Use a socket №7
-------------------------------------------
Cómo se DIGITALIZA una PYME (Transformación Digital) - Duration: 7:36.how an SME digitalized today
day digital transformation is key
in any business
so today took reference
This video an article published by
raúl salgado in the newspaper La Razon
talking about how digitalized one
SMEs and which was one of the people who
He collaborated in the as says
digital processing is a process
adaptation to market is key
for the survival of businesses
is in my name is juan merodio and
Welcome new video
If this is your first time if you want to learn
all digital marketing tricks
Started by subscribing to my
channel to not miss anything
el 40 por ciento de las compañías
españolas no existirá en su forma
actual en apenas cuatro años no van a
sobrevivir las más fuertes ni la más
grande sino las que mejor se adapten a
esta nueva era
como decía la teoría de darwin
digitalizarse morir en definitiva no
puro darwinismo mientras que la
reducción de costes es la principal
ventaja que las empresas españolas
esperan obtener aplicando la tecnología
en sus modelos de negocio la
transformación digital de la que tanto
se habla de los procesos internos
constituye el reto prioritario a día de
hoy para cualquier pyme la
digitalización implica una nueva
visión no que debe ser compartida por
toda la empresa para cambiar realmente
la gestión o el adn de la compañía
que obligatoriamente tiene que ser mucho
más ágil para avanzar al ritmo
frenético que demanda el mercado de hoy
la clave del éxito de la
transformación digital es que la alta
dirección lidere un proceso de cambio
cultural y organizativo dote de mayor
autonomía a los equipos reduzca los
mandos intermedios y fomente la
colaboración esto es imprescindible y
es que si los máximos responsables de
las empresas no confían en las ventajas
de la digitalización pues no van a
aportar los recursos suficientes para
llevarla a cabo que es lo que pasa en
muchas compañías más allá de que hoy
en día se hable de la figura del cci
vital officer no el cd o como la persona
interna encargada del proceso
también hay quien defiende la
inversión de una figura externa como
consecuencia de los conflictos que puede
llegar a generar ya que a los empleados
que llevan muchos años haciendo el
trabajo de una cierta manera pues al
final este cambio va van molestarles en
sus hábitos no yo soy más partidario
mucho de esta de esta figura externa que
creo que genera es más sana para la
empresa en el medio largo plazo
la mayoría de los adolescentes llevan
en sus bolsillos más tecnología de las
que aporta muchas pymes a sus
trabajadores y que no es de extrañar
por ejemplo que el índice en el rey del
foro económico mundial que se encarga
de medir el grado de decir
digitalización de un país españa
ocupa la posición 34
otro propia de países con un desarrollo
muy inferior
la clave principal para la
digitalización de una pyme residen
dejar de pensar en tecnología y empezar
a pensar por cambiar la cultura de las
compañías no es tecnología la
tecnología no hace digital una empresa
además en este artículo comentaba que
la digitalización es un proceso de
evolución y adaptación a la realidad
de mercado que jugó un papel clave en
la rentabilidad y en la supervivencia de
una compañía
además esto debe realizarse de una
manera ordenada estratégica y ágil y
por supuesto por el personal adecuado
para no perder el tiempo ya que es un
factor clave en el éxito
bien es cierto que la transformación
digital de las pymes suele ser más
sencilla que la de grandes corporaciones
no da que las pymes son mucho más
flexibles y también lo es el proceso de
adaptación
resulta más fácilmente exitoso no pero
hay que tener claro dónde se está y
dónde se quiere ir
la formación además en este aspecto es
esencial para toda la compañía debe
formarse al cien por cien en cien por
cien de los empleados en habilidades
núcleo digitales
luego focalizando en cada persona o
departamento ciertos conocimientos
según las necesidades que requiera cada
puesto
tras esta decisión ya de meternos de
lleno en esta digitalización alejandro
crimen o el ceo de la empresa kyocera
destacaba cinco fases claramente
definidas la primera capacitación hacia
competencias digitales donde la
digitalización al completo debe conocer
cómo la tecnología internet y las
redes sociales han cambiado tanto el
entorno empresarial como las relaciones
con clientes 2 estrategia digital
la tecnología tiene que alinearse con
los procesos clave de la organización
para crear una nueva cultura digital no
el modelo organizativo a de rediseñarse
situando al cliente en el centro lo que
se denomina el cas toma el centro city 3
transformar la organización
la empresa debe dirigirse hacia una
nueva forma de pensar de desarrollar
ideas no
este profesional comentaba también la
importancia de implantar redes sociales
corporativas diseñar entornos de
trabajo mucho más colaborativos
implantar estrategias de casomera
speriens y esforzarse para la detección
captación y desarrollo del
obvio talento interno de la compañía 4
diseño la hoja de ruta hacia esta
digitalización debe diseñarse mediante
un modelo de clasificación de clientes
y prospectos para lo que podemos
utilizar un que un crm no ya sea a
través de la web del blog de otros
canales digitales no utilizando también
un plan de social media reputación
digital un plan de negocio de cada país
y todo con un cuadro de mandos bien
organizado cinco gobierno
finalmente se tiene que establecer los
parámetros de ejecución plazo y todos
y especialmente de mejora continua
digitalizarse no es tener una página
web no es tener un perfil en facebook
una cuenta en twitter o en instagram o
hacer sus vídeos para youtube
entre los instrumentos más potentes
resaltan los crm es no gastó manual y
songs in management las redes sociales
corporativas las herramientas claudi
potro vox
así como todas aquellas que permitan
tomar una conciencia digital
de igual modo el social business
intelligence ayuda a centrarse más en
los clientes que la propia organización
además podemos utilizar metodologías
como el design thinking no que facilita
el diseño de procesos y experiencias y
por supuesto sin olvidar el big data
para procesarla cada vez más ingente
cantidad de datos que tenemos a
disposición de las empresas por lo
tanto se debe pensar en soluciones
tecnológicas con capacidad de conectar
personas dispositivos y negocios
la implementación de software
colaborativo también no donde los
empleados puedan compartir todo tipo de
información y las soluciones que
automaticen los procesos claves
debemos pensar que aumentar la
inversión que no el gasto en la
digitalización tenido un retorno a la
cuenta de resultados ya que la
transformación digital demostrado
elevar la facturación agilizar los
procesos reduce los costes incrementar
la productividad de los empleados y en
definitiva mejorar los márgenes de
beneficio de una empresa
muchos estudios lo avalan te ha gustado
el video
si es así dará me gusta y quiero
hacerte partícipe de él por lo que
dejan los comentarios con el hashtag
transformación digital
cuál crees que es la clave en la
transformación digital de una pyme
entre todos los comentarios de los
videos del mes sortear en mi curso on
line de estrategia de marketing digital
valorada en 995 euros por lo que cuanto
más comentes en mis vídeos
varios más oportunidades vas a tener
que ganarlo así que deja ahora mismo tu
comentario
me
-------------------------------------------
Ecuaciones bicuadradas - Duration: 7:35. For more infomation >> Ecuaciones bicuadradas - Duration: 7:35.-------------------------------------------
Why learn Spanish - Duration: 0:59.Why learn Spanish
400 million native speakers in 30 countries
#2 native language in the world
Easy to learn
and pronounce
Great for literature,
business,
travel
and fun
-------------------------------------------
How to learn Spanish fast - Duration: 1:19.How to learn Spanish fast
Don't just study it
Surround yourself with the language
Watch movies in Spanish
Read books
Listen to music
Or, even better...
