Youtube daily report Sep 15 2017

First we will do our numbers and colours then we will all go on a school nature trail.

George is not on the bus Madame gazelle.

I'm scared. Help Help!

Peppa and George are at school.

Good morning children!

Good morning madame gazelle!

Children we have a very exciting day at school ahead of us.

First we will do our numbers and colours.

Then we will all go on a school nature trail.

Really Madame Gazelle? I love nature trails!

Do we see any dinosaurs on the nature trail?

I don't think so George! But you make take your own dinosaur with you.

Let's start counting! I love counting.

I like learning colors .

That's wonderful children so let's begin.

Now where did I leave the play-doh?

I know where it is madame gazelle. There right here.

Enjoy Peppa and George!

Can you tell me the names of these colors children?

orange

white

purple

pink

aqua

and green

That was great children! Now can you tell me the colours and names of these numbers?

This is an orange number one!

This is a pink number two!

I have a green number three.

I have a blue number four.

I have a purple five.

And i have an aqua number six.

One two three four five six!

Wonderful work children that was great counting!

Now can you all please make the first letter of your name?

Its a pink P for Peppa. and pig.

I made a blue G for George!

I made a green Z for Zoey

I made an orange S for Suzie and Sheep.

I made a yellow E for Emily Elephant!

And I made a purple D for Danny and Dog.

Children you are the best students!

You now your colours your numbers and your letters.

Now we can go on our nature trail

Now everyone please find a seat on the bus.

Children is everybody on the bus?

George is not on the bus he is playing with the play doh.

George is not on the bus Madame Gazelle.

Oh dear George we are going on a nature trail now. It is important we all stay together!

You can play with the play doh tomorrow.

Sorry madame Gazelle. I just love playing with play doh. I'll get on the bus right away!

Madame Gazelle, Peppa and her school friends arrive at the woodland.

Now children this is the start of our nature trail.

Now everyone we must all stay together we have to be quiet so we don't scare away any animals let's go!

Oh I love being in nature.

Me to Peppa I wonder what we'll see today!

I think we'll see really tall trees like that one. Oh I would love to be able to climb that tall tree!

Its so high!

I can see a big from a fallen tree. Its huge!

Madame Gazelle I found a giant wild mushroom! Its huge its even taller than me!

Madame Gazelle I found a giant acorn. Wow its cool.

Children I am so impressed you're being so observant.

Now it is time for our nature trail game!

I love games! How do we play?

Great question Peppa!

In my hat I have lots of pictures of things you will find on a nature trail!

each of you will pick out a picture and trying find it. George we will start with you!

Madame Gazelle I got a picture of a rabbit. hmm now where are those rabbits hiding?

hmm George hear something moving over here!

Peppa you're right!

Madame gazelle I found a grey rabbit!

he's standing so still.

Welldone George but don't go too close because you might scare him away!

and now Peppa will you choose the picture?

Madame gazelle I got the picture of a red bird.

now let me see where that red bird is hmm Madame gazelle I don't see any birds

this isn't possible!

Peppa you can use my binoculars.

Wow Madame gazelle I can see so clearly with these binoculars.

Oh i found the red bird she's over there

she's resting in that tree she is beautiful and she's singing so sweetly.

You are right Peppa she does sing so beautifully now let's see if you can spot the bluebird , too.

Now where are you blue bird well I see a big tree.

There's the blue bird. She's beside the tree!

She is gorgeous!

you found the correct bird now Danny dog would you like to go next?

Madame gazelle I got a squirrel I found an acornso probably the squirrels are where the acorns are.

squirrels love acorns

Now let me find those squirrels. Look the brown squirrel is over there!

Squirrels collect acorns so they won't be hungry in the winter.

oh you are great

at nature trails now Suzie would you like to come pick a picture?

Madame gazelle I got an oak leaf the fruit of the oak tree is the Acorn so you will have no problem finding the oak leaf!

thank you Madame gazelle I know just where to look.

Oh madame gazelle I found the oak leaf its right beside the acorn.

I'm going to take my acorn home and plant it in our own garden to grow and oak tree!

Wonderful idea Suzie sheep. Now Zoey Zebra you can pick the next picture!

Madame gazelle I got a picture from a pine cone, they're from a pine tree. Let me go look.

I found one. There there look look. That is a giant pine cone!

Oh my goodness Zoey Zebra that really is a big pine cone!

I think its emily elephants turn now

madame gazelle I got the picture of a daisy. I love to make daisy chains with my mum

Now let me go find one!

Over there. over there I found a daisy madame gazelle! Its white with a yellow centre!

Its so beautiful!

Madame gazelle where is George?

Oh dear George has climbed a tall tree and can't get down!

George is scared!

Oh dear George where are you?

Madame gazelle I'm up here in the tall tree. I'm scared I can't get down. Help Help!

George pig you know you must stay with the group and not wander off.

Do't worry I will help you down!

You're safe George. You gave me a terrible fright!

I'm sorry everyone! Ill make sure that I will stay with all my school friends!

Thats good George now everyone lets check our nature trail list!

George found the rabbit Peppa found the red and blue birds Danny dog found the squirrel Suzy

sheep from the oak leaf. Zoe zebra found a pine cone and Emily elephant found the daisies!

There's one animal still on our list the ladybug.

Madame gazelle where do we find the ladybugs?

They're right here Peppa hope you have fun playing with the ladybugs.

there's one for everyone in the class and they're all different colors !

Madame gazelle I found a red ladybug with white spots

and she even has a little baby oh so sweet

I found a blue ladybug with white spot sand it has seashells on it and it comes with a

baby I just love ladybugs!

I've a pink glittery ladybug. she's adorable

I found a purple ladybug and it has shooting stars on it.She' s the most beautiful lady bug in the world and even better she has a baby! I want to pet it!

I got a cream ladybug she's cool ! I like rubbing her!

My ladybug is green they are the most adorable pair.

Oh My Children

I found a ladybug - it's a purple shiny one she even has a little baby

hooray for the ladybugs

but Madame gazelle where did the ladybugs play?

In the little live pets ladybug garden there's a slide and even the little baby

ladybugs can tag along

Look everyone they're going to have a race to the ladybug playset!

Ready Steady Go

Look children the red ladybug is going to go all around the garden.

My blue ladybug is going to go next!

my purple ladybug is going to come play in the garden!

my ladybug wants to go on the slide!

Look my ladybug is coming back to me! How sweet!

I think my favourites are the baby lady bugs!

Children you've been so well behaved and so kind to all the animals.

Now everyone it is time to go back to school!

your parents will be waiting for you!

Oh dear George has dropped some litter on the ground!

Who has left this litter here?

Me madame Gazelle it must have fallen out of my pocket!

Let me pick it up!

George litter is harmful to the birds and animals. They think it is food and it will give them a tummy ache!

you must always put trash or litter in the bin!

oh I'm sorry Madame gazelle I will be very careful from now on and I'll put this piece of litter in the bin right away!

Well done George!

Now have we got everybody?

Yes madame gazelle hurray for the nature trail!

For more infomation >> Peppa Pig - School Nature Trail Learn Colors Play Doh -Peppa Pig Toys -Peppa Pig English Episodes - Duration: 14:07.

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My Morning Routine For School 2017 | feat. StyleKorean.com - Duration: 5:03.

Hi, my name is Anna and

welcome to my channel!

so... This video is special to me

Because I'm currently a competitor in StyleKorean's K-Beauty Guru Competition

I don't like the term "beauty guru" but

you know, youtubers that do makeup and beauty stuff

So, I'm a competitor among 150, I think

This is the first round and

this is my video

For this video I used all my favourite products from the box they gave me

And I incorporated them into my get ready with me/morning routine video

SOO (I say so a lot) after this video if you want to, you can go onto StyleKorean's website

and vote for me

I think you can vote as many times as you want (EDIT: 5 times/day)

but I'm not 100% sure

But I will leave the link down for you if you want to vote for me

Of course you don't have to, you can just watch the video and then move on with your life

BUT if you'd like to vote for me then link will be in the description box

and all the information too

Thank you so much for clicking on this video and let's just start this morning routine (finally)!

For more infomation >> My Morning Routine For School 2017 | feat. StyleKorean.com - Duration: 5:03.

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Partida de go comentada. Nivel 2 kyu a 6 kyu. English subtitles - Duration: 21:40.

Hi all I'm Miguel Ángel Antolínez and this time I will

discuss a game we played Mario Gomez and the December 10, 2014

in Luzarra Space Go School of Bilbao.

