Monday, July 3, 2017

Youtube daily report Jul 3 2017

THE RULE OF THE TEN THOUSAND HOURS By Malcolm Gladwell

Audio Produced by CONSEJOS PARA SER FELIZ

For more than a decade, psychologists from around the world have been passionately discussing

A question that most people would consider settled many years ago. The

Question is: is there innate talent? The obvious answer is yes. Not every player

Of hockey born in January ends up playing at the professional level. Only some

They get: the naturally talented ones. Success is talent plus preparation. The problem

From this point of view is that, the more psychologists look at the careers of

Better endowed, less seems the role of innate talent; And greater the one that plays

the preparation.

The number one test in the talent debate is an early study

Of the 1990s by the psychologist K. Anders Ericsson and two of his colleagues in the

Elitist Berlin Music Academy. With the help of Academy teachers, they divided

To the violinists in three groups. In the first group were the stars, the students

With potential to become world-class soloists. In the second, those

Judged simply "good". In the third, students who had little chance

To get to play professionally and pretend to become teachers of music in the system

Public school. All the violinists answered the following question: in the course of all

His career, since he first took a violin, how many hours has he practiced

total?

In all three groups, everyone had started playing at about the same age, around

Of the five years. At that early stage, everyone practiced about the same

Number of hours, about two or three per week. But when the students were around eight

Years, the real differences began to emerge. Students who finished

As the best of their class began by practicing more than all others: six

Hours a week at nine, eight hours a week at twelve, sixteen at fourteen,

And so on, until at twenty they practiced well above thirty

weekly hours. In fact, at the age of twenty, the elite performers had accumulated

Ten thousand hours of practice each. In contrast, good-to-dry students had added

Eight thousand hours; And future music teachers, just over four thousand.

Then Ericsson and his colleagues compared amateur pianists to professional pianists.

The same pattern was repeated: fans never practiced more than about three hours

Per week during childhood; And by the age of twenty, they had added two thousand hours of practice.

The professionals, on the other hand, had increased their practice time year after

Year, until twenty, like the violinists, had reached ten thousand hours.

Most striking in the Ericsson study is that neither he nor his colleagues found musicians

<< born »to float effortlessly to the top practicing a fraction of the time

That their peers needed. Nor did they find "blunt workers" who, working harder

That nobody, plain and simple, would lack the talent necessary to make a place in

the top. His research suggests that once a musician has demonstrated ability

Sufficient to enter a superior academy of music, which distinguishes an interpreter

Virtuoso of another mediocre is the effort that each dedicates to practice. And that's not all:

The ones at the same summit are not that they work a little or a lot more than all

others. They work much, much more.

The idea that excellence in the performance of a complex task requires a minimum

Given as a threshold value, it opens up again and again in

On mastery. In fact, researchers have decided on what they consider

Is the magic number of true mastery: ten thousand hours.

The image that emerges from such studies is that it takes ten thousand hours of practice to

Achieve the level of self-mastery of a world-class expert in the field

"Said the neurologist Daniel Levitin. Study after study, treat yourself

Of composers, basketball players, fiction writers, skaters about

Ice, piano players, chess players, high-flying or

Whatever, this number is repeated over and over again. Of course, this does not explain why

Some people take better advantage of their practical sessions than others. But nobody has found

Even a case in which true world-class mastery was achieved in less time.

It seems that the brain needs all this time to assimilate what it needs to know for

Reach a real domain.

This is even true of the emblematic cases of prodigy. Mozart, as is well known,

Began writing music at age six. But, as psychologist Michael writes

Howe in his book Fragments of Genius:

According to the parameters of the mature composers, the first Mozart works are not

Exceptional. The earliest pieces were probably written by his father, perhaps by introducing

Improvements in the process. Many of Wolfgang's childhood compositions, such as the first seven

Of their concerts for piano and orchestra, are largely works arrangements due to

Other composers. Among those concerts that only contain Mozart's original music,

The earliest of those who today are considered masterpieces did not make it up to twenty-one.

By then, Mozart had been composing concerts for ten years.

Music critic Harold Schonberg goes further: Mozart, he says, actually

<< developed belatedly », since it did not produce its best works until it took

More than twenty years composing.

Reaching Grandmaster of chess also seems to take about ten years (only

The legendary Bobby Fischer reached that elite level in less time: it cost him nine).

And how old are they? Well, it's about the time it takes to complete ten thousand

Hours of arduous practice. Ten thousand hours is the magic number of greatness.

For Ericsson and those who dispute the primacy of talent, this is not surprising at all.

The prodigies born "late" do not choose them for the selection when they have

Eight years because they are too small for their age; And thus no practical

Supplementary. And without this extra practice, they have no chance of having played

Ten thousand hours when professional hockey teams start looking for players. Y

Without ten thousand hours in their hands, there is no way they will master the necessary capacities

To play at the top level. Not even Mozart - the greatest musical prodigy of all

The times - caught a good streak until he had ten thousand hours to his credit. The practice

It is not what one does when it is good. It is what one does to become good.

Another interesting thing about the happy ten thousand hours, of course, is that the happy ones

Ten thousand hours is a huge amount of time. It is almost impossible to reach that figure

By yourself when you are a young adult. Parents need to be encouraged and encouraged

To one. You can not be poor, because if you have to attend a small-time job

Apart to arrive at month fm, you will not have enough time to practice during the

day. In fact, most people can only reach that figure by being part of

Some kind of special program - such as an under-16 hockey team - or accessing

Some kind of extraordinary opportunity that gives them a chance to invest so many

Hours in one thing.

So it happened to Bill Joy in 1971. Let's go back to this tall, giddy lad of sixteen

years. A lumber of mathematics, the type of student institutions such as

The MIT or Caltech or the University of Waterloo attract by hundreds.

-When Bill was a little boy, he wanted to know everything about everything long before others

Children even know they want to know something, "says his father, William. We will

We answered as we could. When we could not, we just gave her a book.

When it came time to enroll in college, Joy got a perfect grade

In the math section of the entrance exam.

"It was not particularly difficult," he says matter-of-factly. I had plenty of time to

Reread it.

Has talent for arrobas. But this is not the only consideration. It never is. The

Key to its development is that one day he stumbled upon that indescribable building

Of Beal Avenue.

In the early seventies, when Joy learned computing, computers

Were the size of a room. A single machine (perhaps with less power and memory

Than their current microwave oven) could cost more than a million dollars in 1970. The

Computers were unusual. In case of finding one, it was difficult to obtain access

to the; But even if he could get one, his rent for hours cost a fortune.

On the other hand, programming was extraordinarily tedious. At that time it was done using

Perforated cardboard cards. Each line of code was recorded on a card using

A punching machine. A complex program could include hundreds, if not thousands, of these

Cards, stacked in high heaps. Once a program was ready, the programmer

Went to the central processing unit and delivered his stacks of cards to an operator.

Since computers could handle only one task at a time, the operator asked for an hour

To launch the program and depending on how many people were ahead of the programmer

In the queue, it could well happen that the cards were not recovered for a few hours

Or an entire day. And if a single error had been committed, however slight it may seem,

The programmer had to go back with his cards, detect the error and start the

Whole process again.

In those circumstances, it was very difficult to become an expert programmer. And without

Doubt, being an expert at the age of twenty was practically impossible. If only one

Can "program" a few minutes for each hour that passes in the computer room, how

Will you ever reach the ten thousand hours of practice?

-Programming with cards, recalls a computer scientist of that era, you did not learn

To be programmed. You learned to correct and to have patience.

Until the mid-1960s, no solution was found to the problem of

programming. Then the computers finally got enough power to manage

More than one "appointment" at a time. The computer engineers

Understood that, if they rewritten the operating system

Of the computer, could be shared the time of the machine, that could prepare the computer

To handle hundreds of operations at the same time. This, in turn, meant that

Programmers no longer had to physically deliver their stack of cards to the

computer. Dozens of terminals could be built, all linked by telephone

To the central unit, which allowed the realization

Of simultaneous tasks, online.

Here is how a narrative of the time describes the advent of time-sharing:

It was more than a revolution. It was a revelation. Forget the operator, the heaps

Of cards, waits. Sharing process time, one could sit down

The teletype, put a couple of commands and get a response to the moment. Timeshare

Was interactive: a program could request a response, wait for the user to

Typing, performing the task while the user waited and displayed the result; All << in

in Real Time.

This is where Michigan comes in, for it was one of the first universities in the world to

Made the change to the timeshare regime. By 1967, it was already underway

A prototype of this system. In the early 1970s, Michigan had enough

Calculating power so that one hundred people could program simultaneously in the

Computer center

-I do not think that in the late sixties and early seventies there would be no

Site like Michigan - explains Mike Alexander, one of the pioneers of that computer system

Implanted in Michigan. Maybe MIT. Maybe Carnegie Mellon. Maybe Dartmouth.

I do not think there was any other.

This was the opportunity that welcomed Bill joy upon his arrival at the Ann Arbor campus in

The fall of 1971. Joy had not chosen Michigan for his computers. Neither had

Never done anything with computers in high school. He was interested in mathematics and engineering.

But when he was bitten by the programming worm in his first year of university student,

Was - thanks to the happiest of coincidences - in one of the few places

Of the world where a boy of seventeen could program as much as he wanted.