Travel to Spain or Latin America
to study Spanish there
Explore your new country
Eat,
speak
and dream in Spanish
And that's how you learn Spanish fast
-------------------------------------------
Píldora formativa Thoth 48: ¿Cómo se oculta información con esteganografía? - Duration: 4:33. For more infomation >> Píldora formativa Thoth 48: ¿Cómo se oculta información con esteganografía? - Duration: 4:33.-------------------------------------------
El maravilloso viaje a través de la noche. Una aventura por el mundo de los sueños - Duration: 0:31. For more infomation >> El maravilloso viaje a través de la noche. Una aventura por el mundo de los sueños - Duration: 0:31.-------------------------------------------
Facturas electrónicas de gastos - Recuperar una factura anulada - Duration: 1:22. For more infomation >> Facturas electrónicas de gastos - Recuperar una factura anulada - Duration: 1:22.-------------------------------------------
Drap giường cao cấp I Chăn ga tencel Hàn Quốc màu xám KT1-031 - Duration: 0:21. For more infomation >> Drap giường cao cấp I Chăn ga tencel Hàn Quốc màu xám KT1-031 - Duration: 0:21.-------------------------------------------
HN News - 佐々木希の法則? FREETEL買収で注目されるジンクスとは - Duration: 2:46. For more infomation >> HN News - 佐々木希の法則? FREETEL買収で注目されるジンクスとは - Duration: 2:46.-------------------------------------------
Real Life Shark Encounters For more infomation >> Real Life Shark Encounters-------------------------------------------
7 New Upcoming Interesting and Cool Whatsapp Features - Duration: 1:38.upcoming whatsapp features
whatsapp secrets
whatsapp video
whatsapp status
-------------------------------------------
Mind Your Language with Deepika Padukone - Duration: 1:58.You don't know the value of a pinch of vermilion, Mr Ramesh.
Ek chutki sindoor!
Hi this is MissMalini and today is one of my favourite days...
I actually woke up really excited. I tweeted to you as well.
These are the days that I love my job more
is when I get to hang out with you.
It's really true because you have a really happy energy.
So basically I am going to give you the dialogue
or the song lyric in English
and you have to tell me what the Hindi one is.
I am going to... you are going to win the game.
You will be amazing. There are no losers here.
These black shades look really nice on your fair face.
Kala Chashma!
Why am I having so much fun? Did you mix drugs in the air?
Tune hawa mein bhaang milaya.
I have become lovely after reading your name.
Main lovely ho gayi yaar naam tera padh ke.
I have broken all signals for you. I have left my girlfriend in Delhi for you.
It is too easy!
Dilliwali Girlfriend.
Dog! Creep! I will drink your blood!
Kutta..
Kutte, Kameene...
Bhagwaan ke liye...
No, 'drink your blood!'... That's a different one.
Main.. main...tera khoon pee jaunga.
Small things keep happening in big countries.
Chhote chhote desho mein...
Bade bade desho mein aisi chhoti chhoti baatein!
There is a saying that if you really desire something from the heart
Agar aap kisi cheez ko poore dil se chaho
toh poori kaynaath usse milaane ki koshish mein lagg jaati hai.
There you go!
If I stay with you for 2 more minutes, I will fall in love with you... again.
Agar main tumhare saath do minute aur rahi toh...
Main tumse...
toh mujhe tumse pyaar ho jaega firse.
Look at this, you are killing it!
You don't know the value of a pinch of vermilion, Mr Ramesh.
Ek chutki sindoor!
How did you get that? That's so good!
If you like this video or the game that we just played
like
subscribe
Not here, not there...
Down here!
