Sori's YouTube Channel
I'll do my best!
(SoRi - Touch Album Jacket Shoot)
Hello everyone, Sori here.
I am at a photo shoot for my first solo single.
Today I'm gonna shoot three different concepts,
We're gonna start with something a little dreamy, fantastical and pure
We're gonna capture those moments first.
I think it's gonna be challenging, since this is my first time attempting.
I dunno how well it's gonna turn out...
but I am working with a very famous photographer today,
I will give my best today as well.
This is something I've tried for the first time with this outfit,
The photographer was very professional
The background was beautiful, and the bed was fo cushy, I was able to wrap up this shoot quickly.
How well it turned out... is something I have to find out.
Since my hair color is so bright..
Even when I appear a little bold, or when I smile a little,
I feel very self-conscious. but...
I think it turned out pretty good for my first attempt.
Here's wishing that it turned out great!
I hope the final product turns out great. Thanks in advance, photographer.
(The next shoot will be revealed on the 2nd episode.)
For more infomation >> [SORI] SoRi's First Solo Single "Touch" Photoshoot! EP1 - Duration: 4:40.-------------------------------------------
【MUKBANG】 Almost Real Sea Urchin!? [Cup Noodle] Rich Thick Sea Urchin Cream x10 [3.8Kg][3500kcal] - Duration: 6:02.
hello, it's kinoshita yuka
today...
jaan, i'm going to try the new release of Cup Noodle Rich Luxuriously Thick Sea Urchin Cream
"almost real sea urchin"
so this is not a sea urchin !
so what is it ?
it's written "6.9% real sea urchin"
that's so luxurious
because i really like sea urchin, i'm looking forward to try it
so, let's prepare it !
let's see first what's inside the box
here a sea urchin paste
and inside...
this is how it looks like from the inside
the orange thing here is what they're calling "almost real sea urchin"
let's add the hot water now
let's open it
hay, this is how it looks like from the inside
there are many sea urchin ingredients
ah! and there is some broccoli too! !
and now let's add the luxurious paste
a seasoned one
It does not smell like sea urchin, but rather like butter
let's add it here
we do that step by step
mukbang videos demande plenty of time to create it
hay, we done
it's a little bit different now
let's start eating
itadakimasu
let's move these away
and we start with this Cup Noodle
i didn't try it yet
mmmm
aaaah
this is thick, creamy and really yummy
and that's right, there is a light taste of sea urchin in this creamy soup
it's not creamy as the pasta cream, but still creamy for a noodle
mmmm
this is so yummy
delicious, delicious
mmm
this thing here, its taste like a real sea urchin
but how they said that... the texture is totally different than the real sea urchin
but it contains a light aroma of sea urchin
it's fluffy and soft which is different than what a real fish feels like
this is not like the real texture at all
mmmm, but still so tasty
hay, we did it
you finish 1 cup so quickly, isn't that !
and now let's go to my size
i don't think that the taste is different
but i enjoy eating such a big amounts
mmm... this looks like a pottage a little bit
i really like this soup
this is the "almost real sea urchin"
mmmm
mmmmmmmm
mmm
it really makes you remember the taste of the real sea urchin
thanks to its light aroma of fish
mmmm
mmmm, but still so tasty
and the color resemble to the real sea urchin
this topping here
we added at the beginning some kind of paste, and it's so rich with butter what makes the soup thicker
and it makes the taste stronger
mmmmm
"almost real sea urchin" 6.9% real sea urchin
and Rich Luxuriously Thick Sea Urchin Cream
and rich with calcium
so sea urchin is so rich with calcium
like what's written here, the soup is really rich and thick
mmmmm
after reading that, i found that is not a real fish at all, i didn't notice that at first
they recreate the taste of sea urchin using meat
so this is not sea urchin, but just recreated meat
what means "almost real sea urchin"
mmmm
you can say that the taste looks like the sea food version
only soup that left
the last bite, itadakimasu
we did it
gochisousamadeshita
"almost real sea urchin" cup noodle was so tasty
because i like when the soup is creamy and thick, i really like this soup so much
and regarding the artificial sea urchin, i can just say that is almost real sea urchin
i liked the thick and the strong taste of the soup
the taste of butter was rich and it's so tasty
you can find it in any supermarket or convenience stores, what makes it available for all of you
i think it's so famous too
they all bought it from supermarkets
after all "sea urchin" word attract many people, and me one of them
and because it was so tasty, why you don't try it too ?
And as always thank you for watching !
if there's anything You want me to do
please tell me in a comment Section below
if you like this video please hit the like And subscribe buttons
bye bye
all rights reserved. copyright © 2018 Kinoshita Yuka
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Elimi Bırakma / Don't Let Go of My Hand Trailer - Episode 19 (Eng & Tur Subs) - Duration: 0:39.
Now, get your head together; and then pack your bags. Alright?
You are not going to give up, are you?
I would give up everything but you.
Let this room stay like Azra will come back.
This was not my choice, Azra.
You have loved selfishly and lost it, Cansu.
Let's see if she will still stick by her when she learns that Azra did this?
- Will you tell her? - She will learn.
Kadir, you are driving me mad!
Do you think we want Azra to get Mert's custody?
I did not say I would have her get the custody.
-------------------------------------------
Charlie Rouse blues lick in 12 tonalità all keys - SaxVlog #12 - Duration: 10:43.
HI, this is Fabrizio D'Alisera. Listen to this beaufiful phrase by Charlie Rouse on a Thelonious Monk record "Monk by 5"
the tune is "straight, no chaser", a blues
I always sing before blowing the horn
ok, these should be the right notes, listen to the record again
now I want to transpose this phrase in 12 keys
I want to play it one more time in the original key, which is Bb , C on tenor
it starts from the 5th then down a semitone to the #11 then up to the 5th 6th and b7th
now I want to try it in C#
Firstly I play the arpeggio to hear the new key
and then I sing the phrase
this is the 5th to the root
hitting some wrong notes while studying is normal, I like to leave mistakes in this video to let you see my real practice session
now in D
Eb
E
ok, F
F#
it is important to transpose the melody without writing it down
because in this way you train both your ears and your ability to transpose on the fly
you must hear the intervals in the new key
I hear that the melody starts on the 5th of the chord, this helps me a lot with the next notes
ah, it is difficult in F#!!! I try it again
Phew! I did it!
G, I guess it should be simpler
Ab
look at what happened. Ab was harder than C#, I would say the opposite before playing the phrase in those keys
sometimes playing a phrase with lots of alterations could be mechanically simpler on the horn than an "easy key", strange but true!