Starting the beginning is normal,

but Mario could have used better in their first movements

now the areas marked in blue

This item was intended to be seeing a little force has reached Mario Gómez

as player go; We all know that as a chess player is a

very strong player, former chess champion Spain and

of the autonomous community of the Basque Country and he has been playing a few years to go and this

was starting to see a little what level reached

Ikken-tobi, black jumps as it is with white clip,

White strengthens its position and now Mario invades the left side

this sequence will occur Now in my opinion it is favorable to

white, because white goes very forces the center and the three stones

the lower left corner black are relatively weak

and he is not making points since it is open down the right

and above all, is san-san for the future, a serious problem for the black position

exchange now plays on the left side

Also within normal although the sequence was supposed to be

White favorable since it was staying with external influence

now closed, black will live simply, but

the force is going to be left out for white

There white closes the outlet of the black, now there is a sequence

on top, a little too strange, but Mario is taking advantage

the weakness of the three white stones

White is doing a little bit of strength to leave

upwards

atari at 2 black stones and now out,

Stretching black and white now invade the top

It left with many cuts, many weaknesses, first stretch a bit

black must continue, and this is the white main mistake had to

have defended there, at that point the three white stones are very important

the influence they were giving white; black advantage, hunting the three stones

White plays above, here Mario He acknowledged that misled

this is Sicho staircase, the stone Black has been a true gift of

mode compensates white error, by black end occupies that point I was

waiting a while, and white press on these two stones that are one

little isolated, not that white intended to kill the group but simply press

and it is getting influenced by the Center to compensate the loss of

three white stones before

this is normal, white closes down, he is trying

corner stay as a territory, black stretch and here said that according

his style would have played there stretching and causing a fight to the death

but I wanted to play more solid and left there, giving the white stone atari

and now white plays in this way but maybe there

I had to play there, above, This is usually played almost always

the sequence in principle was also good for white

this is a posibilidd of what could have happened, it still remains with the corner but perhaps

White wanted to play safer and stay to the corner without problems

white invades the top right where there was not a single white stone

You are trying to make basis for living

and this move by black is demarcating a large area of ​​territory

also threatens the white group, black defends the corner here because

there could be problems

White tries to stabilize the right group

and now that invades white

Moyo species that has remained in the top and this is the typical

to go kill, playing above for hunt all white stones

Mario said that White must die, but the game showed that it was not

That perhaps is a mistake because this Black move forces to defend the group

left with which the initiative is transferred

now it is closed below

That is logical, white stretches and here also comes a turning point

black defends that point but said it was not necessary and perhaps closing out,

White did both eyes let's see some ... a couple of possibilities

what could have happened there has to close, he is trying to escape,

first there and there seems to white with this sequence dies, but could

have played otherwise there short, stretching, atari and can not close

White went with that option. There were more variants but we will not come here to study them

White has taken advantage of the aji three stones that were still on the board

It gives you extra time to leave

and now black is to be left in the hunt White Center which will come out without any problems

black stretches to defend, to reinforce the cut, but ... short black

atari, and now defends white top, atari, and going out hunting

closed, but there are many weaknesses in those black stones from the center

Atari more

atari through the middle and black force a KO, you can not defend because

die no more, so at least it is a ko and can get

compensation in exchange; threatens these two stones, eats white, black takes the ko again

and this move implies that white no longer will answer threats

it will take the stone, without further ado, the second stone

black and white does not respond threat, captures the center stone, the whole group has been

saved and has much control center, in exchange for these stones

and now comes an attack by the right side piedrita advantage that gives atari, there

connects, black escapes and is giving atari also lucky that black pebble to give atari

and now a cut that leaves black isolated group with the need to make two eyes occurs to live

connects, white defends that stone black stretching and now has to make eyes

to live, also it is fortunate that gives that atari ... here at the lower side can go one eye,

but it is not entirely clear, good black is alive, and now invades white

the corner we have discussed before

keima and white is alive in the corner which black

stays in problems

and white here decided to play it safe

He could have tried to shut down Hence, this would have been possible sequence

there would be many more to analyze but This is a possibility that will

conclude with a ko in principle was good for white but chose white ... this is a ko

but White chose to capture those five stones

as we shall see, and ensure the game there, it will cut

and now black has to leave, Well first there gives atari

that stone is important, defends white

and now goes to connect with the other group

therefore cuts ...

here too there would be some variants, We will not go for it does not become too long

there and capture that stone is alive

this play is to try to join the two groups below, not short white, he preferred to secure,

for that of "live and let live"; this move is to ensure white corner;

This latest move by black is very large

now has to live ..., accurate

eat a rock, you already have the eye now also it forced to do the other eye

on the right, black lives, this is kikashi, must play

White is already making his points, and departure is almost finished, there too

defends that piedrita, are the corner points

defends the territory, defends the stone black and white defends the five stones, there

the jump monkey to reduce the territory of white on the corner

very large, it is a play of yose very large, must answer

otherwise white would get into that territory

defends white and black leaves that position so and now it makes a very rare thing

try to live in the corner, really, it was the only option

I had to lift the game, although very difficult to live there

if not almost impossible

perhaps a professional player lograse live, I as an amateur I do not see

although in the corner can always weird things happen

and it is good for trying the black player,

White now plays vital point to prevent

that black make both eyes

reduces the space of the black group, there is no room for two eyes

black tries to leave the bank with a one eye and see if it comes Seki, but it is very complicated

the black lacks freedoms

and now black makes another mistake, let all the stones cut down center

that you are doing the black no It has much object

perhaps he is waiting for a ruling white, there short white and catch all the stones below

at this time and heading It is decanted, with the latter

Loss black player is determined, even with that input

removes some important points there in the black territory

first and then connect atari

This is already the yose, endgame, they are already closing the territories to count the points

That's great, having played hence the black player had been forced to defend

Here you have to play with more precision what they are doing two players

in yose you have to count very well points worth every play, but good

this game was being played at a semi fast pace and it was not a game

in this transcendental sense to be there

time and time

Moreover, the result is already quite clear

white black player exceeds by about 20 points or less

there did not need to eat those stones, with eating the stone is there loose,

it will then defend the black was enough

because there is a loss of two points, actually

by the white player

there did not need to defend yet another white error,

But as I say, you are already playing fast, just to finish and have

because the result is already clear

there earns a point

have to eat those stones, black defends that stone

to avoid ko, is ko here one down but it did not dispute white

Let black tape, atari and that was it, what remains are points dame, neutral

For more infomation >> Partida de go comentada. Nivel 2 kyu a 6 kyu. English subtitles - Duration: 21:40.

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Elessar UK - Half Love

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THE HERO DIES FIRST - THE BEAST INSIDE【内なる獣性】 - Duration: 4:17.

I am sick with sin,

It's a voice that lives within.

I am rife with sin,

It's a beast that lives beneath my skin

And I don't even want to let it go.

As feel my heart wither,

I feel myself become whole.

I told myself..

NO MORE would I become the one thing that I hate.

WILL I stand idly by and accept our fate?

FEED THE hunger and just starve the soul.

BAD WOLF can save us all.

I just need to be stronger

And I just can't have a taste.

I can't control this hunger.

I just wanted to help,

I used to have a sense of purpose,

A sense of self,

But now it's slipping away..

I struggle between what is right and what comes easy,

So give me one good reason.

One good reason.

I've wasted so much of my life just stuck here thinking,

Just searching for a reason.

For a reason.

I told myself no more

But the hunger is taking hold and then..

My opposition will fall..

I will never taste defeat AGAIN.

And all that stand in my way will fall at my feet.

Destroy everything.

Reduce my enemies to-...

I struggle between what is right and what comes easy,

So give me one good reason.

One good reason.

I've wasted so much of my life just stuck here thinking,

Just searching for a reason.

I used to have a life.

I used to have a life,

So full of regret,

But now there's nothing,

There's nothing left.

I only wanted to help,

I only wanted just to help..

FEED

THE

BAD

WOLF.

But now it's slipping away.

I used to have a life,

I used to have a life,

But now there's nothing..

There's nothing left.

For more infomation >> THE HERO DIES FIRST - THE BEAST INSIDE【内なる獣性】 - Duration: 4:17.

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Why, according to Farm Food, are pressed pellets healthier for your dog? - Duration: 2:01.

We use 40 grams of expanded dog food

And 40 grams of Farm Food HE

We add water

Farm Food HE sinks to the bottom, and ...

Farm Food HE falls apart within 8 minutes

We stir firmly through the glasses

Expanded dog food continues to float!

Farm Food HE is easily digestible

Farm Food HE is:High Energy

Farm Food HE is:All Life Stages Dog Food

Farm Food HE is suitable for all dogs ...

from Puppy to Senior ...

Do you want to know more?

visit www.farmfood.com

or mail to info@farmfood.com

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Learn English Listening Skills - 10 GREAT Techniques to Improve Your Listening - Understand Natives - Duration: 11:47.

Do you find it difficult to understand native speakers of English?

Do you feel that they speak too fast and most of the time you can't catch what they're

saying?

If your answer is yes, then this video is for you.

In this lesson, I am going to give you 10 proven methods to improve your English listening

skills.

I will also give you lots of links to free online resources for you to practice.

The techniques that I share with you will help you to understand native speakers when

you watch TV, movies or listen to the radio.

They will help you develop your listening ability for exams like the IELTS, TOEFL or

PTE.

And finally, these methods will help you to understand people better in real-life conversations.

So let's start.

Number one is listen to English every day.

You want to know the secret to great listening skills?