-What is the difference between punch cards and time share? Commented

Joy. For the same thing that exists between playing chess by mail and throwing a game

Fast. Suddenly, scheduling stopped being a frustrating exercise, to become

In something fun.

"I lived on the north campus," continues Joy, "where the computer center was.

How much time was there? Well a phenomenal amount of time. Was opened

Twenty-four hours. Many times I would spend all night there. On average, in those

Years spent more time in the computer center than in the classroom. All that we programmed

There we had the same recurring nightmare in which we completely forgot about

Going to class or even that we were enrolled in college.

"The challenge was that they assigned an account to each student with a fixed amount of money,

So the time was running out. When you pointed, you had to indicate how much

Time you wanted to spend with the computer. Let's say they gave you an hour of time and you had

To make do with it. "He laughs at the memory. But someone noticed that indicating

"Time equal to" followed by "computers" finally gathered sufficient power to

Managing more than one letter, eg t equal to k, the counter would stop. Was a

Software failure One wrote t = ky stayed there for life.

It is necessary to see the stream of opportunities that were presented to Bill Joy: first had

The fate of choosing such a far-sighted institution as the University of Michigan,

He was able to benefit from a timeshare system instead of throwing punch cards

And as it turned out that the Michigan system had some cracks, it was able to program everything

What he wanted; And how the university was willing to spend the money on maintaining

The computer center open twenty-four hours, he could stay all night;

And since he could invest so many hours, when he had the opportunity to rewrite

UNIX, was ready for the task. Bill Joy was brilliant. I wanted to learn. All

This forms much of the success. But before he could become an expert, someone had

That give you the opportunity to learn to be an expert.

"If I was scheduling eight or ten hours a day in Michigan," Joy continues, "when I arrived

To Berkeley I began to work day and night. I already had a terminal at home. Me

It was until two or three in the morning, watching old movies and programming. TO

Sometimes I would fall asleep on the keyboard and then I would wake up the system beep.

After this has happened to you three times, you have to go to bed. I was still relatively

Incompetent even after arriving in Berkeley. But for my second year there,

You can say he was an expert. That's when I wrote programs that still

Are used today, thirty years later. "He paused a moment to do mental calculation,

What for someone like him does not take long: Michigan in 1971; Programming in

Serious since the second course; Summers, plus the days and nights of his first year

In Berkeley. Come out ... I think it's ten thousand hours? There you will walk.

Is this ten thousand hour rule a general rule for success? If we scratch

Beneath the surface of every great triumph, do we always find an equivalent to that

Michigan computer center or that youthful hockey team, some kind

Of special opportunity for practice?

Let's try the idea with two examples; And to simplify, let's choose them so familiar

As we can: The Beatles, one of the most famous rock groups of all time.

time; And Bill Gates, one of the richest men in the world.

The Beatles - John Lennon, Paul McCartney, George Harrison and Ringo Starr - arrived

To the United States in February 1964, beginning the so-called British invasion of the scene

American musical and recording a string of hits with recordings that changed the

History of popular music.

The first thing that interests us of the Beatles for our purposes is how much they carried

Together when they arrived in the United States. Lennon and McCartney began to play together in 1957,

Seven years before landing in America (by the way: the time that elapsed

Between the foundation of the band and those that are possibly its major artistic achievements

Is ten years); And if one looks more closely at those long formative years,

You will find an experience that, in the context of hockey players and Bill Joy,

Or in the world-class violinists, it is tremendously familiar. In 1960, when

They were nothing more than a rock band from an institute struggling to break through, they were invited

To play in Hamburg (Germany).

-In Hamburg then there were no rock and roll music clubs, but

"Said Philip Norman, a Beatles biographer. One of the owners

Of these bad clubs, called Bruno, had started as a park entrepreneur

Of attractions. He came up with the idea of ​​bringing rock bands to play in various clubs.

They had this formula. It was a huge uninterrupted show, with many people coming in and

Going out at all hours. And the bands played all the time to attract that human flow.

In a red neighborhood in the United States they would have called it non-stop strip-tease.

"Many of the groups that played in Hamburg were from Liverpool," continued Nonnan. This

it was a coincidence. Bruno went to look for groups in London. And in Soho he came across a

Businessman from Liverpool who was in London by pure chance. This promoter sent

The first bands to Germany; And that is how the connection was established. From this

The Beatles came into contact not only with Bruno, but also with other owners.

Of clubs. They always came back, because they gave them alcohol and sex to spare.

And what did Hamburg have that made it so special? It was not that they paid well. They paid

wrong. Or that the acoustics were amazing. It was not. Not that the public was sensitive

And understood. Quite the opposite. It was simply the amount of time the group had

That touch.

Let's hear John Lennon, interviewed after the Beatles dissolve, talking

About the band's performances at a Hamburg strip club, Indra:

-We were improving and winning in confidence. It was inevitable, with all the experience

It played all night. And being foreigners, we had to work even harder, to put

The whole heart and soul to hear us.

In Liverpool, the sessions lasted only an hour, so we played only the best

Songs, always the same. In Hamburg we had to play eight hours, so we did not

We had no choice but to find another way to play.

Eight hours ? Let's listen to Pete Best, battery of

The Beatles in those times:

- When the voice of the actions that we did, the club began to program

Many in a row. We were acting seven nights a week. At first we played almost without

Stop until 12.30, when the club closed; But as we were improving, people

He stayed until two almost every night.

Seven days a week?

In the end, the Beatles traveled to Hamburg five times between 1960 and the end of 1962.

On their first trip, they played 106 nights at a rate of five hours or more a night. In

His second trip, acted 92 times; And in the third, 48, with a total of 172 hours

on stage. His last two passes through Hamburg in November and December

1962, involved another 90 hours of performance. In just over a year and a half they had acted

270 nights. In fact, when they had their first success in 1964, they had performed live

Some twelve hundred times. To understand how extraordinary this is, it is important to know

That most groups today do not act twelve hundred times or in the course of their

Whole careers. The Hamburg melting pot is one of the things that make the

Beatles.

"When they got there, they were useless on the stage; But they were again

Very good, "Norman says. They not only gained in stamina. They had to learn one

Huge amount of songs and make versions of everything imaginable, not just rock and

Roll also something of jazz Before going to Germany, they lacked all scenic discipline. But

When they returned, they sounded like no one. That's what gave them their seal.

But back to the story of Bill Gates, almost as well known as the Beatles:

A young and brilliant mathematician who discovers programming. Leave Harvard. Cover with

His friends a small computer company called Microsoft, and by pure brilliance,

Ambition and rennet, turns it into a giant of the software sector So far, the profile

In the broad sense. But let's dig a little deeper.

Gates's father was a wealthy lawyer from Seattle; And his mother, the daughter of a wealthy banker.

As a child, Bill revealed himself as a precocious talent, easily bored by studies;

So his parents took him out of public school, and when he was about to start the seventh

Course, he was sent to Lakeside, a private school to which elite families

Of Seattle sent their children. In the middle of Gates' second year at Lakeside, the institution

He created a computer club.

- Every year, the Mothers Club of the school organized an article market

Used; And there was always the question of where the money would go, "Gates recalls. Sometimes

Was intended for the summer program, which allowed the city boys to spend it on campus.

It was also aimed at the needs of teachers. That year they were invested

Three thousand dollars in a computer terminal located in a small room from which we proceeded

To take over. It seemed an amazing thing to us.

And so much, because it was 1968. And in the sixties not even the universities had clubs

Computer systems. But even more amazing was the kind of computer that Lakeside acquired.

This school did not make programming its students through the laborious system

Of perforated cards, as practically all the others did in the sixties. Conversely,

Lakeside installed the so-called ASR-33 Teletype, a time-sharing terminal with connection

Direct to a central computer in the city of Seattle. Bearing in mind that the idea

Same process time was not conceived until 1965, someone was taking

The front: if Bill Joy had an extraordinarily early opportunity to learn programming

With a time-sharing system in his first university year, 1971, in 1968,

Bill Gates was able to schedule in real time while attending eighth of basic education.

From that year, Gates lived in the computer room. He and others began to

Teach themselves how to use that strange new device. Needless to say if you have to

Renting a terminal then leading ASR was expensive even for an institution

As rich as the Lakeside, so the $ 3,000 raised by the Mothers Club

They soon became exhausted.

Parents raised more money. The students spent it. Then a group of programmers

Of the University of Washington formed a team called Computer Center Corporation

(Or C to Cube), which leased computer hours to local businesses. I wanted the luck that one

Of the founders of the firm, Monique Rona, had a son in Lakeside, a year ahead

Of Gates. And to the Lakeside computer club, Roña wondered, would not you like to try

The company's software programs on weekends in exchange for

Free programming? Well, there was no more! After school, Gates was taking

The bus to the offices from C to Cube and scheduled until well into the night.

C the Cube eventually broke, leaving Gates and his friends hanging around

Of the University of Washington computer center. They soon found another

Company, ISI (Information Sciences Inc.), which gave them free computer hours

In exchange for his work on software to automate payrolls. During a

Period of 1971, Gates and his cohorts totaled 1,575

Programming with the ISI central unit, which makes an average of eight hours a day,

Seven days a week.

"It was my obsession," Gates says of his early years in high school.

I skipped PE. I went there for

the nights. We programmed during the weekends.

Rare was the week we did not throw twenty or thirty hours. There was a period when Paul

Alien and I got into trouble for stealing a bunch of passwords and blocking the system.