A
Bb
B
If I have trouble singing the melody I also have trouble playing it on the horn
I can't manage to play everything that I hear (but I hope to do it one day...) but I think that if you can't hear it you can't play it, at least this is how ear traning works for me
ok, now we played it in all keys.
this is a very good workout to get comfortable with all keys
but for me there are pros and cons
the pros are : you get confident with all keys, both mechanically and with intervals. You train your ears, your fingers and your harmonical knowledge finding the relationship between intervals and chords
the cons are: the phrase probably will not work great in every key. The relationship between the intervals and the chords of course will be the same transposed in the different keys
but a phrase can sound good in a particular range and bad in an another one. And the different keys have different flavors. So personally I don't like to play the same phrase in all keys musically speaking. It could be a cage that blocks your phrasing and your ability to improvise on the fly.
at the same time you can discover intersting things, for example I like this phrase a lot In Ab
The original was in Bb
it sounds good in Ab for me
the cool thing is that you can discover that you like the phrase better in a different key than the original!
and you can develop a strong vocabulary playing a lot in unusual keys
you must be able to play in all keys, a blues in B, a rhythm changes in E or whatever, this gives you a lot of flexibility. Everybody has his favorite keys, but this doesn't mean that you can't play in the keys that you hate!
subscribe to stay updated and feel free to give your impressions and comments, bye
-------------------------------------------
Bruna Marquezine assume que gosta de usar roupa sem sutiã: 'Acho bonito' - Duration: 5:21.
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HOW TO CREATE A TSUNDERE OC (ORIGINAL CHARACTER) FOR YOUR MANGA! [Midnight❌Cross] - Duration: 6:00.
Hello everyone, my name is midnight cross welcome back to my channel on this channel
I give you tips and tricks on how to turn your manga into a masterpiece in the past
I've created a video on how to create yandere characters in today's video. I'm going to be talking about another character type a tsundere character
tsunderes can be described as a mean character towards their love interest and
Usually over the course of the anime or the manga they're in they slowly begin to break down their outer shell and show their true
Feelings towards their love interest basically to describe them in more simple terms
They act mean on the outside
But they're kind and sweet on the inside some examples of tsundere characters from popular
Anime are Taiga from toradora, Kurisu from steins gate. Azuka from neon genesis evangelion
and Kyo from fruits basket
So in today's video i'm going to be breaking down this character type and i'm gonna be giving you tips on how you can create
Your own tsundere character either for your manga or just for fun
if this video helps you let me know in the comment section below and give this video a like it really really helps me and
It helps support my channel, so I really appreciate
every little bit of feedback you guys give me
The first tip I have is don't make them plain nasty for no reason
I see a lot of anime and manga where if there's a tsundere character
They act mean but they don't have any reason for acting that way in pretty much all tsundere characters
It might seem like this but usually for the better ones they have some kind of backstory or a reason to act
Nasty to us a love interest
if you don't come up with a backstory, or have a
Psychological reason for your tsundere acting the way they do
It's not going to make a very good character because they'll just be acting
Mean and nasty to a love interest for no reason another way you can do this is have your tsundere have a certain situation
With their love interest that might make them a bit standoffish
Maybe they had some kind of issues in the past or maybe their friend likes a love interest there
There might be some reason why your tsundere is acting mean towards their love interests
But make sure you give it a reason and stick to that reason throughout the course of your story speaking of backs
When you're writing a backstory for your sender a character ask yourself why in every situation ask yourself? Why?
because as I mentioned in the beginning
tsunderes are better characters when they have a reason for their actions and
That goes for any kind of character whether it be a yandere character or a Dandere character or dere dere character
They have to have a reason for their actions hum and I say that in a lot of videos, but it really is true
The reason why tsunderes are called tsunderes is is that they are scared to act like themselves
They act they portray this meaner outside character. Whereas on the inside they might be a sweeter kind of character
they are scared to show themselves in truth to their love interests and you have to make sure you portray that in your manga or
Even if this character is just an OC. Maybe they have reasons where they don't want to be hurt again
maybe someone's hurt them in the past and that is why as a character they've built up walls around themselves and
over the course of your manga story or even over the course of a roleplay of your using so see for role play that
Character might take down
Take down their walls
Think about over the course of your story what they actually want. What are they getting from acting in this Meena shui
Why are they doing this? Think about what they want from their love interest in?
Toradora
Originally Taiga acts mean to Ryuji because he/she wants his help to get closer to his friend Kitamura
So that's one reason
Think about if you are using this character for role play or if you are using this character in your manga
Think about why they do these things. What is their ultimate goal in your story?
And of course that goal can change over the course of your story
it doesn't have to stay the same and that happens in a lot of
animes with sundry characters in it their goals usually change
Depending on how much how their character opens up over the course of the story
So just keep that in mind as you were writing your manga in many cases with cinder air characters
It is about love and the way they act as towards a love interest
but it doesn't always have to be that way your tsundere character could want something else and
They might have a friendship with this character or there might be siblings
it doesn't have to be in a romantic kind of way in your manga if you're using your
Sundari character in a manga setting make sure their character grows over the course of the story
Make sure they change over the course of the story and that's really important with any character type. It's really important
they learn from certain situations and learn how to grow as a
Character because that will take your story from the beginning to the very end
It's really important that the characters change along with it now for the final part of this video
I'm going to talk about the design of your tsundere and this is something that can get overlooked in this character stage and
It can vary facin their characters as well
But in a lot of cases syndra characters have a sweeter outside appearance or they might wear their hair in ponytails
Or they might wear sweeter styles of clothing or cuter styles of clothing
Because that shows what they are on the inside that shows their inner
characteristics that they are too afraid to show you in their
Personality in a lot of cases the other characters in your story think this character looks sweet
But then they then this indirect actor just lashes out at them because that is what they're hiding
That is what they're hiding in themselves. So just keep that in mind if you are considering the design for your tsundere character
Maybe try thinking about what they would look like with their inner personality. Thanks so much for watching my video today everyone
I really hope you enjoyed it
If you did, please let me know in the comment section below
And again, thank you so much for watching and I'll see you in the next video. Bye
-------------------------------------------
Simply Ji-Hae - Wieniawski Souvenir de Moscou - Duration: 11:25.
Hi! Guys! I`m the violinist Ji-Hae Park.
What I want to talk about today, is
actually recorded long time ago.. (in Korean, music or video recording, has different words.... stuttered ^^;;
There was a korean show, playing classical music, but it is ended now.
