(the green extended note here is a glitch lmao ignore it pls)
SHUT UP, HEATHER
-------------------------------------------
How to PAINT FUR | TUTORIAL | Medibang Paint Pro - Duration: 18:14.
hello everyone welcome to my channel my name is Jax and today I'll be showing
you how to paint fur. so anyone who's been watching this channel for a while
know that animals, creatures, things with fur make up the bulk of what I like to
draw. now I'm not a realism artist I don't paint animals to look exactly like
their real-life counterparts so in this tutorial we'll be exploring more of a
stylistic rendering of fur now this is a piece that I'll be using to demonstrate
the fur painting techniques now like most of the art on my channel this is a
commissioned piece and I just thought it'd be the perfect character for this
tutorial because we have this nice variety of fur lengths across a
character so the fur on the face is a little shorter and then towards the
cheek and neck it gets a little longer and thicker anyway so I thought this
will just be a great opportunity to show you guys a few different methods to
paint different textures of fur. anyway before we get stuck into the fur we
first need to block in the general colors and backgrounds in the character
as you can see I've already done that here but I'm going to show you a quick
time-lapse of me doing this so basically what I did was I filled in a background
with a darkish color and then use the gradient tool to make some dark and
light adjustments and then for the character I take a flat brush and just
quickly paint in their general colors I first pick colours from a reference but
then I usually adjust a bit to blend in with the overall tone of the background
for the shadows I like to make a layer on top of the base colors, clip it to the
layer underneath and then set the layer to multiply
I usually choose a light cool toned color keeping in mind the
environment the character is in and I start blocking in the shadows so for
this piece I want to delight to come in from the top right corner so I lay in
the shadows with that in mind next up I create another clipping layer on top of
the shadow layer and I set this one to overlay now to complement the cool
shadows I really wanted a nice warm light coming in front of top so I
selected a light gold color and started sweeping that in. I also then like to
play around a bit with a hue and saturation settings
just until I to get the right look and tone that I'm going for
finally I took a bit of time to place in the markings and also make a few light
blotches for where the plants and flowers in this piece were going to be
so once all that's done this is what the piece looks like with all the general
colors placed down I've merged all the layers now as well so the
characters on her own single layer I also have the layers with the rough
environment wash it in but I'm gonna keep those turned off for now since we
want to focus on the painting of the fur so first thing I'm going to show you
some of the brushes I like to use for fur and the settings I have them on and
all of these can be downloaded from the Medibang cloud and if you don't know how
to do that I have a super helpful video explaining how to access the cloud and
all the new features you get when you do including all the brushes I'm going to
use here so firstly we have a flat brush with a wide end just gonna turn up the
ease and mixing of colors up and I'm just gonna turn down the load color just
down a bit and what this does is it makes the color go on a little less
strongly and when it's applied to color on the same layer it actually blends in
more with the color rather than putting them down on full of passage so that's brush
number one brush number two is basically the exact same brush but what I've done
is I've double tapped it and I've turned down the min width to pretty much 0% you
can make a bit higher but around that with press okay and then
instead we're going to reverse the mixing colors and local color options so
the low color is now higher and the ease of mixing color it's just actually maybe
set that about halfway so what this does is it gives you a nice pointed sharp
edge which you can make nice crisp lines with okay and next
up we have flat brush dry and this is one actually just discovered quite
recently I'd actually didn't have this in my usual repertoire for most of my
older paintings but it is actually a really really nice slightly textured
brush you can see the individual bristles and
basically I just have one and I have the width set on a relatively high minimum
with press okay and then we have nice soft brush that we can add some texture
to the fur
okay and finally we have this one this is a first texture that I
quite like using and this is one that I've downloaded online
so again if you watch the videos I've linked to before about getting more brushes
in medibang there's a link in that video and also in the description for
this video below of where you can download this brush and it's quite like
the one the flat brush dry but it just has slightly larger bristles slightly
more crisp slightly more harsh so those are the four basic brushes that I'll be
using for the fur painting okay so one of the first things I like to do when
I'm painting fur is just to gently sketch out where the clumps of fur are
going to be so here we're going to have longer strands of fur on the tigers
cheeks and also a longer neck so I'm just gonna lightly sketch in some lines
just to indicate where these longer clump of fur are going to fall now
things to keep in mind when doing this you want to know where the general
direction of the fur of the animal it's going in so
you don't want the fur just flying off everywhere so in this case fur is
failling quite flat towards the body so I'm just going to sketch them in a
nice downward motion just very lightly very general and it's just just give you
some nice broad guidelines so you don't get lost
whilst you're painting
so now I'm going to try to say where so I'm using the flat wet brush here just
gonna pick one of those slightly darker colors and then I'm just gonna make I'm
just gonna stroke in some shadows just below where the clumps the tips of the
console fur are going to be just like lightly stroke them in there we go okay
so now I'm just gonna take the flat dry brush just gonna softly blend that in a
bit more just so we don't have harsh painted looking lines alright so what we're
going to do now is we're gonna take one of the sharper tipped brushes and we're
just going to start painting in individual clufts off fur so pick a nice
relatively lighter color in comparison to the shadows that you put in and just
turn down the ease of mixing of it just start gently putting in fur shaped blocks
of color okay and here's a trick once you do that you just want to take the
flatter edge brush and just blend those fur clumps in just like that
and then go for the thinner edge brush and just define those clumps of fur just
a little bit just make a nice shadow just to contrast with the tuft of fur
to explain this process in a nutshell essentially we're laying down the
shadows first before going in with lighter colors to create the individual
sections of fur and blending them in with the colors in between the highlights and
the shadows since we don't have a brush that can directly create nice sharp
opaque tips and then subsequently become wider and blend in with the base color
we had to do this manually with a sharp flat brush and then use wider edged
brushes to blend in a sharp stroke and yes this is quite a tedious process
especially when you have large bodies of fur to cover but texturing anything in
general requires a lot of time and patience luckily this technique is very
simple and very easy to master a couple of shortcuts I find very useful firstly
of course is ctrl Z the undo option you'll notice that I use it quite a lot
when I paint and unapologetically so I always never get the shape or stroke I
watched the first time around so I keep undoing it until I do another
