it'll grow pretty quickly.

And then by round 18 you can switch to 16 inch circular needles or if you prefer to

do magic loop you can switch more quickly than that with...or if you've already done

this part on magic loop, if you're already on magic loop.

But 16 inch circular needs will be the right size after round 18. and I happen to have

a little bit going here on 16 inch circulars.

Here is the crown of the hat and I'm already into the striping pattern.

Now we're going to talk about the chart for the striping pattern a little bit.

It is the super simple chart for color pattern and I have...let me make sure this is all

on camera.

Yes.

I have all of the colors listed here.

If you're using different colors just go ahead and cross those out and mark your colors in

but this is the chart pattern repeated around the hat.

You're always going to read it from right to left and you just take those four stitches

and repeat them all the way around the hat.

So I have the dark blue to light blue and then two rounds.

And then the light blue every two stitches and the wicker, the tan, every two stitches.

And then three rounds and then we alternate with the tan and the yellow and then five

rounds of the yellow, you see, through the notchy sequence here.

So I'm gonna show you a good way or how I like to change colors and reading the chart

like this.

So I'm just about at the end of this round and I'm just about ready to change to yellow

or incorporate yellow, at least.

Okay.

And once you switch to circulars, of course, you'll want to put a ring marker on.

So the chart shows that I'm going to work the first two stitches in wicker, in tan,

and then switch to pear drop the second two stitches.

So I'm going to knit the first two stitches in wicker and then bring in...bring

in the pear drop color and knit the first stitch and the second stitch.

And I'm going to go ahead and use a technique that I put in a video recently for weaving

in ends as you go.

I'm gonna put my needle in because I'm ready to work a tan stitch and over in my left hand

I have the two strands of the yellow that I'm not working.

I want to weave in at least the one end, it's okay to carry both of them though.

So I'll pull that over the right needle...actually, put the needle in first, pull those yarns

over the right needle, wrap it, pull those two yarns back, pull it through, knit the

next stitch because I'm alternating.

And now I'm going to work two yellows.

I'm gonna go ahead and do that again to weave this in a little bit more.

I could have carried that other yellow, too, on those two stitches but...

I'll give you a link to the video where I really break this down.

And then I really break down how to carry that to weave in those ends.

It's kind of a new technique for me and I am loving it.

I'm using it all the time in fairisle.

So you're just going to alternate the two colors like this and another thing that's

important when you're working this is to keep your stitches on your right needle pretty

stretched out because if you start to carry the floats behind and your stitches are kind

of all crunched together you'll end up with floats that are a bit too short and you'll

get some puckering in the hat right here.

So this is what I do.

I put my needle in, I stretch the stitches on the right needle, work those two stitches,

put the needle in, stretch the stitches on the right needle, work those two stitches...it's

kind of an automatic thing for me.

You do it enough times.

So after I work this round of alternating every two stitches then I'm going to work

one, two, three, four, five rounds of just the pear drop color and then I'm gonna alternate

the pear drop and the thunder color to get...when I get to the center stripe of the hat.

And I'll give you, again, a look at how that comes out.

Okay.

And, of course, I have this all spelled out row by row in the pattern.

I think that might be all that we have.

I think that's all that we have for this section.

I was thinking it was gonna go right into the cable section but I'm gonna save that

for the next section so you can catch up with the striped hat before we moved into the cabled

hat.

Okay.

So, I will see you in the next section.

We'll work the cables.

We're ready to get started on the cabled hat and working the cables.

And if you've worked cables before you'll see this is a really simple cable pattern

because we're only carrying one stitch at a time on the cable needle and then slipping

a bunch of stitches on alternate rounds.

So, let's go ahead and take a look.

Here's the cable pattern again so you can see how it looks in the hat.

And here is the little sample I have worked up to demonstrate this.

And this is, of course, a flat sample and it's kind of curling up on itself even though

I steamed it because it's what it's going to do because it's...basically a stockinette

swatch.

But your hat won't be like this because it's knit in the round.