Such a pitty,, When I was the featuring guest, it was the very last episode..
So I felt just sorry, that it is over,
I thought why not share on Youtube.
This piece was composed by the polish man who was not only the greatest violinist, of that time, but also a composer.
We call such talented people as singer-songwriters in our time, right?
This amazing Wieniawski composed the piece , that I want to talk about.
When he was travelling for concerts,
he had chance for staying in Russia for a while.
While staying there,
(maybe he might have thought quite alike me)
don`t missunderstand, I don`t dare to compare with him!!
There is always kind of concern as a violinist,
since there is no lyric for the violin part, I feel sometimes kind of a difficulty to convince people..
I mean musically..
So Wieniawski composed several virtuose pieces based on "well know" songs.
And put all his technics that he wanted to show to the people.
This piece is one of them, he literally sublimed from a simple well known tune to a virtuose piece.
It is based on two Russian airs,
Let`s talk about the first song, called the "Red Sarafan".
I "guess" Russia used to be a bit like Korea, long time ago.
It seems that the woman's marriage was meant to be a farewell to her parents,
bit like fall to another family "practically".
I can only guess.
This song is about a sweet-sad (because of the farewell)
conversation between a daughter and mother.
The daughter gets married on the next day.
It should be a very well-known song in Russia.
Mother makes a dress for her beloved daughter who gets married,
for the last time.
Kind of a red suspender skirt..
and a white blouse.
Because Russia is a cold country,
you usually think about thick clothes,
but there were many clothes with such fancy decorations.
Not men's clothing,
but women`s dress was called "Sarafan".
How sad it must be to make the beautiful dress for her daughter for the last time?
(to marry is something wonderful but) how sweet and sad the conversation must have been.
Right after the song, a Russian style song is followed
in a dance style, arranged in a brilliant and
and exciting way. BUT!!!
But it means kind of tourture for the player;
double-stops and.. and... (Ji-Hae getting hitted ^^; )
flageolets all the sudden....
OMG. These kill a player!!! ( ^^ ;;;;;;)
But after all, this is a piece
that I appreciate personally.
I have to thank for getting the Gurarneri violin that I still use. (now Guarneri from different year)
This was one piece of my program when I took that competition for the first time.
It fought(?) with me winning the violin.
It was really kind of overwhelming result for me.
Wieniawski`s Souvenir de Moscou..
This is a piece that Wieniawski composed in 1850s.
Now.. Centuries passed,
so curious how it touches your heart.
Let`s give it a listen!
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[AGENDA] K-pop Comeback Agenda: 26 November 2018 — K-POPNL - Duration: 1:51.
K-pop Nederland K-pop Comeback & Concert Agenda Week of 26 November 2018
Upcoming K-pop Comebacks of This Week
Shown info might differ.
Upcoming K-pop Comebacks After This Week
Shown info might differ.
Upcoming K-pop Comebacks in January
Shown info might differ.
Upcoming K-pop Concerts in The Netherlands
Are you going to a concert? Be careful where you buy your tickets!
Upcoming K-pop Concerts in Europe
Are you going to a concert? Be careful where you buy your tickets!
Missing something? Let us know in the comments.
-------------------------------------------
Piadina con Farina di Grilli - Ricetta con Insetti di #MasterBug ◀ ◀ ◀ 😉🍴🦗 - Duration: 4:02.
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Sandor Katz, il guru della fermentazione - Duration: 4:08.
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ISIS VALVERDE MOSTRA PEDACINHO DE ENXOVAL DO PRIMEIRO FILHO - Duration: 1:55.
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Matteo Renzi: "Luigi Di Maio se vuole essere credibile su suo padre chieda scusa al mio" - Duration: 1:02.
"Non so che abbia fatto Di Maio senior. So che Di Maio junior è responsabile della violenza verbale contro mio padre"
L'ex premier Matteo Renzi, che era stato bersagliato dal Movimento 5 stelle per l'inchiesta in cui è coinvolto suo padre Tiziano, attacca su Twitter Luigi Di Maio, riferendosi allo scandalo che ha travolto il padre del vicepremier grillino, Antonio Di Maio, che ha pagato in nero un operaio
"Il ministro vuole essere credibile nelle sue giustificazioni? Non inventi scuse, ma chieda scusa a chi, come mio padre, è stato rovinato da fango, odio e fake news"
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Renault Clio Estate TCe 90pk Iconic Leer, R-link, Climate, Park. sens., 17'' Lichtm. velg. - Duration: 0:54.
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Renault Captur TCe 90pk Intens R-link, Park Assist, Camera, 17''Lichtm. velg. - Duration: 1:10.
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Sivayya Telugu Movie Fight Scene HD | Rajasekhar | Sanghavi | Suresh Production - Duration: 9:10.
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[Official Audio] 알이에프(R.ef) - 이별 공식(Separation Formula) - Duration: 4:15.
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Elimi Bırakma / Don't Let Go of My Hand Trailer - Episode 19 (Eng & Tur Subs) - Duration: 0:39.Now, get your head together; and then pack your bags. Alright?
You are not going to give up, are you?
I would give up everything but you.
Let this room stay like Azra will come back.
This was not my choice, Azra.
You have loved selfishly and lost it, Cansu.
Let's see if she will still stick by her when she learns that Azra did this?
- Will you tell her? - She will learn.
Kadir, you are driving me mad!
Do you think we want Azra to get Mert's custody?
I did not say I would have her get the custody.
-------------------------------------------
WORLD TAG LEAGUE 2018 (November 25) - Post-match Interview [7th match] - Duration: 2:43.
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Why Doesn't God Stop Bad People? - Duration: 5:10.
So, why doesn't God stop
bad people
from doing bad things?
It happens all the time.
It happens all around you.
They lie,
cheat, steal, kill,
manipulate.
And God isn't stopping them.
And there you are trying to do the Biblical thing,
the Godly thing.
Toeing that line that God says you are to walk.
And you are getting stepped on.
Emotionally beat up.
Passed over for the promotion.
And God isn't stopping them.
Where's God's power?
Where's God's might?
Throughout this week we're going to ask and answer some pretty difficult questions
in the Bible and see God's beautiful answers that he's going to give to you.
And we're going to start with that first question.
Why doesn't God stop bad people
from doing bad things?
I mean, you read through the Bible and you see God's power and his might, right?
Stopping evil.
But where's that now?
The Egyptians go into the Red Sea.
God crashes the waters down.
He stops them cold.
Peter
sees God's power, God's might,
when the evil's going against him.