really useful shortcut I have set is the Alt key when I hold down the Alt key the
brush tool becomes a color picker and I use this to pick the in-between colors I
use when blending and also when applying new tufts of fur occasionally the color
I need won't be an existing color in image sometimes I need a lighter or
darker color in which case I usually start out by picking an existing color
and then moving the slider in the color wheel a little higher or lower depending
on what I need I like to make the tip of each tuft of fur the brightest to
contrast with the shadow underneath and the base of the tuft becomes darker as
it blend in with the shadow of the fur above it because of this one good idea
is to start from the bottom upwards fur a higher up on the animals body tends to
slightly layer on top and cover the fur underneath by working from the bottom up
you don't need to blend every single tuft of fur in perfectly because you can
just cover the base with the fur on top now I didn't do that here because a high
lack *foresight but that's absolutely fine as well it just means when you work on a
lower layer you have to be careful not to paint over the tuft you already
painted alright now that you know the general technique of painting
Tufts of fur there are a few additional things to keep in mind to make them look
right remember is a three-dimensional texture that is
attached through a three-dimensional body now I'm not the best when it comes to
accurately representing anatomy but I know the neck of the animal isn't just a
cylinder it has curves and muscles in a case of tigers like this one they tend
to have pretty wide necks and here she's also turning towards the right as well
so the fur attached also nice is shift slightly in the direction the head
is facing never be afraid to look up references when trying to figure out
where the fur is supposed to fall they're there to help and it's really going to
help improve your art and make the fur look more realistic so that's it for
long fur now I'm just going to timelapse through me painting through the rest of
the neck and chest one of the final touches I liked to do for long fur is to
take a small sharp brush and then just draw in a few individual strands of hair
coming off the larger tufts just to give that finishing detail
okay so now that the long fur on the neck is done I'm going to show you how I
like to paint the smaller shorter furs on the face and if you wanted you could
use the same technique I showed you with the long fur but just reduce the size of
the individual tufts but that will take forever to finish in my opinion with
short for using a textured brush like the fur brush or the dry flat brush I
showed you earlier to quickly paint on and give the impression of a fur texture
I'm going to use the same technique as before where I paint on the shadowed
areas first and then I'm going to take a lighter color and then paint over those
shadows to create areas of highlight in terms of the brush settings I like to
keep the load color of the fur brush quite high because I want the fur
texture to be quite visible if the load color was too low and the ease of
mixing too high I would have a much harder time getting
a nice texture fur a look okay so now I'm just gonna do this all over the face
and the same thing with the markings just letting the brush do all the work
for me to create a simple short fur texture and that's pretty much all there
is to it I'm going to do a time lapse again and I'll be back at the end of the
video with the finished painting
all right so this is the finished painting I put all the foreground plants
and post-production sparklies in as well I really hope this tutorial was helpful
this is generally how I like to paint fur at the moment sometimes I change
things up a bit depending on how I'm feeling but the basic technique remains
shadows first and then tufts of highlighted fur on after thank you so
much for watching don't forget to like comment and subscribe if you haven't
already let me know what tutorial you like to see next and do follow me on all
these other social media I am literally on every platform so follow which ever
ones are the most convenient ones for you
links are all down in the description so yeah thank you again for watching and
I'll catch you all next time bye~
-------------------------------------------
MD3 Wheel Flares Kit - Quick Facts - RHRSwag.com - Duration: 0:50.
Hey everybody. I'm Caleb with RHRSwag.com
These are the quick facts of the MD3 Wheel Flare Kits.
We sell them in sets of 6 - 3 pieces for both the left and right sides.
6 pieces are for both late models and modified race cars.
Made with durable MD3 plastic and available in 10 colors.
You trim them to fit, or trim the tin on your car for a clean look.
Provides more rigidity in your rear quarter and door panels.
Find them @ RHRSwag.com with free shipping.
-------------------------------------------
BREAKING!!! TRUMP FINALLY DID IT! IT'S NOT Free Anymore! - Duration: 5:02.
REAKING!!!
TRUMP FINALLY DID IT!
IT'S NOT Free Anymore!
Hard times can overtake any of us and if you don't have a great safety net those hard
times might just destroy your life by making you lose your home or car, or both.
Because most of Americans don't have the proper amount of "hard times insurance,"
the government has a program that has got your back, in the form of unemployment pay.
Unfortunately, unemployment is something that many abuse in order to support their illegal
habits.
Unemployment was meant to be something that could get a hard working person out of an
unexpected jam until they're able to find more work.
Sadly, those who are terminated from their jobs due to the choice they made to use illegal
drugs are abusing the unemployment program to continue to use those drugs and still have
a means of income, but not for much longer.
The Trump Administration is once again fixing what the Obama admin wasn't able to do.
The Hill reports that lawmakers are rolling back the strict stipulations on drug testing
prior to receiving unemployment and working on a sweeping mandate that will ensure that
your tax dollars aren't going to fund someone's meth habit:
"The Trump administration is looking to bring back and broaden a rule that Congress
killed last year requiring drug testing for unemployment benefits.
Using the Congressional Review Act (CRA), Republicans in March repealed an Obama-era
rule that limited the ability of states to drug test people applying for unemployment
pay.
Republicans said the 2016 rule was too narrow because it only allowed states to drug test
people whose occupations already regularly required it.
That category included airplane pilots, flight crews and air traffic controllers, commercial
and public transit drivers and any job requiring an employee to carry a firearm.
Now the Labor Department has signaled it plans to issue a broader rule that will redefine
which occupations are those that regularly drug test."
Our overburdened social programs are just the start of what the Trump Administration
wants to fix while he's in office.
Conservatives have long been frustrated with the atrocious government overreach that grew
out of proportion under the DNC's iron fist.
However, that all ends now.
This isn't the first law that the Republican-ruled houses of Congress want to roll back, and
the President will no doubt sign anything that comes to his desk if it concerns putting
the government in its rightful place.
Republicans last year used the CRA process to repeal a slew of Obama administration regulations.
The 1996 law states that, once a regulation is repealed under the law, agencies are barred
from re-issuing the same rule or a "substantially similar" rule in the future without an act
of Congress.
With President Trump in the White House, the Republican-controlled Congress used the CRA
to toss out 15 regulations — most recently one the independent Consumer Financial Protection
Bureau issued to protect consumers' right to settle disputes with financial institutions
in court."