It's lots and lots of listening practice.

Remember that the more you listen, the better you get at listening.

The reason you find listening difficult is probably that you're not practicing enough.

My advice is that you listen to English for at least one hour per day.

Set aside a specific time, maybe an hour in the morning or in the evening and during this

time, just listen to English.

With this type of practice, I have seen great improvement in my students' listening skills

within 2-3 months.

A great way to do this is to watch the news.

The TV is a good source of news but since we're on YouTube, you should know that you

can watch a lot of English news right here.

Major news networks like BBC, CNN etc. have YouTube channels where they put out short

news videos that are ideal for improving your listening.

You will find all the links in the description below.

Tip number three is listen to the radio.

The radio is great for listening because you can do it while you are doing other things.

You can listen as you're driving, while working out, while you're cleaning the house.

You can listen with a radio set, on your computer, or even on your smartphone.

Now, if you listen on your phone while driving, please be careful, please don't operate

your phone while you're driving.

OK, in my opinion, BBC radio is the best radio service for English learners and it's available

for listening online free of cost.

There are many different BBC radio stations available; BBC Radio 4 is particularly good

because it has a lot of informative shows.

Again, links are below.

Another highly useful listening resource is podcasts.

A podcast is basically a radio show that you can find only on the internet.

The reason I love podcasts is that there are many shows that specialize in particular topics.

This means there are podcasts just for English learners.

These audio lessons will not only help you to improve your listening skills but you can

also learn about grammar, vocabulary, pronunciation and more.

I have put links to some very good free podcasts in the description below.

You can also go online and find shows related to your own interests.

You should make podcasts a regular part of your listening practice.

Number five is watch movies in English.

This is one of my favorite methods for improving listening skills because this is how I did

it.

I used to be in your place.

There was a time when I worked really hard on my English because I wanted to be good

at it.

And during that time, what helped me immensely is watching films.

I used to watch two Hollywood movies per week.

And I can tell you from that experience that it did wonders for my listening ability.

Now, initially, I would miss a lot of words but over time, as my listening improved, I

was able to understand almost everything that I heard.

So make it a habit to watch English-language movies – aim to watch at least one per week.

Related to movies are TV shows.

If you ask me, TV shows might be even better than movies for improving your listening skills.

This is because they tend to be much longer – you can watch a movie in 2 hours but a

show goes on for many seasons, so you can get really involved in the story.

This way, you will learn more language from it and come to understand the pronunciation

of the native speakers in the show.

What I do is I always make sure to follow at least one English-language TV show regularly.

I suggest that you do the same.

Now with both movies and TV shows, if you find them very difficult to understand, you

can watch with subtitles.

If you do, use English subtitles, and not subtitles in your own language.

I also recommend that you watch any movie or TV show episode that you like a second

time without subtitles to really sharpen your listening ability.

Next up is probably the most fun technique in this lesson – and that is to listen to

songs in English.

Songs have many advantages – one is that they provide great opportunities for repetition.

We usually don't just listen to a song once.

If we like it, we come back to it over and over again, and in doing so, we become familiar

with the language used in it.

To get the most benefit out of songs, you should not just listen to them passively.

You should be an active listener – for songs that you like, find the lyrics (that's the

words of the song) – you can find them online by searching on Google – and try to understand

them.

Also, make an effort to learn your favorite songs.

Now you're probably saying, I'm really shy about singing, I don't want other people

to hear me – well, if that's a concern, then sing when you're alone, by yourself.

Singing in English allows you to not just understand pronunciation but also practice

it.

And this will feed into your listening ability and make you a better listener.

YouTube is again a great place to find your favorite artists and listen to songs.

I listen to English-language songs every day.

You should too.

Number eight is listen to audiobooks.

An audiobook is a recording of someone reading a print book.

Usually, books are read either by their authors or by professional voice actors.

These are extremely helpful for improving your listening because you will listen to

an entire book on a single subject.

This means a lot of subject matter and vocabulary will be repeated throughout the recording.

You can find a lot of free audiobooks by searching on YouTube (I have put links to some search

terms in the description).

If you want very high-quality audiobooks, you can purchase them on a website like Audible.com.

But if can't afford that, no problem – there are plenty of free audiobooks available online

– they're great and you should try to listen to at least one audiobook per month.

Number nine is listen to TED talks.

TED is a company that has produced thousands of speeches and informational videos, and

these are freely available on YouTube.

These are very high-quality, they're professionally produced, and the best part for English learners

is that the speech is clear and is highly suitable for listening practice.

There are a number of YouTube channels in the TED network.

The links are in the description.

I suggest that you subscribe to these and watch their videos as part of your listening

routine.

And finally, number ten is the transcription exercise.

This is an exercise you can do with any type of listening material.

Here's how you do it.

After you listen to something (it could be a podcast, it could be a song or a TV show

episode), after you watch or listen fully one time, you listen to it a second time.

But now, you sit down with pen and paper and you try to write out exactly what you hear.

After you hear a sentence, you pause the audio or video and write that sentence.

If you need, you can rewind and listen again, and make corrections.

This exercise is amazing for improving your listening skills because it makes you focus

intensely on the listening material.

It's better to do this with something short, maybe audio that's about 5 to 10 minutes

long so that you stay interested to keep listening and finish the entire thing.

Try to do this exercise at least once per week.

OK, those are my top ten techniques.

But I have a few bonus tips to share with you for improving your listening skills: The

first is: always listen at your level of understanding.

This means don't listen to something that's too difficult for you.

If you cannot understand the overall meaning of what you hear, you should not listen to

it because it's no use and you will only get frustrated.

Also, if you can understand everything that you're hearing perfectly and it's too

easy, again, it's not going to benefit you.

Instead, choose what is comfortable for you but that is still challenging – where you

are not sure of some of the sounds or the meanings of words.

That kind of material is what will really help you to develop your listening ability.

Next is: repetition is key.

I mentioned when I was talking about the transcription exercise that you can listen to something

multiple times to write what you hear.

You can actually do this even if you're not transcribing something.

Whether you watch a movie, a TV show or you're listening to a podcast, whatever it is, it's

a great idea to listen to the same material more than once.

That will help you to catch words or phrases that you previously missed, and it can work

wonders for your listening.

One reason that listening can be challenging for you is you may not have enough vocabulary

for the material you're listening to.

So, reading and developing your vocabulary will benefit your listening ability in the

long-term.

Another challenge in listening is that learners of English are often unfamiliar with native-speaker

pronunciation.

It's a very good idea for you to work on your own pronunciation, and also to learn

about the pronunciation system of English, as this will make it easier for you to understand

the way that native speakers speak.

I have a lesson this, and I also have lessons on vocabulary development.

The links are in the description, so make sure to check them out.

Alright, in the end, don't forget that the number one secret to developing your listening

skills is to practice.

Listen every day, do the things I have suggested in this lesson, and I am confident that you

will greatly improve your English listening skills.

If you liked this lesson, give it a thumbs-up by hitting the like button.

If you're new to my channel, remember to subscribe by clicking the subscribe button

to get my latest lessons right here on YouTube.

Happy learning and I will see you in another lesson soon.

For more infomation >> Learn English Listening Skills - 10 GREAT Techniques to Improve Your Listening - Understand Natives - Duration: 11:47.

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THE HERO DIES FIRST - THE BEAST INSIDE【内なる獣性】 - Duration: 4:17.

I am sick with sin,

It's a voice that lives within.

I am rife with sin,

It's a beast that lives beneath my skin

And I don't even want to let it go.

As feel my heart wither,

I feel myself become whole.

I told myself..

NO MORE would I become the one thing that I hate.

WILL I stand idly by and accept our fate?

FEED THE hunger and just starve the soul.

BAD WOLF can save us all.

I just need to be stronger

And I just can't have a taste.

I can't control this hunger.

I just wanted to help,

I used to have a sense of purpose,

A sense of self,

But now it's slipping away..

I struggle between what is right and what comes easy,

So give me one good reason.

One good reason.

I've wasted so much of my life just stuck here thinking,

Just searching for a reason.

For a reason.

I told myself no more

But the hunger is taking hold and then..

My opposition will fall..

I will never taste defeat AGAIN.

And all that stand in my way will fall at my feet.

Destroy everything.

Reduce my enemies to-...

I struggle between what is right and what comes easy,

So give me one good reason.

One good reason.

I've wasted so much of my life just stuck here thinking,

Just searching for a reason.

I used to have a life.

I used to have a life,

So full of regret,

But now there's nothing,

There's nothing left.

I only wanted to help,

I only wanted just to help..

FEED

THE

BAD

WOLF.

But now it's slipping away.

I used to have a life,

I used to have a life,

But now there's nothing..

There's nothing left.

For more infomation >> THE HERO DIES FIRST - THE BEAST INSIDE【内なる獣性】 - Duration: 4:17.

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DYEING MY HAIR FUCHSIA (Eng subs) | Sasha Bradbury - Duration: 5:21.