And yet God pushes them back.
Saul is on his way to go kill Christians
and all of a sudden God converts him
and changes him into Paul.
Where's that power now?
Where's that might now?
If that's your question, you're not alone.
Three thousand, about 3,000 years ago,
the Psalm writer said this in Psalm 82.
Why does God let the guilty go
unpunished?
It seems like God
delays His wrath.
And, actually, God straight up admits it.
If we turn our Bibles and we move over to Isaiah.
In chapter 48, he says this,
So God admits it. He,
he delays his wrath.
That seems unfair.
That seems wrong.
Why doesn't God show his power and his might?
What if God did?
What if God listened to us and anytime anyone did anything wrong,
God's atomic elbow of justice
came down on them?
What if every single time anyone broke the speed limit in their car,
their car broke down and cost them $532.
A very specific amount.
But God could do it.
Pretty soon you'd stop speeding.
What if every single time you told a lie,
a tooth fell out?
Pretty quickly you'd stop lying.
What if every time that you had an
impure thought come into your mind someone would come
out of the bushes,
kick you where you really don't want to be kicked,
really hard?
Pretty quickly you'd stop having those impure thoughts.
But your change,
your change,
would come because of fear
of God
and not faith in God.
And that's not the kind of relationship God wants with you.
And so if we turn back then into
Isaiah, chapter 48.
Here's the second part of that verse.
God wants us to be drawn back into him because, here's the rest of it.
He doesn't want to cut us off.
God doesn't want us to have fear of him.
He wants faith in him.
And so we hear this.
2 Peter
gives us the final explanation.
God says this,.
The reason why God delays is because he wants the unbelievers
to have more time.
That God's grace, the Holy Spirit's work, might come into their hearts
and change them.
The reason why God delays is because God wants us, as Christians, to realize our wrong.
And through the power of the Spirit,
to confess and grow in our relationship with God
and to be forgiven.
So, when you see evil happening,
it's going to continue to happen.
Don't scream out, "God, go get them!
"God, show them your might and teach them a lesson!
"Have them have justice!"
Instead, be thankful that God's a God of mercy.
And instead, say "God, go get them.
"Go get them and teach them a lesson.
"Not with justice,
but with Jesus."
So that more people know the peace,
the love that you and I have
in Christ.
Life is difficult.
It just, flat out is really hard.
And all of us know someone that's hurting.
Life just isn't going well for them.
Can you share this video with them?
Give them encouragement and realize that God hasn't forgotten them.
But God's showing patience
and God's showing mercy.
And that's the God that loves us and cares for us.
And hopefully, this video
can give them encouragement.
So, please send it along.
And may God bless your day as well.
-------------------------------------------
What Really Happens on Set - Duration: 5:35.
For more infomation >> What Really Happens on Set - Duration: 5:35. -------------------------------------------
Choosing a frame | Restoring Artemisia Gentileschi's 'Self Portrait' - Duration: 12:38.
I'm Letizia and I'm the Curator. I'm here in Conservation with Larry Keith,
our Head of Conservation and Peter Schade, Head of Framing.
Now as the picture is nearing the end of its conservation treatment, we're beginning to
think about how we might frame the picture and whether we need to acquire a
frame or perhaps make a frame for the painting.
We bought it without a frame as a picture, as you remember, that was not restored
and not framed so in a way we've got to sort of clean slate: we can start from
scratch and see what works and what doesn't work without any sort of
preconceptions.
So, it's a really interesting moment where Peter's
gathered together a variety of frames and this is a chance to really see what
works and get a sense about what works formally and so we often nowadays can
make very large scale photographic reproductions. These happen to be taken
before treatment started but they're really useful for giving an indication
about how the frame might work and we can test them, you know, much more happily
than using the painting itself which is here, nearing completion, so I think Peter
would like to say a little bit about the kind of frames we have and why they're here.
We try to match historically, kind of, appropriate frames
with paintings and have a selection of a variety of Italian frames
of the early 17th century which give us everything from carved to black and gold
to gilded to silver to wooden to brown painted so there's a variety that we can
all try out to see how tonally and how the shapes work with the painting.
It was interesting, of course, this painting is almost square and
it'll be very unlikely that we find in an old frame that would fit perfectly so
all these frames will also have to be considered with a view to adjusting the
frame or using the frame as a model for reproduction that's the options we
need to discuss.
And in looking at this big variety of frames we've kind
of narrowed it down to at least two things we're most interested in but it's
interesting to think about how frames which are correct historically and
appropriate sometimes just don't work with the painting and that's the thing I
find interesting is there's a combination of knowing about the style
and history of frames and then we still, like in conservation
itself, ultimately we're making nuanced aesthetic judgments which are up for
discussion. So, for example here, this frame you can see that the carved
elements, which are wonderful, have, in our view anyway, a slight unfortunate
tendency to repeat or compete with the spikes on the Catherine Wheel in a
way that seems a bit distracting and so we're inclined not to go with this frame
for that reason although it's perfectly appropriate.
It's got beautiful colour and beautiful weight
and it's got the original surface which is
something that we find with frames or we aim for. It's very good in all those
respects. Also it would be adaptable; that's something that I'm concerned
about that whether it's feasible to adapt an ornament and this would be
possible to adjust in size but actually that really doesn't work well
in this area.
- and it's interesting, there's no substitute really for
just trying a one-to-one reproduction with the frame itself because that's
something - it would be really hard to...I don't think we would have gathered that as
much from just looking at an image and so with just playing with the things
you gain all sorts of insight, I think, into what works formally, what seems
right even though they all may be, historically anyway, kind of correct.
With any frame around this painting we've talked about the fact that the way she's
composed it with quite a tight crop it is really interesting to see, even with
these photographic reproductions before conservation, you can start to see how
the figure has more weight and how it emerges from the plane in really a very
convincing a sort of way but I find it fascinating to think about what happens
with a darker value around the picture even though it's articulated with the
gold you get a sense, I think, of her kind of emerging even more powerfully from
around the frame yet without feeling too contained by it but the gold has a
beautiful kind of colour and patination that's really nice particularly with the
clean picture itself, you know, the less yellow...
- The cooler values of the cleaned picture work
particularly well with the gilded frame.
And so at this stage I mean it's not that we're necessarily absolutely
going to commit to one of these frames but it's so useful to see in the round
different families of frames and just get a sense about
kinds of formal qualities that enhance, you know, our view of the painting and
how it's working.
- This actually looks surprisingly insubstantial next
to frames that are fractionally wider but this just looks very, very
broken up. It makes the painting look less strong I guess.