They threw us out. All summer I could not use the computer. This was when I had

Fifteen or sixteen years. I then found out that Paul had found a free computer

At the University of Washington. They had these machines in the medical center and the department

Of Physics. They worked on a 24-hour program, but with long inactive periods,

So that between three and six o'clock in the morning there was a gap of three hours-laughs

Gates-. I went out at night, after my bedtime. The stretch from my house to the

Washington University could be covered on foot. I also took the bus. Because

I am always so generous with the University of Washington because he let me steal so many

Computer hours.

Years later, Gates's mother said, "We were always wondering why

It was so hard to get up in the morning.

Then one of the founders of ISI, Bud Pembroke, received a call from the company

TRW technology, which had just signed a contract to infonnatize the huge

Power station in Bonneville, south of Washington state. TRW desperately needed

Programmers familiar with the specific software used by the plant. In those

Days of the computer revolution, it was difficult to find

Class of specialized experience. But Pembroke knew exactly who to call: those

Lakeside guys who had been on the ISI host for thousands of hours. Gates

He was already in his final year of high school; And somehow managed to convince

His teachers to let him move to Bonneville, on the occasion of an independent project

of studies. There he spent the spring writing codes, under the supervision of a man

Named John Norton, who in Gates's words taught him more programming than any

Another person I had met before.

Those five years that go from eighth grade to the end of high school were Hamburg

Of Bill Gates, who, however you look, took advantage of a number of opportunities

Even more extraordinary than the one enjoyed Biil joy.

The number one opportunity was that Gates was enamored of Lakeside. How many institutes

In the world had access to a time-share terminal in 1968? The opportunity

Number two was that the mothers of Lakeside had enough money to pay

The rates of the school computer. Number three: When that money ran out, it turned out

That one of the mothers worked in C to the Cube, which in turn needed someone to prove

Their software codes during the weekends, regardless of the purpose

Week will be spent on weekdays. Number four: Gates discovered little ISI

Before this company needed someone to computerize their payrolls. Number five:

Gates lived a short distance from the University of Washington. Six: the university had

A free computer three hours a day. Seven: TRW called Bud Pembroke. Eight: the best

Programmers that Pembroke knew for a given task turned out to be two high school chavs.

Nine: Lakeside was willing to let these guys spend the spring writing

Codes elsewhere.

And what did all those opportunities have in common? What did they give

Bill Gates extra time to practice. When Gates left Harvard after his

Second year as a student to try his luck with his own software company, he was

Seven consecutive years programming almost non-stop. He had far surpassed the

Ten thousand hours. How many teenagers in the world were the kind of

Had gates

"I would be very surprised there had been fifty in the whole world," he says.

There was C to Cube and that payroll software we did; And then came TRW, all those

Things came together. I think I had better access to software development at an age

Than any other person in that period of time, and all because of a series of

Incredibly fortunate event.

If we put together the stories of hockey players and the Beatles with those of Bill Joy

And Bill Gates, I think we'll get a better idea of ​​the road to success. So much

Joy as Gates or the Beatles were undoubtedly talented people. Lennon and McCartney

They shared a musical gift of those given once each generation; And Bill Joy, do not

Forget, had a mind so fast that was able to formulate on the fly a complicated

Algorithm that overwhelmed its teachers. All this is obvious.

But what really distinguishes their stories is not their wonderful talent, but the extraordinary ones

Opportunities they enjoyed. The Beatles invited them, by the most arbitrary of the

To Hamburg. Without Hamburg, the Beatles may well have followed a very

different. "I was very lucky," Bill Gates said at the beginning of our interview.

This does not mean that he is not brilliant or an extraordinary businessman; Only comprising

How incredibly lucky he was to be at Lakeside in 1968.

All the series we have seen are beneficiaries of some kind of opportunity

Unusual Lucky streaks do not seem to be exceptional among millionaire

Software, sports idols and rock ensembles. They seem to be the norm.

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If you enjoyed this; go to the playlist link below for more railway crossings!

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Summer Makeup for Beginners, Hairstyle & Outfit | Using 5 Products | ShrutiArjunAnand - Duration: 5:43.

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The Unboxing Authority YouTube Channel 2017 - Duration: 1:39.

Police Siren

Hello I am the Unboxing Authority

Do you know why I pulled you over today ? Because I'm too young to be driving ?

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Interview: Prof. Frank J. Muller - Transformacija specijalnih škola (sa titlovima) - Duration: 1:52.

For more infomation >> Interview: Prof. Frank J. Muller - Transformacija specijalnih škola (sa titlovima) - Duration: 1:52.

-------------------------------------------

Garbage Truck | Formation and Uses | Learn Street Vehicles for Children 3D Cartoon Cars | BinBin Tv - Duration: 2:16.

Garbage Truck | Formation and Uses | Learn Street Vehicles for Children 3D Cartoon Cars | BinBin Tv

For more infomation >> Garbage Truck | Formation and Uses | Learn Street Vehicles for Children 3D Cartoon Cars | BinBin Tv - Duration: 2:16.

-------------------------------------------

Interview: Philippe Testot-Ferry - Pravo na inkluzivno obrazovanje (sa titlovima) - Duration: 1:56.

For more infomation >> Interview: Philippe Testot-Ferry - Pravo na inkluzivno obrazovanje (sa titlovima) - Duration: 1:56.

-------------------------------------------

Interview: Prof.Dr. Ann-Katrin Swärd - Pravo na inkluzivno obrazovanje (sa titlovima) - Duration: 1:34.

For more infomation >> Interview: Prof.Dr. Ann-Katrin Swärd - Pravo na inkluzivno obrazovanje (sa titlovima) - Duration: 1:34.

-------------------------------------------

VINTAGE VECTOR LOGO | How To Add Texture In Illustrator | Satori Graphics Illustrator Tutorial - Duration: 7:37.

in today's Illustrator tutorial we're going to make a vintage vector logo

design and I will show you how to add texture to any design in Adobe Illustrator

how's it going everybody welcome back to satori graphics home of graphic

design content. if you're new here and you enjoy my content subscribe for my

five weekly graphic design uploads and if you have them already hit that Bell

icon to turn on your expectations so you never miss an upload now on with today

is a vintage vector logo tutorial the first thing we need to do for our

vintage logo design is to make the outline of the shield hit command or

control R to open up your rulers and then drag some guides onto your art board

like I'm doing here we want one in the middle

with two equally apply on the left on the right and then two to help us with

the bottom on the top of the shield and choose the stroke and grab the pen tool

using the pencil draw an outline of your shield using the guides like I'm doing here

after you are done you can use a direct selection tool to edit the anchor points

and the handles also the selection tool to edit the size on the shape of your outline

once happy go ahead and with the stroke thicker to something similar as mine

here this will be the outline of a vintage vector logo design and next

we're going to add a detail and finally the texture next select the polygon tool

and double-click the artboard in Illustrator type in three sides and

generate the shape

we can hold down the alt/option key and duplicate the triangle eating you too

we're going to make mountain peaks while shield logo design we need to open up

the Pathfinder window and then hold down shift to select both triangles and then

unite them together

now select the color you can see over black and using the pencil through two

shapes that are going to resemble snow

make sure that both shapes are fill and then unite them together once the United

selected both the snow and the mountains and use the option in Pathfinder window

to cut the snow into the mountains move the mounting over to a shared outline

and place it where you think looks best

it will help to have a guide on the center of your shield for this next part

use the pen tool to create shape that will continue the mountain down the

shield like I'm doing here

once happy to let a new shape and the mountain and join them together in the

Pathfinder window we are nearly ready tailored extra in

Illustrator to make a little design vintage but first we can add a shape at

the top filling the negative space of our like the design let me know what you

guys think do you prefer the leg a with or without the shape let me know in the

comment section below you can use the Ren collection to any stage to move and

edit your logo design via the anchor points

and I just mentioned which lady designed Eva fair I'm going to add a vintage

texture effect to the one on the left simply because it has more black areas

that occupy the vintage style open up the transparency window in Illustrator

but also make sure that all of your shapes United is one in the path under

window there's a link in the description below for these grand directors here but

once you've opened them pick one of them in command or ctrl C to copy it so let

the logo design and then the transparency window click the show

options

uncheck booth boxes and then click the right-hand box this is where you can

then paste your vector in with command or control V you can then add as many

vectors as you want using this method but the more you add the slow your

computer is going to become once happy you simply need to select the left box

here when you're done your vintage vector load design is complete with

texture you can edit and change the color as you wish

here's how my funnel is design came out and because it's a vector is going to

retain quality and scale so what did you think of my vintage bike a little design

in Illustrator let me know in the comment section below and leave a like

on your way out subscribe my five weekly graphic design uploads and until next

time design your future today peace

For more infomation >> VINTAGE VECTOR LOGO | How To Add Texture In Illustrator | Satori Graphics Illustrator Tutorial - Duration: 7:37.

-------------------------------------------

Princess Diana describes furious row with Camilla Parker Bowls blasting 'I WANT MY HUSBAND - Duration: 4:17.

PRINCESS Diana told how she took on her love rival Camilla Barker Bowles and demanded to

her face �I want my husband back.� The Princess of Wales, revealed how she confronted

her husband's mistress at Camila�s sister�s 40th party on the �bravest night of her

10 year marriage."

Diana revealed all in tapes that she secretly recorded in the late 1980s for author Andrew

Morton and his book Diana: Her True Story In Her Own Words.