-------------------------------------------
소프트웨어종사자 저작권 노하우 - Duration: 2:10. For more infomation >> 소프트웨어종사자 저작권 노하우 - Duration: 2:10.-------------------------------------------
My 7 Best Revision Techniques For University Alevels GCSEs | Beat & Reduce Exam Stress Study Tips - Duration: 1:03.so being here at UCLA is brought back memories of how stressful exams can be
we all need some stress because without it we wouldn't do anything and here are
my top tips to beat the exam stress first get a wall chart and your exam
dates on a plan what are you going to revise wet I'd say 15 minute breaks
every couple of hours because your brain rewards and look there's so much good
stay away the stimulus like energy drinks because they can reduce your
concentration instead eat healthy have plenty of fluids and eat slow burning
carbs for these energy throughout the day and don't forget to have plenty of
fruits now so stuff don't stop your regular exercising produces endorphins
and that's how feel-good hormones don't do all-nighters your brain needs rest
and actually perform better with correctly if you don't have exams Mixel
lastly you're gonna do great and if you don't have exams make sure to share this
video someone who needs it hey guys thanks for watching if you haven't
already hit that follower subscribe button now to get more videos
-------------------------------------------
Os robôs e a 4ª Revolução Industrial: Qual o futuro do mercado de trabalho? - Duration: 7:23. For more infomation >> Os robôs e a 4ª Revolução Industrial: Qual o futuro do mercado de trabalho? - Duration: 7:23.-------------------------------------------
Palak Keema Recipe - Easy Recipe | Cook With Fariha (2017) - Duration: 4:49.Hello Friends
Today we are going to make Keema Palak
Let's start
Take a pan, add butter and wait until it melt
Cut Green Chilies and add in it
Fry them
Once green changes color and start smelling
Then we'll add spinach
We'll cook it on medium heat
Cook until spinach water dries off
Take another pan and add oil
Add Cumin seeds and fry the
Add Onion and fry until it's golden brown
Once it's golden brown then add ginger & garlic paste
And fry
Now add Ground Beef
Parch it
Add Garam Masala Powder and keep parching
I have added all ingredients roasted in my homemade Garam Masala Powder
So We don't have to add Coriander Powder & Cumin Powder
Then add Turmeric Powder, Red Crushed Chili
Add Tomatoes
Beat yogurt properly and add as well
Mix it well
On the other hand, spinach should be like this. Water dries off as well
Now turn off the stove
Spinach is ready, we'll use this in last
When mince cooks completely
Mince is leaving oil
It's frying
Keep cooking until tomatoes dissolves
Now add spinach which we made earlier
1 bunch spinach will enough for 1/2 kg mince
You can adjust accordingly
Again mix it well
Add Dried Fenugreek Leaves
Mix it and let it cook for 10 minutes on low heat/ steam
It's ready
It's delicious and healthy as well
It's also good for kids
Garnish with Ginger
You can garnish with as you like
Serve this to your guests
If like this do thumbs up
Don't forget to comment
Please Subscribe my Channel For More Videos
Thanks For Watching, Good Bye
-------------------------------------------
Spotify® RapCaviar For more infomation >> Spotify® RapCaviar-------------------------------------------
i-team @ ISSA Interclean Las Vegas 2017 - Duration: 3:20.A warm welcome to the ISSA Las Vegas show, i-team Global. And we'd like to have a little tour with you guys
to show you some new featured products which we're showcasing here at the Las Vegas show, so just follow me and walk around with me to the products.
So here in this corner we have the i-mop XL and the i-mop XXL. Showcasing the product, showing the productivity of the product as well as add-on features.
For example like the Slip Alert down here on the floor, which is a slip meter (new to the marketplace).
It makes slip measuring extremely easy and comfortable.
As you can see here, we have our guys demoing on the show floor all day long, and it has been an extremely busy day today.
So this is pretty new to the industry, that we have concentrated on power packs and power solutions for our clients,
that we have one power solution with different capacities.
Surrounded by all the products, so that they can in turn share one common battery system.
Hi guys! We're here at the ISSA Vegas 2017. We've got a couple of new products on display.
Some other stuff we have going on is our partnership with Made Blue.
We've partnered with Made Blue on the i-mop XL & XXL
Made Blue is an organization that will help us offset the water consumption of our products,
so they help us mirror our water that's being used by our products like the i-mop and the i-mop XXL, and turn this into fresh drinking water in third-world countries.
My name is Frank van De Ven. I'm the CEO and founder of the i-team group.
i-team stands for a group of companies around the world working as team members together.
Sharing and multiplying, that's our device.
Doing that, a show is a very good opportunity to meet and greet a lot of people,
meet our team members around the world, meet new customers and clients,
and really talk with them about what the cleaning is all about.
i-team is a team of products. We team them up, and they become a family. And we are now building on i-team solutions.
Which is what we call four dimensions.
And the four dimensions will be the floor, the walls, the furniture and the ceiling.
And all of them will be connected as 4D solutions.
-------------------------------------------
How do I - Versioned builds (repeatable builds) - Duration: 2:18.In this short video I will try to explain versioned builds which is Codename One's
approach for repeatable builds.
Before we begin, versioned builds are a pro feature that has extended functionality in
the enterprise tier.
I'll talk more about that soon but first, what does versioned build actually mean?
With versioned builds we send a build to a specific Codename One point version.
For instance, you can send a build to Codename One 3.7 and it will build against the exact
version of Codename One that existed when 3.7 was released.
This allows you to avoid potential regressions due to frequent changes in the build server
that might impact compatibility.
It's also useful for testing purposes, if your app suddenly fails you can use versioned
build to see if this is due to a change in the Codename One servers.
As I mentioned before there is a difference between enterprise and pro subscriptions.
For enterprise developers we support up to 18 months back.
That means an enterprise user can build against a version released in the past 18 months which
is typically 4 releases back.
The pro versions include 5 month support which typically maps to the last one or two releases.
You can enable versioned build by selecting the specific version in the Codename One Settings
tool under the basics section.
This opens the list of versions and you can pick the right one.
You can use update client libs to update the simulator to that specific release as well.
Thanks for watching, I hope you found this helpful.
-------------------------------------------
Citroën Xsara Picasso 1.8I-16V IMAGE - Duration: 1:00. For more infomation >> Citroën Xsara Picasso 1.8I-16V IMAGE - Duration: 1:00.-------------------------------------------
- Sir Alvod - top 5 parks of London - Duration: 10:05.hi guys and welcome in another amazing video
today with this wonderful cloudy day
we'll go around london and i will show you all the parks
all...i mean
i will show you the best 5 parks for me
we are in Alexandra park, in Wood green
is one of my favorite parks because from here you can see the city, even if a little bit far
but i'll show you better when we'll on the top
guys did you see the amazing view from here?
this is one of my favorite parks
it's a ten minuts fom my house, very easy
how you can see, it's a oasi
today there is a little bit noisy because is friday and there is a skate park here
and the children are playing
but this place is really quiet
it's getting cold, it's better if i wear a sweatshirt
what is this??? come on, it's deformed
seems a mouse
and this guys was Alexandra park
now we moving in another park, see you there
here we are again, we are in green park
is this one behind me, where is the Buckingham palace
and we going in St. James park
from there we can see the London eye and the Big Ben
yes i know, i have changed outfit
i didn't make this video all in one day
and now we going in Hyde park and kensington gardens
here we are in Hyde park
the most biggest park in the middle of London
now i show you all the exploration of this park
and then we'll go in Kensington gardens
called Italians gardens
i have to be careful at the bicycles
is this park, exactly behind here
in christmas time
from the half of november
to the first of gennuary, there is Winter wonderland
it's a...amusement park
It's a really cool thing, it seems to be in a magical world
is full of lights, foods and attractions
it's really a typical thing, I advise you
it's passed 12am and is time to eat
so i enjoy the view and rest a bit
this was Hyde park with Kensington gardens
now we have to walk about 15/20 minute
and we going in the next park
kyoto garden
but you'll see how is amazing
and welcome in the fourth park of the day
this is my favorite one
but i don't want spoiler nothing
this is one of the smaller, but one of the most beautiful
would you ever tell us that we are in London?