Hey guys! I am a bit angry rn

bc iphone frontal camera sucks

but I can't record a video using the back camera

bc I can't see my face

whatever

I went shopping yesterday

wanted to refresh my hair color

bc rn it looks like shit

I wanted to buy the same Concept

I used in the previous video

they said they stopped selling it

so I went to another shop to check if they have it

they said they don't

and said to choose from what they have

I asked if they have pink, purple hair dyes

they said they have only mixtones

I asked if I can use them without adding them to hairdyes

they said I can't

I open the hair dye palette book

it says you can use mixtones separately & with hairdyes

I asked them again to make sure

they said they don't know anything

so I decided to buy these Matisse fuchsia and purple

I am not gonna mix them up, gonna use fuchsia first

and after that gonna use purple tonning cream

I am not gonna show the dyeing process bc it is boring

Let's see what it says

Hair pigment for bright haircolor, doesn't damage your hair

you can use it as a tonning cream on bleached hair

my hair base is almost bleached under the color I have now

use it on clean wet hair, keep it on your hair for 5-20 mins

I am gonna keep it for 40 minutes so it doesn't wash out fast

so we will see what's gonna happen

I have a dirty base now

if my hair was really white it would be very pink/fuchsia

*shit a midge*

but rn my hair color looks dirty

and I am not sure it is gonna look good

I was at my parents a while ago and found this book

Sergei Yesenin

I read it in school

There is my fave poem

I learned it in school

bc I loved this poem "confession of a bully"

it was quite big for me bc everyone chose small poems

so I decided to learn it bc it is beautiful

no one really liked this

bc the teachers were rude and didn't like me

I changed a lot of schools and they just didn't like me

Hey again!

so I dyed my hair

I didn't want to record at home bc of the lighting

and you can't see the result with that lighting but here it is

the color is really bright

and this cream as many other dyes has its "+"s and "-"s

it colors your scapl which is bad

my scalp is really bloody

it colors your hands when you wash your hair

it can color your clothes in the rain

if your hair gets too wet it is gonna flow down on your clothes

but it gives you a bright color

and you know my hair base wasn't really white

and it doesn't dry your hair and very easy to apply

I used just half of the tube

so I have some left for the next dyeing

and after this fuchsia I am gonna try that purple color

I showed in the beginning of this video

Idk how fast it is gonna wash out

I wash my hair every 4th day

so I think that half of tube is gonna last for 2 weeks

so now you can see the before & after pics and compare

this is all I wanted to say

TYSM for watching

and I will see you in the next video

bye bye :)

damn they screaming

why the f*ck are they screaming?

f*cking sh*t assh*les

f*cking youngsters

For more infomation >> DYEING MY HAIR FUCHSIA (Eng subs) | Sasha Bradbury - Duration: 5:21.

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Guitar build - 06 - Maple Top And Comfort Cuts - Duration: 4:50.

The threading in the potentiometers and switch isn't long enough to be installed in a 5/8"

top, so I'll thin it down a bit in the cavities.

Sanding the edges now, before gluing the top to the body, means less routing later .

The glue has cured and now I can trim the top flush with the body.

Now that I have the top trimmed flush with the body, I can do the roundover on the back.

Now it's time to carve the armrest and tummy cut.

For more infomation >> Guitar build - 06 - Maple Top And Comfort Cuts - Duration: 4:50.

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drinktec 2017 - Special mission beer brewing - Duration: 3:46.

Welcome back to drinktec TV! I have a special mission here today because I want to brew

my own beer, not quite as much as this, of course, just a few litres. Craft beer is a

real trend nowadays and where better to find out all about it than here at drinktec?! Let's go!

I need to start with good ingredients. But there are endless varieties of hops and malt.

So how do I choose? Well, that´s why I´m here at „Hopfen und mehr". They are distributor

and they have a starter kit which makes it really easy. Hello.

Hello This looks interesting. What´s that?

That´s a roasted malt with a chocolate note. Ohhh, let´s see.

Lovely, thank you, I´ll take that.

Yeast is of course essential for brewing beer. But how do I know if my yeast is fermenting

properly? Well, modern technology can help the hobby brewer. And that´s why I´m going

to talk to Kilian Moser from Oculyze. He is going to show me how. What have you got here?

So, we got a smartphone microscope here, that allows us to communicate with our yeast and

see how it´s doing.

So can you show me how it works?

Sure. So, we can select if you want to do viability and concentration or just concentration.

What we going to do ist just we going to take a couple of pictures. And these pictures we

going to send in to the cloud where we have a powerful image recognition algorithms that

will count the yeast for you. So there we got it, we have a concentration of 167 million cells

and in the histogramm we can see what size our cells are and if we want to we can

also control, with our own eyes, if the algorithm counted the cells correctly.

So, what would happen if I didn´t analyse the yeast like this?

Well, you have to imagine the yeast is like the worker in the factory. So the yeast is

the one who converts your sugars into alcohol and CO2. You need a certain amount of yeast

to brew a certain type of beer. If you are not sure if that´s the amount of yeast that

you got, you going to have something like beer and maybe not what you want.

Great! So I´m one step closer to my own creation. Thank you!

I´ve got my hops, malt and yeast sorted. I'm really excited about the brewing process

but I want to do it properly. Sudkraft has it's own micro steam brewery with a twist!

So Marko, how did you come up with the idea of a cement mixer for you micro steam brewery?

Well Tanja, we wanted it to turn around to mix the ingredients and to produce every kind

of beer in top quality. And it should be done mannualy, because it´s craft beer and that

means handcrafted.

I see, great! So can I order one and you will deliver it to me next week?

For sure and I will do it personally.

Ohhh, a great customer service too!

Well I´ve got everything I need now. I even got my own storage for my beer.

That's it from drinktec TV 2017. I hope you have had as much fun at the fair as I have had.

I´m looking forward to seeing you at drinktec 2021! I´m going to go home now and brew my own beer.

Auf Wiedersehen!

For more infomation >> drinktec 2017 - Special mission beer brewing - Duration: 3:46.

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Jedi Knight: Jedi Academy PC Review | Second Wind Retro Star Wars PC Reviews - Duration: 7:00.

Well by overwhelming popular demand we're finally reviewing Jedi Knight: Jedi Academy!

This is my first time playing Jedi Academy all the way through and

I've got to say I'm sorry I never gave this game the time it deserves.

Jedi Knight: Jedi Academy is not the fourth Kyle Katarn game,

It's more of a sequel to Jedi Knight's gameplay really, than to

Jedi Knight's story. in Jedi Academy you play as Jaden Korr, who's this

neophyte Jedi, sent to Luke Skywalker's Academy, to join the New Jedi Order.

Jaden can be male or female, and can be one of five different races. Yeah,

of course I'm going Kel Dor, like my boy Plo Koon! The Imperial remnant are

still kicking about, and there's now rumblings of this new Dark Side cult

cropping up all over the place. So the Jedi Order need fresh blood, and they

need people to be out there, solving all these problems. In the first five minutes

of the game, Jaden meets Rosh Penin, a ballsy

young pup who's out to make a name for himself as a great Jedi warrior. You're

thinking "Hang on, this lad's a bit keen. He probably wants to watch himself

because whenever anyone gets this impatient with the Force.." Oh yeah!

He did it! Yeah, evil! As part of his Jedi training, Jaden is sent on all these smaller

missions; I actually really like this. It was like a really old-school gaming

experience, you know. You've got your desert level, your snow leve,l your flying

level... There's a really good "the floor is lava" level a whole year before Half Life 2

came out by the way. And even better there's a level set on a high speed

hover train! Yeah, originality might not be Jedi Academy's strongest suit but

variety probably is. Objectively, a lot of these missions could have been quite

drab. Most of them just involved going from A to B, maybe fighting some dudes

and then eventually just triggering a cutscene. Some of them do require a bit

of puzzle solving, but that's usually it. Now it's the variety that keeps

the game feeling fresh, and I didn't feel bored at all when I was playing this game.

Kyle Katarn does return in Jedi Academy, this time though Kyle's an NPC;

he's an instructor at Luke's Massassi Jedi Temple on Yavin IV. Bringing in the

Massassi temple is pretty cool because it ties neatly into those

Jedi Academy novels by Kevin J Anderson. Those books

came out like 10 years before this game and don't crossover in any significant

way whatsoever. I love them and I think they make a

really good connection between this game, this era of the Star Wars universe and

actually also the Old Republic. I just love how all this Star Wars

mythology just kind of like overlaps and interweaves with itself. I could just get

lost in this stuff for hours man... Oh yeah, anyway, sorry, Kyle Katarn!

I have to admit I did a little fist pump when Kyle turned up, man. This guy is

my favorite Jedi ever, but I was a bit disappointed that I never got to

actually play as him. You're playing as Jaden the whole time and obviously I

understand it would be stupid to have Kyle start again from scratch.

Obviously you do need that progression curve, like I said, I get it.