She said: �The worst day of my life was realising that Charles had gone back to Camilla.

�One of the bravest moments of my ten years of marriage was when we went to this ghastly

party (thrown by Lady Annabel Goldsmith in February 1989) for Camilla�s sister�s

40th birthday. �Nobody expected me to turn up, but a voice inside me said: �Go for

the hell of it.� So I psyched myself up something awful.

�I decided I�m not going to kiss Camilla hello any more. I was going to shake hands

with her instead. This was my big step. And I was feeling frightfully brave and bold,

and basically: �Diana�s going to come away having done her bit.�

Diana recalls the events of 1989, when she and Prince Charles were living separate lives

after he went back to his lover Camilla Parker Bowles, who he was allegedly dating since

the 1970s. She describes how there were around 40 of them at the dinner party and they all

sat down.

She says they were mostly much older than her but she still tried to be engaging and

brighten up the room.

Suddenly, she looked around and noticed that Charles and Camilla were both missing from

the event and this "disturbed� her.

The others in the room warned her not to go downstairs and find the pair. But she insisted

on going.

She said: �I had been upstairs about an hour and a half so I was entitled to go down

and find him. I go downstairs, and there is a very happy little threesome going on Camilla,

Charles and another man chatting away. �So I thought: �Right, this is your moment,�

and joined in the conversation as if we were all best friends. And the other man said:

�I think we ought to go upstairs now.�

�So we stood up, and I said: �Camilla, I�d love to have a word with you, if it�s

possible,� and she looked really uncomfortable and put her head down.

�And I said to the men: �OK, boys, I�m just going to have a quick word with Camilla.

I�ll be up in a minute,� and they shot upstairs like chickens with no heads, and

I could feel upstairs all hell breaking loose. �What�s she going to do?�

�I said to Camilla: �Would you like to sit down?� So we sat down, and I was utterly

terrified of her, and I said: �Camilla, I would just like you to know that I know

exactly what is going on.� �She said: �I don�t know what you�re talking about!�

"And I said: �I know what�s going on between you and Charles, and I just want you to know

that.�

�Anyway, going back to Camilla. She said to me: �You�ve got everything you ever

wanted. You�ve got all the men in the world falling in love with you, and you�ve got

two beautiful children. What more could you want?�

So I said: �I want my husband.�

�Someone came down to relieve us, obviously. �For God�s sake, go down there, they�re

having a fight.� It wasn�t a fight calm, deathly calm.

�I said to Camilla: �I�m sorry I�m in the way. It must be hell for both of you,

but I do know what is going on. Don�t treat me like an idiot.� So I went upstairs and

people began to disperse. tell us your thoughts in comments below. thanks for watching. please

like,subscribe and share my videos.

For more infomation >> Princess Diana describes furious row with Camilla Parker Bowls blasting 'I WANT MY HUSBAND - Duration: 4:17.

-------------------------------------------

" GOODBYE. " - Duration: 1:29.

I'm moving to St. Sebastian.

I'm going.

Wake up!

I'm here

You should smile more.

Wake up!

For more infomation >> " GOODBYE. " - Duration: 1:29.

-------------------------------------------

Toyota Yaris 1.3 16v VVT-i AIRCO/LM/6 BAK - Duration: 1:01.

For more infomation >> Toyota Yaris 1.3 16v VVT-i AIRCO/LM/6 BAK - Duration: 1:01.

-------------------------------------------

Flames of War Plastic Tank Destroyer Platoon [15mm] - Duration: 10:57.

For more infomation >> Flames of War Plastic Tank Destroyer Platoon [15mm] - Duration: 10:57.

-------------------------------------------

Toyota Aygo 1.0 VVT-i 5-drs X-NOW Airco - Duration: 0:59.

For more infomation >> Toyota Aygo 1.0 VVT-i 5-drs X-NOW Airco - Duration: 0:59.

-------------------------------------------

Vật lý 12- LTĐH_Chương I Dao động cơ học - bài 1- tiết 2: đại cương dao động điều hòa - Duration: 35:10.

For more infomation >> Vật lý 12- LTĐH_Chương I Dao động cơ học - bài 1- tiết 2: đại cương dao động điều hòa - Duration: 35:10.

-------------------------------------------

Interview: Prof. Frank J. Muller - Transformacija specijalnih škola (sa titlovima) - Duration: 1:52.

For more infomation >> Interview: Prof. Frank J. Muller - Transformacija specijalnih škola (sa titlovima) - Duration: 1:52.

-------------------------------------------

Mindscape 1.2 - Wishing Gets You Nowhere - Duration: 9:57.

I know you can't get me out of here.

But I heard- I heard there's a way to merge personalities with the vessel's personality.

That way, we'd be able to do things, to be a whole person!

It sounds miraculous. More than we can hope for. Far-fetched.

The studies say that it doesn't happen often, that more often than not, the alternates just...

...disappear. Poof. We're gone. Like we never existed.

I don't want to be gone. I want to continue to exist!

If I'm erased, what good will I do? I'll just be another personality in the history of them.

I won't be able to change anything, to make history! I'll be no-one. Nothing.

I hate that. I hate that so, so much.

Even though I'm stuck in here, I can control the vessel at times. Like to make this video.

I can do something, and even though it won't be credited to me, at least it will be done!

Even with something as simple as making and putting these videos out, I might be able to change the life of someone.

Like, a bored passerby who needs something to occupy their mind, or a workaholic who needs ten minutes a day to calm themselves.

Someone who might listen to my message, as it slowly evolves, and connect with it.

There's a chance that this cry for help might help someone else.

I'm not complaining about being able to let my voice be heard, though. That's a great bonus.

*pause as Roxy finds it in herself to continue being deep and expressing herself using words*

*please remain on the line, a representative will be with you shortly*

It's funny how comfortable I got with this whole "making videos" thing.

How easily I can do it. It makes me almost… happy.

Wishy-washy nonsense aside, I learned, with the uploading of the last video, that I need to be more careful.

The others almost caught me last time, and if they do…

Well, suffice it to say, I'll be in trouble.

Even though it's only been two episodes, I don't think I could bear to lose this. It's all I have.

My only connection to the outside world that is completely mine.

*google robo hamster images, they're so cute!!*

*this has been a message from the subtitler*

I can't tell anybody about this. I can't let anyone find out . . .

The only one I feel really comfortable telling is Ember.

Even though she's new, we've bonded a lot. She… she's brilliant.

Maybe I'll tell her about it. It'd be nice to have someone to help me out…

*tea break*

I'm looking out the window right now. There are no windows in the Mindscape, no outside world to be spoken of.

I forgot how beautiful the real world was, especially at sunset.

*reflection on the beauty of sunsets*

We got a new Fade today. They showed up, and set up camp next to Naomi.

They said their name was Aiden.

Oh, right. You don't know what a Fade is.

It's like, a ghost. It drifts in and out of presence, hoping that it'll become a full alter.

We have quite a few of them, here.

Luckily, we are pretty good at keeping them away, and subdued enough that they never become solid.

Honestly, the new Fade feels like a bitter reminder of someone else. Someone who…

Naomi misses her Aiden, and... I get it.

I miss Dirk almost as much.

Don't you hate it when people have to leave?

It's funny, knowing that all we are at this point is a pointless blob of regret, resent, and rage.

Or- at least, I am.

Especially the rage part.

Raging Roxy, that's me.

Maybe I'd accomplish more, outside the Mindscape. Maybe I'd be able to make peace with myself if I were able to do anything.

But all these maybes are lost on me. There's really nothing I can do to change this.

And I guess I'll have to live with it. If I don't learn to live with it, it could quite possibly destroy me.

*a guy's doorbell rang and he went to see who it was*

*it was a snail. He picked up the snail and threw it away as hard as he could*

*three years later, his doorbell rang again. It was the same snail as before*

*the snail said, "What was that all about?!"*

*ehehehe geddit geddit*

*i'm so funny*

The vessel was upset today.

She kept replaying a memory of someone - someone that she very clearly liked - calling her "abnormal".

Though she tried her best to smile and roll her eyes, mark it off as nothing but a friendly jibe, it still hurt her.

It still hurt her. So much.

I pity the girl, really. When things get tough, she doesn't have anyone else to hold her.

I guess that's one of the things the Mindscape has that the outside world doesn't.

Someone to hold you close, knowing exactly what's wrong, without you having to tell them.

*beep of rudeness*

She has nothing. No-one.

Sure, she has her friends and family, but this was something so silly,

talking about it to anyone else would earn her an eye roll and a snark "Get over it!"

Here, you can see the feelings. They have a legitimate presence.

You understand, and are understood. There, feelings are hated and shunned.

Go us, I guess.

Naomi was telling me about… us. Not like, us as in we're a couple. That's creepy.

No, us as in alters. She blathered on about "emotional fragmentation" and "traumatic experiences".

I'm not sure what she meant, exactly. Just that it felt… bad.

As if we were merely a product of the vessel's worst experiences.

I don't believe that I am. If I was, then . . . I would be different, right?

I mean... I would, right?

If I was, then I wouldn't be my own person. I would be . . . a thing.

Just a way for the vessel to deal with bad things that come along.

And I don't want to be-

I don't want to be a way for someone to deal, at least not like that...

I-

If people are shaped by experiences And I am an experience.

Not technically, just bear with me for a minute.

And I am an experience, then-

Did I shape the vessel?