this is something I like this city
even if there is chaos in the center of town, just take a bus or a tube
or walk as well and came in place like this
here we were in Holland park
with the wonderful Kyoto Gardens
this was the fourth park of the day, now we go in the last one
see you in a second
and welcome in the fifth and last park of the day
now we are in Regent's park
to be precise this is primrose hill
and Regent's park is in the opposite side
firts i show you the hill
where you can see all the city of London
and then i will bring you in Regent's park
for the nice things
you have to work hard
the video does not see much but here it is really uphill
and this one was primrose hill
did you see the amazing view?
the bad luck is that almost all the parks are directed where the sun rises, not where it goes
so to watch the dawn I should come here at 6am
and is not so easy
now we go across the street and we'll show you Regent's park
is an elephant standing on the trunk
and this was Regent's park, the last one of the day
i hope you enjoy the video, let me know with a "chin"
whit a chin??
whit a comment below
with a blue thumb
subscribe at my channel
stay tuned and we see in a next video
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Citroën C3 1.4i Différence, Climate control! - Duration: 1:00. For more infomation >> Citroën C3 1.4i Différence, Climate control! - Duration: 1:00.-------------------------------------------
Toyota Corolla Wagon 1.4 VVT-i Linea Sol, Climate, Elektrische ramen! - Duration: 0:59. For more infomation >> Toyota Corolla Wagon 1.4 VVT-i Linea Sol, Climate, Elektrische ramen! - Duration: 0:59.-------------------------------------------
Honda Insight 1.3i VTEC TREND HYBRID - RIJKLAAR!!! - Duration: 0:54. For more infomation >> Honda Insight 1.3i VTEC TREND HYBRID - RIJKLAAR!!! - Duration: 0:54.-------------------------------------------
Drap giường cao cấp I Chăn ga tencel Hàn Quốc màu xám KT1-031 - Duration: 0:21. For more infomation >> Drap giường cao cấp I Chăn ga tencel Hàn Quốc màu xám KT1-031 - Duration: 0:21.-------------------------------------------
My 7 Best Revision Techniques For University Alevels GCSEs | Beat & Reduce Exam Stress Study Tips - Duration: 1:03.so being here at UCLA is brought back memories of how stressful exams can be
we all need some stress because without it we wouldn't do anything and here are
my top tips to beat the exam stress first get a wall chart and your exam
dates on a plan what are you going to revise wet I'd say 15 minute breaks
every couple of hours because your brain rewards and look there's so much good
stay away the stimulus like energy drinks because they can reduce your
concentration instead eat healthy have plenty of fluids and eat slow burning
carbs for these energy throughout the day and don't forget to have plenty of
fruits now so stuff don't stop your regular exercising produces endorphins
and that's how feel-good hormones don't do all-nighters your brain needs rest
and actually perform better with correctly if you don't have exams Mixel
lastly you're gonna do great and if you don't have exams make sure to share this
video someone who needs it hey guys thanks for watching if you haven't
already hit that follower subscribe button now to get more videos
-------------------------------------------
Terraria Calamity boss Voice Reel! + Analysis. - Duration: 6:34.Ugh! Stupid brat! I will make you drown!
You dare challenge the hive mind?!
You shall die for your actions!
And will be punished!
You are no god, but I shall consume your essence regardless!
Missiles launched! Target Routine initiated!
I am Signus, envoy of the Devourer
You shall feel pain and suffering!
-------------------------------------------
Splatoon 2 Acid Hues (English Short Ver.) - Duration: 1:19.~Knell!~
I took a look, back in time.
And thought that if I ever cared.
To be placed in a world,
that seems like it's not always fair.
But then, I stopped to think about you.
And I told myself that,
for you, I'm here, I won't go anywhere.
Can't blame you, for the troubles that I had,
that wouldn't seem too kind.
You're willing to take on your challenges,
as well as mines.
We don't always know what to do,
but understand our love is
Ying and Yang at times.
Together we shine.
Without you I feel blue.
Not strong, can't go on.
But when I said "Let's paint the town red."
A smile started to form.
An endless, endless friendship.
when we're together every thing's like,
Round-n-round it goes.
DON'T STOP LET'S GO!!!
Told them once.
That no one can stop us.
The ride or dies a must!
WHAT?!
If you feel bothered, step away!
'Cuz I told you my friend and I are here to stay.
Now slide to the left, if you can't play our game!
-------------------------------------------
Sonnet 12 - Tick tock tick tock - Duration: 1:11.When I do count the clock that tells the time, And see the brave day sunk in hideous night;
When I behold the violet past prime, And sable curls all silvered o'er with white;
When lofty trees I see barren of leaves, Which erst from heat did canopy the herd,
And summer's green all girded up in sheaves Borne on the bier with white and bristly beard;
Then of thy beauty do I question make, That thou among the wastes of time must go,
Since sweets and beauties do themselves forsake And die as fast as they see others grow,
And nothing 'gainst Time's scythe can make defense
Save breed to brave him when he takes thee hence.
-------------------------------------------
- BURN THEM ALL!!! - - Duration: 0:40. For more infomation >> - BURN THEM ALL!!! - - Duration: 0:40.-------------------------------------------
Oskars pappa har en CP-skada - Duration: 7:26. For more infomation >> Oskars pappa har en CP-skada - Duration: 7:26.-------------------------------------------
Parlo Italiano ep. 19- Parole, parole: il vocabolario grazie ai libri (B2-C2) ITA sottotitoli - Duration: 5:28. For more infomation >> Parlo Italiano ep. 19- Parole, parole: il vocabolario grazie ai libri (B2-C2) ITA sottotitoli - Duration: 5:28.-------------------------------------------
How to BEST Improve Your English Listening | My TOP 5 TIPS - Duration: 13:30.Hi everyone, welcome back to English with Max.