- It's such a subjective thing as well, I really don't like this finish on this
picture. It doesn't work for me.
- Yeah, it's a different kind of
experience about how the relationship works between the figure and the frame.
It's not that one's right and one's wrong, they just have different qualities
and that's kind of the challenge and the fun of trying to work out what
might serve the painting best.
- Of course, you think about the sort of intrinsic importance of a frame, I think
about it curatorially. Is it the kind of frame this picture would have been hung
in and also I'm thinking is it something that proportionally might work here but
then weirdly doesn't work in the Gallery, in a very large picture gallery with
many other pictures of competing for space in a way so we have to kind of
bring all those elements into our decision-making. I agree with you with
the black: I think the black really helps to, sort of, extend the picture rather
than compress it but actually I find that the fact that this frame is quite
large works very well. It gives an importance to the figure, a presence.
- Yes, this has got, kind of, a reverse inner section that
that projects into the room. Actually the painting sits almost
exactly the same level as this black painted section whereas here the
frame actually pushes the picture physically outwards so it's more of a
reverse section which is, kind of, a typical 17th century device:
the paintings projecting forwards. I think, especially portraits, were framed
in a way that would project them outwards into a room rather than a frame
that makes you look into a space where you can see a world with either the
landscape or with a figurative scene, a portrait, I think, was always meant to be
projected into the room
- And that's certainly what she's trying to achieve
artistically with the way she's constructed the colours and the values
and the modeling of the arm and the rest that I keep talking about.
- And Peter: so with one or other of these choices,
obviously they need to be adapted
because they don't actually fit the picture or we're faced with the decision
of whether to use them as a model, perhaps to create something in the
framing workshop here. I mean, perhaps you could talk through the pros and cons,
particularly with the smaller one which is a harder thing to adapt.
- Yeah that would be really...I mean fortunately...and I think the
reproductions are not absolutely the right size but I think I know that
this size fits, I think in height or width, one dimension, it fits pretty
accurately so that makes it at all possible. I think if the frame had to be
adapted in two ways then one could rule it out but just
adapting it one way is difficult but possible.
- But I think it's worth saying that there are examples,
even now in the Gallery, where we think
a historical model is appropriate for a picture and some of them we can really
reproduce very very effectively.
This is one of those kinds of frames,
I think, because it's not a solid mass of 300 year old gilding that
basically...is that right? I mean it's more easy to make a more
effective reproduction? You're smiling at me!
- Well, reproductions are possible but they
always carry the baggage of modernity, of our time, and
always, in some way, it transfers into reproduction frames
and usually we don't see it now but you can look back at a history of frame
reproduction in the Gallery as well and most reproduction frames after 20-30
years, they don't match up to originals.
Yeah I think that's interesting
that 50 years from now you can always see and it's the same thing
about decisions we make about restoration itself, you know, we think we
try to be, I guess what we can say now is we're very transparent about the
decision-making process but it's definitely an interpretation all the way
down the line and so this is just another aspect of how we take a
view about things, about display, that is never written in stone.
- But I think by using actual old frames of the time,
even if we adapt them, there's a greater
likelihood that they will stand the test of time
- Yeah, I think that's certainly true.
- So looking at this one in particular what would be challenging in
adapting this frame?
- Yeah these Tuscan frames, they're quite common but
they're very very hard to use; I think we've got very few in the Gallery but
they are actually a reasonably common frame to find, partly because they're so
difficult to adapt and this one, in particular, having to be extended in one
dimension would be quite challenging to perform and
basically to do in a way that is invisible and invisible
not only now but also in the long term. Sometimes extensions only
become visible after five or six or ten years when the wood has slightly changed
in size and then cracks appear where an extension has
been made in the past and we select frames very much for the long
term: something that might be on the picture for forever, as far as we're concerned,
and therefore we really have to think about it, especially with
extensions, not to do something that will just look alright for now but will
become visible in in the future.
- It's twice as complicated with these
kinds of frames isn't it? Because, if you make them bigger, you have to keep the
ornament in the middle. You can't just add to one side.
- Yes, this would have to be extended in four places
- So technically that's double the challenge
and double the ethical issue I would say.
- And this can be reproduced
very effectively so, if you want to go for this type of frame, we might have to
consider a reproduction.
- Whereas the gold frame, that would be a matter of
cutting that down, adapting it to make it smaller and that would be more
straightforward?
- This would be fairly straightforward: we have enough
substance to alter this frame so that it would be completely invisible and all we
would see would be the original substance. Obviously we
wouldn't have to add anything to this and also there is no kind of ornament
that would make this frame only work at this size so this is
quite adaptable.
- Is it fair to say that this is the kind of frame that was even
designed and conceived to be any number of lengths?
- Yes, this kind of frame would have
probably been made at different sizes.
- So we're not doing anything that they
wouldn't have been thinking about in the workshop in the 17th century?
- Yeah it's more that our picture is just a really unusual size.
-------------------------------------------
【MUKBANG】 Almost Real Sea Urchin!? [Cup Noodle] Rich Thick Sea Urchin Cream x10 [3.8Kg][3500kcal] - Duration: 6:02.hello, it's kinoshita yuka
today...
jaan, i'm going to try the new release of Cup Noodle Rich Luxuriously Thick Sea Urchin Cream
"almost real sea urchin"
so this is not a sea urchin !
so what is it ?
it's written "6.9% real sea urchin"
that's so luxurious
because i really like sea urchin, i'm looking forward to try it
so, let's prepare it !
let's see first what's inside the box
here a sea urchin paste
and inside...
this is how it looks like from the inside
the orange thing here is what they're calling "almost real sea urchin"
let's add the hot water now
let's open it
hay, this is how it looks like from the inside
there are many sea urchin ingredients
ah! and there is some broccoli too! !
and now let's add the luxurious paste
a seasoned one
It does not smell like sea urchin, but rather like butter
let's add it here
we do that step by step
mukbang videos demande plenty of time to create it
hay, we done
it's a little bit different now
let's start eating
itadakimasu
let's move these away
and we start with this Cup Noodle
i didn't try it yet
mmmm
aaaah
this is thick, creamy and really yummy
and that's right, there is a light taste of sea urchin in this creamy soup
it's not creamy as the pasta cream, but still creamy for a noodle
mmmm
this is so yummy
delicious, delicious
mmm
this thing here, its taste like a real sea urchin
but how they said that... the texture is totally different than the real sea urchin
but it contains a light aroma of sea urchin
it's fluffy and soft which is different than what a real fish feels like
this is not like the real texture at all
mmmm, but still so tasty
hay, we did it
you finish 1 cup so quickly, isn't that !