If I did, then I didn't do a very good job. She's too inwardly fragile. Too weak.

If I was really shaping her, I would have made her stronger. Gave her thicker skin.

Taught her to take what the world throws at her. Because I'm stronger than her. And I could teach her to be like me!

I'm not narcissistic, I swear. Just . . . realistic. I mean, if I could teach her, she would be better off!

She wouldn't be so hurt by offhand comments. She would be . . . better, stronger!

If only I could reach out to her and make that a reality.

If only- if only I could really teach her to be stronger than she is.

But I can't. And that's that.

Doing that could put the others in jeopardy, and I would never do anything to hurt them.

*you should tell my snail joke at parties, everyone will love you*

What we think is "better" can really just be worse.

I know that sounds out of the blue, but . . . I just remembered something I overheard the vessel's mother say to her.

She told her that things were better than they were three years ago, that things were looking up.

I could feel Sienna's - that's the vessel, by the way, that's her name - doubt.

She reached down and rubbed her arms, then gave her mother a smile that felt extremely fake.

Her mother says things are better. And, in a way, things are better. But they're also worse.

Her situation is more unstable than ever before, even compared to her brief adolescent bout of depression.

It seems that, though she's not as "sad" as she was before... but she's more uncertain than ever.

She may be entering college soon, she may be a legal adult, but she feels lost . . .

I guess we all have to feel lost, at one point...

Again, I wish I could help. But, she's better off like this.

Or, she will be, as soon as she moves into her college dorm. Away from her parents.

That should help. I hope it will help.

As much as I know that hoping will get me nowhere, hoping is all that I have right now.

Hoping- hoping is all that I have.

Hoping in this- these videos that I think are really not much more than just rants to get life off of my chest...

And... I wish there was more that I can do.

I wish that I was more influential.

*weird airhorn-type noise*

I have to be more careful.

I wish I was my own person.

Literally.

I wish I could have my own vessel to control, that I wasn't this voice inside of someone's head.

Though I wouldn't technically be a voice inside someone's head.

Honestly, getting into the logistics of that is like far too complicated.

With all the powers of the Mindscape, it lacks the simple ability to really affect someone's life in a major way.

And that means I lack that ability.

I want to help. I wish I could, but wishing gets you nowhere.

Wishing...

*have you got the snail joke memorized yet*

Saying "I wish" is the equivalent to saying "maybe".

And both of them have equal...

*truck engine mimicking a cow*

What's the word?

Um... effects. That's it.

It pains me, how much I tend to forget this vocabulary.

I guess that's one of the downsides of living in the Mindscape.

You don't talk enough to be able to hold a legitimately decent conversation. You forget words so easily.

♪ Drifting like a speck of dust ♪

♪ Through the corners of your mind ♪

♪ Let's see what we can find ♪

♪ Let's see what we can find ♪

For more infomation >> Mindscape 1.2 - Wishing Gets You Nowhere - Duration: 9:57.

-------------------------------------------

VINTAGE VECTOR LOGO | How To Add Texture In Illustrator | Satori Graphics Illustrator Tutorial - Duration: 7:37.

in today's Illustrator tutorial we're going to make a vintage vector logo

design and I will show you how to add texture to any design in Adobe Illustrator

how's it going everybody welcome back to satori graphics home of graphic

design content. if you're new here and you enjoy my content subscribe for my

five weekly graphic design uploads and if you have them already hit that Bell

icon to turn on your expectations so you never miss an upload now on with today

is a vintage vector logo tutorial the first thing we need to do for our

vintage logo design is to make the outline of the shield hit command or

control R to open up your rulers and then drag some guides onto your art board

like I'm doing here we want one in the middle

with two equally apply on the left on the right and then two to help us with

the bottom on the top of the shield and choose the stroke and grab the pen tool

using the pencil draw an outline of your shield using the guides like I'm doing here

after you are done you can use a direct selection tool to edit the anchor points

and the handles also the selection tool to edit the size on the shape of your outline

once happy go ahead and with the stroke thicker to something similar as mine

here this will be the outline of a vintage vector logo design and next

we're going to add a detail and finally the texture next select the polygon tool

and double-click the artboard in Illustrator type in three sides and

generate the shape

we can hold down the alt/option key and duplicate the triangle eating you too

we're going to make mountain peaks while shield logo design we need to open up

the Pathfinder window and then hold down shift to select both triangles and then

unite them together

now select the color you can see over black and using the pencil through two

shapes that are going to resemble snow

make sure that both shapes are fill and then unite them together once the United

selected both the snow and the mountains and use the option in Pathfinder window

to cut the snow into the mountains move the mounting over to a shared outline

and place it where you think looks best

it will help to have a guide on the center of your shield for this next part

use the pen tool to create shape that will continue the mountain down the

shield like I'm doing here

once happy to let a new shape and the mountain and join them together in the

Pathfinder window we are nearly ready tailored extra in

Illustrator to make a little design vintage but first we can add a shape at

the top filling the negative space of our like the design let me know what you

guys think do you prefer the leg a with or without the shape let me know in the

comment section below you can use the Ren collection to any stage to move and

edit your logo design via the anchor points

and I just mentioned which lady designed Eva fair I'm going to add a vintage

texture effect to the one on the left simply because it has more black areas

that occupy the vintage style open up the transparency window in Illustrator

but also make sure that all of your shapes United is one in the path under

window there's a link in the description below for these grand directors here but

once you've opened them pick one of them in command or ctrl C to copy it so let

the logo design and then the transparency window click the show

options

uncheck booth boxes and then click the right-hand box this is where you can

then paste your vector in with command or control V you can then add as many

vectors as you want using this method but the more you add the slow your

computer is going to become once happy you simply need to select the left box

here when you're done your vintage vector load design is complete with

texture you can edit and change the color as you wish

here's how my funnel is design came out and because it's a vector is going to

retain quality and scale so what did you think of my vintage bike a little design

in Illustrator let me know in the comment section below and leave a like

on your way out subscribe my five weekly graphic design uploads and until next

time design your future today peace

For more infomation >> VINTAGE VECTOR LOGO | How To Add Texture In Illustrator | Satori Graphics Illustrator Tutorial - Duration: 7:37.

-------------------------------------------

Armeria Fratelli Poli. Fucili fini realizzati a mano - Duration: 9:15.

For more infomation >> Armeria Fratelli Poli. Fucili fini realizzati a mano - Duration: 9:15.

-------------------------------------------

Summer Makeup for Beginners, Hairstyle & Outfit | Using 5 Products | ShrutiArjunAnand - Duration: 5:43.

This is very practical make-up look in orange colour

I hope you all will like this

and along with this I will also share my hairstyle and outfit

So let start with this "Get Ready With Me"

To apply this we will put small dots all over our face

so that it evenly spread on the face

apply rest foundation on your neck

blend this with the padding motion using fingers all over the face

Remember this never rub the foundation on your face

rubbing foundation results in sticky and cricky foundation

always use padding motion for apply foundation

to hide you dark circle whenever you are applying and blending foundation below your eyes

always look upwards this way your foundation will blend well

after applying foundation leave it for few minutes so that it settle down

apply this on lower water line and after that apply on lower lash line by making a line

take the line forward in upward direction to make the wing similar on both the eyes

Now we will line upper lash line

for this I will bring my brush from outer line towards center

and after that when I am doing the inner corner make sure there is minimum product on your brush

this will make line thin and it will not spread

I am applying the false lashes because I love bold look on my eyes and

since it is a party look I will show you the drastic change after applying it

this is an additional step you can skip this

so friends do comment me how you like my make-up look

and if you want me to do this type of easy makeup looks so let us together target for 6000 likes

Hmm I know it is little tough but together we can do this

and if you want me to do these type of get ready with me regularly then don't forget to hit that LIKE button

Do follow me on Instagram as I reply to your comments on the same

meet you again in my next video. BYE BYE

For more infomation >> Summer Makeup for Beginners, Hairstyle & Outfit | Using 5 Products | ShrutiArjunAnand - Duration: 5:43.

-------------------------------------------

Interview: Prof.Dr. Ann-Katrin Swärd - Pravo na inkluzivno obrazovanje (sa titlovima) - Duration: 1:34.

For more infomation >> Interview: Prof.Dr. Ann-Katrin Swärd - Pravo na inkluzivno obrazovanje (sa titlovima) - Duration: 1:34.

-------------------------------------------

Interview: Philippe Testot-Ferry - Pravo na inkluzivno obrazovanje (sa titlovima) - Duration: 1:56.

For more infomation >> Interview: Philippe Testot-Ferry - Pravo na inkluzivno obrazovanje (sa titlovima) - Duration: 1:56.

-------------------------------------------

HAI (A Short Movie) - Duration: 10:55.

Hi!

I'm Jodie. May i know your name?

Hey?hello?

Hey, Yan! Look! Do you know this girl?

Umm. Why?

I talked to her, but she didn't respond.

She even left me.

That means, she doesn't like you.

Really?

Maybe..

Ehm, Jod I have to go.

Okay!

The next day..

Do you know the new teacher? The pretty one.

No. The one who's pretty, tall, and has a fair skin

Oh really?

She used to be a model.

But, someone told me that she is.....

Move!

By the way, Why do you hate your sister?

Can we not talk about that..

Maybe she needed you. No she didn't.

A week later...

Hey!

I'm Jodie. May i know your name?