I know it's been a few months since I last filmed a video, but I'm very happy to be back.
Frank is happy too. I think George doesn't care.
But anyway, in this video I'm going to give you my top five tips to help you
improve your English listening skills. Obviously all language teachers have
their opinions about this, so I thought I'd give you my two cents.
I like to see these as five basic principles and you can apply them to any
language you're learning. In fact I've come up with these not just by thinking
about my experience as an English teacher, but also by thinking about what
I've done to work on my foreign languages. In my next video I'll talk to
you about some very useful resources that you can use to work on your English listening.
Tip number one: listen to what you like.
I know lots of English teachers talk about variety, as if variety were the most important thing,
but personally, I don't really believe that. At least not for most people learning English.
Of course, if you want to be an interpreter, like I used to, then yes, you need to
listen to a wide variety of things because as an interpreter you're
expected to understand everything. Including stuff about building materials
and financial tools, for example. But for most people, I believe that listening to
something you like - that you find funny or interesting - is the best way. And the
reasons why are very simple: if you like something you're more likely to listen
to it carefully, because you really want to understand what's being said, and
you're more likely to continue listening and to listen more often. If you choose,
for example, a podcast on a topic that doesn't interest you, but that you think
you "should" listen to, there's a good chance that you won't listen to it. If
you're thinking, "Oh God, I should listen to that," then find something else.
There's a lot to choose from. Don't worry if it's not intellectual, or
if it doesn't seem like "the most useful thing". Just try to make your listening
practice enjoyable so it doesn't seem like a chore.
Please don't misunderstand me. I'm not saying that you shouldn't have any
variety. And if you're, for example, going to sit a hard English exam, then of
course, some variety is important. I'm just saying that it shouldn't be your
guiding principle. In any case, what normally happens is that after a while
you become tired of listening to the same thing, and so you naturally start to
look for other material.
Tip number two: listen to a variety of accents.
I know I just said, "Don't worry about variety," but I meant that in terms of subject matter.
When it comes to accents, on the other hand, I think that it's important to
listen to a variety of accents. That doesn't mean you have to listen to
different accents every day or even every week, but, for example, if you're
listening to British English all the time and you find American English
difficult, then I think it's a good idea to sometimes listen to American English.
And you also need to take into account that there are different accents within countries.
Tip number three: listen to your level.
Obviously if you have an advanced level, you're probably not going to listen to
things aimed at beginners. If it's far too easy,
you're not going to progress very much. But similarly, if you have a low level,
I don't think it's a good idea to always listen to very advanced audio.
Yes, listening to something that's too hard is better than listening to nothing at
all, because at least you're hearing the sound and the rhythm of English. But it's
never a lot of fun if you're not understanding very much. You'll probably
get bored. Remember, as I said for tip number one, you don't want to get bored.
You might get frustrated. And it probably won't help you get used to English
sentence structures, because you're mainly just hearing sounds if you don't
understand anything. So try to find things that are at your level, or above
your level, but not too far above. You probably still want to understand about
70 to 80 percent. Obviously if you really love movies and you want to watch lots
of movies in English, even though you don't understand much of the audio, by
all means, do that as well. Just don't only listen to things that are too
difficult for you. Of course, once you reach a high level, it's easy to find
material because you can simply listen to things that are aimed at native
speakers. When you're at the beginner/ intermediate stage, it's not so easy
because there isn't as much to choose from. I remember when I was learning
Spanish I watched a lot of Spanish makeup tutorials on YouTube. I did that
because I thought, "Well, the language itself is still very difficult for me, so
I don't want to also have a subject matter that requires a lot of concentration.
When I get a bit better I'll listen to the political debates."
It does mean that I now know a lot of highly useful makeup vocabulary in
Spanish, like "párpado móvil" and I can say things like: "Ahora vamos a difuminar".
But, at least initially, those makeup videos were really useful.
Like I said before, you don't have to listen to intellectual stuff.
In my next video in which I'll talk about listening resources, I'll also
tell you about some great websites where you can find listening material for
beginner and intermediate levels.
Tip number four: listen with and without text.
There seems to be some kind of debate among linguists and language teachers
about whether you should practise listening with or without text.
I personally believe you should do both - if possible. Listening with text obviously
means reading subtitles when you watch something, or reading a transcript when
you listen to a podcast or a listening exercise. And listening without text is
listening without reading. Now both have benefits. The benefits of listening with
text are: it's easier to learn new vocabulary and it can help with
pronunciation. However, in most real-life situations you will not have a text to read.
While we're talking can you just write down everything you're saying?
Uh-uh.
And that is why it is also important to practise listening without text.
As I said, I think the ideal situation is doing both. If you're really trying to
improve your English, dedicate some time a few times a week to listening with
text and some time to listening without text. Now if you're
very busy and you just don't have time to sit down and study English, then
I would favour listening without text. This is for two reasons: firstly, as I said
before, it's what you have to get used to in everyday life; and secondly, most of us,
even if we're busy, we have what is known as "dead time". For example, waiting for the
bus, sitting on the train, waiting in queues. If you live in Paris, you know
what I'm talking about. Just so I don't offend people I know that it's not like
that in all of France, but in Paris there are a lot of queues. And there are also
times when you're doing something that doesn't require a lot of concentration,
so you can listen to something at the same time. For example, when you're
cleaning, doing the dishes, ironing. For some people that also includes driving.
I'm not a great driver so that doesn't apply to me, but you're most likely a
better driver than I am. As a general rule, I think everybody learning English
should always have a listening device with them, like an MP3 player or a
smartphone, when they go out because there are often unexpected moments that
you can take advantage of to practise your listening. And of course,
the more often you practice, the easier it gets.
On a side note, I know that some people
advocate listening to the exact same piece of audio several times -
like, ten times or something. If you find that useful and it works for you, that's great.
Do it. Personally I don't like using that method because after two or three times
listening to the same piece I start to get bored and, as I said earlier, we don't
want to get bored. But yeah, it works for some people.
Tip number five: study English pronunciation and speech.
Obviously it's important to know how individual words are pronounced.
You should particularly be aware of minimal pairs,
like "bitch" and "beach", and "piss" and "piece". As well as homophones like "beach" and "beech".