But it would have been nice if in one of the initial stages you could see

what it was like to control like a fully powered-up Jedi Master, so you could be

like "Cool, this is what I'm gonna aim for. This is how it feels to be this

powerful in the game." A really good example of this would be The

Force Unleashed; that opening level where you're Darth Vader. Kyle does however

escort Jaden on a few missions, which is actually brilliant. It's even better than

when Luke accompanies Kyle in some of the missions in Jedi Knight 2. It's just me

and Kyle, two grey Jedi chipping around the galaxy zapping the s**t out

the bad guys, chopping limbs and taking names! Speaking of the grey Jedi,

Jedi Academy does continue this idea of the gray Jedi; the Force user who walks the

line between the light and the dark side. I mentioned this concept in my Jedi

Outcast video and Academy builds on this a little bit more. Kyle mentions during

Jaden's training that powers from both sides of the Force will be

available for him and it's up to him (and I guess therefore you as the player) to

choose the best way to fight your enemies. In the first Jedi Knight, every

single Power was locked and had to be unlocked individually. In Jedi Knight 2

all of the powers were unlocked on a linear curve, so there was no

decision-making at all on the part of the player. Jedi Academy has a

hybrid of both of those games: core powers like saber throw, force jump and

force speed, these are already unlocked and they just naturally get better as you go

through the game. But there's now two banks of additional skills which the

player gets to upgrade themselves, one point per stage. You can't

take them all though, so you will have to think about this. The light side

sees the return of force sight, force healing and force protection - these

come from the first Jedi Knight game and I'm really happy to see them back,

because I missed these powers in Jedi Outcast.

The dark side has other eerie powers but I didn't choose any of them, because I'm

a goody-two-shoes, me! Well, I did take lightning... Zap! About halfway through

the game, Luke, Kyle and Jaden discover the end game of this "Cult of Ragnos".

They've been harvesting dark side energy from places with strong connections to

the force. Around about this point Jaden is promoted to being a full Jedi Knight

and is given his choice of lightsaber and this - oh my God, this - is the most

significant improvement from Jedi Knight 2. You can choose just have one normal

blade, you can dual wield akimbo lightsabers, or the most badass choice...

the double ender. Now every choice comes with its own range of

unlocked moves, combos lightsaber forms etc. The single bladed lightsabers use the

fast, medium and strong forms from the previous game. The saberstaff however,

is always locked on strong mode, because it's just for f***ing people up, man!

Building on the player customization that I mentioned earlier, you can even

customize your lightsabers. You can choose the blade color, the hilt design

and if you've got two then you can mix and match. People have been telling

me that the lightsaber combat is so much better in Jedi Academy and I've

just been like "Yeah yeah, whatever. There's just more stuff, you know.

More doesn't mean better." Nah, it is better! Even the single bladed saber has

got more going on. You've got katas, aerial moves, new ways to interact with the

environment, more combos. Man, I was going wild about the lightsabers in Jedi

Outcast, but genuinely the lightsaber combat in Jedi Academy is second to none.

Mate, there is still this big online community of people even after all these

years still swinging lightsabers at each other. It's awesome man!

Newer Star Wars games have come along, they've turned up the polish, they've

massively increased the visual quality. Fine, but no game since Jedi Academy has

had such a deep, rich combat loop. Jedi Knight 2 does still have a better story, but if

you're looking for deep and rewarding combat gameplay. Jedi Academy is the game

you're looking for. Thanks so much for watching, this was so fun to

put together. And thank you for pushing me to actually play this game, I'm so glad I did!

Please subscribe for more Star Wars gaming videos and for more old PC stuff.

Cheers!

For more infomation >> Jedi Knight: Jedi Academy PC Review | Second Wind Retro Star Wars PC Reviews - Duration: 7:00.

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Ragnar Lothbrok-Tanrılar ve Kader(The Gods and Destiny) Vikings S4E15 HBO - Duration: 3:30.

Where are we ?

I don't now.

You'd do better to ask the horses.

They know.

You're blind.

Sure am but the horses know the way.

Don't worry. I can see you Ragnar Lothbrok I can see you.

When will we reach King Aelle's?

Not until tomorrow.

It will be at least another day before I am put to death.

You and your gods are wrong. You see I guided my fate .

I fashioned the course of my life and my death . me not you not the gods me.

It was my idea...

...to come here to die.

You believe that so it is true to you.

The riddles you speak...

...they have no real meaning your words can be interpreted in so many ways that they cease to cause comfort or knowledge...

...but rather confusion

Your so-called prophesies are dangerous. How so ?

By telling lagertha that she would never have another child yet she got pregnant, but then because of your words...

...she put her unborn baby in danger

So what if she didn't hear your words?

What if she thought her baby would survive she would have rested and protected it?

And now maybe she would be the proud mother of a healthy child.

Something she always wanted more than anything.

See you presented her a destiny and she manifested it.

Perhaps it was her fate...

...to have the child perish in exactly the way it did

But what if it wasn't ? What if it was ?

I don't believe in the gods existence.

Man is the master of his own fate...

...not the gods. The gods are man's creation to give answers that they are too afraid to give themselves.

You may be right Ragnar Lothbrok.

I am only the seer. I have walked among the lowest of the dead...

...and I have groped for meaning

And I may have been wrong

What did you say? I didn't say anything.

For more infomation >> Ragnar Lothbrok-Tanrılar ve Kader(The Gods and Destiny) Vikings S4E15 HBO - Duration: 3:30.

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My Morning Routine For School 2017 | feat. StyleKorean.com - Duration: 5:03.

Hi, my name is Anna and

welcome to my channel!

so... This video is special to me

Because I'm currently a competitor in StyleKorean's K-Beauty Guru Competition

I don't like the term "beauty guru" but

you know, youtubers that do makeup and beauty stuff

So, I'm a competitor among 150, I think

This is the first round and

this is my video

For this video I used all my favourite products from the box they gave me

And I incorporated them into my get ready with me/morning routine video

SOO (I say so a lot) after this video if you want to, you can go onto StyleKorean's website

and vote for me

I think you can vote as many times as you want (EDIT: 5 times/day)

but I'm not 100% sure

But I will leave the link down for you if you want to vote for me

Of course you don't have to, you can just watch the video and then move on with your life

BUT if you'd like to vote for me then link will be in the description box

and all the information too

Thank you so much for clicking on this video and let's just start this morning routine (finally)!

For more infomation >> My Morning Routine For School 2017 | feat. StyleKorean.com - Duration: 5:03.

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Lets Play Minecraft: Xbox One Survival: Episode 16: Silk Touch & Coco Bean Farm [Xbox One, 360, PS4] - Duration: 9:30.

hey guys have cats 77-year with another video on the channel if you're in around

here please be sure leave like and subscribe to the channel anyways let's

get straight into it welcome back to another video of Luntz by minecraft xbox

one survival anywho I'm gonna start bringing our dogs back to our dog house

because that was our whole point of this dog house but for some reason we just

haven't really used it properly come on here come in here come on buddy

eventually so today though guys we are going to be

going ahead and I plan on making a cocoa bean farm now it's not gonna be an

automatic cocoa bean firm it's just gonna be a normal cocoa bean farm you

know I think that's great I have built a bunch of those and then we're also gonna

do some cleaning up of the world you know that kind of awesome stuff let's go

ahead and let's start setting up that path that we said we were gonna set up

in the last episode which was the path that goes between here and the base of

the house over there so I'm guessing this is gonna go something like this

alright there we go so that looks pretty cool grab myself some golden carrots

very fancy smancy Wow we've got golden carrots now that's a great source of

food as far as I've heard that's the best saturation based food in the game

so I feel pretty good now this is gonna look very good once it's fixed there's

gonna be so many trees I'm gonna be like wow I love it again it finally looks

good again go ahead and let's actually make myself some bone meal so I can make

these grow up really quick there we go that is a big tree dude just to set it

up we're getting somewhere though I think this looks pretty cool it looks

very forested now

at times I've had a creeper blow up over by these maps have been immaculate few

moments later these maps I'm just gonna take down that

map area back over there because oh my gosh

chill out cow bye-bye map room bye-bye map building what a day I don't know oh

no no no no no no you do not hit my dog 23 24 25

good none of the maps got blown up neither any of the item frames did

either so that's good definitely want to go ahead and find some of those cocoa

beans because um so let's think about this

we need cocoa beans what a cocoa beans look like so where is this farm going to

go this farm is going to go up front and center right over here so basically

starting right here we're just gonna dig out a big platform of we're gonna

actually I think we're gonna put oak wood here or something along the lines

of that it's gonna be a kind of small hook of being farm but hey oh no we can

only use jungle wood I didn't think about that at all okay well we'll just

go and we'll get that map and then we're gonna have to head over to that jungle

because we obviously need to get jungle wood planks I mean jungle would not

jungle wood planks you know what I need to do I need to build another path to

the outlying areas of this base slash area so far because there's literally

nowhere for me to get around here so definitely got to work on that let's go

all the rest of the way down one two and one

there we go got our jungle wood let's put down the cocoa beans yum yum yum all

right I'm gonna just dump all this stuff down here and leave it all here let

myself pick it up another time long as it's becoming nighttime we're just gonna

kill a bunch of mob alright so what we're gonna do is we're actually gonna

just head out in this direction go over that other forest area and we're just

gonna start killing mobs were there good enderpearl for that

that's awesome oh I got the boat what is it

power one has jumped that another Enderman dude we're getting lucky today

oh no it's becoming daytime already come on man we're gonna have to wait one more