and now let's go to my size
i don't think that the taste is different
but i enjoy eating such a big amounts
mmm... this looks like a pottage a little bit
i really like this soup
this is the "almost real sea urchin"
mmmm
mmmmmmmm
mmm
it really makes you remember the taste of the real sea urchin
thanks to its light aroma of fish
mmmm
mmmm, but still so tasty
and the color resemble to the real sea urchin
this topping here
we added at the beginning some kind of paste, and it's so rich with butter what makes the soup thicker
and it makes the taste stronger
mmmmm
"almost real sea urchin" 6.9% real sea urchin
and Rich Luxuriously Thick Sea Urchin Cream
and rich with calcium
so sea urchin is so rich with calcium
like what's written here, the soup is really rich and thick
mmmmm
after reading that, i found that is not a real fish at all, i didn't notice that at first
they recreate the taste of sea urchin using meat
so this is not sea urchin, but just recreated meat
what means "almost real sea urchin"
mmmm
you can say that the taste looks like the sea food version
only soup that left
the last bite, itadakimasu
we did it
gochisousamadeshita
"almost real sea urchin" cup noodle was so tasty
because i like when the soup is creamy and thick, i really like this soup so much
and regarding the artificial sea urchin, i can just say that is almost real sea urchin
i liked the thick and the strong taste of the soup
the taste of butter was rich and it's so tasty
you can find it in any supermarket or convenience stores, what makes it available for all of you
i think it's so famous too
they all bought it from supermarkets
after all "sea urchin" word attract many people, and me one of them
and because it was so tasty, why you don't try it too ?
And as always thank you for watching !
if there's anything You want me to do
please tell me in a comment Section below
if you like this video please hit the like And subscribe buttons
bye bye
all rights reserved. copyright © 2018 Kinoshita Yuka
-------------------------------------------
Billionaire Democrat Tom Steyer, who wants House Democrats to impeach President Trump - Duration: 3:20.
Billionaire Democrat Tom Steyer, who wants House Democrats to impeach President Trump
Billionaire Democrat Tom Steyer, who is obsessed with bringing impeachment proceedings against Donald Trump, said he is undecided about whether to challenge the president himself in 2020. 'I haven't decided to run for president,' he said Sunday on NBC's 'Meet the Press.
Steyer has been visiting early 2020 voting states like New Hampshire, holding town halls with voters. He's also invested $110 million in the midterm campaign, helping Democrats win back control the House of Representatives.
Billionaire Democrat Tom Steyer, who is obsessed with bringing impeachment proceedings against Donald Trump, said he is undecided about whether to challenge the president himself in 2020.
'During 2018, I was full-time working on grassroots organizing Americans to get their voices heard in the country.
What I'm doing right now is putting out an agenda, a framework for a social contract for the 21st century, which I called the Five Rights, which are the rights that Americans need to be free to pursue their own life and their own destiny,' he said.
Steyer said his agenda pushing isn't necessarily a means for him to run his own campaign but a message he wants to see Democratic presidential contenders support.
'I'm putting it out there for all the people who are running for president to look at and get behind.
Because what's missing in American politics is a positive vision of what this country stands for and what the social contract is with American citizens so they can be protected in the world and have the freedom to go forward and live out the lives they want to live,' he said.
His 'five rights' focus on education, the environment, voting rights, the economy and health care. He'll got a tour to promote these rights starting on Dec. 4 with stops in Charleston, S.C.; Fresno, Calif.; Nevada; New Hampshire; and Iowa.
The potential Democratic field is filled with big names such as former Vice President Joe Biden and Sens. Kamala Harris, Elizabeth Warren, Cory Booker and Bernie Sanders.
-------------------------------------------
Baby Playing With Dog Couples - Dogs Babysitting Babies - Duration: 3:30.
Hi Guy! Thanks for watching. Don't forget to SUBSCRIBE, LIKE and SHARE our video.
-------------------------------------------
BABY SHARK - Nursery Rhymes and Baby Song Play Doh for Kids - Duration: 3:35.
Hi guys! Thanks for your watching! Please subscribe and watch best videos.
-------------------------------------------
(EN/日) 소리의 첫 솔로곡 TOUCH 자켓사진 촬영 메이킹 EP1 [소리] - Duration: 4:40.
Sori's YouTube Channel
I'll do my best!
(SoRi - Touch Album Jacket Shoot)
Hello everyone, Sori here.
I am at a photo shoot for my first solo single.
Today I'm gonna shoot three different concepts,
We're gonna start with something a little dreamy, fantastical and pure
We're gonna capture those moments first.
I think it's gonna be challenging, since this is my first time attempting.
I dunno how well it's gonna turn out...
but I am working with a very famous photographer today,
I will give my best today as well.
This is something I've tried for the first time with this outfit,
The photographer was very professional
The background was beautiful, and the bed was fo cushy, I was able to wrap up this shoot quickly.
How well it turned out... is something I have to find out.
Since my hair color is so bright..
Even when I appear a little bold, or when I smile a little,
I feel very self-conscious. but...
I think it turned out pretty good for my first attempt.
Here's wishing that it turned out great!
I hope the final product turns out great. Thanks in advance, photographer.
(The next shoot will be revealed on the 2nd episode.)
-------------------------------------------
12 Trending Lip Art Ideas ❤ New Lipstick Tutorials for Girls - Duration: 3:06.
Hi guys! Thanks for your watching! Please subscribe and watch best videos.
-------------------------------------------
A YEAR IN AUSTRALIA / & lessons I've learned - Duration: 3:13.
I needed change last year, and after packing my bags and spending the past twelve months
away from home, I eventually found it.
Living abroad challenged and nurtured me.
It gave me the confidence to put myself out there without fearing judgement.
I gave myself permission be whoever I wanted to be and do whatever I wanted to do.
I learned some invaluable lessons, and I thought it'd be nice to share.
Make time for people who make you feel refreshed and listened to, who lift you up and genuinely
care about you.
Give more compliments, make sure they know you enjoy their company.
Spend more time outside and catch as many sunsets as possible.
Cherish the small details.
Never put your life on hold because of your insecurities.
Take chances.
Take spontaneous decisions.
Gently acknowledge and appreciate everything and everyone as they come and go in and out
of your life.
Love, loss, the beautiful and the ugly, comfort and discomfort, new connections and goodbyes,
failures and successes, utter bliss and desperation, laughter and tears, sunshine and clouds.