But it's also important to be aware of how words are pronounced when they are
surrounded by other words. In English we have a lot of reductions, for example.
Let's take the word "of". We don't normally say "a cup of tea".
The "of" typically becomes an "eh" or an "ev".
So we generally say: "a cup eh tea" or "a cup ev tea".
Reductions is a topic for a whole other video so I don't want to talk
about it at length here, but I just want to point out that knowing English
pronunciation isn't just about individual words.
OK, that is it for today.
I'm very curious to know what you do to practise your listening, so please let me
know in the comments below. Please also tell me if you have any listening tips
or anything specific that has helped you. Like I mentioned, my next video is about
resources that I think are very useful for improving your listening skills.
I'll talk about movies, TV shows, YouTube channels, podcasts and websites that have
lots of free downloads. Please remember to share this with your friends, and to
like and subscribe if you liked the video.
See ya next time.
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When I behold the violet past prime, And sable curls all silvered o'er with white;
When lofty trees I see barren of leaves, Which erst from heat did canopy the herd,
And summer's green all girded up in sheaves Borne on the bier with white and bristly beard;
Then of thy beauty do I question make, That thou among the wastes of time must go,
Since sweets and beauties do themselves forsake And die as fast as they see others grow,
And nothing 'gainst Time's scythe can make defense
Save breed to brave him when he takes thee hence.
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As estátuas também morrem (Alain Resnais e Chris Marker) - Legendado - Duration: 30:04.This film has been made possible thanks to the friendly assistance of
STATUES ALSO DIE
When men die, they enter history.
When statues die, they enter art.
This botany of death
is what we call culture.
That's because the society of statues is mortal.
One day, their faces of stone crumble and fall to the earth.
A civilization leaves behind itself these mutilated traces
like the pebbles dropped by Petit Poucet.
But history has devoured everything.
An object dies when the living glance
trained upon it disappears.
And when we disappear, our objects will be confined
to the place where we send black things:
to the museum.
PORTRAITS OF ANCESTORS
UTILITARIAN ART / UNKNOWN ORIGIN
UNKNOWN ORIGIN
Black art,
we look at it as if it had its reason for being
in the pleasure it gives us.
The intentions of the black who created it,
the emotions of the black who looks at it,
all of that escapes us.
Because they are written on wood, we take their thoughts
for statues and we find the picturesque
there, where a member of the black community
sees the face of a culture.
AFRICAN MASKS
It is its smile of Reims that she gazes upon.
It is the sign of a lost unity
where art was the guarantee of an agreement between man and the world.
It is the sign of this gravity which delivers her,
beyong métissage and the slave ships,
that ancient land of the ancestors, Africa.
Here is the first division of Earth.
Here is the fetus of the world.
Here is Africa in the 11th century.
12th.
15th.
17th.
From age to age, as its shape slowly unraveled,
Africa was already the land of enigmas.
Black was already the color of sin.
Travelers' tales spoke of monsters, flames,
diabolical apparitions.
The whites already projected onto the blacks their own demons
as a way to purge themselves of them.
And yet, once beyond deserts and forests,
which he believed to be bordering on the kingdom of Satan,
the traveler discovered nations,
palaces.
Which song cradled this little princess?
This little orange ripened in the caves of Benin?
Which cult presided over this little republic of night?
We don't know any more.
These great empires are now dead kingdoms to history.
Contemporaries of Saint Louis, of Joan of Arc,
they are even more unknown to us, than those of Sumer and Babylon.
In the last century,
the flames of conquerors turned this whole past
into an absolute enigma.
Black upon black, black battles in the night of time,
the sinking has left us only with this beautiful, stripped wreckage
which we interrogate.
But if their history is an enigma, their shapes are not foreign to us.
After the Frisians, the monsters, the helmeted Atrides of Benin,
all the vestments of Greece over a people of a sect,
here are their Apollos from Aifé
which strike us with a familiar language.
And it is fair that the black feel pride about
a civilization which is as old as ours is.
Our ancestors can look at each other face-to-face
without looking down with empty eyes.
But this brotherhood in death is not enough for us.
It is much closer to us
that we are going to find the true black art,
that which puzzles us.
The enigma begins right now, here, with this poor art,
this art of hard wood, with this plate for divination,
for instance.
It is not very useful for us to call it a religious object
in a world where everything is religion,
nor to speak of an art object in a world where everything is art.
Art here begins with the spoon
and ends up in the statue.
And it is the same art.
The wisdom in art and the ornament of a useful object
like the head support and the useless beauty of the statue
belong to two different orders.
Here, this difference falls apart when we look closer.
A chalice is not an art object, it is a cult object.
This wooden cup is a chalice.
Everything here is about cult.
Cult of the world.
When he makes the chair rest upon human feet,
the black creates a nature in his image.
Hence, every object is sacred because every creation is sacred.
It recalls the creation of the world and continues it.
The broadest activity cooperates with the world as a whole
where everything is fine.
Where man affirms his reign over things
by imprinting his mark and sometimes his countenance upon them.
Animal shapes like the one over this weaving bobbin,
plant shapes like the ones over these ornamented boxes,
all of creation moves in formation under the fingers of the black artist.
God showed him the way, he imitates God
and this is the way in which he invents man.
Guardians of graves, sentinels of dead people,
watchdogs of the invisible,
these ancestors' statues are not made for the cemetery.
We put stones over our dead
in order to prevent them from escaping.
The black maintains them nearby to honor them and benefit
from their power, in a basket overflowing with their bones.
It is the dead who own all the wisdom
and all the security.
They are the roots of the living.
And their eternal countenance takes, sometimes, the shape of a root.
These roots flourish. The involuntary beauty
of animals and plants shines in a girl's face.
And we can take its light for a smile,
or else its glow for a tear,
and feel touched, on the condition of knowing
that these images ignore us, that they are from another world,
that we have nothing to do in this gathering of ancestors
who are not our ancestors.
We want to see suffering, serenity, humor,
when we know nothing.
Colonizers of the world, we want everything to speak to us:
the beast, the dead, the statues.
And these statues are mute.
They have mouths and don't speak.
They have eyes
and don't see us.
And they are not so much idols as toys, serious toys
which have no value except for what they represent.
There is less idolatry here than in our saints' statues.
Nobody worships these severe dolls.
The black statue is not the God,
it is the prayer.