This is just to demonstrate the stitches.

And I'm going to use a little, short wood cable needle.

There are so many different types of cable needles.

It's just kind of a thing where you have to try out a few to find your preference.

I like these that have...they're a little bit thinner in the middle so they hang onto

the stitch and there's...it's a...well, they're thicker on the ends and thinner in the middle.

These are the ones I like.

I know that there are some that have little cuts in the wood, those are also nice for

hanging onto the stitches.

Just a little, short wood one's my favorite.

I know people really like the metal ones that are shaped like long U's.

They come in all kinds of shapes.

Just a matter of trying them out.

So I am ready to work this round.

I'm gonna show you how the cabling works.

And I happen to have myself on round seven here.

So I'm going to pearl one and then right twist.

And to right twist I'm going to take the next stitch which is a pearl, put it on the cable

needle, and put it in the back of the work.

You always put the pearls in the back of the work.

Knit the next stitch off the right needle and yarn forward to pearl the stitch off the

cable needle.

Don't worry, I'm gonna go through this whole row with you so you'll definitely have it.

And then pearl two.

And then left twist.

Take the next knit stitch, hold it in the front of the work, pearl the next stitch off

the right needle.

Then knit the next stitch off the cable needle.

And after that we pearl one.

So that's the whole pattern repeat right there.

So I'm just gonna do that again all the way around the hat.

Pearl one.

Right twist.

The pearl goes behind the work.

Knit a stitch.

Yarn forward.

Pearl from the cable needle.

Pearl two.

You see, I yarn back there just to tighten up that stitch when I go to pearling.

And now I'm going to work a left twist.

Take the knit stitch, hold it in front of the work.

Pearl one and knit the one from the cable needle.

Pearl one.

That was two.

Two repeats.

A right twist.

Pearl two.

A left twist.

Pearl one.

And one last time, pearl one.

Right twist.

Pearl two.

Uh-oh.

This is bound to happen though just because I haven't made any mistakes in this video

so far with my stitches.

I don't mind.

I like showing that those kind of things aren't reason to panic.

So I did that, pearl two.

How?

I think I have an extra stitch here.

Oh, no.

I don't.

I'm fine.

No.

No, this can't be right.

How did I drop those stitches?

Like, everything was going fine then I dropped those stitches and then everything goes crazy.

So two, four, two, two...Oh, I'm fine.

I just lost track with my mind.

My stitches knew what they were doing.

Okay.

I still think something's not quite right.

Like, that I dropped an extra stitch.

No.

I know what I did.

Well, you get to watch me undo cable stitches now.

See, I don't mind making mistakes in videos like this if you can see how they're corrected.

I did a...I'm gonna put these stitches in the right order this time which I don't think...there

we go.

Now I'm going to do the correct twist on it this time.

There we go.

And you know what?

I'm gonna give you a link here to lifelines.

In case you're worried about making mistakes like that in your hat you can always rip back

to your lifeline.

I just had a little problem right there that was easy to tink back and fix because I recognized

it right away.

But if you're worried at all about making mistakes and having a disaster I am linking

to lifeline so that you have that video.

I'm glad I remembered.

We have to be glad I made the mistake so it was easy to remember to link to lifelines.

Okay.

So on this one I'm gonna show you what every alternate round is like which is just slipping

the stitches.

When you're looking at the work, when you have a stitch that has a little scarf around

its neck that's a pearl stitch and the stitch that has a V under it, that's a knit stitch.

And on every other round you're going to pearl the pearl stitches and slit the knit stitches

with the yarn and back.

And I wanna give you a quick look at what that's like.

So my first stitch here is a pearl and my next stitch is a knit.

So I have my yarn in back, I just put my needle into that stitch as if to pearl, slip it from

the left to the right, and then just keep going.

I'm gonna pearl these stitches.

And then my next stitch is a knit so I yarn back, put my needle in as if to pearl, and

slip it.

Pearl the next stitches.

This is every other row.

I believe they're the even rows.

Yes.

Even numbered rounds.