Officials who support the reinvention of the drug testing program believe that it will
not only help the government's bottom line, but it will inspire the workforce to stop
doing whatever they were doing to get themselves fired, and get out there and work, which will
once again help the economy.
"Doug Holmes, president of Strategic Services on Unemployment and Workers' Compensation,
however, said if people have an expectation of being paid unemployment benefits under
the federal statute, they need to make themselves able and available to work — and doing so
means passing a drug test.
'This is an insurance program, it's not public assistance,' he said.
Holmes said the last regulation was too restrictive in identifying those individuals who could
be subject to a drug test and only allowed states to drug test when an individual applied
for unemployment benefits, instead of on an ongoing basis.
'An individual has to be available and able to work.
If they're not available and able to work, week by week by week, then they don't meet
the requirements to be paid unemployment compensation benefits,' he said.
'If an individual has a significant problem that renders him or her unavailable to work,
the appropriate response is to refer them to a place to get help.
They should not be paid unemployment benefits.'
In a statement, Labor Department spokesman Eric Holland said only that the agency is
'diligently working on a new proposal regarding unemployment compensation drug testing that
will be substantially different from the prior rule.'
'When it is ready, we will publish it in the Federal Register for review and comment
by the public,' he said."
Currently there are only three states doing any drug testing which are Texas, Mississippi,
and Wisconsin.
This should change by June of this year however if things go well.
That's when the Labor Department plans to put forth the new rules.
What do you think about this?
Please share this news and scroll down to Comment below and don't forget to subscribe
Top Stories Today.
-------------------------------------------
La CIA twittea la fotografía de un platillo volador - Duration: 3:12.
For more infomation >> La CIA twittea la fotografía de un platillo volador - Duration: 3:12. -------------------------------------------
충혈 증상 원인 치료|TKRTV - Duration: 4:33.
For more infomation >> 충혈 증상 원인 치료|TKRTV - Duration: 4:33. -------------------------------------------
সরাসরি আজকের বাংলা খবর যমুনা টিভি সংবাদ ৫ জানুয়ারি ২০১৮ Jamuna Bangla News Today - Duration: 13:08.
bangladesh news 24
-------------------------------------------
Jingle Bells - Christmas Song
For more infomation >> Jingle Bells - Christmas Song-------------------------------------------
Firefighters make daring rescue after truck plummets into ravine off I-459 in Hoover - Duration: 1:11.
For more infomation >> Firefighters make daring rescue after truck plummets into ravine off I-459 in Hoover - Duration: 1:11. -------------------------------------------
How to PAINT FUR | TUTORIAL | Medibang Paint Pro - Duration: 18:14.
hello everyone welcome to my channel my name is Jax and today I'll be showing
you how to paint fur. so anyone who's been watching this channel for a while
know that animals, creatures, things with fur make up the bulk of what I like to
draw. now I'm not a realism artist I don't paint animals to look exactly like
their real-life counterparts so in this tutorial we'll be exploring more of a
stylistic rendering of fur now this is a piece that I'll be using to demonstrate
the fur painting techniques now like most of the art on my channel this is a
commissioned piece and I just thought it'd be the perfect character for this
tutorial because we have this nice variety of fur lengths across a
character so the fur on the face is a little shorter and then towards the
cheek and neck it gets a little longer and thicker anyway so I thought this
will just be a great opportunity to show you guys a few different methods to
paint different textures of fur. anyway before we get stuck into the fur we
first need to block in the general colors and backgrounds in the character
as you can see I've already done that here but I'm going to show you a quick
time-lapse of me doing this so basically what I did was I filled in a background
with a darkish color and then use the gradient tool to make some dark and
light adjustments and then for the character I take a flat brush and just
quickly paint in their general colors I first pick colours from a reference but
then I usually adjust a bit to blend in with the overall tone of the background
for the shadows I like to make a layer on top of the base colors, clip it to the
layer underneath and then set the layer to multiply
I usually choose a light cool toned color keeping in mind the
environment the character is in and I start blocking in the shadows so for
this piece I want to delight to come in from the top right corner so I lay in
the shadows with that in mind next up I create another clipping layer on top of
the shadow layer and I set this one to overlay now to complement the cool
shadows I really wanted a nice warm light coming in front of top so I
selected a light gold color and started sweeping that in. I also then like to
play around a bit with a hue and saturation settings
just until I to get the right look and tone that I'm going for
finally I took a bit of time to place in the markings and also make a few light
blotches for where the plants and flowers in this piece were going to be
so once all that's done this is what the piece looks like with all the general
colors placed down I've merged all the layers now as well so the
characters on her own single layer I also have the layers with the rough
environment wash it in but I'm gonna keep those turned off for now since we
want to focus on the painting of the fur so first thing I'm going to show you
some of the brushes I like to use for fur and the settings I have them on and
all of these can be downloaded from the Medibang cloud and if you don't know how
to do that I have a super helpful video explaining how to access the cloud and
all the new features you get when you do including all the brushes I'm going to
use here so firstly we have a flat brush with a wide end just gonna turn up the
ease and mixing of colors up and I'm just gonna turn down the load color just
down a bit and what this does is it makes the color go on a little less
strongly and when it's applied to color on the same layer it actually blends in
more with the color rather than putting them down on full of passage so that's brush
number one brush number two is basically the exact same brush but what I've done
is I've double tapped it and I've turned down the min width to pretty much 0% you
can make a bit higher but around that with press okay and then
instead we're going to reverse the mixing colors and local color options so
the low color is now higher and the ease of mixing color it's just actually maybe
set that about halfway so what this does is it gives you a nice pointed sharp
edge which you can make nice crisp lines with okay and next
up we have flat brush dry and this is one actually just discovered quite
recently I'd actually didn't have this in my usual repertoire for most of my
older paintings but it is actually a really really nice slightly textured
brush you can see the individual bristles and
basically I just have one and I have the width set on a relatively high minimum
with press okay and then we have nice soft brush that we can add some texture
to the fur
okay and finally we have this one this is a first texture that I
quite like using and this is one that I've downloaded online
so again if you watch the videos I've linked to before about getting more brushes
in medibang there's a link in that video and also in the description for
this video below of where you can download this brush and it's quite like
the one the flat brush dry but it just has slightly larger bristles slightly
more crisp slightly more harsh so those are the four basic brushes that I'll be
using for the fur painting okay so one of the first things I like to do when
I'm painting fur is just to gently sketch out where the clumps of fur are