Prayer for motherhood, for the fertility of women,
for the children's beauty,
it can be covered with ornaments
which have the value of illuminations.
It can also be rough, like this earthen ball
protecting the harvest,
or, still, connected to the earth, to death,
by means of shape and by means of matter.
This is the world of rigour,
each thing has its place within it.
These heads don't have to be frightening,
they have to be fair.
Look carefully at their scars,
this magnetic field where every shape
from sky and earth comes into being.
There's no need for the object to exist and to serve.
This overflow of creation, which deposits its signs
like shells upon the smooth wall of the statue,
is an overflow of imagination,
it is freedom, turning of the sun, flower knot, water curve,
fork of the trees, one after the other,
the techniques are mixed,
the wood subtly imitates the fabric,
the fabric takes its motives from earth.
One realizes that this creation has no limits,
that everything communicates,
and that from its planets to its atoms
this world of rigour comprises by its turning
the world of beauty.
A god made these gestures.
The god who wove this flesh
taught them in turn to weave the cloth
and this gesture sends back every second to the weaving of the world.
And the world is the cloth of the gods, where they received man.
Try to distinguish here which one is the Earth and which one is the cloth,
which one is the black skin and which one is the Earth
seen from an airplane,
which one is the bark of the tree and which one that of the statue.
Here, man is never severed from the world,
the same strength nourishes every fiber.
Those fibers, among which, the foremost sacrilege,
lifting the Earth's skirt, has discovered...
...death.
Beast's mask.
Man's mask.
Mask which participates of both beast and man.
House-mask.
Face-mask.
Pierrot of the rivers.
Harlequin of the forest.
These masks fight against death.
They unveil that which it wants to hide.
Because the familiarity of the dead leads to the domestication of death,
to the government of death by means of spells,
to the transmission of death,
to the charming of death by means of the magic of shells.
And the sorcerer captures in his mirror
the images of this country of death,
where one goes by losing one's memory.
But, winner of the body,
death cannot do anything against the vital strength
spread through every being and which composes its double.
Through life, this double takes sometimes the form of the shadow
or of the reflection in the water
and more than one man gets angry for being hit right there.
But death is not only something one bears,
it is something one gives.
Here is the death of an animal.
Where has the strength which inhabited this hand gone?
It is free now.
It wanders.
It will torment the living until it has taken on its former appearance.
It is to this appearance that the blood of sacrifice is addressed.
And it is this appearance
which is fixed in these legendary metamorphoses
in order to appease it
until these winning faces are done with
repairing the fabric of the world.
And then they die, in their turn.
Classified, labeled,
conserved in the ice of showcases and collections,
they enter into the history of art,
paradise of the forms
where the most mysterious relationships are established.
We recognize Greece
in an old African head of 2000 years;
Japan in a mask from Logoué;
and still India;
Sumerian idols;
our Roman Christ;
or our modern art.
But at the same time it receives this title of glory,
black art becomes a dead language
and that which is born over its death is the jargon of decadence.
Its religious requirements are followed by commercial requirements.
And given that the white is the buyer, given that demand outstrips supply,
given that it is necessary to go fast,
black art becomes indigenous handicraft.
Each time even more degraded replicas of the beautiful pictures
invented by African culture are fabricated.
Here, the village is vulgarized, the technique is impoverished.
In the country where every form had its signification,
where the gracefulness of a curve was a declaration of love to the world,
one becomes accustomed to an art of bazaar.
These fake jewels,
which the explorers offer to the savages in order to please them,
end up being sent back to us by the blacks.
The particular beauty of black art
is substituted by a general ugliness.
An art where the objects become bibelots,
a cosmopolitan art.
An art of the flower-pot, the paperweight
and the souvenir pen-rack,
where one sees, transparently, the Tower of Babel.
Also an art of portraits.
Henceforth incapable of expressing the essential,
the sculptor seeks after resemblance.
We taught him not to carve beyond the tip of his nose.
But that which we make disappear from Africa
doesn't count for much among us compared to what we have in store.
That's because we are the Martians of Africa.
We disembark from our planet
with our way of seeing, with our white magic,
and with our machines.
We cure the black of his diseases, it is certain.
He catches ours, it is certain as well.
Who loses and who wins in the exchange
has been of no concern whatsoever.
The magic devised to protect them when they die on their own account
is powerless when they die on our account.
Against the Christian paradise and the lay immortality,
the cult of ancestors evaporates,
the monument to the dead becomes a substitute for the funeral statue.
All of this dominated by the whites, who see things from their heights,
which rise above the contradictions of reality.
From these heights, Africa seems orderly, rich,
covered with people from modern cities,
filled with its concrete igloos like white blood cells
of civilization.
From such heights, Africa is a wonderful laboratory
where it is possible to partially prefabricate
the kind of good black dreamt up by the good whites.
Then all this protective apparatus which gave sense and form
to black art dissolves and disappears.
It is the whites who intend to take on the role of the ancestors.
The true statue for protection, exorcism and fecundity
henceforth is their silhouette.
Everything unites against black art.
Caught in a pass between Islam, enemy of the images,
and Christianity, which burns idols,
African culture collapses.
In order to lift it up again, the Church attempts a métissage:
the black-christian art.
But each of the two influences destroys the other.
And this flawed wedding makes Catholicism in Africa lose
its exuberance, its glow,
everything that blacks, indeed, anyone had recognized in Europe.
Temporal power practices the same austerity.
All that was pretext for works of art is replaced
be it clothing,
symbolic gestures,
intrigues,
or talking.
One says "yes, yes, yes".
Sometimes, one says "no"!
There, that is the black artist who says it.
And so a new form of art shows up: the art of combat.
Art of transition for a period of transition.
Art of the present time, between a lost greatness
and another to conquer.
Art of the provisional, whose ambition is not to last, but to witness.
Here the problem of the subject is not posed.
The subject is this naturally ungrateful earth
this naturally troublesome climate
and inside work, at an unfathomable scale,
the rhythm of the factory confronting the rhythm of nature:
Ford meets Tarzan.
The subject is this black man, mutilated from his culture
and without contact with our culture.
His work is able to provide neither spiritual nor social sustenance,
he works for nothing, his reward is nothing
but a derisory salary.
Into this country of gift and exchange, we have introduced money.