And last but not least, never hold yourself back.
I left chunks of my heart scattered around Australia and I wouldn't have it any other way.
I'm eternally grateful to each and every single one of the people I crossed paths and
shared my time with, you've made this year the wonderful year that it's been.
So thank you.
Until next time.
-------------------------------------------
什麼？石頭剪刀布機！ ／ What? Rock–paper–scissors machine! ／ 何？じゃんけんクレーンゲーム！ - Duration: 8:23.
Hello everyone, Steven again（ ･`ω･´)v
Okay, I have introduced different types
of claw games
such as three claws, two claws, no claws
using hammer, using a rod, etc.
The playing method of all these machines is
controlling (claw of something) to get the prize.
But this time, I will introduce a total different one.
This is what I am going to talk about!
If you know Japanese (probably no one right?),
You will know this is a paper–scissors-rock machine.
As the name said, you have to play paper–scissors-rock against the AI
by best of three.
If you win, then you can take one of these prizes.
Now let me move to how to play.
As this is a complicated one so I will put more time on the playing method.
First there are a screen.
The lower side is player and the upper one is AI.
So I am the yellow one and the AI is the red one.
The one and only one target is to best the AI!
There are only one button.
So the basic is just like this. And some additional things...
I will explain then while I am playing cause It is a special one.
Okay, let's play!
Let's start!
After inserting money, first I have to choose the prize that I want.
Can you guys see that?
1,2,3 are not hanging anything.
So I cannot choose that number or otherwise I cannot get anything even I win.
6 and 8 are also not hanging anything.
Let's freely select one...9 is great!
And then I will fight with AI immediately!
First round!
I am yellow and AI is red.
If you are familiar with rock–paper–scissors, this will be no problem to you.
Okay, win the first round!
Scissors beat paper!
But second round is "irregular"...
Look this...
wwwww
I think I am going to do it casually in this round.
Here looks good~
Oh I lose....it's 1:1 now.
The third round is the most special round.
In addition to rock, paper and scissors,
there are also some words and picture's items.
What is that mean? I will explain if I hit it.
Now just stop at any place....
and lose after a second...
So 2:1 and I cannot get anything...
Never-mind! Just play it again!
This time I will go to 1...
Oops! I forget it! I can't choose 1!
So let go to 4!
Just like before,
the first round is simple.
Yup! Easy!
And the second is difficult...
Normal people can't pass it...
I don't know whether it is preset that AI always win or not.
But never-mind since I still have round 3
This time I hit「ス」!
And this is what it means.
wwwwwwwwwwww
Al will keep slotting like that.
So...
And I lose again...
This is the first pattern. 「ス」is hit!
For others...
If I can't hit them this time, I will explain all...
I only saw this machine here.
I have never seen this machine in other store!
Quite Annoying! XD
A draw? It never happened before!
Draw again？
What is happening？
I cannot here what it's saying!
What? Draw for 4 times?
Oh It's so quick!
What is that? Can you guys see it?
(After 0.5 speed down, It still very fast)
Okay....and lose again...
So It comes to the third round!
Too quick...
I will explain the items that will be shown at third round.
Now look at this~
In the second time I've played, I hit「ス」.
Now I will explain others one by one!
First the top right corner, that picture means random.
If I hit this, I can't choose what I want but a random sign will be assigned to me.
If I hit the (2) on the left bottom corner, I can have two more chances.
The (-s) means speed down.
The 3rd round is same as 1st and 2nd round but some items is added.
So the (-s) will slow down the speed of AI
and it will become easier to win the round.
Finally (+s) means speed up the player
It actually add difficulty cause you can't really see what you have chosen.
That's all the pattern in round 3.
So...Let's have one more play.
Like before, I won't lose in first round.
And here comes to the third round!
I think It's enough for today.
See that? It's all about luck.
May be I put it this way. First round is easy.
You can't win in second round, and the third round is all about luck.
Can this machine called claw machine?
Well, I don't know...
This is a special one I think...
Just let you know there are also some special machine in Everyday Gyuda store.
So, that's all for today.
Hey!
The basic claw game introduction will end right here.
Next time I will go deeper...
How deep I will go?
You will know that in the next video!
Please like this video,
and comment below.
I will see you next time. Bye!
-------------------------------------------
SUPERHERO BABY SURPRISE WHEEL OF FORTUNE 💖 Play Doh Cartoons For Kids - Duration: 11:12.
Hi Luka's fan. Today we continue with another episode on WOA Luka Channel:
SURPRISE WHEEL OF FORTUNE
If you feel this video is some kind of cool stop motion animation.
Please hit "Subscribe" and "Like"
buttons below to see better episodes on WOA Luka Channel.
And don't forget ro hit the ♪BELL♪
-------------------------------------------
Adını Sen Koy Episode 88 English Subtitles - Duration: 52:56.
For more infomation >> Adını Sen Koy Episode 88 English Subtitles - Duration: 52:56. -------------------------------------------
Funny Dogs Wake Up Their Owners Out Bed - Funny Dogs Compilation 2018 - Duration: 10:03.
Hello everyone! Thanks for watching. Please SUBSCRIBE, LIKE and SHARE our video.
Wish you a great start of a week filled with motivation and inspiration of the work.
-------------------------------------------
Unai Emery press conference: Every word on Bournemouth win, Ozil & Lacazette - Duration: 5:38.