going to be so here we're going to have longer strands of fur on the tigers
cheeks and also a longer neck so I'm just gonna lightly sketch in some lines
just to indicate where these longer clump of fur are going to fall now
things to keep in mind when doing this you want to know where the general
direction of the fur of the animal it's going in so
you don't want the fur just flying off everywhere so in this case fur is
failling quite flat towards the body so I'm just going to sketch them in a
nice downward motion just very lightly very general and it's just just give you
some nice broad guidelines so you don't get lost
whilst you're painting
so now I'm going to try to say where so I'm using the flat wet brush here just
gonna pick one of those slightly darker colors and then I'm just gonna make I'm
just gonna stroke in some shadows just below where the clumps the tips of the
console fur are going to be just like lightly stroke them in there we go okay
so now I'm just gonna take the flat dry brush just gonna softly blend that in a
bit more just so we don't have harsh painted looking lines alright so what we're
going to do now is we're gonna take one of the sharper tipped brushes and we're
just going to start painting in individual clufts off fur so pick a nice
relatively lighter color in comparison to the shadows that you put in and just
turn down the ease of mixing of it just start gently putting in fur shaped blocks
of color okay and here's a trick once you do that you just want to take the
flatter edge brush and just blend those fur clumps in just like that
and then go for the thinner edge brush and just define those clumps of fur just
a little bit just make a nice shadow just to contrast with the tuft of fur
to explain this process in a nutshell essentially we're laying down the
shadows first before going in with lighter colors to create the individual
sections of fur and blending them in with the colors in between the highlights and
the shadows since we don't have a brush that can directly create nice sharp
opaque tips and then subsequently become wider and blend in with the base color
we had to do this manually with a sharp flat brush and then use wider edged
brushes to blend in a sharp stroke and yes this is quite a tedious process
especially when you have large bodies of fur to cover but texturing anything in
general requires a lot of time and patience luckily this technique is very
simple and very easy to master a couple of shortcuts I find very useful firstly
of course is ctrl Z the undo option you'll notice that I use it quite a lot
when I paint and unapologetically so I always never get the shape or stroke I
watched the first time around so I keep undoing it until I do another
really useful shortcut I have set is the Alt key when I hold down the Alt key the
brush tool becomes a color picker and I use this to pick the in-between colors I
use when blending and also when applying new tufts of fur occasionally the color
I need won't be an existing color in image sometimes I need a lighter or
darker color in which case I usually start out by picking an existing color
and then moving the slider in the color wheel a little higher or lower depending
on what I need I like to make the tip of each tuft of fur the brightest to
contrast with the shadow underneath and the base of the tuft becomes darker as
it blend in with the shadow of the fur above it because of this one good idea
is to start from the bottom upwards fur a higher up on the animals body tends to
slightly layer on top and cover the fur underneath by working from the bottom up
you don't need to blend every single tuft of fur in perfectly because you can
just cover the base with the fur on top now I didn't do that here because a high
lack *foresight but that's absolutely fine as well it just means when you work on a
lower layer you have to be careful not to paint over the tuft you already
painted alright now that you know the general technique of painting
Tufts of fur there are a few additional things to keep in mind to make them look
right remember is a three-dimensional texture that is
attached through a three-dimensional body now I'm not the best when it comes to
accurately representing anatomy but I know the neck of the animal isn't just a
cylinder it has curves and muscles in a case of tigers like this one they tend
to have pretty wide necks and here she's also turning towards the right as well
so the fur attached also nice is shift slightly in the direction the head
is facing never be afraid to look up references when trying to figure out
where the fur is supposed to fall they're there to help and it's really going to
help improve your art and make the fur look more realistic so that's it for
long fur now I'm just going to timelapse through me painting through the rest of
the neck and chest one of the final touches I liked to do for long fur is to
take a small sharp brush and then just draw in a few individual strands of hair
coming off the larger tufts just to give that finishing detail
okay so now that the long fur on the neck is done I'm going to show you how I
like to paint the smaller shorter furs on the face and if you wanted you could
use the same technique I showed you with the long fur but just reduce the size of
the individual tufts but that will take forever to finish in my opinion with
short for using a textured brush like the fur brush or the dry flat brush I
showed you earlier to quickly paint on and give the impression of a fur texture
I'm going to use the same technique as before where I paint on the shadowed
areas first and then I'm going to take a lighter color and then paint over those
shadows to create areas of highlight in terms of the brush settings I like to
keep the load color of the fur brush quite high because I want the fur
texture to be quite visible if the load color was too low and the ease of
mixing too high I would have a much harder time getting
a nice texture fur a look okay so now I'm just gonna do this all over the face
and the same thing with the markings just letting the brush do all the work
for me to create a simple short fur texture and that's pretty much all there
is to it I'm going to do a time lapse again and I'll be back at the end of the
video with the finished painting
all right so this is the finished painting I put all the foreground plants
and post-production sparklies in as well I really hope this tutorial was helpful
this is generally how I like to paint fur at the moment sometimes I change
things up a bit depending on how I'm feeling but the basic technique remains
shadows first and then tufts of highlighted fur on after thank you so
much for watching don't forget to like comment and subscribe if you haven't
already let me know what tutorial you like to see next and do follow me on all
these other social media I am literally on every platform so follow which ever
ones are the most convenient ones for you
links are all down in the description so yeah thank you again for watching and
I'll catch you all next time bye~
-------------------------------------------
I am your president - Do you want to shut people's mouth this way? - Duration: 1:22.
You Judge and man Law
and accused is innocent until proven guilty
innocent president even proves his guilt
accused not have his Right to exceed the Court
Do you want to shut people's mouth this way?
You are a defendant sitting before a court.
I am your president.
You were a president, now you are an accused in a criminal case.
You have to know your present position not the previous one
You are a defendant sitting before a court.
I am your president.
You were a president, now you are an accused in a criminal case.
You have to know your present position not the previous one.
You have elected me. Can you say you didn't?
-------------------------------------------
YWCA Cass Clay | I'm Here For You - Duration: 1:48.
I think, for me, trying to change that is just
being open and honest with them about my own story.
That I wasn't always the greatest at my assignments either.
You know, I was homeless at one point, too, when I was a kid
and so, I understand and I can see that it's tough.