Why don't you respond me everytime i talk to you?

Oh...I'm sorry

(It's fine)

(I'm Jodie)

(I'm Nada)

Five days later...

Hi!

(Our book)

Have you ever thought of talking?

Why?

Because they laugh at me.

Okay. I'm sorry.

Hey!

You know what? Jodie likes nada

Just leave it...

But, she is deaf and she can't talk.

But, she's kind.

You shouldn't talk bad about her

Are you sure?

Yes. Did you ever hear about our senior who doesn't want to admitted his sister because she can't talk?

That's his sister.

But, she's still care to her brother.

Oh okay, Jodie likes the right person then.

Let's go to canteen.

[TEASING]

[SIGH]

Jod!

Jodie has been acting weird lately, and he looks unhappy too. But i don't know why.

Maybe he has some problems with, who is it? i forgot her name.

Nada!

Is that so?

Ya, who knows.

A few days later...

Hey! Are you alone?

What's your name?

Why are you so quite?

I have to tell Bajra.

Is someone calling me?

Jra! Your sister! Someone is teasing her!

Jra, it's your sister.

Come on, Jra! She is your sister.

Let's go! We should help her!

Guys! Isn't she the girl that jodie likes?

Where?

That one, who's being teased by a boy.

Yes that's her.

Yan, you should call jodie and tell him.

Here! Hurry up!

[PHONE RINGING]

Hello? Jod?

What's up?

Where is she?

Right there! Let's go!

Hey! What are you doing?!

Listen! Don't you dare to tease her or get close to her ever again!

Yes.

I'll beat you if you ever do that again.

Are you okay?

I'm sorry for leaving you alone. i'll never leave you again.

Apologize to her!

Okay, okay. I'm sorry.

Go!

Let's sit.

What did he do to you?

(He didn't do anything, i'm fine)

I'm sorry.

For not admitting you as my sister all this time.

Will you forgive me? (Yes)

Let's go home then.

Can you get my bag? Okay.

Thank you.

"The best and most beautiful things in the world cannot be seen or even touched. they must be felt with the heart."

For more infomation >> HAI (A Short Movie) - Duration: 10:55.

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Turning Vacation into Home - Duration: 21:35.

For more infomation >> Turning Vacation into Home - Duration: 21:35.

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Taking a Look at Innsbrook - Duration: 21:35.

For more infomation >> Taking a Look at Innsbrook - Duration: 21:35.

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Narragansett Beach Home Hunt - Duration: 21:35.

For more infomation >> Narragansett Beach Home Hunt - Duration: 21:35.

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Tech giveaway - Duration: 5:15.

For more infomation >> Tech giveaway - Duration: 5:15.

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Verdi:A2ïdA(part 1, English subs, click "CC" button) - Duration: 15:00.

Yes, it is rumoured that the Ethiopian has dared to challenge us again

threatening Thebes and the valley of the Nile.

Shortly a messenger will bring us the details.

Have you consulted Holy Isis?

She has named the supreme commander of the Egyptian armies.-Oh, fortunate man!

He is young and brave.

Now I shall go to inform the King of the deity's decree.

If only that warrior were I! If my dream came true!

An army of brave men, led by me!

victory, and the applause of all Memphis!

To return to you, my sweet Aida, decked with the victor's laurels

to say to you: 'I fought, I won for you!'

Heavenly Aida, divine form!

Mystic garland of light and flowers!

You are the queen of my thought!

You are the splendour of my life!

That I might bring you once more the blue skies, the soft breezes of your native land

adorn your head with a royal crown, build a throne for you near the sun!

How strangely happy you look!

What noble pride flashes upon your face! How enviable indeed would be that woman whose beloved sight could awaken such light of gladness in you!

My heart was lost in an adventurous dream.

Today the goddess has named the warrior who will lead the Egyptian legions into battle.

Ah! If I were chosen for such an honour...

Doesn't another more pleasant, sweeter wish speak to your heart? Have you no desires, no hopes, here in Memphis?

I! (What question!) (Perhaps she has discovered the secret love which burns in my heart.)

(Oh, woe for him if love for another should burn in his heart!) (Woe to him If my eyes should ever see through this fatal mystery!)-(Perhaps she has read in my thoughts her slave's name!)

-It is she! -He's agitated! How he looks at her! Aida! Could she be my rival?

Come, oh my dear, approach, you are neither slave nor maid here, where in sweet transport, I called you "sister".

You weep? Tell me the reason for your tears.-Alas, I have heard the frightful war cry resound.

I fear for my country, for myself, for you.

Is this true? No greater care disturbs you? Beware, you treacherous slave!

-In her face wrath and suspicion blaze. Woe to us if she should ever look inside our hearts! -Beware, you treacherous slave! Beware of me looking inside your heart! Beware! The truth is revealed by your tears and your blushing.

No, not only for my country is my heart in anguish. The tears I shed are the tears of unhappy love!

Beware...

For more infomation >> Verdi:A2ïdA(part 1, English subs, click "CC" button) - Duration: 15:00.

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7/02/2017 - Duration: 40:21.

For more infomation >> 7/02/2017 - Duration: 40:21.

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¿Pequeño o grande? ¡Apréndelo junto a estos divertidos peces de colores! - Duration: 0:31.

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ya raqeebo ka wazifa in urdu | Hamal Ki Hifazat Karne Ka Wazifa in urdu | wazifa by kamran sultan - Duration: 2:49.

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Malcolm Gladwell - La regla de las diez mil horas - Fuera de Serie(Outliers) - Duration: 35:01.

THE RULE OF THE TEN THOUSAND HOURS By Malcolm Gladwell

Audio Produced by CONSEJOS PARA SER FELIZ

For more than a decade, psychologists from around the world have been passionately discussing

A question that most people would consider settled many years ago. The

Question is: is there innate talent? The obvious answer is yes. Not every player

Of hockey born in January ends up playing at the professional level. Only some

They get: the naturally talented ones. Success is talent plus preparation. The problem

From this point of view is that, the more psychologists look at the careers of

Better endowed, less seems the role of innate talent; And greater the one that plays

the preparation.

The number one test in the talent debate is an early study

Of the 1990s by the psychologist K. Anders Ericsson and two of his colleagues in the

Elitist Berlin Music Academy. With the help of Academy teachers, they divided

To the violinists in three groups. In the first group were the stars, the students

With potential to become world-class soloists. In the second, those

Judged simply "good". In the third, students who had little chance

To get to play professionally and pretend to become teachers of music in the system

Public school. All the violinists answered the following question: in the course of all

His career, since he first took a violin, how many hours has he practiced

total?

In all three groups, everyone had started playing at about the same age, around

Of the five years. At that early stage, everyone practiced about the same

Number of hours, about two or three per week. But when the students were around eight

Years, the real differences began to emerge. Students who finished

As the best of their class began by practicing more than all others: six

Hours a week at nine, eight hours a week at twelve, sixteen at fourteen,

And so on, until at twenty they practiced well above thirty

weekly hours. In fact, at the age of twenty, the elite performers had accumulated

Ten thousand hours of practice each. In contrast, good-to-dry students had added

Eight thousand hours; And future music teachers, just over four thousand.

Then Ericsson and his colleagues compared amateur pianists to professional pianists.

The same pattern was repeated: fans never practiced more than about three hours

Per week during childhood; And by the age of twenty, they had added two thousand hours of practice.

The professionals, on the other hand, had increased their practice time year after

Year, until twenty, like the violinists, had reached ten thousand hours.

Most striking in the Ericsson study is that neither he nor his colleagues found musicians

<< born »to float effortlessly to the top practicing a fraction of the time

That their peers needed. Nor did they find "blunt workers" who, working harder

That nobody, plain and simple, would lack the talent necessary to make a place in

the top. His research suggests that once a musician has demonstrated ability

Sufficient to enter a superior academy of music, which distinguishes an interpreter

Virtuoso of another mediocre is the effort that each dedicates to practice. And that's not all:

The ones at the same summit are not that they work a little or a lot more than all

others. They work much, much more.

The idea that excellence in the performance of a complex task requires a minimum

Given as a threshold value, it opens up again and again in

On mastery. In fact, researchers have decided on what they consider

Is the magic number of true mastery: ten thousand hours.

The image that emerges from such studies is that it takes ten thousand hours of practice to

Achieve the level of self-mastery of a world-class expert in the field

"Said the neurologist Daniel Levitin. Study after study, treat yourself

Of composers, basketball players, fiction writers, skaters about

Ice, piano players, chess players, high-flying or

Whatever, this number is repeated over and over again. Of course, this does not explain why

Some people take better advantage of their practical sessions than others. But nobody has found

Even a case in which true world-class mastery was achieved in less time.

It seems that the brain needs all this time to assimilate what it needs to know for

Reach a real domain.

This is even true of the emblematic cases of prodigy. Mozart, as is well known,

Began writing music at age six. But, as psychologist Michael writes

Howe in his book Fragments of Genius:

According to the parameters of the mature composers, the first Mozart works are not

Exceptional. The earliest pieces were probably written by his father, perhaps by introducing

Improvements in the process. Many of Wolfgang's childhood compositions, such as the first seven

Of their concerts for piano and orchestra, are largely works arrangements due to

Other composers. Among those concerts that only contain Mozart's original music,

The earliest of those who today are considered masterpieces did not make it up to twenty-one.

By then, Mozart had been composing concerts for ten years.