night two skeletons blown up zombie trying to kill me as well as a skeleton

trying to shoot me whoa that's a good pair of golden leggings oh no he's gonna

come here buddy no he didn't give me any levels no

that's very loud I apologize for all the noise in the background right now moo

moo moo hey moo moo follow me hurry paying

attention now buddy follow me dude come here cows yay oh no no count come here

dude hello buddy are you alive are you deaf

I think he's deaf actually all right so we got baby cows now great great way to

get levels to as we go alright so zombie kill you bye bye

27 and 3/4 28 and a quarter now 30 and something levels nice nice nice nice

alright um stops it oh man why did you get up you got up - sit down sit down

several bad puns late so let's see so oh my gosh it is so clutch no way you got

both the ball until you want okay so the question is do we want respiration or do

we want so touch I want silk touch efficiency for unbreaking 3 silk touch

one like I've never seen such a good silk touch pick in a long time I do want

to get a little more stuff here accumulated just so I can see if I can't

get looting three let's actually make myself

a sword a new sword and let's go and check yes okay we have to we have to get

that because literally looting is the best thing that I could have possibly

asked for unfortunately that's looting too but at least it's some type of

looting I'm gonna have to go for it so we're gonna have to somehow get up to 30

levels again one utility late - oh come on please

looting - come on trash absolute trash I'm gonna have to combine

that with this sword that I have on me right now huh now as much as I want to

do that I got a look at this quickly I want to make sure that I don't want the

helmet protection three junk yeah I don't want that is there infinity on the

bows no power three I don't want that either

okay so we'll just combine this and we'll call it a day so we'll go here and

here there you go sharpness three looting the two awesome sword so we need

both of these repaired for enchantment cost and four diamonds to repair that -

enchantment cost and that's all it took alright so that's pretty much good full

reset armor and basically now we have all of the stuff that we won in today's

episode ah all right guys time for the comment of the day all right guys times

the comment of the day for today and today's comment was from the comic lab

and he said FCAT 77 what do you use to record and for audio now I've already

answered the record question in a previous episode of this let's play

series but I've never answered the audio question in a previous episode so that's

why I thought I would bring this up so what I record with I record with a

elgato hd60 it's a device that you connect to your computer and then you

record it directly onto your computer and then you just edit it off of your

computer I use Sony Vegas to end and then I also use a blue Yeti

microphone to record the audio and that's about it

I will also leave links down below for all three of those things just so that

if you do want to get started doing YouTube or anything like that then I'll

just leave it down below and if there will be Amazon links down below to all

of this stuff I just mentioned but anyways guys hopefully you all enjoyed

if you did please be sure leave a like and subscribe to the channel if you're

new around here and yeah guys thank you so much for watching and have a nice day

everybody

For more infomation >> Lets Play Minecraft: Xbox One Survival: Episode 16: Silk Touch & Coco Bean Farm [Xbox One, 360, PS4] - Duration: 9:30.

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Teach Your Kids To Be Money-Savvy - Duration: 4:36.

Hey FitLifer, Drew Canole here again with my friend Neale Godfrey.

Thank you so much for doing this.

It's great to be here.

Yeah!

Here at FitLife, we're all about uniting the world through health and happiness and

a big part of health is the family right?

If your family is always in turmoil, all these other things, your emotional health is in

the can.

So how do we raise that up?

Well one of the biggest triggers for emotional health is actually financial health and we're

going to be talking about that today.

How to teach your kids to be money savvy?

A lot of the habits that they're picking up are being picked up by you and the way

that you be.

And you know what's cool though, even if you don't have children to be able to go

back and rewind and find out how you were raised as a kid is really going to help you

to make that shift to abundance.

I grew up in Michigan in a blue collar town.

Not a lot of money you know, paycheck to paycheck.

I heard the phrase, Money Doesn't Grow on Trees as a kid right?

And then what do you do with that?

Okay money doesn't grow on trees then what?

You're shut down so why wouldn't you empower your children to learn the way money works

and learn what it does and learn what it doesn't do.

So when do you think the appropriate time is to introduce allowance?

Well what I do is start teaching about money when the kids starting saying I want, I want

so I start between three and five years old because they start connecting their world.

So here's the deal, we yell the kids all the time.

Stop leaving the lights on, stop leaving everything plugged in.

so show them the bills, let them look at the electric bills and set up a challenge and

if they can reduce those, split the savings with them each month.

So you have to teach the natural consequences of money.

The only way you get money is to earn it.

There's no entitlement program out there.

It's not just that I whined for it I get it.

Have the whole family challenged to reduce it, set a goal that you really want to save

for.

I love that and I love the idea of tying that to a purpose of the family.

Like what's our purpose?

Like what are we here to do?

And by saving that money what can we do with it?

Maybe we go to Africa as a family trip.

How cool would that be?

Now teens, when is it important to start teaching teens about money saving for college?

Different things like that.

Teens are tough because they immediately think we're incredibly lame which we are.

Set the expectations.

You're also going to here it's not fair.

Nip that one in the bud.

It's not fair, is life fair?

Yeah.

So just let that one go so what you have to do is set the rules, stick to it, and make

them earn some of their own money and put them on a budget and teach them finite.

This is the amount I'm going to pay you to buy clothes for this semester.

That's it! the allowance system is easy, what you're doing is you're getting the

kids to do chores and what they're going is they're earning some money for those

chores, two types of chores within any family, citizen of the household chores where they

don't get paid, you chip in and you as a good citizen of the household do things and

don't get paid.

Work for pay chores, those are teaching the kids how life skills work within the family

so you teach them to dust and vacuum and you pay them a certain amount per week then you

budget.

Four clear plastic jars, divide it up the same way we need to budget as adults.

Ten percent goes off the top to charity, 30 percent goes for instant gratification, quick

cash, 30 percent learn to push off instant gratification, save for something larger and

30 percent goes into long term savings which is your future.

It could be retirement, it could be college now cause a three year old going to understand

long term savings?

No. is it ten year old?

Do the adults in America understand it?

No. nope so let's start as kids.

So there's three steps to create money savvy children right there.

Thank you so much for sharing those with us and I want to give them homework again.

They have to teach their kids to earn, teach their kids to budget and be able to say no

and stick to it.

So get the book you guys Money Doesn't Grow on Trees.

Drew Canole, Neale Godfrey as always remember we're in this together.

For more infomation >> Teach Your Kids To Be Money-Savvy - Duration: 4:36.

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Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), Cape Town / Interview with Mark Coetzee - Duration: 25:03.

We are standing in a building that was built at the turn of the 20th

century. Originally this building was a grain silo and it was from this grain silo

that the exportation of grain went out to the rest of the world. About a hundred

years later the building is decommissioned. It's now a National

Monument, which means it can't be bashed down, it can't be changed, the facade

can't be changed, and so there was an idea to turn this

building into a Museum of Contemporary Art. So we are standing in the Zeitz

Museum of Contemporary Art Africa and our mission really in a nutshell is to

collect, preserve, research and exhibit cutting-edge artifacts from the 21st

century from Africa and its diaspora, so that means artists in any of the 54

states in Africa, artists who might live elsewhere, who see

an african heritage, like african american artists through the history of

slavery, potentially afro-british artists afro-caribbean artists, afro-brazilian

artists, so it's really the discussion and dialogue about art in and from

africa and its influences in the world. It opens in September 2017. We have nine

floors, the museum is quite large, of which seven are open to the public, two

floors are dedicated to the permanent collection, two floors are dedicated to

temporary exhibitions, which means we can host exhibitions from anywhere in the

world not necessarily artists from Africa, so

our creatives can also be exposed to what's happening elsewhere, and then

we've come up with a model that we think works for us, instead of having

departments in the museum we have institutions or centers so each of these

places have their own staff, their own space, their own budget, and this is to

make sure that there's a diversity of voices, a diversity of visions and that

there's not one kind of monolithic curator or person that defines the whole

mission of the museum. So we carefully looked at the traditions within Africa.

Photography was very important to dedicate a center to because of its role

in the liberation struggles from the 1960s to the present in Africa. We felt

that there were some mediums like performative practice and moving image

which were new exciting things we believed our public would enjoy, costume

because so much of body decoration, body modification, body painting etcetera

began on this continent. So we wanted to really try to recognize the creative

components that began or were influenced by this place and then many many many

galleries. We have over a hundred galleries in the museum to exhibit art

from around the world.

we're the first major Museum of Contemporary Art in Africa and I think for a very

long time one of the problems especially in our country, in South

Africa, because of apartheid, was that cultural access was a complex thing. Many

people were denied representation, many people were not encouraged to access

cultural centers, and I think for us was very important to make sure that that

pie that everybody fought for actually was bigger so that there was an opportunity

for each individual to say this is how I want to represent myself to the world.