It's really tough.
When you're worrying about where your next meal is going to come from.
Or is mom going to be safe if I don't see her tonight,
if she doesn't come home.
I know that's like.
So, I think it's really been able to help me
relate to these kids and show them that if I can do it, you can do it.
And I'm here for you.
And we can work through it together and we
can find a way out of it.
I think the children is what really inspires me.
I have so much fun with them every day.
It's, seriously, like the best job in the world
because we laugh all the time!
We learn together all the time, and we get
to celebrate all of the things that we overcome.
Whether it's our homework, or just trying something new,
or being just creative together.
I think seeing the smiles on their faces and
listening to the pure joy that they have when
they're talking to each other or when they're talking to me.
Or when I'm just walking down the hallway
and they're like, "Hi Miss Amanda! Hi!"
I'm just like, "Whoa! Who said that?
Hey, what's up, how was school?"
And they're like, "I had a good day!"
And I think, to me, that's the motivating factor.
It's just their happiness.
-------------------------------------------
Polipowatość młodzieńcza: przebieg choroby i rokowania - Duration: 6:21.
For more infomation >> Polipowatość młodzieńcza: przebieg choroby i rokowania - Duration: 6:21. -------------------------------------------
Choroba Niemanna-Picka (dziecięcy alzheimer) - objawy, przyczyny i leczenie - Duration: 9:26.
For more infomation >> Choroba Niemanna-Picka (dziecięcy alzheimer) - objawy, przyczyny i leczenie - Duration: 9:26. -------------------------------------------
Hyundai Matrix 1.6i GL - Duration: 0:48.
For more infomation >> Hyundai Matrix 1.6i GL - Duration: 0:48. -------------------------------------------
Fortnite Battle Royale | ATTEMPTED MEME STRATS - Duration: 12:48.
For more infomation >> Fortnite Battle Royale | ATTEMPTED MEME STRATS - Duration: 12:48. -------------------------------------------
Lawmakers Continue Scrutinizing Car Licensing Problems - Duration: 3:13.
For more infomation >> Lawmakers Continue Scrutinizing Car Licensing Problems - Duration: 3:13. -------------------------------------------
LEARNING HOW TO 270 OFF! (progression) - Duration: 3:11.
That was the one! Ahhh!
It's only a 270.
Come on, Boy!
Ohhh! Come on!
I had it!
Oh..! No!
What am I doing with my life?
I would've had it!
Yes! Thank you!
Let's go!
Yeah!
Let's go!
[ OUTRO ]
[*laugh in background*]
-------------------------------------------
OMG FIREWORKS AT THE PARK🎆 • NEW YEAR SPECIAL • DROPPING 18 EASY😈 • NBA 2K18 PLAYGROUND - Duration: 4:11.
FIREWORKS AT THE PARK
-------------------------------------------
Suicide Squad • Movie Review #JPMN - Duration: 3:55.
An ensemble bore.
Released in the summer of 2016, this superhero action film grossed three-quarters of a billion
dollars, despite being raked by critics.
But it did win an Academy Award win for its make-up and hairstyling!
The cockamamie plot follows shadowy government-type Viola Davis as she recruits a bunch of unstable
criminals to rescue her from an unstable criminal she recruited earlier.
Do I have that right?
Yeah... the story really is that dumb.
DC Comics' desperate attempt to create their own, expansive 'cinematic universe' is on
full, pathetic display in this PG-13 rated film - as character after character are introduced
via elaborate flashbacks and pointless montages.
The entire first act feels like a lengthy "previously on" briefing before the finale
episode of a season-long drama.
Obviously, laying this groundwork is necessary - but it would have been far better delivered
in a standalone feature or two.
Worse still, the disproportionate character development immediately telegraphs which member
of the titular mercenary group is expenzdable to the script.
A prediction which is confirmed mere minutes after Slipknot is unceremoniously introduced,
and then almost immediately dispatched.
Although the story is drawn-out to 135 minutes, it still feels needlessly rushed... and yet,
simultaneously it doesn't seem like anyone is in a hurry to save the world.
The characters take even take a lengthy pause for some drinks at an abandoned hotel bar.
Will Smith does his best with a lazy script, bringing real life and depth to his character,
while his gorgeous "Focus" co-star Margot Robbie steals every scene she's in.
Her bubbly charisma, psychotic persona, and drop-dead looks create an irresistible cocktail
you can't help but enjoy.
Their participation save this film from becoming totally unwatchable.
Meanwhile, Jared Leto's take on The Joker looks like a high schooler's aborted Halloween
costume.
A precipitous fall from Heath Ledger's indelible performance in "The Dark Knight".
There's another dozen, reasonably prominent names in the cast like Jai Courtney, Joel
Kinnaman, and Scott Eastwood - but each and every one is wasted or mishandled.
Some brief, uncredited, appearances from Ben Affleck's caped crusader are pretty cool though.
The spastic fight sequences are a mix of poorly choreographed combat mixed with CGI-bullshittery.
The fact that director David Ayer attempts to juggle a dozen separate characters - in
dimly lit, non-description locations - doesn't help either.
All DC properties seem to be under the impression that "dark and gritty" automatically equals
compelling entertainment.
I mean, look at this close-up shot from the climatic fight sequence; nothing but blurry,
de-saturated clutter.
In regards to music, DC Comics is once again shamelessly playing catch-up, as they attempt
to mimic the incredible "Guardians Of The Galaxy" soundtrack.
Rather than connecting these songs to the narrative in any compelling or emotional way,
they're just haphazardly used as 10-second leitmotifs.
A distracting after-thought that not only ruins their effectiveness, but illustrates
how desperate the film is to keep things 'fun'.
"Suicide Squad" may have a couple memorable characters and sequences, but it lacks cohesion
or purpose.
Whether you lay blame at Ayer's feet or with the studio executives - the end result is
the same; a jumbled mess of periodically entertaining moments, lost amongst their surroundings.
"Suicide Squad" is an unfocused waste of a promising cast.
I thought it was MEH.
That does it for this review - but if you'd like to watch more "Movie Night", click or
tap the thumbnails on the left.
And don't forget to visit the Jogwheel YouTube channel to see full episodes of this show
in addition to the other content I produce.
My name is Jonathan Paula, thanks for watching and have a good Movie Night!