We buy the blacks' work and we degrade it.
We buy their art and we degrade it.
The religious dance becomes spectacle.
We pay the blacks to give us the comedy of their joy and their fervour.
In this way, by the side of the black-slave,
appears a second figure, the black-puppet.
His strength serves us, his prowess amuses us,
on the side, he serves us as well.
Nations which are endowed with racist traditions
find it all the more natural to entrust to men of color
the concern for the nation's olympic glories.
But a black in motion is still black art.
And in sport
the black can find, hoping for the best,
a fine terrain for mystifying the white's pride.
The white does not always appreciate the joke.
It happens that he cries "foul" when things are turning out bad.
If a black boxer manages to defeat a white one
in a country marked by Hitlerian racism
they try to break him down with blows of menacing insults and projectiles:
he had better stay in his place.
And when it's no longer for play,
when the blacks, for instance, join the labor struggle,
it's the blows of guns and batons that break up the demonstrations.
This climate of premeditated threat
drives the black artist into a new metamorphosis
and, in the ring, or in an orchestra,
his role consists of returning the blows that his brother has received
in the street.
And witness here, far from the appearances of black art:
for the art of communion, the art of invention
finds accomodations within this world of loneliness and the machine.
The man who had impressed his mark upon things
now accomplishes empty gestures.
What we have is that, which from the bottom of this loneliness
will create a new community.
Black art was the instrument of a will to grasp the world
and also of the will which undertook to change its form.
Look well at this technique,
which frees mankind from magic.
It presents sometimes with magic a strange relationship of gestures.
It is always against death which one fights.
Science, as magic,
admits the necessity of the sacrifice of the animal.
The virtue of blood.
The harnessing of malevolent forces.
The sorcerer captures images everyday.
And death
is always a country where one proceeds at the cost of one's memories.
No. We are not redeemed by shutting off the blacks within their own celebrity.
There would be nothing to prevent us from being, together,
the inheritors of two pasts
if that equality could be recovered in the present.
Less remarked, it is prefigured by the only equality denied to no one...
...that of repression.
Because there is no rupture between African civilization and ours.
The faces of black art
fell off from the same human face,
like the serpent's skin.
Beyond their dead forms,
we recognize this promise,
common to all the great cultures,
of a man who is victorious over the world.
And, white or black,
our future is made of this promise.
THE END
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Don't just study it
Surround yourself with the language
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[THE ORDINARY LIFE OF MS. 'O'! S3] EP3. Falling in Love Can Be A Good Thing - Duration: 3:33.THE ORDINARY LIFE OF MS. 'O'! 3
You always say you hate it.
-Why do you do it if you hate it? -Huh?
-What? -Don't you know?
Know what?
-How did you know? -Know what?
-How could you not know? -Know what?
-How long have you known? -Well...
You already knew, right?
They went on their vacation
at the same time and place.
Isn't it nice?
Even in the scalding heat,
You must be hot, Mr. Oh.
-they only cared about each other. -Thank you.
-I'll do it. -Working overtime
You really like working overtime, Mr. Oh.
was a sweet date.
Here's your coffee.
They showed too much affection.
-What's that? -I got a latte.
-What did you get? -A regular latte.
It was very obvious,
especially on days they fought.
What's with them?
They're fighting.
Seriously, I was fighting for our Play Green campaign.
You also took the same days off.
Can you stop doing that? It piles up the work for us.
Dating at work is like that.
-You think it's a secret. -I had no idea.
But everyone knows.
Oh!
Go away!
I'll leave first. See you later.
That's how it is.
-What's good about dating at work? -It's not good.
-It's not? -I'm sure it's rather thrilling.
When you meet at the elevator
and meet eyes for that split second,
it's rather thrilling, isn't it?
When I tell my boyfriend about work,
I have to start with its history.
Right, who the manager is and what happened before that.
Also, when you're working late,
don't they put a jacket over you and buy you sushi?
Se-eun?
You should sleep at home after you finish up.
-That's too unreal. -Good job!
There are a lot of perks.
-That's not bad. -Well,
I like that I don't have to take the time to meet.
-It's very ordinary, -Let's toast to that.
-but it's very special. -Cheers!
Congrats.
Whatever it is,
I hope you don't overthink it.
Worrying and thinking about it in advance
and missing the good things happening now
would be too disappointing.
-Ms. O, how about some ramen? -Sure.
FALLING IN LOVE CAN BE A GOOD THING, THE ORDINARY LIFE OF MS. 'O'!
You must be thirsty. Drink up.
I should've grown some bean sprouts.
Wake up!
SELECT TODAY'S MISSION
PHOTO LIBRARY
MS. 'O'
IT'S "TOMATO" FRONTWARDS AND BACKWARDS.
#PLAY GREEN #TABLE-TOP GARDENING #HANGOVER CURES #NEXT IS BEAN SPROUTS
16 LIKES
This content is translated&subtitled by the Gyeonggi-do Creator Support Program.
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[THE ORDINARY LIFE OF MS. 'O'! S3] EP4. That Was Natural - Duration: 3:54.THE ORDINARY LIFE OF MS. 'O'! 4
What was that? That face.
You're adorable.
Effortless but chic.
Natural, easy wear.
I suppose
it's about feeling good about yourself.
If you can go to sleep feeling happy,
that's all that matters.
I look different today.
Isn't it strange?
Sometimes, things don't work out
the more you try.
Perhaps it's because you're trying too hard.
RECYCLING
I want to play too.
I was here first.
-You should wait your turn. -You lose!
You ruined my game!
How's the game?
-You get to play one game. -Okay.
-You can't tell Mom about this. -Okay.
I should get going.
Do what comes naturally.
Don't try too hard.
Do as your heart desires.
-Do you like steamed buns? -What?
That would be a lot more charming.
Do you want to eat together?
I want to repay you for the buns, as a friend.
Well...
As a friend of a friend, and...
You also let him play.
They're hot.
Sure.
-Uncle, I want to play again. -What?
Sure.
THE ORDINARY LIFE OF MS. 'O'! THAT WAS NATURAL.
TODAY'S MISSION, WEARING ECHO BAGS
MS. O
WEARING MY PERSONALLY DESIGNED ECO-BAG
This content is translated&subtitled by the Gyeonggi-do Creator Support Program.
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