Music critic Harold Schonberg goes further: Mozart, he says, actually

<< developed belatedly », since it did not produce its best works until it took

More than twenty years composing.

Reaching Grandmaster of chess also seems to take about ten years (only

The legendary Bobby Fischer reached that elite level in less time: it cost him nine).

And how old are they? Well, it's about the time it takes to complete ten thousand

Hours of arduous practice. Ten thousand hours is the magic number of greatness.

For Ericsson and those who dispute the primacy of talent, this is not surprising at all.

The prodigies born "late" do not choose them for the selection when they have

Eight years because they are too small for their age; And thus no practical

Supplementary. And without this extra practice, they have no chance of having played

Ten thousand hours when professional hockey teams start looking for players. Y

Without ten thousand hours in their hands, there is no way they will master the necessary capacities

To play at the top level. Not even Mozart - the greatest musical prodigy of all

The times - caught a good streak until he had ten thousand hours to his credit. The practice

It is not what one does when it is good. It is what one does to become good.

Another interesting thing about the happy ten thousand hours, of course, is that the happy ones

Ten thousand hours is a huge amount of time. It is almost impossible to reach that figure

By yourself when you are a young adult. Parents need to be encouraged and encouraged

To one. You can not be poor, because if you have to attend a small-time job

Apart to arrive at month fm, you will not have enough time to practice during the

day. In fact, most people can only reach that figure by being part of

Some kind of special program - such as an under-16 hockey team - or accessing

Some kind of extraordinary opportunity that gives them a chance to invest so many

Hours in one thing.

So it happened to Bill Joy in 1971. Let's go back to this tall, giddy lad of sixteen

years. A lumber of mathematics, the type of student institutions such as

The MIT or Caltech or the University of Waterloo attract by hundreds.

-When Bill was a little boy, he wanted to know everything about everything long before others

Children even know they want to know something, "says his father, William. We will

We answered as we could. When we could not, we just gave her a book.

When it came time to enroll in college, Joy got a perfect grade

In the math section of the entrance exam.

"It was not particularly difficult," he says matter-of-factly. I had plenty of time to

Reread it.

Has talent for arrobas. But this is not the only consideration. It never is. The

Key to its development is that one day he stumbled upon that indescribable building

Of Beal Avenue.

In the early seventies, when Joy learned computing, computers

Were the size of a room. A single machine (perhaps with less power and memory

Than their current microwave oven) could cost more than a million dollars in 1970. The

Computers were unusual. In case of finding one, it was difficult to obtain access

to the; But even if he could get one, his rent for hours cost a fortune.

On the other hand, programming was extraordinarily tedious. At that time it was done using

Perforated cardboard cards. Each line of code was recorded on a card using

A punching machine. A complex program could include hundreds, if not thousands, of these

Cards, stacked in high heaps. Once a program was ready, the programmer

Went to the central processing unit and delivered his stacks of cards to an operator.

Since computers could handle only one task at a time, the operator asked for an hour

To launch the program and depending on how many people were ahead of the programmer

In the queue, it could well happen that the cards were not recovered for a few hours

Or an entire day. And if a single error had been committed, however slight it may seem,

The programmer had to go back with his cards, detect the error and start the

Whole process again.

In those circumstances, it was very difficult to become an expert programmer. And without

Doubt, being an expert at the age of twenty was practically impossible. If only one

Can "program" a few minutes for each hour that passes in the computer room, how

Will you ever reach the ten thousand hours of practice?

-Programming with cards, recalls a computer scientist of that era, you did not learn

To be programmed. You learned to correct and to have patience.

Until the mid-1960s, no solution was found to the problem of

programming. Then the computers finally got enough power to manage

More than one "appointment" at a time. The computer engineers

Understood that, if they rewritten the operating system

Of the computer, could be shared the time of the machine, that could prepare the computer

To handle hundreds of operations at the same time. This, in turn, meant that

Programmers no longer had to physically deliver their stack of cards to the

computer. Dozens of terminals could be built, all linked by telephone

To the central unit, which allowed the realization

Of simultaneous tasks, online.

Here is how a narrative of the time describes the advent of time-sharing:

It was more than a revolution. It was a revelation. Forget the operator, the heaps

Of cards, waits. Sharing process time, one could sit down

The teletype, put a couple of commands and get a response to the moment. Timeshare

Was interactive: a program could request a response, wait for the user to

Typing, performing the task while the user waited and displayed the result; All << in

in Real Time.

This is where Michigan comes in, for it was one of the first universities in the world to

Made the change to the timeshare regime. By 1967, it was already underway

A prototype of this system. In the early 1970s, Michigan had enough

Calculating power so that one hundred people could program simultaneously in the

Computer center

-I do not think that in the late sixties and early seventies there would be no

Site like Michigan - explains Mike Alexander, one of the pioneers of that computer system

Implanted in Michigan. Maybe MIT. Maybe Carnegie Mellon. Maybe Dartmouth.

I do not think there was any other.

This was the opportunity that welcomed Bill joy upon his arrival at the Ann Arbor campus in

The fall of 1971. Joy had not chosen Michigan for his computers. Neither had

Never done anything with computers in high school. He was interested in mathematics and engineering.

But when he was bitten by the programming worm in his first year of university student,

Was - thanks to the happiest of coincidences - in one of the few places

Of the world where a boy of seventeen could program as much as he wanted.

-What is the difference between punch cards and time share? Commented

Joy. For the same thing that exists between playing chess by mail and throwing a game

Fast. Suddenly, scheduling stopped being a frustrating exercise, to become

In something fun.

"I lived on the north campus," continues Joy, "where the computer center was.

How much time was there? Well a phenomenal amount of time. Was opened

Twenty-four hours. Many times I would spend all night there. On average, in those

Years spent more time in the computer center than in the classroom. All that we programmed

There we had the same recurring nightmare in which we completely forgot about

Going to class or even that we were enrolled in college.

"The challenge was that they assigned an account to each student with a fixed amount of money,

So the time was running out. When you pointed, you had to indicate how much

Time you wanted to spend with the computer. Let's say they gave you an hour of time and you had

To make do with it. "He laughs at the memory. But someone noticed that indicating

"Time equal to" followed by "computers" finally gathered sufficient power to

Managing more than one letter, eg t equal to k, the counter would stop. Was a

Software failure One wrote t = ky stayed there for life.

It is necessary to see the stream of opportunities that were presented to Bill Joy: first had

The fate of choosing such a far-sighted institution as the University of Michigan,

He was able to benefit from a timeshare system instead of throwing punch cards

And as it turned out that the Michigan system had some cracks, it was able to program everything

What he wanted; And how the university was willing to spend the money on maintaining

The computer center open twenty-four hours, he could stay all night;

And since he could invest so many hours, when he had the opportunity to rewrite

UNIX, was ready for the task. Bill Joy was brilliant. I wanted to learn. All

This forms much of the success. But before he could become an expert, someone had

That give you the opportunity to learn to be an expert.

"If I was scheduling eight or ten hours a day in Michigan," Joy continues, "when I arrived

To Berkeley I began to work day and night. I already had a terminal at home. Me

It was until two or three in the morning, watching old movies and programming. TO

Sometimes I would fall asleep on the keyboard and then I would wake up the system beep.

After this has happened to you three times, you have to go to bed. I was still relatively

Incompetent even after arriving in Berkeley. But for my second year there,

You can say he was an expert. That's when I wrote programs that still

Are used today, thirty years later. "He paused a moment to do mental calculation,

What for someone like him does not take long: Michigan in 1971; Programming in

Serious since the second course; Summers, plus the days and nights of his first year

In Berkeley. Come out ... I think it's ten thousand hours? There you will walk.

Is this ten thousand hour rule a general rule for success? If we scratch

Beneath the surface of every great triumph, do we always find an equivalent to that

Michigan computer center or that youthful hockey team, some kind

Of special opportunity for practice?

Let's try the idea with two examples; And to simplify, let's choose them so familiar

As we can: The Beatles, one of the most famous rock groups of all time.

time; And Bill Gates, one of the richest men in the world.

The Beatles - John Lennon, Paul McCartney, George Harrison and Ringo Starr - arrived

To the United States in February 1964, beginning the so-called British invasion of the scene

American musical and recording a string of hits with recordings that changed the

History of popular music.

The first thing that interests us of the Beatles for our purposes is how much they carried

Together when they arrived in the United States. Lennon and McCartney began to play together in 1957,

Seven years before landing in America (by the way: the time that elapsed

Between the foundation of the band and those that are possibly its major artistic achievements

Is ten years); And if one looks more closely at those long formative years,

You will find an experience that, in the context of hockey players and Bill Joy,

Or in the world-class violinists, it is tremendously familiar. In 1960, when

They were nothing more than a rock band from an institute struggling to break through, they were invited

To play in Hamburg (Germany).

-In Hamburg then there were no rock and roll music clubs, but

"Said Philip Norman, a Beatles biographer. One of the owners

Of these bad clubs, called Bruno, had started as a park entrepreneur

Of attractions. He came up with the idea of ​​bringing rock bands to play in various clubs.

They had this formula. It was a huge uninterrupted show, with many people coming in and

Going out at all hours. And the bands played all the time to attract that human flow.

In a red neighborhood in the United States they would have called it non-stop strip-tease.