-------------------------------------------
Ewangeliarz OP | 5 stycznia 2018 | (J 1, 43-51) - Duration: 2:19.
[music]
There is a group of people with whom, on the one hand, I like to talk about faith, God, or spiritual matters,
and on the other hand - they irritate me to some degree.
Well, these are skeptics, these are people who have a lot of serious questions,
who are not so easily attracted to what is religious.
I am convinced that such people are a great treasure.
They are a treasure for those with solid faith and this is also a tremendous value.
Because they question this kind of overconfidence many believers show.
The hero of today's Gospel is just such a skeptic and maybe this is a good opportunity
to remind ourselves of such people from our group, who would question our deep beliefs,
our confidence in the area of faith or religion. We should choose
not to avoid them. Because we definitely have such a reflex not to meet, not to enter these topics.
Because it pushes us out of our comfort zone.
Maybe God gives you such a man, such a skeptic who, in fact, has a good heart
and asks good questions. Because this is a chance that faith, religiousness and thinking deepen in you,
but a chance for your skeptical friend to get something good out of this meeting.
-------------------------------------------
Ask Manpreet | How To Make A Girl Like You | Expert Advice - Duration: 2:34.
hi everyone welcome back so today we're going to be talking about the five
different ways you can make a girl like you in my professional expert opinion so
number one wear read studies have shown that women find men who are wearing any
clothing with the red color to be more attractive this is because
women associate red with power which ultimately makes the guy wearing red
seem more attractive to them number two make steady eye contact with
her for two to four second and then look away
so make eye contacts for two to four seconds and look away this will build
your self-confidence and that will establish trust and intimacy with her
number three number three is remember her name and repeat it throughout the
conversation when you're talking to her we as human beings we like it when someone
remembers our name and pronounces it correctly as human beings when someone doesn't
pronounce it correctly or when someone doesn't remember it not very good feeling
right so try to remember her name and use it throughout the conversation and
anyone else who's in the room as well which can be a person working in the
restaurant try to remember their needs as well this
will make you seem very unique and an interesting person to get to know number
four is at the place that you're meeting try to be more of a host rather than
going with the flow so you know when someone comes over to your house you
know you make sure you know they're comfortable you bring them tea from the
cookies you know you make sure that you know they feel good at your place what
you want to do at the restaurant you want to ask her hey would you like
some dessert and if she know she's looking for the washroom you can be like hey the
washrooms right over there to the right and that is going to make you seem
way more charming and way more unique because you're you're
actually working the room number 5 number 5 is the flirtatious handshake
now if you're feeling bold if you're feeling brave man and your feeling super
confident you should try this this is when you walk into the room and you see
her you make eye contact you smile and then you look into her eyes and then you
shake her hand and when you when you're shaking her hand you shake it for a
little longer that is going to make you seem very
charming so try the flirtatious handshake
-------------------------------------------
How to make any mobs into creepers in Minecraft PE with command blocks - Duration: 1:58.
For more infomation >> How to make any mobs into creepers in Minecraft PE with command blocks - Duration: 1:58. -------------------------------------------
24小時:EXO-GOT7-TARA-宣美-秀智-2PM張祐榮-趙權-MXM-EXID率智 - Duration: 9:30.
For more infomation >> 24小時:EXO-GOT7-TARA-宣美-秀智-2PM張祐榮-趙權-MXM-EXID率智 - Duration: 9:30. -------------------------------------------
ICE Director Fires Back At Sanctuary California — Throws Down The Gauntlet With 4 Words - Duration: 34:25.
ICE Director Fires Back At Sanctuary California — Throws Down The Gauntlet With 4 Words
This January, a law went into effect that makes all of California a sanctuary state.
The move is a pathetic attempt to undermine President Donald Trump's plans to protect
America, and it puts California's citizens at risk.
However, ICE Director Thomas Homan had some strong words for the super-liberal state,
and he didn't hold anything back.
Governor Jerry Brown recently made California a sanctuary state.
ICE Director Homan has something to say about that.
(Photo Credit: Thomas Hawk/Flickr/U.S. Customs and Border Protection/Flickr)
Sanctuary policy prevents local law enforcement from cooperating with federal agents.
Specifically, it prevents them from holding onto criminals who are illegal aliens.
Police are forced to let them go before ICE or other federal officers can apprehend them.
It is a shocking violation of federal law.
More than that, it jeopardizes the safety of every law-abiding citizen.
Liberal bastions throughout the United States have some form of sanctuary policy.
Democrats love them because it protects illegal aliens.
They are under the delusion that if they pander to illegals, they'll vote for them.
I'll let that sink in.
Yes, Democrats are that stupid and desperate.
These policies protect criminals.
They put the interests of murderers, drug dealers, and rapists above citizens.
Liberals don't seem to mind.
Acting ICE Director Homan spoke about California's new sanctuary status.
He very plainly said it's not going to stop the federal government.
California "better hold on tight."
Acting Immigration and Customs Enforcement Director Thomas Homan said California "better
hold on tight" after its liberal Democratic governor allowed a sanctuary state law to
take effect this week…
"I think it's terrible," Homan said, adding that Brown's action put politics
in front of public safety…
He said that rank-and-file police officers are opposed to the new measure and that Brown's
administration didn't consult them before approving the law.
"If [Brown] thinks he is protecting the community, he's doing quite the opposite,"
Homan said.
"[Brown] is knowingly putting law enforcement at risk."
"There's no sanctuary from law enforcement," he said.
"California better hold on tight – they're about to see a lot more deportation officers.
If politicians don't protect their communities then ICE will."
[Source: Fox New]
ICE Director Thomas Homan is not mincing words here.
Because of California's new sanctuary law, more ICE officers will be in the state.
Sanctuary laws only work if federal agents can't get to the arrested criminals in time.
ICE can conveniently circumvent the policy by having plenty of agents on the ground in
CA.
This might seem like a petty response by Homan, but he, in fact, has no choice.
Because of this terrible new law, California will become a magnet for criminal aliens,
more so than ever before.
Drug cartels, human traffickers, and other criminals will prioritize entering the U.S.
through California simply because they know they are safer there.
Doesn't that make you want to move to California right now?
No one in their right mind would say yes to that.
ICE Director Thomas Homan has to send more agents to California because of the increase
in danger.