Just slip the knits and pearl the pearls and that's what gives us these elongated knit

stitches that look really cool against the background.

Okay, that is...that's the cables.

That's how we're going to work the cables all the way around the hat and I'll tell you,

it is a 20-round repeat but you get pretty good at recognizing what's coming up next.

There's just one other thing I wanna cover and that is when you finished the cable hat...and

this is not the cable hat, but I'm gonna use this for an example.

You're going to have an end that you can't weave in because the whole thing...you know,

the whole thing is contained.

Right?

There's no way to get your hand inside the hat to weave it in.

So I'm gonna show you what I do in situations like this.

I'm gonna take a tapestry needle and I'm going to unwind the plies of the yarn.

And this is four-ply yarn, it's actually six-ply yarn.

So I'm going to separate the plies three and three.

Take three of those plies, put it on a needle, and then just put it...grab something a half

a stitch away...this is the way I weave in cotton ends, too.

So that the two ends are coming out of just different places really close together.

I'm gonna tie a knot.

A double knot.

Okay.

Make it pretty tight and then thread all six plies back on the needle and poke that end

down into the hat.

Now you can't reach up in, you have to do all of this from the outside of the work and

just find a spot to come out.

And straighten it out.

You wanna leave yourself a little bit of an end there inside the hat.

I'm not even sure it really does any good, but it makes me feel better that there's an

end inside there.

And then you can cut it short and pull on it and the end is lost inside the hat forever.

You never have to see it and it looks good on the outside.

Okay.

Those are all the techniques used in both hat...both parts of this hat, both hats in

this hat.

Many thanks to KPC Yarn and their [inaudible 00:30:07] DK, letting us use this for their

hat...for this hat.

If you'd like to get your free copy of the pattern just click the little eye to go to

my website.

Again, all the information is there about the yarn amounts and the different colors

that I used and downloading the free pattern and the promo that KPC is running on this

yarn.

Good luck.

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A caminho do Estado da Virginia /On the way to State of Virginia - Duration: 5:37.

Hi everyone, Welcome to Batistenha Homestead. I'm Joselito

and I am Iva. So we are here inside the car,

let's ride about 270 miles to the State of Virginia.

Where are we going to stay the weekend with our friends there. We are going to the city of

Richmond. And now we take the Turnpike, the route that we are going to follow.

On the way we'll show some something that we find interesting for you.

Some scenery. At the moment we only have enough cars here on the road,

As you can see.

And stay with us.

So folks we've almost drove a 100 miles. We are living

the State of New Jersey. Let's pass here on the bridge of

State of the Delaware up there.

Here is the division between New Jersey and the State of Delaware. It is

the first state we are going to cross before Virginia.

Then there's Maryland, Washington DC, and then Virginia.

Look at the view there, can you see the view on the right side?

Delawere, Maryland, Washington DC and Virginia. it is not?

Another beautiful structure on this bridge.

Joselito loves bridges.

They are always working on these bridges.

Always doing something.Tax money is always

running here, and that's good. You see something happens to your tax

We are now officially entering in the state of Delaware. Our sign over there

Welcome to Delaware. And it looks like we going to get traffic around here.

Just look right up front. It is the place where the toll is paid.

The toll is on, and we'll go over there, and the GPS is saying that it has

some delay.

So people look at this bridge that we just crossed,

It's called Delaware Memorial Bridge. We're still here at the toll booth.

It's taking too long to get through. Then I I wanted to show you the name of this

bridge that we cross and then in front off us is the state of Delaware.

After we stayed an hour in the entrance of the Delaware. We finally entered

in the State of Maryland.

Let's move forward on our journey.

Look at the salt. This is all salt people, in Baltimore.

Preparing salt for winter. Baltimore in the State of Maryland

Let's get into the tunnel.

Friends, after and an hour stopped there in Delaware, delays on the way. We already

in Virginia but we still have about an hour until you reach

our destiny. Thanks for following us on this trip.

Many thanks again. I am Joselito and I'm Iva.

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