"Many of the groups that played in Hamburg were from Liverpool," continued Nonnan. This

it was a coincidence. Bruno went to look for groups in London. And in Soho he came across a

Businessman from Liverpool who was in London by pure chance. This promoter sent

The first bands to Germany; And that is how the connection was established. From this

The Beatles came into contact not only with Bruno, but also with other owners.

Of clubs. They always came back, because they gave them alcohol and sex to spare.

And what did Hamburg have that made it so special? It was not that they paid well. They paid

wrong. Or that the acoustics were amazing. It was not. Not that the public was sensitive

And understood. Quite the opposite. It was simply the amount of time the group had

That touch.

Let's hear John Lennon, interviewed after the Beatles dissolve, talking

About the band's performances at a Hamburg strip club, Indra:

-We were improving and winning in confidence. It was inevitable, with all the experience

It played all night. And being foreigners, we had to work even harder, to put

The whole heart and soul to hear us.

In Liverpool, the sessions lasted only an hour, so we played only the best

Songs, always the same. In Hamburg we had to play eight hours, so we did not

We had no choice but to find another way to play.

Eight hours ? Let's listen to Pete Best, battery of

The Beatles in those times:

- When the voice of the actions that we did, the club began to program

Many in a row. We were acting seven nights a week. At first we played almost without

Stop until 12.30, when the club closed; But as we were improving, people

He stayed until two almost every night.

Seven days a week?

In the end, the Beatles traveled to Hamburg five times between 1960 and the end of 1962.

On their first trip, they played 106 nights at a rate of five hours or more a night. In

His second trip, acted 92 times; And in the third, 48, with a total of 172 hours

on stage. His last two passes through Hamburg in November and December

1962, involved another 90 hours of performance. In just over a year and a half they had acted

270 nights. In fact, when they had their first success in 1964, they had performed live

Some twelve hundred times. To understand how extraordinary this is, it is important to know

That most groups today do not act twelve hundred times or in the course of their

Whole careers. The Hamburg melting pot is one of the things that make the

Beatles.

"When they got there, they were useless on the stage; But they were again

Very good, "Norman says. They not only gained in stamina. They had to learn one

Huge amount of songs and make versions of everything imaginable, not just rock and

Roll also something of jazz Before going to Germany, they lacked all scenic discipline. But

When they returned, they sounded like no one. That's what gave them their seal.

But back to the story of Bill Gates, almost as well known as the Beatles:

A young and brilliant mathematician who discovers programming. Leave Harvard. Cover with

His friends a small computer company called Microsoft, and by pure brilliance,

Ambition and rennet, turns it into a giant of the software sector So far, the profile

In the broad sense. But let's dig a little deeper.

Gates's father was a wealthy lawyer from Seattle; And his mother, the daughter of a wealthy banker.

As a child, Bill revealed himself as a precocious talent, easily bored by studies;

So his parents took him out of public school, and when he was about to start the seventh

Course, he was sent to Lakeside, a private school to which elite families

Of Seattle sent their children. In the middle of Gates' second year at Lakeside, the institution

He created a computer club.

- Every year, the Mothers Club of the school organized an article market

Used; And there was always the question of where the money would go, "Gates recalls. Sometimes

Was intended for the summer program, which allowed the city boys to spend it on campus.

It was also aimed at the needs of teachers. That year they were invested

Three thousand dollars in a computer terminal located in a small room from which we proceeded

To take over. It seemed an amazing thing to us.

And so much, because it was 1968. And in the sixties not even the universities had clubs

Computer systems. But even more amazing was the kind of computer that Lakeside acquired.

This school did not make programming its students through the laborious system

Of perforated cards, as practically all the others did in the sixties. Conversely,

Lakeside installed the so-called ASR-33 Teletype, a time-sharing terminal with connection

Direct to a central computer in the city of Seattle. Bearing in mind that the idea

Same process time was not conceived until 1965, someone was taking

The front: if Bill Joy had an extraordinarily early opportunity to learn programming

With a time-sharing system in his first university year, 1971, in 1968,

Bill Gates was able to schedule in real time while attending eighth of basic education.

From that year, Gates lived in the computer room. He and others began to

Teach themselves how to use that strange new device. Needless to say if you have to

Renting a terminal then leading ASR was expensive even for an institution

As rich as the Lakeside, so the $ 3,000 raised by the Mothers Club

They soon became exhausted.

Parents raised more money. The students spent it. Then a group of programmers

Of the University of Washington formed a team called Computer Center Corporation

(Or C to Cube), which leased computer hours to local businesses. I wanted the luck that one

Of the founders of the firm, Monique Rona, had a son in Lakeside, a year ahead

Of Gates. And to the Lakeside computer club, Roña wondered, would not you like to try

The company's software programs on weekends in exchange for

Free programming? Well, there was no more! After school, Gates was taking

The bus to the offices from C to Cube and scheduled until well into the night.

C the Cube eventually broke, leaving Gates and his friends hanging around

Of the University of Washington computer center. They soon found another

Company, ISI (Information Sciences Inc.), which gave them free computer hours

In exchange for his work on software to automate payrolls. During a

Period of 1971, Gates and his cohorts totaled 1,575

Programming with the ISI central unit, which makes an average of eight hours a day,

Seven days a week.

"It was my obsession," Gates says of his early years in high school.

I skipped PE. I went there for

the nights. We programmed during the weekends.

Rare was the week we did not throw twenty or thirty hours. There was a period when Paul

Alien and I got into trouble for stealing a bunch of passwords and blocking the system.

They threw us out. All summer I could not use the computer. This was when I had

Fifteen or sixteen years. I then found out that Paul had found a free computer

At the University of Washington. They had these machines in the medical center and the department

Of Physics. They worked on a 24-hour program, but with long inactive periods,

So that between three and six o'clock in the morning there was a gap of three hours-laughs

Gates-. I went out at night, after my bedtime. The stretch from my house to the

Washington University could be covered on foot. I also took the bus. Because

I am always so generous with the University of Washington because he let me steal so many

Computer hours.

Years later, Gates's mother said, "We were always wondering why

It was so hard to get up in the morning.

Then one of the founders of ISI, Bud Pembroke, received a call from the company

TRW technology, which had just signed a contract to infonnatize the huge

Power station in Bonneville, south of Washington state. TRW desperately needed

Programmers familiar with the specific software used by the plant. In those

Days of the computer revolution, it was difficult to find

Class of specialized experience. But Pembroke knew exactly who to call: those

Lakeside guys who had been on the ISI host for thousands of hours. Gates

He was already in his final year of high school; And somehow managed to convince

His teachers to let him move to Bonneville, on the occasion of an independent project

of studies. There he spent the spring writing codes, under the supervision of a man

Named John Norton, who in Gates's words taught him more programming than any

Another person I had met before.

Those five years that go from eighth grade to the end of high school were Hamburg

Of Bill Gates, who, however you look, took advantage of a number of opportunities

Even more extraordinary than the one enjoyed Biil joy.

The number one opportunity was that Gates was enamored of Lakeside. How many institutes

In the world had access to a time-share terminal in 1968? The opportunity

Number two was that the mothers of Lakeside had enough money to pay

The rates of the school computer. Number three: When that money ran out, it turned out

That one of the mothers worked in C to the Cube, which in turn needed someone to prove

Their software codes during the weekends, regardless of the purpose

Week will be spent on weekdays. Number four: Gates discovered little ISI

Before this company needed someone to computerize their payrolls. Number five:

Gates lived a short distance from the University of Washington. Six: the university had

A free computer three hours a day. Seven: TRW called Bud Pembroke. Eight: the best

Programmers that Pembroke knew for a given task turned out to be two high school chavs.

Nine: Lakeside was willing to let these guys spend the spring writing

Codes elsewhere.

And what did all those opportunities have in common? What did they give

Bill Gates extra time to practice. When Gates left Harvard after his

Second year as a student to try his luck with his own software company, he was

Seven consecutive years programming almost non-stop. He had far surpassed the

Ten thousand hours. How many teenagers in the world were the kind of

Had gates

"I would be very surprised there had been fifty in the whole world," he says.

There was C to Cube and that payroll software we did; And then came TRW, all those

Things came together. I think I had better access to software development at an age

Than any other person in that period of time, and all because of a series of

Incredibly fortunate event.

If we put together the stories of hockey players and the Beatles with those of Bill Joy

And Bill Gates, I think we'll get a better idea of ​​the road to success. So much

Joy as Gates or the Beatles were undoubtedly talented people. Lennon and McCartney

They shared a musical gift of those given once each generation; And Bill Joy, do not

Forget, had a mind so fast that was able to formulate on the fly a complicated

Algorithm that overwhelmed its teachers. All this is obvious.

But what really distinguishes their stories is not their wonderful talent, but the extraordinary ones

Opportunities they enjoyed. The Beatles invited them, by the most arbitrary of the

To Hamburg. Without Hamburg, the Beatles may well have followed a very

different. "I was very lucky," Bill Gates said at the beginning of our interview.

This does not mean that he is not brilliant or an extraordinary businessman; Only comprising

How incredibly lucky he was to be at Lakeside in 1968.

All the series we have seen are beneficiaries of some kind of opportunity

Unusual Lucky streaks do not seem to be exceptional among millionaire

Software, sports idols and rock ensembles. They seem to be the norm.

For more infomation >> Malcolm Gladwell - La regla de las diez mil horas - Fuera de Serie(Outliers) - Duration: 35:01.

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