Legions of criminal aliens will flood the state because of Jerry Brown's terrible
new law.
Homan said illegal alien smuggling organizations will use the California law as a "selling
point" and that Brown "bit off a lot more than he can chew."
Homan said that Brown and other sanctuary-jurisdiction leaders may have violated 8 U.S. Code § 1324
– relating to "harboring certain aliens."
He said he hopes the Justice Department will look into whether officials can be criminally
charged under the statute.
[Source: Fox New]
California does not know what kind of chaos it has unleashed.
Every corner of the state will be in danger.
Criminal aliens will exploit the region like never before.
The state already struggles.
It neglects needed infrastructure to support the free-loading aliens and criminals already.
Imagine how bad it will get in coming years.
It's a sad turn of events, for a once great state.
Liberal lawmakers are driving California into ruin.
What will it take for things to turn around?
Will the conservatives, who are still left, be able to right the ship?
Or will they smartly flee to greener pastures?
Only time will tell, but one thing is for certain: Things are not looking good for sunny
California or the slimy criminals whom they wish to provide sanctuary.
-------------------------------------------
Ciemna strona Majora - Duration: 3:42.
For more infomation >> Ciemna strona Majora - Duration: 3:42. -------------------------------------------
Modern Cabin Tiny Home | Lovely Tiny House - Duration: 2:34.
For more infomation >> Modern Cabin Tiny Home | Lovely Tiny House - Duration: 2:34. -------------------------------------------
Les 5 choses simples que toutes les femmes veulent au lit - Duration: 5:14.
For more infomation >> Les 5 choses simples que toutes les femmes veulent au lit - Duration: 5:14. -------------------------------------------
The Four: Battle For Stardom ...
For more infomation >> The Four: Battle For Stardom ...-------------------------------------------
How to PAINT FUR | TUTORIAL | Medibang Paint Pro - Duration: 18:14.
hello everyone welcome to my channel my name is Jax and today I'll be showing
you how to paint fur. so anyone who's been watching this channel for a while
know that animals, creatures, things with fur make up the bulk of what I like to
draw. now I'm not a realism artist I don't paint animals to look exactly like
their real-life counterparts so in this tutorial we'll be exploring more of a
stylistic rendering of fur now this is a piece that I'll be using to demonstrate
the fur painting techniques now like most of the art on my channel this is a
commissioned piece and I just thought it'd be the perfect character for this
tutorial because we have this nice variety of fur lengths across a
character so the fur on the face is a little shorter and then towards the
cheek and neck it gets a little longer and thicker anyway so I thought this
will just be a great opportunity to show you guys a few different methods to
paint different textures of fur. anyway before we get stuck into the fur we
first need to block in the general colors and backgrounds in the character
as you can see I've already done that here but I'm going to show you a quick
time-lapse of me doing this so basically what I did was I filled in a background
with a darkish color and then use the gradient tool to make some dark and
light adjustments and then for the character I take a flat brush and just
quickly paint in their general colors I first pick colours from a reference but
then I usually adjust a bit to blend in with the overall tone of the background
for the shadows I like to make a layer on top of the base colors, clip it to the
layer underneath and then set the layer to multiply
I usually choose a light cool toned color keeping in mind the
environment the character is in and I start blocking in the shadows so for
this piece I want to delight to come in from the top right corner so I lay in
the shadows with that in mind next up I create another clipping layer on top of
the shadow layer and I set this one to overlay now to complement the cool
shadows I really wanted a nice warm light coming in front of top so I
selected a light gold color and started sweeping that in. I also then like to
play around a bit with a hue and saturation settings
just until I to get the right look and tone that I'm going for
finally I took a bit of time to place in the markings and also make a few light
blotches for where the plants and flowers in this piece were going to be
so once all that's done this is what the piece looks like with all the general
colors placed down I've merged all the layers now as well so the
characters on her own single layer I also have the layers with the rough
environment wash it in but I'm gonna keep those turned off for now since we
want to focus on the painting of the fur so first thing I'm going to show you
some of the brushes I like to use for fur and the settings I have them on and
all of these can be downloaded from the Medibang cloud and if you don't know how
to do that I have a super helpful video explaining how to access the cloud and
all the new features you get when you do including all the brushes I'm going to
use here so firstly we have a flat brush with a wide end just gonna turn up the
ease and mixing of colors up and I'm just gonna turn down the load color just
down a bit and what this does is it makes the color go on a little less
strongly and when it's applied to color on the same layer it actually blends in
more with the color rather than putting them down on full of passage so that's brush
number one brush number two is basically the exact same brush but what I've done
is I've double tapped it and I've turned down the min width to pretty much 0% you
can make a bit higher but around that with press okay and then
instead we're going to reverse the mixing colors and local color options so
the low color is now higher and the ease of mixing color it's just actually maybe
set that about halfway so what this does is it gives you a nice pointed sharp
edge which you can make nice crisp lines with okay and next
up we have flat brush dry and this is one actually just discovered quite
recently I'd actually didn't have this in my usual repertoire for most of my
older paintings but it is actually a really really nice slightly textured
brush you can see the individual bristles and
basically I just have one and I have the width set on a relatively high minimum
with press okay and then we have nice soft brush that we can add some texture
to the fur
okay and finally we have this one this is a first texture that I
quite like using and this is one that I've downloaded online
so again if you watch the videos I've linked to before about getting more brushes
in medibang there's a link in that video and also in the description for
this video below of where you can download this brush and it's quite like
the one the flat brush dry but it just has slightly larger bristles slightly
more crisp slightly more harsh so those are the four basic brushes that I'll be
using for the fur painting okay so one of the first things I like to do when
I'm painting fur is just to gently sketch out where the clumps of fur are
going to be so here we're going to have longer strands of fur on the tigers
cheeks and also a longer neck so I'm just gonna lightly sketch in some lines
just to indicate where these longer clump of fur are going to fall now
things to keep in mind when doing this you want to know where the general
direction of the fur of the animal it's going in so
you don't want the fur just flying off everywhere so in this case fur is
failling quite flat towards the body so I'm just going to sketch them in a
nice downward motion just very lightly very general and it's just just give you
some nice broad guidelines so you don't get lost
whilst you're painting
so now I'm going to try to say where so I'm using the flat wet brush here just
gonna pick one of those slightly darker colors and then I'm just gonna make I'm