One of our very important missions is about Africa from Africa by Africa,

and this idea of making a platform, and that's part of what my responsibilities

in this project has been is to create a platform along with the architect and

the founders and the trustees for various people to come forward and to

say this is how we want to represent ourselves to the world, this is how we

want the world to see us, and a very strong kind of force that kept

coming through was that people from the continent want to not control how they

were spoken about, but at least participate in how they story was told,

how they narrative is recorded for the world, and so scale was very important to

do that because if it was small it would mean that it would have to be limited

amounts of people, limit limited amounts of representation, and here we have an

opportunity to really celebrate a much broader spectrum of cultural traditions,

of artistic traditions and of personal visions of artists and curators.

I think it was very important for myself, the curators and the trustees of the

museum, the founders of the museum, to really give the creators from Africa an

equal playing ground, you know, you have the Whitney Museum of American Art you

have the Tate Britain of British art, you know these are institutions which take

as their motivation to collect and record and position artists from their

Nations and we felt it was very important for us

to be able to create that same platform on a high level, so that our artists can

compete in some way and also have the resources, financial, space, logistics,

climate control, to be able to give them the freedom to imagine the dreams

and visions that they want to execute and they want to make reality. So

I think that was very important, I think from a knowledge point of view, you

know, many people are saying to me how exciting is it that the world is

discovering Africa and I don't think that the world is discovering Africa.

I think what the world is doing is they're discovering their ignorance about Africa,

you know, it's them that are being educated it's not… you know,

there's been extraordinary artistic production on this continent. If you look

at the Biennale and so many of the extraordinary artists that have been

represented on the Biennales over the last decades, which have come from this

continent and I think that now what's happening is that the kind of

international art world more and more starting to recognize that perhaps they

missed out, perhaps that they overlooked things so it wasn't that they

discovering us but they discovering a little bit of inadequacy in their view

of artistic production which was a very Eurocentric or northern hemisphere

centric tradition and I think it's exciting that the art world is

recalibrating itself that it's re-looking at things and saying actually, you know

what, perhaps there's a broader conversation perhaps that there's much

more global and regional kind of conversation that's happening and we

can't just focus on specific areas in these art centers

in the northern hemisphere.

When we built the collection for the museum and also the exhibition strategy

we had a very I would say political position that we took. For a very long

time many cultural artifacts were taken from Africa, the Benin bronzes for

instance in the British Museum, many many German museums, is a good example where

it was a punitive mission where these objects were taken to punish the Benin

people and there's many, many examples of this. There's of course great conversations

whether these objects should be returned or not, but that's historical museums

that's historical practice. What we find in contemporary practice now is that a

lot of the objects are still leaving the continent because the world has woken up

to the extraordinary creativity and especially contemporary creativity on

the continent and museums have not been keeping up collections, have not been

keeping up, so there is a real emphasis or an impetus to collect work from this

region from this moment in time, but with the strength of the euro and the dollar

and whatever and the pound and the devalued currencies in Africa what

happens is, the market now advantages these objects to leave. So one of our

motivations was to make sure that seminal artifacts from the continent

would remain on the continent or return to the continent. So from a collecting

and exhibition point of view we've tried to identify very important moments such

as when Edson Chagas won the golden lion in Venice four years ago, the first

time an African pavilion won the golden lion, we bought the entire pavilion and

it will be recreated here. When Kudzanai Chuirai was on not this year's

document but five years ago, we bought the entire installation, when Nicholas

Hlobo presented his rubber dragon in the Arsenale which was really kind of one

of the high points of the Biennale that year we bought that, so part of

that the strategy of the collection was to buy these objects in and to make sure

that they are here and accessible and I think that there's a big difference in

seeing an object, you know, to see Andy Warhol in New York as opposed to in

Cologne, you know the cologne museum has a great collection of American pop,

I think they might have even collected it before the Americans, very forward-thinking, but

it makes a difference in some way to see the artifact in the place it was made,

there's a texturality about it, it's just different. So from the

permanent collections point of view what you'll see when you visit is these

really seminal objects either that you've seen elsewhere in the world and

Biennales and Documentas, on major exhibitions, or that you might

have read about, that you haven't seen yet So it's really a depository of these

really important moments. Mixed in with that, we've made a decision that will

take enormous risks and collect very young cutting-edge artists. So we don't

have this hierarchy with the market itself or collectors desires define the success

or the position of an artist and more it's the quality, the evocativeness, the

the regional context, many different things that can make something relevant

for what we do. I think that there's many many other important aspects to the

way that what you'll see when you get here. What we decided to do was that

in building the collection we wouldn't do encyclopedic collections so one or two

of each thing or chronological, but what we would do is we would try to identify

artists from regions across Africa and the diaspora for which we felt represented a

certain kind of interesting conversation or language or challenge or whatever and

collect those people in great depth. So for example one of our opening

exhibitions is by Nandipha Mntambo from Swaziland and I think we own

60 or 70 of her pieces, Kudzanai Chuirai who has another opening exhibition, from

Zimbabwe, again 65 pieces. I think it's important because

we are in a place in the world where as I said before these museums were not

accessible for the general public, they were very exclusive, slightly

intimidating spaces and our museum has a great job to do to break down the

barriers so that the public understand, this is theirs, this is their cultural

heritage, this is their place and they need to own it. So I think that in that

process we've had to say it's not going to be possible for somebody to come in

and see one piece and understand the artists concerns. We need to

buy or collect large bodies of work. It has also given our curators very

exciting opportunities because it means that they can do entire exhibitions,

entire retrospectives from the museum's collection, or Mr. Zeitz's

collection, which I think gives a lot of freedom to curators as opposed to

having three or four pieces which you have to contextualize in a kind of

almost outside of a general kind of view. I think it helps the public to

understand the artists view, their oeuvre, their production, the conceptual progress

of an artist's career, the insight into how the artist thinks, what their

concerns are, so I think that's going to be something that the public are going

to enjoy a lot. You know, each artist for the opening has an entire gallery

dedicated to them and some of the galleries are enormous, so you will see

major bodies of work of one particular artist grouped together to get an

in-depth understanding of that artist. Obviously because we aspire to be as

representative as possible for African and diaspora you will also see artists

from all different regions. So the Center for photography will be opened by an

artist from North Africa called Mouna Karray, there's three solo exhibitions I

mentioned, Edson Chagas from Angola, Nandipha Mntambo from Swaziland,

Kudzanai Chuirai from Zimbabwe and then of course our big opening exhibition

which will take three floors of the museum is based on the title

of a work by Hank Willis Thomas, the african-american artist, called "All

things being equal" and it's really just an extraordinary indulgence of the

creativity and the prowess and the technical ability of artists who are

somehow associated with Africa. So there's not like a hard rigorous

curatorial premise for the bigger show it's more just to show the strength

and the diversity and the creativity that's happening here right now. I think

this is a very… the opening we hope will be a very celebratory moment for the

continent. So we want… look, nothing that you'll see is going to be easy and we've

chosen extremely difficult, challenging conceptual, political… lots of the work is

very hard for social commentary, identity, politics, issues of violence

against females, and prejudice against the LGBTI communities. So we haven't,

we haven't been easy in the show, but I think that the quality of the work of

the artists that are being made on the continent I think is extraordinary and

that's what we have a responsibility to show for our opening exhibitions, and

then as we move on I think we'll start seeing more and more particular

exhibitions, where a curator has a very particular view and a conversation with

an artist that they want to, but I think the first show really has to represent a

broad spectrum of what Africa is, you know, I mean it's a huge continent.

I'm really looking forward to this museum as that you know so many of us

have had to make the pilgrimage to Basel and to Documenta and to Munster and to

Venice and whatever other Biennales we all visit and for once the world is

going to have to make the pilgrimage the opposite way and I think that's a very

important gesture to say that you know you have to… you now have to make an

effort, you now have to displace yourself, you have to be kind of an immigrant

for two days, a weekend immigrant, you know, just something to understand that

there's places and worlds and cultures and experiences which are not inferior or

superior, they're just different and by being exposed to them, I think when

you walk around the museum, you see the art, by being exposed to them, how it

enriches your view of the world and how you understand a different view of

Africa. You know, Africa for a very long time sold a negative kind of image of itself

and I think part of this project is also to show that they are extraordinary

positive stories coming out of Africa. To build an institution of this

scale with over a hundred galleries, six independent institutions, you know,

I mean 55 curators, it's a major institution and I think just in itself

the scale of that makes a statement not only about the positiveness that one can

see here but also the confidence that I think many Africans feel or beginning to

feel about their place in the world and where they are you know and that we

don't necessarily have to be subservient to the trends from elsewhere that our

production is just as interesting.