On the win The result is very important. We spoke in the dressing room at half-time after they scored, the process is in our mentality also
When they scored we needed to keep calm, keep our control and get better in small things on the pitch
We knew this was a difficult stadium, a difficult team. They were four points behind us and for them it was an important match so I am very happy for the players and the supporters, who pushed us today
I think the control in the 90 minutes and keeping calm was very important in this victory
On the importance of the win after three successive league draws Today is 17 matches we haven't lost
But the last three we drew and we knew that was not enough for us and for our objective
We were speaking during the week about how important it was today, but also that it would be very difficult
For our objective, it was a big moment for us. We have a lot of matches coming
Tottenham, Manchester United. We are going to play against teams with the same objective as us
I think the team spirit today and the supporters were important to make us feel more strong
On why Ozil was left out We thought about how we can be better in the match today, with a very demanding match physically with their intensity against us and we decided
But every player is important. Also today we tried with three centre-backs. It's another opportunity to improve and find our best performance
On Ozil not even warming up in the second half - did he know he wasn't coming on? It depends on how the matching is coming and how the result is coming during the 90 minutes
I decided for another option. On whether he trusts Ozil in intense and competitive games In the beginning of the season we were speaking every day about being competitive, we need to be organised and we need individual quality to better our performance
And it's the same today. On Aubameyang's performance Yesterday Lacazette felt a small injury
We need Aubameyang and Nketiah. Today, the most important thing for us was not only Aubameyang scored but the way he was working in the 90 minutes
He worked to help us in all the things tactically today. On why Torreira was taken off He said to us, he was a little tired
He was giving us good balance, but also we need to be clever with the player because he played two matches with his national team
We need to listen to the player when they need sometimes rest. Matteo is working very well and we need all the players
Today this change is because we need to give him some rest. On playing three at the back We played like that in pre-season, we played like that in Qarabag
This is one possibility because we are finding our best performance with the system, with the players, with the combinations
For example, today the combination between Sead Kolasianc and Iwobi is a very interesting combination
Also when we are pushing with Hector right, we need the balance with some players for the positioning on the pitch when we are attacking and defending
We tried to do it like that today, it is another possibility. But the most important thing today is to find the balance
To be more consistent in the defensive moments because we are conceding more goals than we want
But not to lose our good performance in attacking moments. We need to improve and we need more in this balance
On what changes he will make for the trip to Ukraine For us the Europa League is very important
We want to get first in the group. I want to give respect to the competition. We are going to think about it and decide on Tuesday how we can prepare to win
And then we think about Sunday. Keep up to date with the latest news, features and exclusives from football
london via the free football.london app for iPhone and Android. Available to download from the App Store and Google Play
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IMMORTAL DOTA 2 - Duration: 1:36:04.
For more infomation >> IMMORTAL DOTA 2 - Duration: 1:36:04. -------------------------------------------
How To Set Up A Guitar w/ Preben - Duration: 6:09.
Hi guys, I'm Preben and I'm working at Evenstad Music in Norway
and I will make a good attempt to try to show you a quick and easy...
tune-up on your guitar
This will pertain to most guitars or basses
So the principle stands.
So what you would need for this is a
proper guitar tuner
The hex keys that came with your guitar
And number two, a Phillips driver
Instead of gauging tools and measuring devices
I use a pick
The first thing you need to do is to tune your guitar properly
If you follow these steps in this video accurately
you will have a proper good tune up
in no time after some exercise on this drill
Cool! the guitar is in tune now, so the next thing we need to do is
to check the relief of the neck
The way I like to check the relief of the neck
Is to fret a string in the first fret, and just behind the neck
and see how big the air gap is between the string and fret in the center of the neck is
If the air gap is to small or the string rests on top of the frets
You need to loosen the truss rod a little bit
But if the air gap is a little to big as it is in this case
you need to tighten it a little bit
So what I like to do is to clear the strings from the center of the fretboard
make sure that the hex key fits nice and tight
because if the hex key is to small, it will end up damaging the truss rod key
And you want to tighten the truss rod in small increments
and check in-between each adjustment
just to see how far the neck has moved
and now I'm pretty happy with it
so...
put back your hex key and get the strings back
and then retune your guitar
Great! The next thing you need to do is checking the height of each string
on this guitar there is six separate saddle pieces
You can also find on some guitars like Gibsons and stuff like that
you can find what you would call a tuneomatic bridge
which has a preset curve according to the radius of the fretboard
where you can only adjust the height on the bass and the treble side
but on fender style guitars you can adjust the height of each individual strings
What I like to use for this is
a pick
I just place the pick on the top of the last fret
and the gauge the string height by eyesight
and adjust accordingly until they are nice and even
and they all have a similar height all across the fretboard
Good!
and then you need to recheck the tuning of the guitar
Great! Now all that's left to do to check the intonation of the guitar
the way I usually do this is
use the pinch harmonic from the 12th fret
and press the string in the 17th fret and adjust from here
This method will insure that you have really good a intonation
and you will also know
which way to adjust the saddle by looking at the tuner
when you have the guitar neck to your left
you move the saddle slightly the way the pointer of the tuner points
so when it's flat, you move the saddle piece towards the not's
And when it's sharp, you move the saddle piece toward the end of the body
Good! Now the guitar should be set up properly and
all that's left to do is the fun part and that is to play the thing
And at the same time you can also run through the neck and just check that
it doesn't buzz in any fret and that you like the how the action is set up
Then just play it
Ok guys! This how you do it and keep practicing this a little bit
because it will get easier in time
Thank you guys for watching and I hope you liked this video
and please hit the subscribe button if you want to see more videos like this
and just check us out!
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Transfer news LIVE: Chelsea contact confirmed, Man Utd, Liverpool, Arsenal, Real Madrid - Duration: 3:10.
TRANSFER NEWS LIVEEden Hazard confirms discussions with PSG over Chelsea moveDavid De Gea could leave Manchester United for Ligue 1Chelsea and Arsenal keen on Manchester United flopChelsea's Hazard approach Eden Hazard has confirmed he spoke to PSG about a move away from Chelsea
Hazard is wanted at Real Madrid but the Blues are desperate to keep their Belgian superstar
He told Canal: "I had contacts with PSG, but it did not tempt me. I have always said that if I came back to Ligue 1 it would be to Lille
" Chelsea are trying to tie Hazard down to a new contract in order to keep him well away from a move next summer
De Gea to PSG Manchester United goalkeeper David De Gea is wanted at PSG. Juventus have been interested in the Spaniard for some time, with a move to Real Madrid now off the table
De Gea's contract expires in 2020 and PSG are looking to spend as much as £75m on the shot-stopper
The Sun reckon the French club could make the move and tie De Gea down to a world-record contract for a goalkeeper
Liverpool youngster being watched Liverpool gem Bobby Duncan is wanted in Germany, with Bayern Munich and RB Leipzig keen on the 17-year-old
Duncan is a cousin of Liverpool legend Steven Gerrard but Rangers don't appear interested in the forward
Instead, a move to the Bundesliga could be on the cards, with the Daily Mail claiming a host of German sides are eyeing the Liverpool youth star
Jason Sancho and Reiss Nelson have already enjoyed success in Germany and there appears to be a growing appetite for young English talent in the Bundesliga
Arsenal eye Man Utd deal Andreas Pereira is expected to leave Manchester United in January and the Sun reckon Arsenal and Chelsea want to sign him
Pereira, 22, has made five appearances for United this season but remains largely outside of Jose Mourinho's plans
He spent last season on loan at Valencia but struggled for starts. The report claims Arsenal would be interested in a deal in the New Year but that Chelsea could also push to land the former PSV gem
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