just gonna stroke in some shadows just below where the clumps the tips of the
console fur are going to be just like lightly stroke them in there we go okay
so now I'm just gonna take the flat dry brush just gonna softly blend that in a
bit more just so we don't have harsh painted looking lines alright so what we're
going to do now is we're gonna take one of the sharper tipped brushes and we're
just going to start painting in individual clufts off fur so pick a nice
relatively lighter color in comparison to the shadows that you put in and just
turn down the ease of mixing of it just start gently putting in fur shaped blocks
of color okay and here's a trick once you do that you just want to take the
flatter edge brush and just blend those fur clumps in just like that
and then go for the thinner edge brush and just define those clumps of fur just
a little bit just make a nice shadow just to contrast with the tuft of fur
to explain this process in a nutshell essentially we're laying down the
shadows first before going in with lighter colors to create the individual
sections of fur and blending them in with the colors in between the highlights and
the shadows since we don't have a brush that can directly create nice sharp
opaque tips and then subsequently become wider and blend in with the base color
we had to do this manually with a sharp flat brush and then use wider edged
brushes to blend in a sharp stroke and yes this is quite a tedious process
especially when you have large bodies of fur to cover but texturing anything in
general requires a lot of time and patience luckily this technique is very
simple and very easy to master a couple of shortcuts I find very useful firstly
of course is ctrl Z the undo option you'll notice that I use it quite a lot
when I paint and unapologetically so I always never get the shape or stroke I
watched the first time around so I keep undoing it until I do another
really useful shortcut I have set is the Alt key when I hold down the Alt key the
brush tool becomes a color picker and I use this to pick the in-between colors I
use when blending and also when applying new tufts of fur occasionally the color
I need won't be an existing color in image sometimes I need a lighter or
darker color in which case I usually start out by picking an existing color
and then moving the slider in the color wheel a little higher or lower depending
on what I need I like to make the tip of each tuft of fur the brightest to
contrast with the shadow underneath and the base of the tuft becomes darker as
it blend in with the shadow of the fur above it because of this one good idea
is to start from the bottom upwards fur a higher up on the animals body tends to
slightly layer on top and cover the fur underneath by working from the bottom up
you don't need to blend every single tuft of fur in perfectly because you can
just cover the base with the fur on top now I didn't do that here because a high
lack *foresight but that's absolutely fine as well it just means when you work on a
lower layer you have to be careful not to paint over the tuft you already
painted alright now that you know the general technique of painting
Tufts of fur there are a few additional things to keep in mind to make them look
right remember is a three-dimensional texture that is
attached through a three-dimensional body now I'm not the best when it comes to
accurately representing anatomy but I know the neck of the animal isn't just a
cylinder it has curves and muscles in a case of tigers like this one they tend
to have pretty wide necks and here she's also turning towards the right as well
so the fur attached also nice is shift slightly in the direction the head
is facing never be afraid to look up references when trying to figure out
where the fur is supposed to fall they're there to help and it's really going to
help improve your art and make the fur look more realistic so that's it for
long fur now I'm just going to timelapse through me painting through the rest of
the neck and chest one of the final touches I liked to do for long fur is to
take a small sharp brush and then just draw in a few individual strands of hair
coming off the larger tufts just to give that finishing detail
okay so now that the long fur on the neck is done I'm going to show you how I
like to paint the smaller shorter furs on the face and if you wanted you could
use the same technique I showed you with the long fur but just reduce the size of
the individual tufts but that will take forever to finish in my opinion with
short for using a textured brush like the fur brush or the dry flat brush I
showed you earlier to quickly paint on and give the impression of a fur texture
I'm going to use the same technique as before where I paint on the shadowed
areas first and then I'm going to take a lighter color and then paint over those
shadows to create areas of highlight in terms of the brush settings I like to
keep the load color of the fur brush quite high because I want the fur
texture to be quite visible if the load color was too low and the ease of
mixing too high I would have a much harder time getting
a nice texture fur a look okay so now I'm just gonna do this all over the face
and the same thing with the markings just letting the brush do all the work
for me to create a simple short fur texture and that's pretty much all there
is to it I'm going to do a time lapse again and I'll be back at the end of the
video with the finished painting
all right so this is the finished painting I put all the foreground plants
and post-production sparklies in as well I really hope this tutorial was helpful
this is generally how I like to paint fur at the moment sometimes I change
things up a bit depending on how I'm feeling but the basic technique remains
shadows first and then tufts of highlighted fur on after thank you so
much for watching don't forget to like comment and subscribe if you haven't
already let me know what tutorial you like to see next and do follow me on all
these other social media I am literally on every platform so follow which ever
ones are the most convenient ones for you
links are all down in the description so yeah thank you again for watching and
I'll catch you all next time bye~
-------------------------------------------
Yakuza 0 1080p #16 - Duration: 48:15.
Share, like, subscribe the channel and don´t miss the next video because i´m already cutting it :DDDDDDDDDD
-------------------------------------------
THE END OF THE FUCKING WORLD | TP01EP03 | LEGENDADO | 2017 - Duration: 21:09.
For more infomation >> THE END OF THE FUCKING WORLD | TP01EP03 | LEGENDADO | 2017 - Duration: 21:09. -------------------------------------------
Ewangeliarz OP | 5 stycznia 2018 | (J 1, 43-51) - Duration: 2:19.
[music]
There is a group of people with whom, on the one hand, I like to talk about faith, God, or spiritual matters,
and on the other hand - they irritate me to some degree.
Well, these are skeptics, these are people who have a lot of serious questions,
who are not so easily attracted to what is religious.
I am convinced that such people are a great treasure.
They are a treasure for those with solid faith and this is also a tremendous value.
Because they question this kind of overconfidence many believers show.
The hero of today's Gospel is just such a skeptic and maybe this is a good opportunity
to remind ourselves of such people from our group, who would question our deep beliefs,
our confidence in the area of faith or religion. We should choose
not to avoid them. Because we definitely have such a reflex not to meet, not to enter these topics.
Because it pushes us out of our comfort zone.
Maybe God gives you such a man, such a skeptic who, in fact, has a good heart
and asks good questions. Because this is a chance that faith, religiousness and thinking deepen in you,
but a chance for your skeptical friend to get something good out of this meeting.
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