We had so many conversations about is there an African model for a museum. You know,

the last time we met was when I was working in Miami and everyone was

speaking at that time in the early 2000s about the Miami model, you know, private

collectors making public spaces or publicly accessible spaces and we've had

a lot of conversations about is there such a thing as an African model. Then

the one thing that we have concluded is that we don't have to play by the rules

of elsewhere. We can make our own rules, we can make our own criteria, you know,

and in that process perhaps innovation can happen because if

you're comparing yourself constantly you know you, just the idea of world class or

international class or international level, you know, we've started to speak

about the fact, well, that doesn't really matter, because we must make criteria for

ourselves based on the values and cultures and the empiric

conversations, the empirical conversations that are happening here and across the

continent, you know, otherwise it just becomes like another Museum of

Contemporary Art following the rules of every other museum of contemporary art.

So we have to kind of invent something, you know, and I think lots of the

challenges that we are facing with engaging a new public and a new audience,

an audience that has been completely excluded dealing with artwork that

perhaps is not known by the rest of the world, these are not problems for us, these

are great opportunities because it means that we can invent ways to engage with

this as opposed to have predetermined solutions which is "best practice", you

know, from other places, you know.

When I was growing up in South Africa you know everything that we studied for

four years in art history was Egypt, Roman, Greece, Renaissance, whatever. We

spent like a day or two on the culture of our own country, own continent and

what I think is extraordinary with this institution is it's going to bring

attention to production on our continent by our people, in our places and it's not

a nationalism but it is a certain kind of pride, it is a certain kind of saying

what we do has a validity, it has a gravitas, it has a reason for

being and I think for me personally that that means a lot because to come from a

moment of apartheid where we were all told how to behave, who we could fall in

love with, who we could sit on a bus with, who we were allowed to eat in a restaurant

with, to a place where we have an institution that says let's celebrate

all these things that make us special and not separate ourselves from everyone

you know I think for me that's an extraordinary thing and I think also to

create an institution where the people of the region can write their own

history, on their terms. I think that the the weight of that opportunity is

extraordinary, you know, and I think, we talk about liberation movements in

Africa, I think this is part of that, this is part of Africa saying we also want to

take back not only our land, not only our governance, not only our

self-determination, but we want to take back our cultural representation as well

and at least be part of the conversation of how we're seen in the world and how we

managed and how we projected. I don't think any culture or any nation could

absolutely control themselves because that's just nationalism that's not

interesting, but at least be participating in your own representation

I think the gesture of that for me is an extraordinary powerful thing.

For more infomation >> Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), Cape Town / Interview with Mark Coetzee - Duration: 25:03.

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Partida de go comentada. Nivel 2 kyu a 6 kyu. English subtitles - Duration: 21:40.

Hi all I'm Miguel Ángel Antolínez and this time I will

discuss a game we played Mario Gomez and the December 10, 2014

in Luzarra Space Go School of Bilbao.

Starting the beginning is normal,

but Mario could have used better in their first movements

now the areas marked in blue

This item was intended to be seeing a little force has reached Mario Gómez

as player go; We all know that as a chess player is a

very strong player, former chess champion Spain and

of the autonomous community of the Basque Country and he has been playing a few years to go and this

was starting to see a little what level reached

Ikken-tobi, black jumps as it is with white clip,

White strengthens its position and now Mario invades the left side

this sequence will occur Now in my opinion it is favorable to

white, because white goes very forces the center and the three stones

the lower left corner black are relatively weak

and he is not making points since it is open down the right

and above all, is san-san for the future, a serious problem for the black position

exchange now plays on the left side

Also within normal although the sequence was supposed to be

White favorable since it was staying with external influence

now closed, black will live simply, but

the force is going to be left out for white

There white closes the outlet of the black, now there is a sequence

on top, a little too strange, but Mario is taking advantage

the weakness of the three white stones

White is doing a little bit of strength to leave

upwards

atari at 2 black stones and now out,

Stretching black and white now invade the top

It left with many cuts, many weaknesses, first stretch a bit

black must continue, and this is the white main mistake had to

have defended there, at that point the three white stones are very important

the influence they were giving white; black advantage, hunting the three stones

White plays above, here Mario He acknowledged that misled

this is Sicho staircase, the stone Black has been a true gift of

mode compensates white error, by black end occupies that point I was

waiting a while, and white press on these two stones that are one

little isolated, not that white intended to kill the group but simply press

and it is getting influenced by the Center to compensate the loss of

three white stones before

this is normal, white closes down, he is trying

corner stay as a territory, black stretch and here said that according

his style would have played there stretching and causing a fight to the death

but I wanted to play more solid and left there, giving the white stone atari

and now white plays in this way but maybe there

I had to play there, above, This is usually played almost always

the sequence in principle was also good for white

this is a posibilidd of what could have happened, it still remains with the corner but perhaps

White wanted to play safer and stay to the corner without problems

white invades the top right where there was not a single white stone

You are trying to make basis for living

and this move by black is demarcating a large area of ​​territory

also threatens the white group, black defends the corner here because

there could be problems

White tries to stabilize the right group

and now that invades white

Moyo species that has remained in the top and this is the typical

to go kill, playing above for hunt all white stones

Mario said that White must die, but the game showed that it was not

That perhaps is a mistake because this Black move forces to defend the group

left with which the initiative is transferred

now it is closed below

That is logical, white stretches and here also comes a turning point

black defends that point but said it was not necessary and perhaps closing out,

White did both eyes let's see some ... a couple of possibilities

what could have happened there has to close, he is trying to escape,

first there and there seems to white with this sequence dies, but could

have played otherwise there short, stretching, atari and can not close

White went with that option. There were more variants but we will not come here to study them

White has taken advantage of the aji three stones that were still on the board

It gives you extra time to leave

and now black is to be left in the hunt White Center which will come out without any problems

black stretches to defend, to reinforce the cut, but ... short black

atari, and now defends white top, atari, and going out hunting

closed, but there are many weaknesses in those black stones from the center

Atari more

atari through the middle and black force a KO, you can not defend because

die no more, so at least it is a ko and can get

compensation in exchange; threatens these two stones, eats white, black takes the ko again

and this move implies that white no longer will answer threats

it will take the stone, without further ado, the second stone

black and white does not respond threat, captures the center stone, the whole group has been

saved and has much control center, in exchange for these stones

and now comes an attack by the right side piedrita advantage that gives atari, there

connects, black escapes and is giving atari also lucky that black pebble to give atari

and now a cut that leaves black isolated group with the need to make two eyes occurs to live

connects, white defends that stone black stretching and now has to make eyes

to live, also it is fortunate that gives that atari ... here at the lower side can go one eye,

but it is not entirely clear, good black is alive, and now invades white

the corner we have discussed before

keima and white is alive in the corner which black

stays in problems

and white here decided to play it safe

He could have tried to shut down Hence, this would have been possible sequence

there would be many more to analyze but This is a possibility that will

conclude with a ko in principle was good for white but chose white ... this is a ko

but White chose to capture those five stones

as we shall see, and ensure the game there, it will cut

and now black has to leave, Well first there gives atari

that stone is important, defends white

and now goes to connect with the other group

therefore cuts ...

here too there would be some variants, We will not go for it does not become too long

there and capture that stone is alive

this play is to try to join the two groups below, not short white, he preferred to secure,

for that of "live and let live"; this move is to ensure white corner;

This latest move by black is very large

now has to live ..., accurate

eat a rock, you already have the eye now also it forced to do the other eye

on the right, black lives, this is kikashi, must play

White is already making his points, and departure is almost finished, there too

defends that piedrita, are the corner points

defends the territory, defends the stone black and white defends the five stones, there

the jump monkey to reduce the territory of white on the corner

very large, it is a play of yose very large, must answer

otherwise white would get into that territory

defends white and black leaves that position so and now it makes a very rare thing

try to live in the corner, really, it was the only option

I had to lift the game, although very difficult to live there

if not almost impossible

perhaps a professional player lograse live, I as an amateur I do not see

although in the corner can always weird things happen

and it is good for trying the black player,

White now plays vital point to prevent

that black make both eyes

reduces the space of the black group, there is no room for two eyes

black tries to leave the bank with a one eye and see if it comes Seki, but it is very complicated

the black lacks freedoms

and now black makes another mistake, let all the stones cut down center

that you are doing the black no It has much object

perhaps he is waiting for a ruling white, there short white and catch all the stones below

at this time and heading It is decanted, with the latter

Loss black player is determined, even with that input

removes some important points there in the black territory

first and then connect atari

This is already the yose, endgame, they are already closing the territories to count the points

That's great, having played hence the black player had been forced to defend

Here you have to play with more precision what they are doing two players

in yose you have to count very well points worth every play, but good

this game was being played at a semi fast pace and it was not a game

in this transcendental sense to be there

time and time

Moreover, the result is already quite clear

white black player exceeds by about 20 points or less

there did not need to eat those stones, with eating the stone is there loose,

it will then defend the black was enough

because there is a loss of two points, actually

by the white player

there did not need to defend yet another white error,

But as I say, you are already playing fast, just to finish and have

because the result is already clear

there earns a point

have to eat those stones, black defends that stone

to avoid ko, is ko here one down but it did not dispute white

Let black tape, atari and that was it, what remains are points dame, neutral