From the Last Stop Studios
in Sioux Falls, South Dakota
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You're watching The White Wall Sessions
Tonight on The White Wall
Nathan Kalish
J. Jeffrey Messerole
Jami Lynn
Burlap Wolf King
and Erik Koskinen
♪
The White Wall Sessions is presented
by Last Stop CD Shop
Something for everyone in the family
at your one stop entertainment shop
The White Wall Sessions is sponsored by
Workplace I.T. Management
The Evolved Approach to I.T.
and Bell Incorporated
the face of packaging innovation
♪
Ladies and gentleman
The White Wall Sessions
♪
[Guitar Tunes Up with Background Chatter]
[Guitar Tunes Up with Background Chatter]
[Guitar Tunes Up with Background Chatter]
Nathan: "Never Going Back To Tulsa"
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I ain't ever goin back to Tulsa
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I ain't ever goin back her way
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I can't give my heart away
to every town that I play
Why, I ain't ever goin back her way
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I ain't ever goin back to Austin
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I ain't ever goin back her way
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I'd rather throw my life away
and maybe find myself someday
No, I ain't ever goin back her way
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How long would she wait for me
How long would she wait to see
♪
the man that I'm growing to be
♪
while still holdin on to child like dreams
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I ain't ever goin back to Georgia
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I ain't ever goin back her way
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she might brighten up my day
I can't find the time to stay
No, I ain't ever goin back her way
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I ain't ever goin back to Michigan
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I ain't ever goin back her way
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I couldn't bare to see your face
in a planned or random place
Oh, I ain't ever goin back her way
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How long would she wait for me
♪
How long would she wait to see
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the man that I'm growing to be
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while still holdin on to child like dreams
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♪
[Applause]
[Applause]
Nathan: I thought that was a good take
J. Jeffery: Maybe he is, because you
don't end up with your name on a bathroom wall
unless you've done something bad.
Or something really good
So this is my kind of retribution song
for Dane, so where ever you are Dane this is for you
This song is called "Cross the Cumberland"
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It's 40 miles to Paducah
That must mean Kentucky
It's hard to tell in these headlights
Them southern states look the same to me
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I'm going down to find my baby
Who left me in the middle of last night
I don't know what took her so long
To finally see the light
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That river water runs so fast,
but like you I can't hold it in my hand
Well, June know I'm coming for you,
as soon as I cross,
as soon as I cross the Cumberland
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♪
Every man in this town
Plays a six string better than me
She took to living with one of them
In a dog-eared room up in the Cherokee
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They kept their liquor in the icebox
And their bible in the garbage can
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She told me that he didn't have much
But how them pills, oh they made the man
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That river water runs so fast,
but like you I can't hold it in my hand
Well, June know I'm coming for you,
as soon as I cross,
as soon as I cross
the Cumberland
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From beside her on this rented bed
I watched her turn a ghost
♪
With much purpose and intention
She greatly misjudged the dose
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Her eyes turned black and hollow
and her lips a pale shade of blue
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If you'd have left enough for me
Well, June I would have followed you
♪
That river water runs so fast,
but like you I can't hold it in my hand
Well, June know I'm coming for you,
as soon as I cross,
as soon as I cross
the Cumberland
♪
♪
[Applause] - J. Jeffery: Thank you very much.
[Applause]
[Commercial Break]
♪ - Jami: Ok are you ready for another one?
[Background Chatter]
Jami: We can live with that - [Laughter]
[Guitar Tunes]
Jami: Hold on
[Guitar Tunes] - That's better.
♪
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Dear Wanda was a teller,
and she worked from 8 to 5
She got up in the morning
with her husband by her side
He washed and dressed.
Dear Wanda fried him eggs
and tied his tie
Then headed off to work
with a farewell and kiss goodbye
Next Wanda woke their children,
got them dressed and off to school
Then hopped a bus for midtown
with her presence overdue
Not minutes after opening
in there came a man
in black
And through his mask,
behind a pistol, shouted
"put 'em up"
Stand still,
oh stand still.
I will not pull the trigger
if you yield
But I will,
oh I will
If you move a single muscle
then I will
♪
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♪
So Wanda put her hands up
and she opened up that drawer
She moved so very carefully,
he didn't yell no more
And after he had filled his bag
as he readied then to flee,
He said "you're cooperation is
not lost on cons like me"
That evening dearest
Wanda held her children
mighty tight
A troubled look upon her face
was present through the night
Her husband was so understanding.
He would a vigil keep
He held her hand and rubbed her shoulders
'til she fell asleep
♪
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♪
Next morning, the news story showed
the wanted man clearly
It was her dearest husband
who appeared upon the screen
Before he could explain himself,
dear Wanda knew his lie.
She cried "I know what you have done"
and grabbed their 45.
Stand still,
oh stand still.
I will not pull the trigger
if you yield.
But I will,
oh I will.
If you move a single muscle,
then I will.
I will,
oh I will.
♪
♪
[Applause] - Jami: Thank you.
[Applause]
[Applause]
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
Burlap: Check, Check . . Ok
[Band Warms Up with Background Chatter]
We're going to try the same song
[Band Warms Up with Background Chatter]
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Dance the dance of the broken hearted
Pirouette before the evening's started
Expel your myth on every ear
That sits behind their empty beer
Find yourself no stranger to those
Who travel wild like wolves in sheep's clothes
Draped in silk, bound by wire
full of fruit and fig and fire
And I long to be the face that you will see
♪
Every night as you struggle finding sleep
♪
Your darkest hour illuminates your vacancy
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No Sympathy
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You took a bite from the hand that fed you
So lie awake and ponder all we've been through
Fold like folly, absent truth
Robert Ford and John Wilkes Booth
Drop the orange pill and remove your glasses
Protest a prayer 'fore the twilight passes
Embellished eyes over old loose lips
Parallel to prehistoric hips
♪
Because I long to be the face that you will see
♪
Every night as you struggle finding sleep
♪
Your darkest hour illuminates your vacancy
♪
No Sympathy
♪
Yellow Belly Bawdy Blues
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[Applause]
[Applause]
[Applause] - Burlap: Well thank you.
[Commercial Break]
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
♪
♪
♪
I ain't nothing without you
♪
and I ain't nothing but a fool
♪
I ain't nothing but a clown
and you bring me up just to bring me down
and I ain't nothing without you
♪
And you ain't nothing without me,
♪
you want everything for free
♪
hey babe you want to see me fall
but if you ain't got me you got nothing at all
and you ain't nothing without me
♪
Well I see you walking down the streets
and you know my love can't be beat
darling don't you want to know my name
♪
then I see you walking down the road
and to you my love has gotten old
but any love you find won't be the same
♪
And I ain't nothing without you
♪
you, you ain't nothing without me
♪
you want to fight and I smash the wall
and you're in my arms after teardrops fall
and you ain't nothing without me
♪
♪
♪
♪
♪
and I ain't nothing without you
♪
and I ain't nothing but a fool
♪
I ain't nothing but a clown,
you bring me up just to bring me down
and I ain't nothing without you
♪
I ain't nothing without you
♪
Yeah and I ain't nothing without you
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[Applause]
[Applause]
[Applause] - Erik: Good job Paul.
Tom: Alright that was 4.
Erik: That was 4 we got one more.
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
[Band Warms Up with Background Chatter]
Erik: Is called "Treat Me So Bad"
♪
Why do you treat me so bad?
♪
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